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After a steady stream of original songs by its namesake, the Mountain Home Music Company’s Gina Furtado Project takes a nifty side trip with an energetic version of a classic old-time-by-way-of-bluegrass instrumental, the “Kansas City Railroad Blues,” their first single produced by award-winning banjo player Kristin Scott Benson.

If there’s anything to equal the excitement of a hot new artist making their recording debut, it’s the return of a groundbreaking, influential act that’s long been absent from the studio. Case in point: “Sunny,” the stunning Organic Records debut of Acoustic Syndicate, the famed western North Carolina ensemble that’s helped to pave the way for generations of freewheeling, bluegrass-flavored jam bands.

Electronic music pioneer Jean-Michel Jarre has composed and recorded a 52-minute musical score for Amazônia, a new project by award winning photographer and filmmaker Sebastião Salgado, for the Philharmonic Paris. As well as a regular stereo version, Jarre has also recorded a special binaural version, available digitally and alongside the 5.1. Surround Sound Version available via a download code in the CD & Vinyl. All versions are available today, Friday, April 9.

Rock singer-guitarist Ayron Jones has announced his 12-track debut album CHILD OF THE STATE due May 21st via Big Machine/John Varvatos Records. Pre-order now

Guitar virtuoso Julian Lage shares "Boo's Blues," the second song from his soon-to-be-released Blue Note Records debut album, Squint, out June 11. The loping swing feel of "Boo’s Blues" exemplifies Lage’s ability to write with his bandmates in mind while echoing his influences.

“I like to imagine this music being played by the titans of bass and drums,” Lage says. “I'm imagining Billy Higgins, I'm imagining Art Taylor, I'm imagining Wilbur Ware, even though I’m writing explicitly for Dave and Jorge.”

On February 25, 2020, mere days before the first case of COVID-19 was discovered in the UK, as the ongoing pandemic necessitated the suspension of modern society, a very special concert took place at the legendary Palladium in London celebrating the songs of Peter Green and the original incarnation of Fleetwood Mac.

The audience at that sold out show witnessed something unique at what would be the last live concert anyone would attend until further notice. This show also now takes on a particularly poignant meaning, with the unfortunate passing of Peter Green in July 2020.

Louisville's “Delightfully menacing” (Baeble Music) Chief Ghoul shares his new single "I'll Be There" today, as the latest taste of his forthcoming sixth album, These Lycanthropic Blues, due out June 4, 2021. Describing the new song, Lee Miles says, "'I’ll Be There” is a sort of love song. Imagery and vibes in my head are those of classic gothic literature like Annabel Lee by Edgar Allan Poe. Lyrically, I wanted to compare and contrast mundane issues with apocalyptic events."

Willie Nelson and Luck Presents are proud to announce the first annual cannabis convention, Luck Summit: Planting the Seed which benefits HeadCount’s Cannabis Voter Project. Hosted by Nathanial Rateliff, the multi-day virtual summit seeks to destigmatize, educate, and promote cannabis culture in an informative and entertaining way. During the summit, Luck and fellow cannabis-advocate partners will showcase the cannabis plant through its many lenses including history, science, entertainment, and culture.

Osiris Media is excited to release the latest episode of Alex Skolnick’s Moods & Modes featuring legendary guitarist Peter Frampton.

Writing is how I make sense of everything. This relatively simple act of expression is extraordinarily cathartic. Trauma and pain are immediately liberated. The truly bizarre and fabulous can shine while simultaneously providing a healthy, sometimes even hysterical release. Mary Gauthier writes in her memoir, Saved By A Song: The Art and Healing Power of Songwriting, “Storytellers have power; they are not voiceless victims.

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