Newswire

Rhythm Devils DVD & Hardcover Book Available

A 2 DVD set and 24 page hardcover book featuring Mickey Hart, Bill Kreutzmann (Grateful Dead), Mike Gordon (Phish), Steve Kimock, Sikiru and Jen Durkin. With original material from Robert Hunter and the band, this experience is unlike any other concert. Sit back, relax and take a 72 minute magic ride through time and space.

Gabe Dixon Band plan release and fall tour

photos by ericmichaelphotography.com- for the Grateful Web

Nashville piano rockers, The Gabe Dixon Band, have a busy few months ahead.  The trio just shot the video for their single "Till You're Gone" and will release their debut, self-titled album on August 26th.  The band is set to play select dates with Stephen Kellogg & The Sixers and then join soulful, singer/songwriter Justin Nozuka on a slew of tour dates throughout September and October.   Check out more info on their Myspace page to read what other musicians have been saying about the band and find out why Dixon turned down a spot to play on Paul McCartney's tour.

Date      Venue                                 Location

9/10       Cat's Cradle                          Carborro, North Carolina **

9/11       Orange Peel                         Asheville, North Carolina **

9/12       Belcourt Theatre                    Nashville, Tennessee **

9/13       Smith's Olde Bar                    Atlanta, Georgia **

9/14       Workplay                              Birmingham, Alabama **

9/18       Town Ballroom                      Buffalo, New York  *

9/19       Paradise Rock Club                Boston, Massachusetts *

9/22       Bowery Ballroom                   New York, New York *

9/24       State Theatre                        State College, Pennsylvania *

9/25       Rex Theatre                          Pittsburgh, Pennsylvania *

9/27       Recher                                  Towson, Maryland *

9/28       Theatre of the Living Arts       Philadelphia, Pennsylvania  *

9/30       Cambridge Room                   Cleveland, Ohio *

             @HOB Cleveland

10/2       Turner Hall                            Plymouth, Wisconsin *

10/4       Martyr's                                Chicago, Illinois *

10/5       Varsity Theater                      Minneapolis, Minnesota *

10/8       Bluebird Theater                    Denver, Colorado *

10/15     The Roxy                               West Hollywood, California *

10/19     The Glass House                     Pomona, California *

10/21     Great American Music Hall       San Francisco, California *

Phil Lesh to Headline Slow Food Rocks Music Festival

Festival Network is proud to announce that the legendary Phil Lesh and Friends will headline Sunday, August 31, at the Slow Food Rocks music festival, which will be held during Slow Food Nation, the largest celebration of American food in history, taking place in San Francisco over Labor Day Weekend..

The National Jazz Museum in Harlem

- for the Grateful Web

The National Jazz Museum in Harlem begins the first full week of programming today, August 4th with a presentation on the life and work of one of the greatest living authors on blues and jazz, Albert Murray for Jazz for Curious Readers, followed by the first of four weeks of focus at Jazz for Curious Listeners on the great jazz pianist, educator and media man, Dr. Billy Taylor.

We round out the week with two pianists; first a discussion with pianist Dick Katz for Harlem Speaks, then a live performance by Michael Wolff in a trio setting at the Rubin Museum of Art for Harlem in the Himalayas.

Come join us at the National Jazz Museum in Harlem, because we're all for you, body and soul. (And don't forget our final Summer Film Series program this Sunday at the Museum of the City of New York.)

Sunday, August 3, 2008
MCNY SUMMER FILM SHOWS
2:00pm
Harlem Rent Party: Jazz Film Series      
Location:
Museum of the City of New York
(1220 Fifth Avenue | get directions)
FREE with Museum admission! |
More information: 212.534.1672, ext. 3395
 
Although they were held to help friends pay their bills, Harlem rent parties of the early 20th century were filled with music and good times. Join Loren Schoenberg, Executive Director of the Jazz Museum in Harlem, for a swinging afternoon of rare film clips featuring the kind of music you would have heard there — Fats Waller, Louis Jordan, Count Basie, Billie Holiday, Lena Horne, and many others. Presented in conjunction with Harlem Week.

