Indie

Vincent Minor Live in NYC This Thursday, Debut AlbumOut Today!

Vincent Minor’s self-titled debut album is out today Social Science Recordings! In celebration, he is playing Piano’s in NYC this Thursday 9/23. The gorgeous indie pop meets Tin Pan Alley melodies juxtaposed with witty and insightful naratives have garnered praise from The Advocate, Venus, CMJ, and many others.  He recently released the “Heavy Metal Lover” MP3 which premiered on PopMatters.  He also recently released the spellbinding first video from the album for “The Trap” which you can see HERE.

Vincent Minor assembled some amazing LA area talents to round out his grand vision for the album including producer Tom Biller (Fiona Apple, Sean Lennon, Where the Wild Things Are), keyboardist Zac Rae (Annie Lennox, My Brightest Diamond), horn player Stewart Cole (Edward Sharpe, Rachael Yamagata), and upright bassist Ed Maxwell.  The result is a collection of wryly humorous and troubling tales carried by Minor's tuneful baritone and his lush orchestral production.

Don’t miss Vincent Minor Live at Piano’s in NYC This Thursday!

The Mynabirds Stop By Daytrotter, Kick Off Tour Today

Laura Burhenn has had a busy year.  She released What We Lose In The Fire We Gain in the Flood (Saddle Creek), her acclaimed debut album as The Mynabirds, and opened for everyone from Al Green to Built to Spill.  Burhenn and her band also recently stopped by Daytrotter to record a session, which was just posted today.  Click HERE to listen to them perform 3 songs off the album plus the new song “Lemon Tree,” which was recorded for the first time.  The band is also about to hit the road on a national tour, including dates with Crooked Fingers and David Bazan.

After the break-up of her former band, Georgie James, Burhenn wrote a collection of songs that meditated on the themes of loss and recovery.  She recorded the compositions with Richard Swift and the results are the ten tracks on What We Lose.  A potent mix of soul, gospel, and country, Burhenn created The Mynabirds’ aesthetic based on how she thought Neil Young would sound doing Motown.  Serendipitously, she later found out that Young once collaborated with Rick James for a Motown project under the name The Mynah Birds!  Click HERE for more info on The Mynabirds, plus photos and mp3’s to listen to.

The Mynabirds Fall Tour Dates:

09/02: Oklahoma City, OK @ The Conservatory
09/03:  Austin, TX @ The Mohawk&
09/05:  Tucson, AZ @ Club Congress&
09/06:  San Diego, CA @ Soda Bar&
09/07:  Los Angeles, CA @ Spaceland&
09/08:  San Francisco, CA @ Café Du Nord&
09/10:  Seattle, WA @ Sunset Tavern&
09/11: Portland, OR @ Mississippi Studios&
09/16:  Chicago, IL @ Lincoln Hall*
09/17:  Detroit, MI @ Magic Stick*
09/18:  Toronto, ON @ Lee’s Palace*
09/19:  Montreal, QC @ Il Motore*
09/21:  Burlington, VT @ Club Metronome*
09/22:  Cambridge, MA @ TT The Bear’s*
09/24:  Brooklyn, NY @ Brooklyn Bowl*
09/25:  Washington DC @ Black Cat*
09/26:  Charlottesville, VA @ The Southern*
09/27:  Carrboro, NC @ Cat's Cradle*
09/28:  Atlanta, GA @ The Earl*
09/29:  Nashville, TN @ Exit/In*
10/01:  Jacksonville, FL @ Jack Rabbits*
10/02:  Orlando, FL @ The Social*
10/03:  Tallahassee, FL @ The Engine Room*
10/05:  Birmingham, AL @ The Bottletree*
10/06:  New Orleans, LA @ One Eyed Jacks*
10/07: Shreveport, LA @ The Collective

* = w/ David Bazan
& = w/ Crooked Fingers

White Rabbits Announce US Tour With Interpol

After spending the better part of two years on the road (including festival stops at Lollapallooza, Glastonbury (UK), Sasquatch, Monolith and tours with The Walkmen, Spoon, Richard Swift, The Cribs, White Denim and Tokyo Police Club) White Rabbits hunkered down in their Brooklyn practice space to set about re-envisioning the dark pop of their debut Fort Nightly, while adding new sounds and influences to achieve an original work.  The result is It’s Frightening, their second full-length album.

