jazz

Prez Fest 2009 | Celebrating Billy Strayhorn | March 14 & 15

Duke Ellington & Billy Strayhorn- for the Grateful Web

Saint Peter's Church, known worldwide as the "Jazz Church," will present "Prez Fest 2009 — Celebrating Billy Strayhorn."  The festival begins with a listening session of Billy Strayhorn recordings on Saturday, March 14 at 3:00 PM and continues on Sunday with a lecture on Billy Strayhorn at 4:00 PM, Jazz Vespers at 5:00 PM and a Concert at 7:00 PM.  A variety of groups will perform the music of Billy Strayhorn.  Billy Strayhorn's piano was gifted to the church years ago and its refurbishing will be celebrated.

Billy Strayhorn (1915–1967), composer, arranger and pianist, was born in Dayton, Ohio, and raised in Hillsborough, N.C. and Pittsburgh, Pa. where he received his musical training.  He first met Duke Ellington in 1938 and worked in close collaboration with him for three decades.  Some of the world's great compositions were written by Billy Strayhorn:  Take the A Train, Lush Life, Chelsea Bridge, Something to Live For, Day Dream, Rain Check, Passion Flower, Midriff, Rain Check and Johnny Come Lately. In collaboration with Duke Ellington, he produced many concert works including: Perfume Suite, Such Sweet Thunder and A Drum is a Woman.

"Billy Strayhorn… the biggest human being who ever lived, a man with the greatest courage, the most majestic stature, a highly skilled musician whose impeccable taste commanded the respect of all musicians and the admiration of all listeners."  —Duke Ellington

David Hajdu, scholar and author of Lush Life: A Biography of Billy Strayhorn, will speak about Billy Strayhorn on Sunday at 4:00 PM with recorded music.  Junior Mance and Hide Tanako (piano/bass duo) will lead the music at Jazz Vespers at 5:00 PM.

Musicians who are already confirmed to perform at the Sunday evening concert include Randy Weston, Jimmy Heath, Billy Taylor, Jeb Patton, David Wong, Valerie Capers, John Robinson, Earl Williams, Aaron Diehl, Gene Bertoncini, Sara Caswell, Kenny Davis, Mike Howell, and The Ellington Legacy Band with Edward Ellington, Norman Simmons, Virginia Mayhew, Nancy Reed, Jami Dauber, Paul Wells, Tom DiCarlo, Noah Bless, and the Jazz Band Classic (18-pieces), and others.  Jimmy Owens will be the emcee and will also perform.
 
"Prez Fest" is a jazz festival created to celebrate the talents of jazz legends who are no longer with us and about whom people should learn more.  Last year Billie Holiday was honored.  In the future, the plan is to honor a different jazz legend each year.  The name "Prez Fest" has blossomed out of the "To Prez with Love," a tribute to Lester Young which had been held at Saint Peter's for over 30 years.  By using Prez in the name of the festival we continue to honor Lester Young and his music.

The Jazz Ministry of Saint Peter's Church is "a home for diverse individuals and communities which celebrates the dignity and vitality of Jazz, provides vibrant liturgy and pastoral care, and through intersecting partnerships, offers jazz programs, education and services."  An outreach program of Saint Peter's Lutheran Church in New York City, The Jazz Ministry was founded in 1965 by the late Reverend John Garcia Gensel who created Jazz Vespers, a worship service featuring a wide range of jazz musicians that is held each Sunday at 5:00 PM.  Our pastors include Amandus Derr, Jared Stahler, Bill Eschen and Héctor Ribone.  The Jazz Ministry thrives today with many events and programs such as All Nite Soul, Prez Fest, Jazz on the Plaza, Women in Jazz Festival, Seminars for Musicians, Midtown Jazz at Midday, memorials, tributes, concerts, and others yet to be developed, to serve the jazz community.