Monday, August 4, 2008
JAZZ FOR CURIOUS READERS
6:30pm
Albert Murray: Philosopher of the Blues and Jazz
Guest: Greg Thomas
Location:
NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | Reservations: 212-348-8300 or register online

Essayist, novelist, and cultural critic Albert Murray's contribution to American literature has established the value and importance of the "blues idiom as the basis for approaching life in contemporary times.

Born in Nokomis, Alabama, on May 12, 1916, Murray received his BS from Tuskegee Institute in 1939. He joined the Air Force in 1943 and retired with the rank of major in 1962. During his period in the service, Murray earned his MA from New York, University (1948) and taught literature and composition to civilians and soldiers both in the United States and abroad.

The Omni-Americans (1970), Murray's first book, contains reviews, essays, and commentaries that engage and challenge the predominant frameworks within which matters of "race and culture were then being discussed. Critiquing what he called "the folklore of white supremacy and the fake lore of black pathology," the book argues that all Americans are multicolored and that social scientific attempts to explain black life in America are fundamentally mistaken. His next book, South to a Very Old Place (1971), extends that argument with a series of memoirs, interviews, and reports that document the positive, nurturing aspects of the African-American community in the South.

In 1972, Albert Murray was invited to give the Paul Anthony Brick Lectures on Ethics at the University of Missouri. These lecturers were published as The Hero and the Blues (1973). Here Murray develops his concept of literature in the blues idiom, a theory he eloquently practiced in the novel Train Whistle Guitar (1974), which won the Lillian Smith Award for Southern Fiction. The hero of this novel received from his family and neighbors in the segregated South the cultural equipment necessary for leading a successful life—a sense of fundamental individual worth combined with community responsibility akin to the relationship between the improvising jazz soloist and the supporting band.

In 1976, Murray turned the concept of the blues idiom back on itself, writing perhaps the best book ever published on jazz aesthetics, Stomping the Blues. Murray collaborated with Court Basie on his autobiography, Good Morning, Blues (1985), and in 1991 published The Spyglass Tree, the long-awaited sequel to his first novel. A catalog essay on the paintings of Romare Bearden (Romare Bearden, Finding the Rhythm, 1991) extends Murray's concepts of improvisation, rhythm, and synthesis even to the realm of the visual arts.

Greg Thomas, consultant to the National Jazz Museum in Harlem, will delve into Murray's work and thought with particular focus on the blues and jazz as a philosophical strategy to swing in spite of existential chaos, the tragedy of human history and the vicissitudes of modern life. Murray's relationship with essayist and novelist Ralph Ellison, author of the celebrated mid-century novel, Invisible Man, and path-breaking artist Romare Bearden, will also be explored.

Tuesday, August 5, 2008
JAZZ FOR CURIOUS LISTENERS
7:00pm
A Celebration of Dr. Billy Taylor
Location:
NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | Reservations: 212-348-8300 or register online

Instructors: Loren Schoenberg and Bret Primack
National Jazz Museum in Harlem board member Dr. Billy Taylor encompasses that rare combination of creativity, intelligence, vision, commitment and leadership, qualities that make him one of our most cherished national treasures.

The distinguished ambassador of the jazz community to the world-at-large, Dr. Billy Taylor's recording career spans nearly six decades. He has also composed over three hundred and fifty songs, including "I Wish I Knew How It Would Feel To Be Free," as well as works for theatre, dance and symphony orchestras.
Playing the piano professionally since 1944, he got his start with Ben Webster's Quartet on New York's famed 52nd Street. He then served as the house pianist at Birdland, the legendary jazz club where he performed with such celebrated masters as Charlie Parker, Dizzy Gillespie and Miles Davis. Since the 1950s, Billy Taylor has been leading his own Trio, as well as performing with the most influential jazz musicians of the twentieth century.
Dr. Taylor has not only been an influential musician, but a highly regarded teacher as well, receiving his Masters and Doctorate in Music Education from the University of Massachusetts at Amherst and serving as a Duke Ellington Fellow at Yale University. He founded the Harlem-based JazzMobile in the 1960s.

