In the midst of the “Fare Thee Well: Celebrating 50 Years of Grateful Dead”, Grateful Web talks to Roger McNamee of Moonalice. McNamee shares candidly Moonalice music, technology, their philosophy and vehement choice to live and play by their own credo -- perhaps similar to that of the Grateful Dead – to thrive – and have fun -- in today’s music industry.
GW: Hello Roger. Where are you at?
While no longer touring with Tedeschi Trucks Band or the newly retired Allman Brothers Band, Oteil Burbridge is still finding balance between his family life and career. As one of the most recognizable bass players to crisscross the jam band web and beyond, this isn’t as easy as it seems. While he will be hitting the road this summer with the Aquarium Rescue Unit, weekend gigs and festivals are those that allow him to be with his young son and wife the most.
Since his debut album Make a New World in 2010, guitarist, singer, and songwriter Steven Graves has built a solid following. He’s released six studio albums and contributed to social awareness causes and charity. While some might find elements of country, gospel, or folk rock in Graves’ style, his music is distinct beyond categorization. We’re excited about the release of his newest album Mission Bell and are here to chat with him about what’s current.
When you see The Chris Robinson Brotherhood in your town, which they’ll no doubt be visiting sooner than later, the former Black Crowes vocalist will likely be the most recognizable. That’s not what this band is about, however, as this is no patchwork group assembled to orbit a central star. This is a band in the truest sense, with five members sharing the stage and songs that have come together as an evolving unit over four-plus years.
Guitarists will always be in demand. With anywhere from three or more projects in the works at any given time, Brooklyn’s Scott Metzger lives and breathes that sentiment. Most recently known for his work with Anders Osborne and Joe Russo’s Almost Dead, his resume is affording him opportunities to branch out on his own.
From their latest release The London Session recorded at the legendary Abbey Road Studios in England, to their four-quarter fan interactive jam extravaganza fittingly titled UMBowl, the boys from Umphrey’s McGee have developed into a genre-defying powerhouse that only grows by the day. Keyboardist extraordinaire Joel Cummins recently sat down with the Grateful Web to discuss their latest release, how UMBowl came to be, along with what’s in store for guys in 2015 and beyond.
Since his debut album Freek back in 1994, Keller Williams has never stopped pushing musical boundaries when it comes to the exploration of different genres and sounds. The lively, self taught multi-instrumentalist plays whatever he feels is right at the time, most of the time barefoot and always with a big grin on his face.
With the acquisition of The Goose, a college watering hole at the corner of Broadway and Pleasant, Jay Bianchi has finally extended his Grateful Dead-inspired bar empire into (The People’s Republic of) Boulder, Colorado. Known as The Goose since 2008, the bar is undergoing modest yet incremental transformations. Bianchi is currently booking bands on the patio under the moniker “Owsley’s Presents at The Goose,” with plans to re-brand the bar into Owsley’s Golden Road in May. This is while staying open to the public, of course, because the show must go on.