The Duke Ellington Society (TDES, Inc.) is an organization dedicated to celebrating the life, music and legacy of Duke Ellington and Billy Strayhorn.  TDES, Inc. was incorporated in 1992 as a tax-exempt, nonprofit organization in the state of New York.  Founded during Duke's lifetime in 1959, it will observe its 50th anniversary in 2009 and it has grown to over 450 members representing 25 countries.  Members meet once a month, usually on the third Wednesday, at Saint Peter's Church for a variety of listening sessions, concerts, lectures and parties.  Meetings begin at 7:30 PM and all are welcome.

"Prez Fest 2009—Celebrating Billy Strayhorn" takes place on March 14 and 15, 2009 at Saint Peter's Church, 619 Lexington Avenue (at 54th Street).
Saturday, March 14: 3:00 PM  Two-hour listening session of well-known and rare Billy Strayhorn recordings. Free  
Sunday, March 15: 4:00 PM  Presentation by David Hajdu, author of Lush Life.  Free
5;00 PM: Jazz Vespers with Junior Mance / Hide Tanako Duo Free Will Offering
7:00 PM: Concert — $20 Suggested Donation — Tickets available at the door.
212 935 2200 ● "E" train to Lexington Avenue or "#6" to 51st Street

Cape May Jazz Festival April 17-19, 2009

James Cotton- for the Grateful Web

The 31st Cape May Jazz Festival "Legends….and more Blues" April 17-19 2009 presented by NJ Division of Travel and Tourism and Bank of America opens featuring a Tribute to Billy Eckstine and Sarah Vaughn with "Have a Song on Me Celebrating Mr. B" and the Big Band Music of the 40s and 50s with the B Swingers Big Band and Steve Butler. Billy Eckstine, known as Mr. B, became the most influential ballad singer during this era with an appealing baritone voice.  It has been said Steve Butler "looks and sounds hauntingly similar to Billy Eckstine…capable and convincing" and the Big Band one of the best.  Sabrina Carten is convincing honoring Sarah Vaughn.

More Blues Saturday night with Grammy Award winner James "Superharp" Cotton whose pedigree is a veritable who's who in the world of Blues. Cotton and his Blues Band continue to showcase his immense talent and keep him one of the most sought-after, hard-driving blues musicians touring the world today.  More Blues continues all weekend at Cabanas with Andrew Jr. Boy Jones, Eddie Shaw and the Wolf Gang, Alan Weber and Frenz and Juke Joints Last Stand.

Legendary Odean Pope, known for his fiery, often intense solos, dazzling elevations and throbbing, husky sounds, opens Aleatheas Restaurant at the Inn of Cape May for an 8:30pm Jazz Dinner and late Show with open seating available.  Pope worked with Max Roach for many years and permanently joined the Max Roach Quartet in 1979.  Barbara King will continue the legends with a Tribute to Sarah Vaughn. "Barbara King's dusky, Sarah Vaughn-like qualities mark her as a talent to watch" says Lloyd Sachs, Chicago Sun-Times.  Enjoying a mix of family background cultures from Cuba, Jamaica and Costa Rica and surrounded by music and dancing, Barbara was introduced at an early age to jazz legends such as Sarah, Ella, Dinah and Billie who influence her singing.

Opening up Carneys Main Room Saturday night, Cuban percussionist Mayra Casales brings her band "Women on Fire" with Cuban Francois Zayas, drums. Born in Cuba, raised in Miami her earlier influences began with the Afro-Cuban musical culture of her surroundings.  Her fiery, heartfelt spirit with strong roots in Cuban music is always present.  Mayra is a versatile vocalist, percussionist, arranger, lyricist and composer who is considered one of the most complete percussionists of our time.

DC Sharon Clark returns by popular demand for the Jazz Dinner and late show in Aleatheas Saturday night.  Sharon is an amazing, exceptionally gifted  talent having performed at the Kennedy Center, Blues Alley, with the Smithsonian Jazz Masterworks Orchestra and for President Bill Clinton and can be seen weekly in clubs and hotels in the DC area.  Her performances include jazz standards but also lesser known songs performed by Ella, Sarah, Johnny Hartman and Nancy Wilson.

