Festivals

Bear Creek Music & Arts Festival releases 2010 Stage Schedule

Today, Bear Creek Music Festival unveils the 2010 Festival Stage Schedule. With music in six different venues, Bear Creek offers nearly round-the-clock options with an incredible lineup. Headliners moe.

Bear Creek Festival Announces Additional 2010 Artists

Bear Creek Music & Arts Festival is thrilled to announce a once in a lifetime set of music to be performed on Sunday, November 14. The incredible musicians of Lettuce will play a special set of music honoring the distinguished careers of Maceo Parker, Fred Wesley and Pee Wee Ellis. The set will devote 30 minutes to each of their respective careers, including their solo work, their time together with James Brown and other work.

Sounds Australia brings over a dozen Australian Artists to CMJ!

Sounds Australia will provide the entertainment at the College Day "2 For the Showcase" lunch on October 21 featuring live performances (2 songs each) from Voltaire Twins, City Riots, Crayon Fields, The Jezabels and Philadelphia Grand Jury.

15th Annual All Good Music Festival Announces 2011 Dates

The All Good Music Festival is pleased to announce its 15th annual event to be held July 14-17, 2011 on Marvin’s Mountaintop near Masontown, WV.  As the Mid-Atlantic’s longest running music & camping event, this summer’s annual musical oasis saw the festival attracting record crowds, bringing in fans from every state in the country and internationally.

MoogFest 2010 Announces Late Night Lineup: Javelin, Pnuma Trio, MartyParty & More

The countdown to MoogFest 2010, the extraordinary three-day festival that celebrates the innovative spirit of sonic pioneer Robert Moog, during Halloween weekend, Oct. 29 – 31 in downtown Asheville, NC, is officially underway! With just under three weeks to go, it’s time to start preparing your costumes! Extra treats for Moog-inspired disguises.

Carolyn Wonderland to play ACL on 10/8

In 2001, Carolyn Wonderland lost her apartment lease when her landlord fell ill, and she decided to live out of her van. For two years, the internationally heralded blues artist that had already won the respect of Buddy Guy, the admiration of Bob Dylan and had been awarded Best Female Vocalist by the Houston Press Music Awards, lived in her vehicle. She was what many consider homeless. To Wonderland, she was “van full.”

Honda Returns to Austin City Limits Music Festival as Official Eco-Partner

In the tradition of American Honda's sustainability efforts at music festivals, Honda will once again serve as an official eco-partner at

Sahara Smith Plays Austin City Limits on 10/8

T Bone Burnett went on record to say 22-year-old "Sahara [Smith] is the best young artist I have heard in many years." Of her last show in Hollywood, the LA Times raved, "her voice hits angelic highs reminiscent of Alison Krauss and Emmylou Harris."

Her debut 'Myth of the Heart,' overseen by T Bone Burnett and producer Emile Kelman, features many of Burnett's first-call session players, including guitarist Marc Ribot, drummer Jay Bellerose, and bassist Dennis Crouch. It's earned a mass of rave reviews (see below) and available now via Playing in Traffic Records.

THE BAND OF HEATHENS at Austin City Limits

The guys in the Band of Heathens are fond of saying they became a unit by accident. But that’s like saying the Big Bang was an accident. Unplanned, maybe, but hardly random. One might even argue that a kind of destiny was involved. The merger of singer/songwriters/multi-instrumentalists Ed Jurdi, Gordy Quist and Colin Brooks, with bassist Seth Whitney and drummer John Chipman, from their respective solo careers and bands may not be akin to a cosmic explosion, but their current album, One Foot in the Ether, offers irrefutable evidence that they were meant to be together — and have evolved into a solid entity worthy of the comparisons they receive to the Black Crowes, The Band and Little Feat.

One Foot in the Ether, released in September 2009, is the Band of Heathens’ strongest work so far. That’s saying something, considering their last three releases (two live and one studio) brought the band out from relative obscurity to playing 250-plus shows a year for their rabid fan base, as well as a coveted taping for the 35th Anniversary season of the Austin City Limits television program. Both their last album and One Foot in the Ether reached No. 1 on the Americana Music Association Radio chart. The last (eponymous) album earned the band an Americana Music Association Honors & Awards nomination for 2009 New Emerging Artist of the Year, with One Foot in the Ether clinching a 2010 Americana nomination for Best Duo or Group. The group took Best New Band honors at the 2007 Austin Music Awards, shortly after their current lineup came into place as the band morphed from a side-project to a cohesive tight unit. And the band significantly expanded its reach with recent appearances at Lollapalooza, Wakarusa and the Austin City Limits festival.

One listen to One Foot in the Ether makes apparent that the Heathens’ three-front-man approach to writing and performing over the past three years has paid off in the studio. Aside from the confidence necessary to pull off releasing two live albums before releasing a studio album, it’s evident that their unorthodox career strategy suits them well.

“The band doesn’t like to do things safely,” Quist explains about their aversion to using set lists, planned programming, or, for that matter, a planned career path. “Random and Chance might actually be named as extra band members in the liner notes somewhere.”

One Foot in the Ether was unplanned. The Heathens started booking short bursts of studio time in Austin while they were in town, with no producer and no expectations. They would just set up live in one room and push “record.” They weren’t intending to make a full-length album, but the muses felt otherwise.  As more and more songs started coming together, the band would layer other textures over the live performances to add depth to the sound. The guys say they were going for a specific sound, but letting things be loose and spontaneous was essential to capturing the group’s essence. As they went deeper into the sessions, the project went from the originally planned (or unplanned) three or four songs to 16 completed songs. “It became apparent that we had a full-length album on our hands and we started honing things down to make a cohesive album,” said Jurdi.