White Rabbits signed to TBD Records (US home to Radiohead/Other Lives/Hatcham Social) and erected a makeshift studio in their basement rehearsal space to demo new material.  Band members popped in and out over the course of several months lending ideas and personality to a new batch of songs that defy instant categorization. After enlisting tourmate, friend and songwriter Britt Daniel (Spoon) as producer, the pair began the process of exchanging demos between Brooklyn and Portland.  White Rabbits recorded It’s Frightening over the course of four weeks, only taking a break to play the Transmusicales Festival in Rennes, France.  The sessions were recorded by visionary engineer Nicholas Vernhes (Animal Collective, Deerhunter) at Rare Book Room in Brooklyn, NY.  Taking special care to recreate the unhinged nature of the original demos, the band utilized the wide range of tools in the analog-friendly studio to shape the personal spirit infused in the new tracks.  Upon the completion of tracking, White Rabbits traveled to Austin, TX to mix the record with studio wizard Mike McCarthy (Spoon, Trail Of Dead) using his exceptional ears to transform It’s Frightening into a uniquely rewarding headphone experience.

It’s Frightening plays like a classic reel of tape from start to finish. Opening with the visceral drums of “Percussion Gun,” it is clear that time-off from the road has served the band well.  The many highlights include the emotional centerpiece “Company I Keep,” the new sonic territory of “Lionesse” and the macabre lyrics of “Right Where They Left.”  Fans of Fort Nightly will find much to go weak in the knees over and new listeners are in for an awakening as White Rabbits flip the switch on an already impressive beginning. It’s Frightening is a journey into the playfully dark musings of Everyman.

The lineup : Stephen Patterson (vox/piano), Jamie Levinson (drums), Matthew Clark (drums, guitar), Alex Even (guitar), Gregory Roberts (guitar/vox). A U.S. tour will follow the May release of It’s Frightening

US Tour Dates With Interpol

10/18 - Fox Theater - Oakland, CA

10/21 - Soma - San Diego, CA

10/22 - The Joint - Las Vegas, NV

10/23 - Greek Theatre - Los Angeles, CA

10/25 - Ogden Theatre - Denver, CO

10/27 - The Palladium Ballroom - Dallas, TX

10/28 - Stubb's Waller Creek Ampitheatre - Austin, TX

10/29 - Verizon Wireless Theatre - Houston, TX

11/01 - The Tabernacle - Atlanta, GA

11/03 - Constitutional Hall - Washington, DC

11/04 - Tower Theatre- Upper Darby, PA

11/05 - United Palace - NY, NY

11/06 - United Palace - NY, NY

Beats Antique Play DENVER At Ogden Theatre

Growing like wildfire under the canopy of live electonica and world roots music comes a masterful merge of modern technology, live instrumentation and seductive performance, built of brass bands and glitch, string quartets and dubstep: the musical trio Beats Antique.

Since the group’s inception from the eclectic underground of San Francisco’s performance art scene, Beats Antique has been notorious for making it nearly impossible to sit still. They meld their mediums as attentively as they fuse the cultures that inspire their sound. All self produced and composed, the trio creates a unique collage: an animalistic, raw musical event that blurs the lines between the provocative, the spiritual, and the artistic, while still maintaining an allegiance to the muses of class and beauty.

The journey that led to Beats Antique today was a winding and twisted path from the west coast to the ancient trade routes of the silk  road. In this modern incarnation, the musical alliance of producers David Satori and Tommy Cappel is inspired and emphasized by their collaborative partnership with world-renowned belly dance performer and music producer Zoe Jakes.