Woody and Carol saw Roni Ben-Hur in NYC and knew he was a must for the festival.  He is a very charming, talented guitarist and composer offering creative melodies, brilliant solos and dazzling original compositions.  As a leader he has won high praise from jazz critics around the world.  Gary Giddins describes Ben-Hur  "as eloquent as a cool breeze, this understated exercise in bebop equilibrium goes down so easy you might underestimate the magic.  A limber and inventive guitarist….keeps the modernist flame alive and pure with a low flame burning in every note."

Sylvia Cuenca opens Carneys Main Room Friday night with her organ quartet.  Sylvia swings impeccably with her authentic feel for the Latin genre.  Originally a sideman who performed with almost everyone around the NYC area, her band performs in clubs and festivals in the US and around the world. Performing in the Boiler Room at Congress Hall Saturday night, the Michael Thomas Quintet is a powerful and energetic group that is deeply rooted in the rich tradition of hard-bop and blues with Art Blakey and the Jazz Messengers their major influence.

Along with the usual high energy jams Saturday and Sunday in Carneys, the complimentary workshops and CD Signing Party, Juke Joints Last Stand will be in Cabanas Sunday afternoon.
This is a fun, stimulating band with a juke joint jamming feel that is mainly blues - a not to be missed experience.

The schedule, musician's information and sounds bytes are found on the web.  For more information or to be put on the mailing list please call 609-884-7277.  An All Event Weekend Pass to attend 18 events beginning 8pm Friday through 4pm Sunday is $150 general admission. Individual Friday or Saturday Night All Event Wristbands are $55.  Saturday afternoon Jam wristbands are $35, Sunday Jams $25. Reserved Seating is available at the Theatre at Lower Regional High School for an additional $25pp. Complimentary Festival Transportation running every 10 minutes is available between venues all weekend.

The 31st Cape May Jazz Festival is presented by New Jersey Department of State Division of Travel and Tourism VisitNJ.Com and Bank of America and sponsored by the Delaware River and Bay Authority, Barefoot Wines, Jazz Times, WRTI Temple Public Radio, WBGO Jazz 88, WCFA 101.5, WTTH the Touch, Cape May Star and Wave, Verizon Wireless with generous support from the New Jersey State Council on the Arts/Department of State, a partner agency of the National Endowment for the Arts, the New Jersey Cultural Trust, local businesses and donors.

Shannon Whitworth @ Swallow Hill, Denver ~ Fri., Feb 13th

Shannon Whitworth- for the Grateful Web

Shannon Whitworth's music is something one would imagine to hear on a front porch in the hills of Appalachia. Combining a love for old-time banjo with a voice sounding like a younger Gillian Welch, Shannon Whitworth defines mountain music. She has spent the last ten years focusing on bluegrass and country music. Her talent as a singer and songwriter enabled her to spend the last four years touring the United States with acclaimed bluegrass band, The Biscuit Burners, which she co-founded. On clawhammer banjo and guitar, Shannon's compositions contributed depth to the band's material and have helped her gain respect as a truly talented singer and songwriter.

No Expectations features ten of Shannon's most recent compositions accompanied by an all-star cast of musicians. Great singing, great writing, and great picking makes Shannon Whitworth's first solo project unforgettable.

Swallow Hill - Tuft Theater

(71 East Yale Ave ~ Denver)

Friday, Feb 13th @ 8 PM

Info: 303.777.1003

THE GABE DIXON BAND REACHES FOR THE STARS

Gabe Dixon with Anne Hathaway- for the Grateful Web

Following a very successful 2008, Fantasy recording artists The Gabe Dixon Band have begun the New Year with a bang. Their self-titled debut for Fantasy Records was released last August to glowing reviews as they barnstormed all over the United States making fans, famous and not so famous along the way.
 