He has also hosted and programmed on radio stations WLIB and WNEW in New York, and an award-winning series for National Public Radio. In the early 1980s, Taylor became the arts correspondent for CBS Sunday Morning.
Dr. Billy Taylor is one of only three jazz musicians appointed to the National Council of the Arts, and also serves as the Artistic Advisor for Jazz to the Kennedy Center for the Performing Arts, where he has developed one acclaimed concert series after another, including the Louis Armstrong Legacy series, and the annual Mary Lou Williams Women in Jazz Festival.

With over twenty three honorary doctoral degrees, Dr. Billy Taylor is also the recipient of two Peabody Awards, an Emmy, a Grammy and a host of prestigious and highly coveted prizes, such as the National Medal of Arts, the Tiffany Award, a Lifetime achievement Award from Downbeat Magazine, and, election to the Hall of Fame for the International Association for Jazz Education.

Now in his eighties, and officially retired from active touring and recording, he remains active with his educational activities and a full schedule of speaking engagements and appearances on radio and television.
Writer/Video Journalist Bret Primack has been at the forefront of new media since he co-founded Jazz Central Station in 1995. In 1997, he was the first Jazz blogger with Bird Lives, where, as the Pariah, his heartfelt diatribes struck a responsive chord in the music industry. Bret has also created websites for Sonny Rollins, Joe Lovano and Dr. Billy Taylor, among many others.

An NYU Film School graduate, Bret began producing video for the web in 1999.
His documentaries and Video Podcasts include Orrin Keepnews, Producer for the Concord Music Group and The Sonny Rollins Podcast for Rollins' own Doxy Records, an ongoing documentary about the Saxophone Colossus.

Thursday, August 7, 2008
HARLEM SPEAKS
6:30pm
Dick Katz, Pianist
Location:
NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | Reservations: 212-348-8300 or register online

Come meet and hear the story of Dick Katz, a versatile pianist and arranger responsible for a host of memorable recordings through the years, often as an important sideman and/or producer. He studied at the Peabody Institute, the Manhattan School of Music, and Juilliard, in addition to taking piano lessons from Teddy Wilson. In the 1950s, he picked up priceless experience as a member of the house rhythm section of the Café Bohemia, with the groups of Ben Webster and Kenny Dorham, the Oscar Pettiford big band, and later with Carmen McRae. Katz was part of the popular J.J. Johnson/Kai Winding Quintet (1954-1955) and Orchestra USA and participated on Benny Carter's classic  Further Definitions album. He has freelanced throughout much of his career and was a guiding force behind some of Helen Merrill's finest recordings. Katz, who played with Roy Eldridge and Lee Konitz starting in the late '60s, co-founded Milestone Records in 1966 with Orrin Keepnews. In the 1990s, Dick Katz worked both as a pianist and an arranger with the American Jazz Orchestra and Loren Schoenberg's big band.

Friday, August 8, 2008
HARLEM IN THE HIMALAYAS
7:00pm
The Michael Wolff Trio
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
Box Office: 212.620.5000 ext. 344
Michael Wolff, Piano
Chip Jackson, Bass
Mike Clark, Drums

A baby boomer in his prime, Michael Wolff is renowned for his old school jazz roots, melodically fresh and rhythmically compelling multi-keyboard style, and ever-expanding media presence. A New Orleans native whose father taught him blues on piano before he began classical lessons at age eight, Michael also grew up in Memphis and Berkeley, California, getting his first significant professional gig when he was 19 from Latin jazz vibist Cal Tjader. He made his recording debut with Cannonball Adderley's band in 1975, and has worked extensively with the Thad Jones-Mel Lewis Orchestra, Sonny Rollins, Wayne Shorter, Tony Williams, Christian McBride and others including his late friend Warren Zevon and singer Nancy Wilson, for whom he wrote orchestral arrangements and conducted more than 25 major symphony orchestras during world-wide tours. Wolff's own band Impure Thoughts, launched in 2000, is an infectious improvising ensemble, richly percussive thanks to Indian tabla player Badal Roy, drummer Mike (Headhunters) Clark and electric bassist John B. Williams (on his new Trio CD, Wolff is joined by Williams and drummer Victor Jones.) Wolff's recent performances include an Impure Thoughts concert at the Royal Albert Hall as part of the BBC Proms and a trip to the British Virgin Isles. He tours the U.S. regularly, and will perform a series of Trio dates in support of his latest recording, jazz, JAZZ, jazz.