David Satori and Tommy Cappel both trained classically before venturing to locations such as Bali, West Africa, Serbia and beyond. With extensive backgrounds in multicultural music production, and the passports to prove it, Satori and Cappel command the spectrum of live and digital instrumentation, born from Hip Hop and old school jazz.

Zoe Jakes adds a third dimension as the multi –cultural and –disciplinary dance counterpart to Beats Antique’s sound. Jakes has worked with 2 major dance troupes, Miles Copeland’s Bellydance Superstars and Rachel Brice’s Indigo Belly Dance Company, a student of ballet and contemporary techniques. Jake’s additional history with Cappel in the Extra Action Marching Band and the Yard Dogs Road Show grants some insight into the caliber of performance that is Beats Antique’s standard.

All of this sets the scene for Beats Antique’s overtly ambitious stage show, a sensory overload conquest of the festival circuit’s most riotous events, such as Lollapalooza, Austin City Limits festival, and Outside Lands, as well as a catalog of proper tours that include Bassnectar and a recent run with Les Claypool of PRIMUS in early 2010. According to Satori, the trio is excited by their ability to create a huge sound from their relatively small setup. “It gives us this whole new world of musical opportunities that we’re just starting to scratch the surface of.”

In a prolific 3 years since Beats Antique emerged, the group has released 2 albums and a pair of EPs, with a third album, Blind Threshold, on the way. Notable features of the new release include vaporous violins and Danny Elfman-esque dementia; glitchy, laser-guided harmonica provided by Blues Traveler frontman John Popper; and 2 very different vocal tracks that range between restless pop hooks and vibrant Eastern European dance loops. All wrapped into an intricate collection of heavy beats and sub bass.

Beats Antique is best imagined as an innovative creature built from the cumulative heritage of the world’s music chasing its tail. However vivid that image, when a marching band groove crashes into bluesy folk chords only to be accompanied by electronic beats and Middle Eastern melodies, you’ll still be surprised

US TOUR:

8/21 - Stephentown, NY - Bella Terra Music Festival
8/28 - Eugene, OR - McDonald Theatre
9/10 - Clarks Grove, MN - Harvestfest - Harmony Park
9/11 - Minot, ME - 1st Annual Dankfest
9/17 - Laytonville, CA - Earthdance
9/18 - Denver, CO - Ogden Theatre
9/24 - Seattle, WA - Decibel Festival @ Motor
9/25 - Arcata, CA - Aracata Theatre
9/28 - Fargo, ND - The Aquarium
9/30 - Madison, WI - Majestic Live
10/1 - Milwaukee, WI - Miramar Theatre
10/2 - Chicago, IL - Abbey Pub
10/3 - Grand Rapids, MI - The Intersection
10/6 - New Orleans, LA - Republic
10/9 - Austin, TX - Austin City Limits
10/11 - Mobile, AL - Alabama Music Box
10/12 - Birmingham, AL - Zydeco
10/13 - Nashville, TN - Exit/In
10/14 - Asheville, NC - TBD
10/15 - Charleston, SC - The Pour House
10/16 - Athens, GA - New Earth Music Hall
10/17 - Atlanta, GA - Masquerade - Hell Room
10/22 - Allston, MA - Harpers Ferry
11/11 - Vancouver, BC - Biltmore Cabaret
11/12 - Edmonton, AB - The Pawn Shop
11/13 - Calgary, AB - Royal Canadian Legion

Here We Go Magic To Headline Bowery Ballroom

Here We Go Magic is a five-piece band made up of members Luke Temple, Kristina Lieberson, Michael Bloch, Jennifer Turner, and Peter Hale. Several of them had collaborated consistently in years prior, but the five finally came together with a single unified vision in early 2009, buoyed by the release of the self-titled Here We Go Magic album (Western Vinyl).