The hard working, Nashville based trio, whose unforgettable, piano-driven songs has been compared to Elton John, Ben Folds and Jackson Browne, have been featured in many television shows including One Tree Hill and Privileged. In addition the band has performed on numerous late night shows including the Late Late Show with Craig Ferguson, the KTLA Morning News and most recently Jimmy Kimmel Live where they met their latest fan, actress Anne Hathaway.

Mark Murphy Jan. 22-25 At The Iridium Jazz Club

Mark Murphy- for the Grateful Web

Mark Murphy is one of the world's greatest - and hippest - jazz vocalists performing today.
 
His coterie of fans includes tap dancer Gregory Hines, who spontaneously jumped up on stage at Mark's Las Vegas engagement in 1995 to join him for an impromptu duet. Legendary composer Alec Wilder said of Mark, 'I was quite literally amazed. Mark's musicianship, range, intonation, diction, inventiveness and incredible rhythmic sense are all of a piece and all marvelous.' Vocal greats Betty Carter, Peggy Lee, Cleo Laine and Shirley Horn all sing Murphy's praises as one of the best in he business and the legendary Ella Fitzgerald declared 'he is my equal.'
 
A six-time Grammy nominee, Mark Murphy has enjoyed a prolific 40-year recording career, with over 40 releases to date. His original lyrics to 'Stolen Moments,' 'Red Clay' and more are known the world over. His innovative projects range from the work of Nat 'King' Cole to Jack Kerouac to Ivan Lins to Eddie Jefferson. Stereo Review dubs Mark 'one of the major artists of our age.' Mark Murphy is a jazz singer. 'For decades the question 'What exactly is a jazz singer' 'has had two easy answers, Betty Carter. And Mark Murphy.' writes the New York Post. 'He is arguably the best male jazz singer in the business,' declares Rex Reed.

'Mark Murphy is to jazz singing what Bobby Fisher is to chess.' Jazz journalist Dan Morgenstern writes, 'I can't help relishing his sure and swinging time, his musical and ever-inventive phrasing and that certain quality of sound and feeling combined with time and taste that to me spells jazz.'

MARK MURPHY

Jan. 22-25

At the IRIDIUM JAZZ CLUB

1650 BROADWAY (Corner of 51st)

NEW YORK, NY 10023

RESERVATIONS: 212-582-2121

Sets At 8:30 & 10:30PM

Catherine Russell at The Metropolitan Room, NYC - 1/11/09

Photos by Anthony Pepitone- for the Grateful Web

Catherine Russell is a native New Yorker, born with an enviable musical pedigree. Her father, the late Luis Russell, was born in Panama and moved to New Orleans and then New York City, becoming a pioneering pianist/bandleader, and Louis Armstrong's long-time musical director.  Her mother, Carline Ray, is an outstanding bassist and vocalist and holder of advanced degrees from Juilliard and Manhattan School of Music, who has performed with Mary Lou Williams and Wynton Marsalis. Not surprisingly considering her roots, Catherine Russell is a one of a kind vocalist.  She has toured the world, performing and recording with a wide array of trend setting artists, including Paul Simon, David Bowie, Steely Dan, Cyndi Lauper, Jackson Browne, Michael Feinstein, and Rosanne Cash.

Since the 2006 release of her debut album, Cat, on Harmonia Mundi's World Village label, Catherine Russell has been making fans and friends and grabbing listeners by the ear. "She is a fresh and original voice. The most exciting debut album I've heard in a long time" writes New York Sun critic and Sinatra biographer, Will Friedwald, who picked Cat among his top 10 cds of the year. "It's a delight to hear the real thing in Catherine Russell.", writes Nat Hentoff in The Wall Street Journal.