Not given to overly detailed explanations, the Band of Heathens loosely define the sound they’ve achieved on One Foot in the Ether simply as rock ’n’ roll. While the last Heathens album may have been slightly more acoustic and swampier, this album is heavier, both thematically and sonically. It’s muscular with electric guitars, Hammond organs, vintage electric pianos and pill-bottle slides, all fine ingredients for rock ’n’ roll in its purest form.

And rock ’n’ roll is all over this album, in tracks like the Gram-Parsons-meets-Neil-Young stomp “L.A. County Blues” (which pays tribute to the great writer Hunter S. Thompson), the New Orleans/Motown-influenced “Say,” and the Saturday-night gospel-meetin’ showstopper “Shine a Light.” Then there’s the back-alley sounds of “Golden Calf,” which, with a nod to Tom Waits, addresses the darker side of humanity; the hot-off-the-floor funk of “You’re Gonna Miss Me”; and four-on-the-floor six-minute-plus jam “Somebody Tell the Truth.” The hypnotic-sounding closing hymn, “Hey Rider,” is “a call for peace, within and without,” according to Brooks. The album contains one cover, the Gillian Welch/David Rawlings tune “Look at Miss Ohio.”  The record echoes the greats from Dylan to Waits and Townes Van Zandt to Otis Redding, but the band is drawing from the wellspring that is American music to forge something present and immediate and new.

With a five-album record deal offer from one of the major-independent record labels on the table, the Band of Heathens opted to remain indie, releasing One Foot in the Ether on their own BOH Records, just as they released their last self-titled studio album. Brooks explains, “In the current ‘climate change’ of the music business, nobody knows how it is going to work so we are not averse to trying things our own way and experimenting.”

The press has appreciated the Heathens’ approach. Maverick called One Foot in the Ether a “quality album from a quality group.” Blurt said: “An album that echoes their down-home resolve, One Foot in the Ether finds them putting their best foot forward.” The jam band ’zine Honest Tune declared: “One Foot in the Ether is an ever-evolving masterwork that gets better with every replay.” And according to hometown Austin Chronicle, “One Foot in the Ether is sure to reinforce the band's place in the Austin music scene . . . ready-made for sitting on the back porch with a cold beer, a rock ’n’ soul affair evocative of Little Feat, The Band and The Black Crowes.”

Notes Brooks, “We have three distinct writers/singers who share the front but make a unified sound, not unlike some bands of the late ’60s and early ’70s, when the music was what drove the wheel, not the tabloid pop-star personality with a great rack. Don’t get me wrong: everybody loves boobs,” he adds, exhibiting a bit of the band’s characteristic deadpan humor. “The problem is, you can fake tits, but you can’t fake soul.”

No, you can’t fake soul. You just know it when you hear it.

Check out the Band of Heathens at Austin City Limits on October 8th @ 4:45 PM

CHARLIE MARS - AUSTIN CITY LIMITS MUSIC FESTIVAL - 10/8/10

Acclaimed singer/songwriter Charlie Mars will be performing at the Austin City Limits Music Festival on Friday, October 8th @ 12:20 PM.  Charlie has been on tour in support of his current CD, "Like A Bird, Like A Plane."

While in town for the festival, he’ll be doing a short live set for KGSR on Thursday, October 7th at Threadgills.  The station will be doing a live broadcast from the venue at 8:30am.  Then he'll perform at the Austin Ventures Stage at ACL on Friday, October 8th at 12:20pm, followed by a Waterloo Records signing.  Charlie will then be doing a solo show from 3:15pm to 3:30pm on the Austin Kiddie Limits Stage. And on Saturday, October 9th, he'll  top it off with a show at Threadgills at 10pm.

Mars is known for his compelling live performances.  “When he’s onstage, songs with deep grooves get some breathing room, and his lush choruses inevitably lead to raucous audience sing-alongs,” said Esquire.

Mars recorded the album in Austin with drummer J.J. Johnson (John Mayer), keyboardist John Ginty (Citizen Cope) and bass players George Reiff (Jakob Dylan) and Dave Monzie (Fiona Apple). The video for lead single “Listen to the Darkside” (a nod to Pink Floyd) featured “Weeds” star Mary Louise Parker and was directed by Danny Clinch.

"Like A Bird, Like A Plane," was praised by The Washington Post for its "lush musical vignettes" while Jambase called it "a fine addition to the canon of one of the South's most under appreciated songwriters." "Charlie's sultry alternative-southern-soul mastery sounds like what the lead singers for Coldplay or The Verve might sound like if they grew up in the south listening to REM and Nick Drake," said Jackson Free Press and the Pittsburgh Tribune called the album "mesmerizing."  "Mars combines the lyrical, melodic, and rhythmic gifts of Paul Simon with the dark, rootsy quality of Bruce Springsteen," said Berkshire Living.

Born in Arkansas and raised in Mississippi, Mars released three independent albums before signing with V2. His self-titled, 2004 major label debut was hailed by Rolling Stone as "Big emotional rock from Mississippi with a knack for hooks, and the hooks here have real barbs: They tug at you and just might draw some blood." High profile tours with artists such as R.E.M., KT Tunstall, Citizen Cope, John Butler Trio and Bob Schneider followed. When V2 folded, Mars returned to his independent roots, financing "Like A Bird, Like A Plane" himself, and releasing it on Rockingham Records in conjunction with the Nashville-based Thirty Tigers.