Wolff's growing corpus of movie soundtracks includes Dark Angel and The Tic Code (2000), a feature for actor-dancer Gregory Hines, that was semi-autobiographical in its depiction of the Tourette's Syndrome with which Wolff copes. His five-and-a-half year stint as musical director of the Arsenio Hall Show heightened his visibility and gave him the occasion to meet his wife, actress and writer/director Polly Draper. He is producer, and Draper writer-director of the smash hit Nickelodeon cable TV series The Naked Brothers Band, starring their sons Nat, 12, and Alex, nine (Wolff appears regularly as the boys' "hapless, accordion-playing dad"), and he produced his first music video for 2006's Love and Destruction's plaintive "Underwater," shooting on location in post-Hurricane Katrina New Orleans.

Described as a "Renaissance Man" by Miami New Times, Wolff won praise for his surprising CD Love and Destruction, his first to feature vocals on all songs. Add to that his virtuoso piano playing, his amalgam of rock-jazz and his World music-inspired live performances, and you have the makings of a multi-faceted artist, unafraid of labels and boundaries. In fact, The New York Times praised Wolff as "A pianist and vocalist with a style both global and contemporary." "It's not a sudden departure," Wolff says of his video efforts, as well as his affectively husky and hushed singing on Love and Destruction. "I'm making developmental steps. I've had some interesting years doing a lot of different things, and that was where I arrived." Wolff's late night, blue light singing on the CD brought new cool to an inspired selection of rock/pop classics as well as his own tunes about the well-lived life, now. JazzTimes Magazine raved that Michael Wolff is "one of the most innovative and dynamic pianists of his generation." "Wolff proves himself an exceptionally astute vocal stylist. His sound, a rock-jazz hybrid that exists somewhere in the vast expanse between Donald Fagen and Mark Murphy, is at once as distinctly powerful and as cunningly seductive as his playing." At radio, Wolff generated airplay on Acoustic Café and other key outlets. Starbucks put four tracks in rotation, in 5000 locations nationwide.

CAPE MAY JAZZ FESTIVAL ANNOUNCES NOV 7-9 CELEBRATION

Maynard Ferguson- for the Grateful Web

November 7-9, 2008, presented by Bank of America will mark the Cape May Jazz Festival's 15th year and 30th celebration.  Friday night's opener kicks off with a Tribute to Maynard Ferguson featuring a 16-piece big band led by Ed Vezinho and Jim Ward.  This performance will be held at the Lower Regional High School in the theatre.  Jon Faddis, internationally acclaimed high-register trumpeter, will solo with the band saluting Ferguson's music.

Pieces of a Dream returns to perform on Saturday night, also in the theater.  To fill out the schedule, well-known jazz vocalist Jackie Ryan will perform in the Grand Hotel Ballroom Friday, and smooth jazz saxtress Pamela Williams will lend her talents on Saturday night.  Ex-Ferguson musician Denis DiBlasio will bring his band to Carney's on Saturday night, featuring Jim McFalls on the trombone.  Also included on this bill are Michael Pedicin, Frank Bey, Edgardo Cintron, Antoinette Montague, David Cole, Bob Ferguson, the Little Jazz Giants and many more plus the always-popular high energy jam sessions and complimentary workshops.
 
The schedule in its entirety can be found on the web at the best source for all the latest on the Cape May Jazz Festival, including music bytes from your favorite artists. For more information or to be put on the mailing list please call 609-884-7277.
 
Funding for the Cape May Jazz Festival is provided in part through a grant from the New Jersey State Council on the arts/Department of State, a Partner Agency of the National Endowment for the Arts; and the New Jersey Department of State Travel and Tourism Commission.  Bank of America is the Presenting Sponsor along with sponsorship provided by the Delaware River and Bay Authority, Barefoot Wines, Cape Savings Bank, Jazz Times, WBGO Jazz 88, WRTI 90.1FM, WTTH, 101.5 WCFA, WJJZ 97.5, Verizon, and Cape May Star & Wave.