Ms. Russell has been a hit on major events like Rochester Int'l Jazz Festival, Montreal Jazz Festival, Bern International Jazz Festival, JVC-New York Jazz Festival, Detroit International Jazz Festival, Tanglewood Jazz Festival, Lotus Festival, and at premier venues like The Kennedy Center in Washington, D.C., Sculler's in Boston, The Dakota in Minneapolis, The Skirball Cultural Center in Los Angeles, and Yoshi's in San Francisco. She has appeared on the nationally syndicated shows Mountain Stage, JazzSet on NPR, Studio 360, and The Tavis Smiley Show on PBS-TV. Reviews and profiles have appeared in The Wall Street Journal, San Francisco Chronicle, Boston Phoenix, Living Blues, Blues Review, Downbeat, Goldmine, No Depression, Boston Herald, Newark Star Ledger, JazzTimes, Chicago Sun Times, and many more.

Cat spent weeks on JazzWeek magazine's chart for national airplay, while 'Back O Town Blues' was a top 10 download on I-Tunes Jazz Chart. National Public Radio's top 5 jazz cd's of 2006 included Cat, as chosen by WBGO dj's.

Catherine Russell's 2nd album on World Village, Sentimental Streak, hit the streets on February 12, 2008, to universal acclaim, becoming a world-wide favorite of critics and fans alike. Catherine appeared on Late Night with Conan O'Brien on NBC-TV, Fresh Air with Terry Gross on NPR, Beale Street Caravan, and in concert on CBC-Radio in Canada. Her 2nd cd reached the #3 position on I-Tunes Jazz Chart, while also charting on Billboard's Jazz Chart, JazzWeek, and Living Blues Radio Chart. She recently won a prestigious German Record Critics' Award in the Jazz category and Living Blues magazine's 2008 critics' poll as "Artist Deserving More Attention."

The Metropolitan Room

34 West 22nd Street between 5th & 6th Ave

New York, NY

reservations 212-206-0440

purchase tickets online

 

Blue Train Revisited This Weekend At The Iridium Jazz Club

Coltrane''s Blue Train- for the Grateful Web

The most enduring of the dozen or so records made by John Coltrane in 1957, Blue Train was John Coltrane's sole recording for the legendary Blue Note label.  The sextet setting allying the tenor giant with trumpeter Lee Morgan and trombonist Curtis Fuller has gone on to become one of the most popular entries in the Coltrane discography.  Curtis Fuller, the only trombonist to record in a Coltrane led band, returns to recreate the classic sound of the group with young veterans Terell Stafford and Javon Jackson filling out the frontline and an all-star rhythm section of George Cables, Lonnie Plaxico and Andrew Cyrille.

 

IRIDIUM JAZZ CLUB
1650 BROADWAY (Corner of 51st)
NEW YORK, NY 10023
RESERVATIONS: 212-582-2121
http://www.iridiumjazzclub.com/
Sets At 8:30 & 10:30PM

 

Harlem Shakes To Release Debut LP 'Technicolor Health'

Technicolor Health- for the Grateful Web

Harlem Shakes as we know it were born in 2006, after an earlier incarnation of the band went to college and went nuts. Lexy still sings lead, and Brent still plays the drums (and drum machine), but now Kendrick plays keyboards, Jose plays bass, and Todd plays guitar. Everyone sings.  Harlem Shakes have toured with Deerhoof, Vampire Weekend, and Beirut, and opened for Wire, Clap Your Hands Say Yeah, Arctic Monkeys, and various other famous bands with animal names. Burning Birthdays, the band's self-released debut EP, came out in 2007 to wide acclaim, earning generous praise from Pitchfork, Rolling Stone, SPIN, AllMusic, Stylus, The Village Voice, and the blogs. Pitchfork complimented their "frenetic clip of hooks," and sometime Magnetic Field-er LD Beghtol of The Voice called them "lethally charming" and one of "the Best of New York." The band is sure that all this good luck must come at some kind of lurking, damning cost.

