Three-and-one-half years into its tenure, Dead & Company launched its summer 2019 tour on May 31 in the spacious Shoreline Amphitheatre, in the South San Francisco Bay region where The Grateful Dead legacy began more than 50 years ago.

Since 2015, Dead & Co Participation Row guitar and poster auctions have generated over $875,000 for various charities, with proceeds split between HeadCount, REVERB and a dozen "Dead Family" non-profit organizations. When including recent online raffles, the total is more than $1 million. Here are the new guitars D'Angelico designed for 2019. 

Illustrious musicians from the vanguard to the nostalgic, some of who began plying their craft in the ‘60s, and others who are poised for big recognition in the 2020s, all shared a distinctive Southern California seaside aesthetic at the inaugural BeachLife Festival May 3 to 5. BeachLife, the biggest fest ever to blast its jukebox along the Santa Monica Bay at Redondo Beach, combined sun, sounds, sand, and surf and passed its acid test with flying colors.

It was a good day. Redondo Beach, California’s, inaugural BeachLife Festival got off to a splendid start on Friday, May 3, with Bob Weir, Chris Robinson, Slightly Stoopid, and Steel Pulse leading the way, and the undercard featuring lots of roots-reggae rock, all of which colorfully defined the SoCal beach vibe. Cool breezes from the adjacent Santa Monica Bay and the Pacific Ocean kept temperatures in the 60s while the early May SoCal sun beamed down on several thousand rosy-faced attendees.

LOCKN’ Music Festival, nestled in the natural beauty of the Blue Ridge Mountains in Arrington, Virginia, provides the ultimate atmosphere for live music. Now you could win the ultimate LOCKN’ experience as the personal guest of the festival’s producer, Peter Shapiro! 

Today, Sanuk announced a collaboration with iconic rock band, Grateful Dead. Launching on 4/20, the exclusive collection for men and women celebrates the legacy of arguably one of the greatest bands of all time – with tie-dye colors of course!

Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

Wolf Brothers, consisting of Weir on guitar and vocals, Don Was on standup bass and Jay Lane on Drums, played a 1st set consisting of a mix of classic Grateful Dead songs including "Friend of the Devil” and “Althea" along with covers of Bob Dylan’s "When I Paint My Masterpiece" and Daniel Lanois' “The Maker” as well as a pair of Weir's solo and sideband (RatDog) in “Gonesville” and "Bombs Away” respectively. The first set ended with Barlow/Weir’s "Lost Sailor” segueing into “Saint of Circumstance.”