The band's creative momentum since has been unwavering. Together they have developed a broad array of musical material and honed an explosive live sound all their own. They spent much of 2009 on successive North American and European tours with bands such Department of Eagles, Grizzly Bear, and the Walkmen, before retreating to a house near East Branch, NY to record their second full length LP.

Pigeons, out now on Secretly Canadian, was recorded to analog tape in the livingroom of a rented house in upstate New York. It represents a full-on collaborative work by a band with an uncanny musical chemistry. The album is produced by bassist Jen Turner and features thick full band arrangements by all members of Here We Go Magic. As they were immersed together in a very reactive and spontaneous creative process, most of the arrangements and textural treatments were born at the same moment as the songs themselves. Songwriter Luke Temple's evocative melodies and lyrics are thus complimented and fleshed out in completely organic ways.  Taken as a whole, Pigeons is a unique and fascinating journey from start to finish, rooted in driving repetitive rhythms, swathed in a celestial haze, and maintaining a consistent and comfortable expressive breath throughout.

First and foremost a live band by nature, Here We Go Magic will be touring almost without stop through the remainder of 2010. They have been invited to play many of the world's leading festivals, including Glastonbury, Bonnaroo, Primavera Sound and Pitchfork Festival.

US Tour Dates
10/13 - New York, NY - Bowery Ballroom
10/16 - Phoenix - Toronto, ON #
10/18 - Town Ballroom - Buffalo, NY #
10/19 - Beachland Ballroom - Cleveland, OH #
10/20 - The Crofoot - Pontiac, MI #
10/21 - Vic Theatre - Chicago, IL #
10/23 - First Avenue - Minneapolis, MN #
10/25 - The Waiting Room - Omaha, NE #
10/27 - Urban Lounge - Salt Lake City, UT #
10/30 - Vogue Theatre - Vancouver, BC #
10/31 - Doug Fir Lounge - Portland, OR
11/02 - Crystal Bay Crown Club Room - Crystal Bay, NV #
11/03 - The Fillmore - San Francisco, CA #
11/06 - Belly Up Tavern - Solana Beach, CA #
11/08 - Orpheum Theatre - Flagstaff, AZ #
11/09 - Sunshine Theater - Albuquerque, NM #
11/10 - Academy of Contemporary Music - Oklahoma City, OK #
11/11 - Palladium Ballroom - Dallas, TX #
11/13 - Warehouse Live Ballroom - Houston, TX

Independent Radio Takes Center Stage as Toyota Free Yr Radio Launches Fourth Annual Tour

Toyota’s Free Yr Radio is back, taking its mission to draw attention and support to independent, non-commercial radio on the road across the U.S. with appearances at the nation’s best music festivals, including Siren Fest, Lollapalooza, Mile High, Outside Lands, Bumbershoot, the Voodoo Experience, and CMJ.  Toyota launched Free Yr Radio four years ago to celebrate independent radio as a vital cultural resource.

Vincent Minor News & MP3!

Singer/songwriter Vincent Minor, will release his self-titled debut album, September 21 on Social Science Recordings. The album fuses indie pop with classic Tin Pan Alley tunesmithery and then lights the bonfire with colorful, often discordant orchestral arrangements. Unexpected passages of strutting brass, apocalyptic strings and malfunctioning kitchen appliances bring subtlety and life to Minor's stories of danger and heartbreak.

From the fuzzed out guitars and driving beat of “Late Night Show” with it’s tale of LSD in the desert and double-dutch with Morrissey to the gorgeous “Pin Drop Silence” with its escalating piano and strings that sonically recall Bowie’s epic “Rock’n’Roll Suicide”, the album never stops evolving, surprising and mesmerizing. Humor, an unusually wry and dark variety, is also pervasive, as evidenced in tunes like “Heavy Metal Lover” which tells the tale of someone who manipulates through drugging a lover's tea with arsenic rather than dealing a kosher break-up.