After extensive touring and a bit of schooling, the band got back together with Chris Zane (Les Savy Fav, The Walkmen, Passion Pit, White Rabbits) to record their first full-length album, Technicolor Health. The result is one of the most quietly ambitious pop albums in ages. Much like Blur fused English pop traditions and contemporary sonics to forge Brit Pop, Harlem Shakes meld the Great American Songbook with unmistakably contemporary textures, creating what one might call "Am Pop." Influences as disparate as the Band, Randy Newman, Carlos Santana and Spank Rock inform the soundscapes, but the vibe is too coherent to be called eclectic. Technicolor Health invokes the synthesized Latin percussion that plays outside the band's apartments every night as they're trying to fall asleep, and the classic rock radio they listen to with hilarious regularity. These are social songs: instruments meander, trade off lines, and counter each other's rhythms and melodies, but ultimately they come together again on the chorus, or in an ecstatic outro or bridge, for a singalong family dinner. Harlem Shakes also have an unapologetically literary lilt; writers like Leonard Michaels, Wislawa Szymborska, and David Berman echo in Lexy's lyrics.

Technicolor Health was made after and during some tough times (involving serious sickness) for the band. The record captures the weary, hopeful, and sometimes triumphal vibe of that period in their lives. Above all, the album is about surviving abject shittiness. But it's also about what new-wave bands and new-wave revival bands call, "modern life," as lived by five thoughtful men in their early and mid-twenties during a weird, sometimes miserable, mostly thrilling historical moment. Harlem Shakes have been obsessed by pop music their whole lives, and after all the reiterations, they still have great faith in its power to make you and them feel a little better about things, and to say something vital, and God willing, maybe even enduring.

Switzerland Meets New York @ The Canal Room - 1.14.09

Beat Kaestli at the Canal Room NYC - 1/14- for the Grateful Web

Visit the Canal Room on January 14th, 2009 for an incredible night of new music from three of the hottest performers from Switzerland. With support from the Consulate General of Switzerland in New York, the night will also include gift bags filled with tasty Swiss treats.

8pm:
BEAT KAESTLI:  "Beat Kaestli's emergence as a vocalist bespeaks a life full of experience. Like jazz itself, his willingness to adapt and improvise has given rise to a unique young man and artist." —David Donnenfeld, Esquire Magazine

Beat Kaestli moved to New York from his native Switzerland, where he was awarded a scholarship to the Manhattan School of Music and he received his Master Degree from the Aaron Copland School of Music. While honing his craft alongside luminaries such as Jane Monheit, Jason Moran and Stefon Harris, he immersed himself in Manhattan's fiercely competitive music scene, and now appears in clubs such as The Blue Note, Birdland, The Bitter End, The Jazz Standard, The Stone and Sweet Rhythm, performing with jazz greats, like Esperanza Spalding, Clarence Penn, Joel Frahm and Victor Prieto.

In 2005, Beat was the chosen vocalist for the Glenn Miller Orchestra, thrilling audiences in concert halls across the USA. Since the release of his acclaimed CD "Happy, Sad and Satisfied" in 2006, he has toured the world extensively with his own projects, around the US, Europe, Mexico and Canada. Tonight, the internationally acclaimed vocalist previews his upcoming release
Far From Home – A Tribute to European Song.

9 pm
SERENA JOST:  "Serena Jost writes gently eccentric songs and sings them in an elegant alto, often accompanying herself on cello, but it isn't quite right to call her a singer-songwriter. The term art song—normally tied to 19th-century concert music—usefully characterizes Jost's carefully arranged pieces and succinct lyrics, neither quite rock nor folk..." —Bob Bannister, Time Out New York