Keller Williams Releases LIVE and Announces Fall Tour

Keller Williams has built a career on his uncanny ability to captivate a packed house-all by himself.  So why now, after fifteen-years as a solo artist, is he releasing a live album-simply titled, Live-with three other names on the cover? It turns out that since he first picked up a guitar, this troubadour has wanted to front a band.

Creedence Clearwater LPs Reissued on Sept 30th, 2008

Creedence Clearwater- for the Grateful Web

The first six albums by Rock 'n' Roll Hall of Fame inductees Creedence Clearwater Revival will be reissued by Fantasy Records (a unit of Concord Music Group) on September 30, 2008 as six individual expanded-edition CDs. The set marks the legendary band's 40th anniversary. The albums — Creedence Clearwater Revival, Bayou Country, Green River, Willy & the Poor Boys, Cosmo's Factory and Pendulum, all originally released from 1968-70 —have been digitally remastered and contain an array of rarities: B-sides, unreleased studio and live material, even a summit between the band and Booker T & the MGs. The reissues will be presented in Digi-Paks that faithfully recreate each original album package in meticulous detail. All feature liner notes by world-class rock music journalists such as Robert Christgau, Ben Fong-Torres, Dave Marsh, Joel Selvin and Ed Ward.
 
These albums feature the original band from El Cerrito, California: John Fogerty (chief songwriter, vocalist and guitarist), Tom Fogerty (guitar), Stu Cook (bass) and Doug Clifford (drums). The four cut their teeth as a Tommy Fogerty & the Blue Velvets and later as the Golliwogs. Then, in 1967, after John's stint in the military, they reunited as Creedence Clearwater Revival and found their own groove, inspired by the music of their youth. "Although they sounded like no other band," Fong-Torres notes, "They redefined rock and roll. They showed, in the most entertaining way possible, how the music could embrace — and was, in fact, founded on — elements of R&B and the blues, country, folk, and jazz, as well as a world of other musical forms. Creedence were pioneers in the fusion of rock and country. They were roots before 'roots' took hold as a music genre."

A quick look at the individual reissues:
 
Creedence Clearwater Revival [Expanded Reissue]: This album included CCR's first smash hit, the Dale Hawkins song "Suzie Q," plus the classic cover of Screaming Jay Hawkins' "I Put a Spell on You." The reissue contains four bonus tracks: "Call it Pretending" (the B-side of the band's first single), the band's first recording of a cover of Bo Diddley's "Before You Accuse Me" (later re-recorded for Cosmo's Factory), a live version of "Ninety-Nine and a Half" recorded at the Fillmore Auditorium in 1969, and a full-length live version of "Suzie Q." Almost famous former Rolling Stone editor Ben Fong-Torres wrote the notes.
 
Bayou Country [Expanded Reissue]: Creedence Clearwater's second album was chock full of hits and much-played album tracks: "Proud Mary," "Born on the Bayou," the Little Richard cover "Good Golly Miss Molly," the seven-minute "Graveyard Train" and the eight-minute "Keep on Choogling." The reissue also contains a longer alternate take of the album track "Bootleg," live versions of "Born on the Bayou" and "Proud Mary," and a psychedelic blues jam recorded live by San Francisco's seminal KSAN-FM called "Crazy Otto." Annotator was San Francisco Chronicle pop music editor Joel Selvin.
 
Green River [Expanded Reissue]: Green River contained the hits and notable album tracks "Green River," "Bad Moon Rising" and "Lodi" plus a cover of Ray Charles' blues standard "Night Time is the Right Time." Bonus material includes "Broken Spoke Shuffle," the instrumental track to a song John Fogerty never finished, another unfinished track called "Glory Be," plus three live tracks: "Bad Moon Rising" from the 1971 Berlin concert, "Green River/Suzie Q" from the 1971 Stockholm show, and "Lodi," recorded in Hamburg. Liner notes by the esteemed critic Dave Marsh.
 
Willy & the Poor Boys [Expanded Reissue]: Willy came out in 1969, when, as annotator Ed Ward writes, "a period when Creedence, surely the most anomalous band in the San Francisco explosion of the late '60s, was also proving its most commercial seller of them all." The album contains the anthemic "Fortunate Son" along with "Down on the Corner" and a cover of the traditional folk song "The Midnight Special." Bonus tracks include live versions of "Fortunate Son" and "It Came Out of the Sky," plus an unreleased studio version of "Down on the Corner" recorded with Booker T & the MGs for a TV special at the band's Berkeley rehearsal hall. The song features John Fogerty trading licks with guitar hero Steve Cropper.
 