Vincent Minor assembled some amazing LA area talents to round out his grand vision including producer Tom Biller (Fiona Apple, Sean Lennon, Where the Wild Things Are), keyboardist Zac Rae (Annie Lennox, My Brightest Diamond), horn player Stewart Cole (Edward Sharpe, Rachael Yamagata), and upright bassist Ed Maxwell. The result is a collection of wryly humorous and troubling tales carried by Minor's tuneful baritone and his orchestrally lush production.

To introduce this album to live audiences Vincent Minor will be embarking on a national tour this summer. He will spend a week in each city and assemble an entirely new band for each show. For an early listen, check out the “Late Night Show” MP3 premiered on the Advocate yesterday. You can download the MP3 here. We encourage you to post & share this MP3 & look out for one of the year’s most exciting debuts!

Listen to Vincent Minor's 'Late Night Show.' {play}images/mp3/Late_Night_Show.mp3{/play}

Parlovr Unveil Cover Art & Tracklisting / East Coast Tour To Be Announced Soon

Meet Parlovr (pretend the V is a U when you say it). Over the last few years, these three Montrealers have been bringing their manic melee of indie pop to the musically-curious masses. They’ve already amassed plenty of attention from tasters and tastemakers alike via their blissfully bizarre tracks and seizure-inducing live shows; however, after recently signing onto the Dine Alone Records roster, the band is ready to make some serious noise in the new decade – in more ways than one…
Initially formed in a Mile-End loft during the winter of 2006 by guitarist/vocalist Louis David Jackson and keyboardist/vocalist Alex Cooper, the current incarnation of Parlovr came about in 2007 when drummer Jeremy MacCuish entered the fold – a catalyst to the fusion of the foiling songwriting styles of the original two. Since, the band has taken off on its own sonic tangent, appropriately dubbed “sloppy pop” in the past; stripped down but salacious and spastic.
The music is about as diverse as the city that spawned it – an interweaving of styles that takes on a shape and shimmer of its own. Raw and reverb-soaked, their independently-released, self-titled debut dropped in late 2008, recorded and produced by Martin Horn at Digital Bird Studios.
The songs found therein are rooted in dramatic dynamics not unlike those that exist between Cooper and Jackson’s foiling songwriting styles – quiet and loud; screams and whispers; sing-alongs and spacey instrumentals; warm low-end and crisp, shimmering leads; short pop jabs and extended epics. You get the idea, right? It’s quirky, it’s catchy, and while it’s full of familiar throwbacks to ‘60s pop, ‘80s post-punk, and ‘90s garage, it’s also refreshing.
Since its release, the album has garnered some great ink in pretty much every well-respected left-of-centre publication here in Canada – Hero Hill, Chartattack, and Hour among them. Even some from the south are taking notice, with Spin magazine calling the band one of the “5 to watch” out of Montreal (it’s pretty much the new Seattle) and The New York Times sharing kind words about their live show. It’s obvious the bandwagon is starting to fill up, and everybody on it is dancing.
Parlovr has spent time bringing their melodies on the road, having toured extensively throughout Canada, New York, France and Europe alongside indie pop peers like Arctic Monkeys and Franz Ferdinand.
With all of the pieces in place, Parlovr seems set to bring their melodic mayhem to a widespread populace for the new decade.
It’s 2010, and it’s finally cool to say you listen to Parlovr music.

Here We Go Magic Announce US Summer Tour

Here We Go Magic is a five-piece band made up of members Luke Temple, Kristina Lieberson, Michael Bloch, Jennifer Turner, and Peter Hale. They originally came together in New York in early 2009 through a series of chance encounters, overheard conversations and supernatural occurrences.

From disparate musical backgrounds, the five found immediate common inspiration in a collection of unique 4-track recordings created by lead singer Luke Temple. These recordings were released in February, 2009 as the self-titled Here We Go Magic (Western Vinyl).