Singer-songwriter and cellist Serena Jost was born to Swiss parents and raised in the Midwest. Her debut CD, Closer Than Far, was produced by Brad Albetta (Martha Wainwright, Teddy Thompson) and released in spring 2008 to a sold-out house at Joe's Pub.  Time Out NY lauded Serena's "rollicking take" on Iris DeMent's bittersweet Our Town and "catch(y) vocal hooks" and noted: "Jost writes gently eccentric songs and sings them in an elegant alto, often accompanying herself on cello, but it isn't quite right to call her a singer-songwriter. The term art song—normally tied to 19th-century concert music—usefully characterizes Jost's carefully arranged pieces and succinct lyrics, neither quite rock nor folk..." (Bob Bannister). Serena's music has been compared to 70s English folk artists like Sandy Denny and Fairport Convention—and also to the Canadian artist Jane Siberry—but is still entirely her own, "seamlessly merging classical and pop melodies" (Lucidculture).

10 pm
GRAND PIANORAMAX FEAT. MIKE LADD & CELENA GLENN:

"Funky, flipped-out, beat-heavy tracks that pop, swagger, and strut across everything from post-bop jazz to hip-hop to electronic music, all the while staying in the pocket enough to be accessible as well as innovative…
The Biggest Piano in Town actually is—and then some." —All Music Guide

Winner of the first Montreux Jazz Festival International Piano Solo Competition, Leo Tardin conceived Grand Pianoramax as a live keyboard/drum group, blending powerful analog-synth bass, syncopated keys, organic drumming and freestyle spoken word.

Tailored to explore hybrid stylistic directions in their most essential renditions, Tardin developed the ambitious Grand Pianoramax project by joining forces with first-class NYC drummers Deantoni Parks (Kudu, The Mars Volta), Jojo Mayer, and Adam Deitch (Talib Kweli, John Scofield). To add to the unique sound, Tardin invited in some of the most creative poets/MCs on the scene today, including Americans Mike Ladd, Celena Glenn and Invincible (Platinum Pied Pipers), and French hip-hop/folk artist Spleen.

Grand Pianoramax's latest album on the ObliqSound label, The Biggest Piano In Town and its hit single "The Hook," remixed by DJ Spinna (which hit #18 on CMJ's RPM charts and was DanceTracksDigital's #1 download), continues to generate rave reviews in publications such as Downbeat, BPM, XLR8R, Jazzthing, Jazzthetik, Time Out New York and Vibrations.  Grand Pianoramax is joined onstage by emcees Celena Glenn (Coco Rosie) and underground spoken word hero Mike Ladd (Big Dada recording artist known for his trilogy of albums Nostalgiator, Father Divine and Negrophilia: The Album).

- -
Beat Kaestli's Upcoming Performances:
Jan 26th - Blues Alley, DC
Feb 8th  - Smoke Jazz, NYC
Marz 19th - Francophonie, Mexico City
Maerz 28th - Festival de Cuidade de Mexico
April/May - European Tour
May 20th - The Kitano Hotel, NYC (Reservations advised 212 885 7119)
June 4th - Ottawa Swiss Residence (tbc)

Jesse Elder Quintet live at the Blue Note Tonight

Jesse Elder- for the Grateful Web

Jesse Elder is a NYC based jazz composer, pianist and band leader. He has performed at venues such as the Blue Note, Smalls, Minton's Playhouse, Fat Cat, Top of the Rock, the Jazz Standard, and Town Hall. Jesse graduated from Interlochen Arts Academy where he received a "Fine Arts Award in Jazz Performance" and went on to study on scholarship at Oberlin Conservatory and New School University for Jazz and Contemporary Music. Jesse performs his original compositions with renowned jazz artists such as Nasheet Waits, Ben Street, Chris Cheek, Tyshawn Sorey, Logan Richardson, Gary Thomas and others.

Featuring:

Logan Richardson - Alto Sax.
Jeremy Viner - Tenor Sax.
Jesse Elder - Piano
Chris Tordini - Bass
Tyshawn Sorey - Drums

In celebration of Jesse's 25th Birthday!!

Live at the NYC Blue Note
Friday, Jan. 2nd at Midnight, $8 Cover