Cosmo's Factory [Expanded Reissue]: Cosmo's Factory was the fourth and biggest of the string of five Top 10 albums Creedence Clearwater Revival released in 1969 and 1970. Included were "Travelin' Band," "Lookin' Out My Back Door," "Who'll Stop the Rain," "Run Through the Jungle" and covers from Marvin Gaye (CCR's signature take on "I Heard it Through the Grapevine"), Bo Diddley, Roy Orbison and Arthur "Big Boy" Crudup. Bonus material includes a bare bones, horns-free remake of "Travelin' Band," a live version of "Up Around the Bend" from the 1971 European tour, plus an unreleased version of "Born on the Bayou" emanating from the CCR/Booker T & the MGs summit which took place in 1970 at Cosmo's Factory studio. Notes were penned by Robert Christgau.
 
Pendulum [Expanded Reissue]: Creedence by this time was the top-selling rock band in the world, coming off seven consecutive Top 10 hits. The album contained the hits "Have You Ever Seen the Rain," "Hey Tonight" and "Molina." Bonus tracks include a live "Hey Tonight" plus "45 Revolutions Per Minute (Parts 1 & 2), the rarest of CCR collectibles, which was packaged in a plain white sleeve alluding to the Beatles' White Album.  Produced under the spell of the Fab Four's "Revolution No. 9," the tape montage tries to impart the elusive Creedence humor with the help of Bay Area DJ Tom Campbell. Joel Selvin wrote the liner notes.

Rex Foundation: Black Tie Dye Ball w/ DSO – 9/27/08

photos by Mike Moran- for the Grateful Web

Dark Star Orchestra will be playing a benefit show for the Rex Foundation.  The show is taking place on September 27th, in Hollywood, California.

Festivities include:

Reception, Food, Drinks, Goodie Bags, Silent Auction, GA Balcony Seating and Concert Tickets: $150 & $500 (All but $60 is tax deductible)

Upgrade for Reception, with prior purchase of concert ticket:  $120 & $470

To order Reception and Concert Tickets call 415-561-3135 or download the ticket order form

Special Hotel Package offered by the Best Western Hollywood Hills only $129 per night (Friday, Saturday or Sunday) for Rex Supporters. Reservations: 323-464-5181 Toll Free: 800-287-1700. Ask for "Rex Foundation special rate" when making reservations.

Concert Tickets only: $30.00 available online at darkstarorchestra.net or goldenvoice.com

The Rex Foundation presented the first Black Tie-Dye Ball in Chicago in March 2004. Since then, there have Black Tie-Dye Balls in New York City, Washington, D.C. and Denver, Colorado. These festive occasions provide the opportunity to collaborate with gifted performers that care about the Rex Foundation and want to further what the Grateful Dead started 25 years ago. On September 27th, as at each Ball, enjoy a unique musical experience, while also celebrating each community's talent, enterprise and community spirit. Proceeds support local non-profit programs.

2008 marks the Rex Foundation's 25th Anniversary.   This Rex Musical Caravan's Black Tie Dye Ball is a great way to further a tradition of grassroots giving and demonstrate the power of community, service and the arts.

For more information, call 415-561-3134

Holly Golightly & the Brokeoffs' first U.S. Album & Dates

Holly Golightly & the Brookeoffs- for the Grateful Web

Holly Golightly & the Brokeoffs, heralded by NME as "a glorious example of what rock 'n' roll should be," has signed with Transdreamer Records (distributed by MRI Distribution/RED) and are preparing their first American release as a band. Titled Dirt Don't Hurt, the CD is slated for a street date of October 14, 2008. "Band," however, is a figurative term for Holly and company— Holly Golightly and Lawyer Dave (a.k.a. the Brokeoffs) sing and play guitar, as well as drums, banjo, standup bass and an array of other instruments. It's just the two of them.

