Albums

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Sturgill Simpson | A Sailor's Guide to Earth

Submitted by Michael Bachara on Wed, 11/30/2016 - 5:49 pm

At first listen to singer-songwriter Sturgill Simpson, you can hear the roots of yesteryear's country music outlaws, from Waylon Jennings and Jerry Reed to Merle Haggard (and if this is your first listen, where have you been). After further listening one can hear he is a phenomenon with his own unique flavor of Americana. Simpson is trailblazing his own path to musical success.

Beats Antique | "Shadowbox" | Review

Submitted by Patrick Giblin on Wed, 11/30/2016 - 4:41 pm

Every now and again, you come across music that manages to elicit emotive responses by exploring sounds, rhythms, and influences that you as the listener may not be exposed to daily.  On October 5, 2016 Beats Antique celebrated their 10th year with their 10th studio release, Shadowbox, and took the opportunity to span the globe for instruments, vocals, and beats that can only be found through global exploration.  While the album was officially produced in their Oakland studi

John McEuen | Made In Brooklyn | Review

Submitted by Dylan Muhlberg on Wed, 11/16/2016 - 12:51 pm

Grammy-Award Winning String Wizard, producer, and songwriter John McEuen possesses a keen knack for multitasking. He’s both a renowned picker and anthropological force in roots music. His biweekly syndicated Sirius XM Radio Program; Acoustic Traveler has further uncovered his pursuit of tracing the origins of country, blues, folk, and bluegrass. He rose to prominence as a member of the treasured Nitty Gritty Dirt Band.

Umphrey's McGee | Zonkey | Review

Submitted by Tim Hurley on Wed, 11/09/2016 - 3:55 pm

There is only one band in today’s musical landscape with the audacity, creativity, and all around brass balls to pull off such a unique and totally off-the-wall project, and that group is Umphrey’s McGee.  The sextet have never been shy about performing outside the box and this month will be releasing their newest studio album called Zonkey, a collection of mixed up cover songs intertwined within each other.

Hart Valley Drifters | Folk Time | Review

Submitted by Dylan Muhlberg on Mon, 11/07/2016 - 6:55 pm

In a surprisingly absent addition to the Jerry Garcia canon, Round Records/ATO Records are releasing the earliest known recording from the beloved multi-instrumentalist on November 11th. Three years before Garcia cofounded the American Psychedelic Rock group the Grateful Dead, the twenty-year old was exploring the American folk and roots music tradition. He had learned to play guitar and banjo in his teens and was beginning to refine his skill set as a self-taught multi-instrumentalist.

Phish | Big Boat | Review

Submitted by Tim Hurley on Tue, 11/01/2016 - 3:17 am

In today’s age of social media and the technological prison we live in it is amazing that a band like Phish can still keep a secret, especially from their rabid fan base.  When the band announced in early September that they were finally releasing their long-awaited studio follow-up to 2014’s Fuego, message boards and dedicated fan sites immediately began churning the rumor mill regarding which songs would appear on Big Boat.  The band had, after all, written and performed many new songs over the last few tours so it wou

Get Right Band | Who's In Charge? | Review

Submitted by Patrick Giblin on Fri, 09/30/2016 - 9:08 am

Ashville’s The Get Right Band has released their 3rd LP, Who’s In Charge?, through legendary Echo Mountain Studios (Widespread Panic, Smashing Pumpkins), and has been engineered, mixed, and co-produced by Julian Dreyer (The Avett Brothers), and was mastered by six-time Grammy winner Brian Lucey (The Black Keys, Grace Potter, Dr.

STS9 | The Universe Inside | Review

Submitted by Patrick Giblin on Thu, 09/29/2016 - 7:11 pm

STS9 released their 6th studio album, The Universe Inside, on their homegrown label 1320 Mission Control on September 2, 2016, and it represents their first such release since Ad Explorata was released in 2009.  This would also be the first release for “STS9 2.0” with Alana Rocklin since her taking over the staggering bass responsibilities for STS9 following David “Murph” Murphy’s departure in 2014.  Murph’s departure