Since this initial spark the band's creative momentum has been unwavering. Together they have developed a broad array of musical material and honed an explosive live sound all their own. They spent much of 2009 on successive North American and European tours with bands such Department of Eagles, Grizzly Bear, and the Walkmen, before retreating to a house near East Branch, NY to record their second full length LP.

Pigeons, set for release on Secretly Canadian on June 8th, was produced and recorded by Here We Go Magic over four months in the late Summer and Fall of 2009.  The band plans extensive touring in conjunction with its release.

US Summer Tour
June 08 - Music Hall of Williamsburg - Brooklyn, NY +
June 10 - Bonnaroo Music Festival - Manchester, TN
July 18 - Pitchfork Music Festival - Chicago, IL
July 19 - The Waiting Room - Omaha, NE *
July 20 - Hi Dive - Denver, CO *
July 22 - Neurolux - Boise, ID *
July 23 - Doug Fir Lounge - Portland, OR *
July 24 - Capitol Hill Block Party - Seattle, WA
July 25 - Media Club - Vancouver, BC *
July 28 - Great American Music Hall - San Francisco, CA *
July 29 - Troubadour - West Hollywood, CA * #
Aug 01 - The Rhythm Room - Phoenix, AZ *
Aug 03 - The LOFT at the Palladium - Dallas, TX *
Aug 04 - Emo's Outside - Austin, TX * #
Aug 06 - The Earl - Atlanta, GA * #
Aug 07 - Cat's Cradle - Carrboro, NC * #
Aug 08 - The Black Cat - Washington, DC *
Aug 09 - Johnny Brenda's - Philadelphia, PA

+ w/ The War on Drugs
* w/ Beach Fossils # w/CURFEW

The Mynabirds Announce Spring Tour, Album in Stores Now

With this week’s release of her debut album as The Mynabirds, Laura Burhenn has officially turned the page from her role as one half of Georgie James.  Following The Mynabirds’ acclaimed first single “Numbers Don’t Lie,” Laura is giving another taste of What We Lose In The Fire We Gain In The Flood (Saddle Creek) with the bouncy, kiss-off anthem “Let The Record Go.”  Download the track HERE and if you haven’t heard “Numbers” yet you can check it out HERE.  For the next week you can also stream the full album HERE on Saddle Creek’s website.  Catch Laura and her band live when they kick off their spring tour on April 30th, which includes dates opening for Josh Ritter.

What We Lose draws from the gospel, old soul, and rock n roll that Burhenn was raised on, and many of the lyrics are inspired by a Zen-like view of the themes of loss and recovery.  With a surprisingly husky voice, considering her small stature, Burhenn adorns her words with a rich and emotive tone.  In the studio, singer-songwriter/producer Richard Swift helped carry out Burhenn’s vision, resulting in an album packed with both subtle detail and immediate charm.

The album also includes some notable guest artists.  Tom Hnatow (These United States) played pedal steel, Nate Walcott (Bright Eyes) arranged the horns on the album and backing vocals were provided by Orenda Fink (Azure Ray) and engineer/producer AJ Mogis (Monsters of Folk, Cursive, Tilly and The Wall).

Listen to The Mynabirds' "Let the Record Go"

{play}images/mp3/themynabirds_lettherecordgo.mp3{/play}

The Mynabirds – Spring Tour 2010:

* = with Josh Ritter

4/30: Des Moines, IA, Vaudeville Mews

5/1: Omaha, NE, Slowdown

5/7: Minneapolis, MN, Cedar Cultural Center

6/1: Cleveland, OH, Beachland Tavern

6/2: Washington, DC, Black Cat

6/3: Brooklyn, NY, The Bell House

6/6: Chicago, IL, Do Division Festival

6/7: Chicago, IL, Empty Bottle

6/8: Iowa City, IA, The Mill

6/11: Birmingham, AL, WorkPlay Theatre *

6/12: Baton Rouge, LA, Manship Theatre *

6/14: Austin, TX, Antone's *

6/15: Dallas, TX, Granada *