The issue with calling any band a "jam band" is that you force them into an extreme marginalization that could come along with a stigma. The category "jam band" could encompass everything from Little Feat, The Disco Biscuits, Bela Fleck and the Flecktones, Phish, or MMW.
Twenty years after Billy Martin asked Steven Bernstein to help him hatch a freaky avant brass band, Wicked Knee delivers their triumphant full-length debut, Heels Over Head. The 11-track recording, available today from Martin's own Amulet Records, brings together four of the New York City downtown jazz scene's most legendary improvisers, which along with Martin on drums and Bernstein on trumpet, features Curtis Fowlkes on trombone and Marcus Rojas on tuba.
Free Magic. Isn’t that what jazz-fusion is? Using a launch pad of some familiar melody, rhythmic riff, or instrumentation, and building it forward and outward until it gets really weird. That’s what Miles Davis realized about jazz music in the late 60s, that it was the root of all American music, and with that in mind any so-called style could be integrated into the so-called genre of jazz.
Boulder loves the jazzy funk, no doubt about it, and at the top of the fan club is Boulder's college student population. So what better place for a jamfest featuring Medeski, Martin & Wood and the Wood Brothers than in the heart of young hipsterville, right?
On a balmy Friday evening in South Florida, with relatively low (and I say lightly) humidity, I set out on the hour long drive down to North Miami Beach to see one of my absolute favorite bands, Medeski Martin and Wood. What can you say about Medeski Martin and Wood. They are by far the most talented improvisational, funk, jazz, modern, eclectic, ground paving, limit pushing trios out there. And have been for over a decade. I picked up my friend Sarah and we hit the road.