The new, self-produced album was recorded in five days during the middle of a 50-date tour in the town of Gijon on Spain's northern coast, at an analog studio called Circo Perrotti, which is outfitted with vintage recording gear and dedicated to discerning production values.
  
Their music is a lo-fi stew of blues, country and rockabilly, at once avant-garde and old-timey. As Playboy.com says, "Golightly's songs are so fresh and timeless they could have been recorded yesterday or 40 years ago." Entertainment Weekly called her "a truly appealing tunesmith." And BarnesAndNoble.com deemed her "ready for her above-ground closeup."

Holly Golightly kicked off her musical career in Thee Headcoatees, the legendary all-girl garage band, closely affiliated with U.K. cult legend Billy Childish. She spent eight years as a Headcoatee, and during those years released her first solo record, The Good Things, in 1995. She has appeared on multiple collaborative albums, contributing the title track for the Jim Jarmusch movie Broken Flowers with The Greenhornes, and celebrating "One Chord, One Sound, One Song" with Billy Childish on the album In Blood. Holly also guested on The White Stripes' "(Well It's True That) We Love One Another" from their platinum selling Elephant.  

This album is the 19th for Holly Golightly, whose discography is a cacophony of albums (studio and live), EPs, singles and 10-inch LPs and iTunes-only releases. Although many of the recordings are best known to Americans as imports on the U.K.-based Damaged Goods label, several have been released on labels like Kill Rock Stars, Sympathy for the Record Industry, Box Theory, Super Electro and Flapping Jet.

Lawyer Dave had been playing stand-up bass in Holly's touring line up for many years, and Dirt Don't Hurt is testament the countless miles they've covered together. The Brokeoffs have an independently released album Rest Stop, which was recorded entirely at rest stops that were closed for construction.

Holly Golightly and the Brokeoffs will embark upon a 50-city U.S. tour starting in New York on October 16 and going until Thanksgiving. The tentative tour dates are as follows and are subject to change drastically:
 
Thu. Oct. 16    NEW YORK, NY              Mercury Lounge
Fri. Oct. 17    WASHINGTON, DC            DC9
Sat. Oct. 18    PHILADELPHIA, PA          Khyber
Mon. Oct. 20    BOSTON, MA                Middle East
Tue. Oct. 21    MONTREAL, QU              Café Campus
Wed. Oct. 22    TORONTO, ONT              Horseshoe Tavern
Thu. Oct. 23    BUFFALO/ROCHESTER, NY     Mohawk
Fri. Oct. 24    PITTSBURGH, PA            Garfield Artworks
Sat. Oct. 25    CLEVELAND, OH             Beachland Tavern
Mon. Oct. 27    NEWPORT, KY               Southgate House
Tue. Oct. 28    TOLEDO, OH                Frankie's
Wed. Oct. 29    CHICAGO, IL               Subt
Thu. Oct. 30    MINNEAPOLIS, MN           7th St. Entry
Fri. Oct. 31    MADISON, WI               Café Montmartre
Sat. Nov. 1     MILWAUKEE, WI             Mad Planet
Sun. Nov. 2     KANSAS CITY, MO           Record Bar
Mon. Nov. 3     LAWRENCE, KS              Jackpot Saloon
Tue. Nov. 4     DENVER, CO                Larimer Lounge
Thu. Nov. 6     SALT LAKE CITY, UT        Kilby Court
Fri. Nov. 7     BOISE
, ID                 Neurolux
Sat. Nov. 8     SEATTLE, WA               Triple Door
Mon. Nov. 10    VANCOUVER, BC             Media Club
Tue. Nov. 11    PORTLAND, OR              Doug Fir
Thu. Nov. 13    SAN FRANCISCO, CA         Bottom of the Hill
Fri. Nov. 14    LOS ANGELES, CA           Echo
Sat. Nov. 15    SAN DIEGO, CA             The Casbah
Tue. Nov. 18    TUCSON, AZ                Plush
Thu. Nov. 20    AUSTIN, TX                Emo's
Fri. Nov. 21    DALLAS, TX                The Loft
Sat. Nov. 22    HOUSTON, TX               Rudyards
Mon. Nov. 24    MEMPHIS, TN               Hi-Tone
Tue. Nov. 25    NASHVILLE, TN             The End
Wed. Nov. 26    ATLANTA, GA               EARL

Richie Havens' 'Nobody Left To Crown' Streets Today

Richie Havens'' new album- for the Grateful Web

A sense of timelessness rings throughout Richie Havens' latest release, Nobody Left to Crown, as though the passing years have only strengthened the meaning of his soul-filled folk rock. Nobody Left to Crown, released to the US on Verve Records on July 29th, attests that Richie Havens has never been more relevant, necessary even, than he is today.

Gifted with one of the most recognizable voices in popular music, Richie Havens has a soulful singing style that remains as unique and ageless as when he first emerged from the Greenwich Village folk scene in the early 1960s.  It's a voice that has inspired and electrified audiences from the Woodstock Music & Arts Fair in 1969, to the Clinton Presidential Inauguration in 1993 - coming full circle with the 30th Woodstock Anniversary celebration, "A Day In The Garden", in 1999. Richie Havens is not a man to easily abandon his hopes for a better world. "We are at the dawn of major change", he declares with a broad smile.  Nobody Left to Crown is his heartfelt and unwavering contribution to these fine aspirations.

For over three decades, Richie has used his music to convey messages of brotherhood and personal freedom. With more than twenty-five albums released and a touring schedule that would kill many a younger man, he continues to view his calling as a higher one.  As he told The Denver Post, "I really sing songs that move me.  I'm not in show business; I'm in the communications business.  That's what it's about for me".

Richie Havens tours this summer and fall in support of Nobody Left to Crown.  His current list of tour dates is as follows:

The current list of confirmed tour dates is as follows:

July 30 Sporting Monte Carlo - Salle Des Etoiles Monaco
August 02 Newport Folk Festival Newport RI
August 03 Sleeping Bear Dunegrass and Blues Empire MI
August 07 Brooklyn Academy of Music Metrotech Plaza Brooklyn NY
August 08 Reach Performing Arts Center Deer Isle ME
August 09 L. L. Bean Summer Concert Series Freeport ME
August 10 Nashua River Valley Folk Festival Lancaster MA
August 25-26 Mohegan Sun Casino Uncasville CT
August 29-31 Rhythm Festival 2008 Clapham, Bedfordshire, UK
September 05 The Ohio Theater Cleveland OH
September 06 Beverly Arts Center of Chicago Chicago IL
September 07 The Carnegie Visual and Performing Arts Center Covington KY
September 13 Tupelo Music Hall Londonderry NH
September 15 Kentucky Theater Lexington KY
September 19 Le Poisson Rouge New York NY
September 20 Events Center at Bethel Woods Center for the Arts Bethel NY
September 26 Infinity Hall Norfolk CT
September 27 Jonathan's Ogunquit ME
September 28 Higher Ground S. Burlington VT
November 21 The Sellersville Theater Sellersville PA
November 22 Patchogue Theater Patchogue NY
November 28-29 Stone Mountain Arts Center Brownfield ME
December 05 Sun Music Hall Charlotte NC
December 06 The Orange Peel Asheville NC
December 07 The Community Church Concert Series Chapel Hill NC
December 11 Rhythm & Brews Chattanooga TN
December 13 WorkPlay Theatre Birmingham AL
December 20 Remis Auditorium, Museum of Fine Arts Boston MA

2009
January 16 One World Theater Austin TX
January 17 Historic Central School Lake Charles LA
January 23 Anthology San Diego CA
January 24 The Palmdale Playhouse Palmdale CA
February 06 The Firehouse Coffeehouse Littleton MA
February 07 Veritas Auditorium Chicopee MA
February 08 Carol Autorino Center / Hoffman Auditorium West Hartford CT
February 20 Kirkland Performance Center Kirkland WA
February 28 Mariner Theatre Homer AK
March 1 Alaska Center for the Performing Anchorage AK
April 17 Macomb Center for the Performing Arts Clinton Township MI
April 18 Jasper Community Arts Jasper IN
April 23 Thrasher Opera House Green Lake WI
April 24 Stoughton Opera House Stoughton WI
April 25 ECC Blizzard Theatre Elgin IL
May 15 Metropolitan Museum of Art New York NY
May 16 Algonquin Arts Manasquan NJ

More dates to be announced.