band

The Nitty Gritty Dirt Band Celebrates First Gold Digital Certification

Over two decades after its release, The Nitty Gritty Dirt Band’s (NGDB) No. 1 hit single “Fishin’ in the Dark” is still setting records.  The classic song has been certified GOLD by the RIAA for digital sales of over 500,000 copies.  “Fishin’ in the Dark” was a monster hit for NGDB dominating the No. 1 spot on the country charts in both the US and Canada in 1987.  It was first released digitally in 2009.

“’Fishin’ in the Dark’ seems to have a life of its own and has certainly become a signature song for us over the years,” said band member Jeff Hanna. “We love that this song has become a summer anthem and continues to appeal to new audiences year after year.”

Often cited as a catalyst for an entire movement in Country Rock and American Roots Music, NGDB continues to add to their already legendary status.  With multi-platinum and gold records, a string of top ten hits, multiple Grammy, CMA, ACM and IBMA Awards and nominations, and now a GOLD Digital Certification, the band's accolades continue to accumulate. Showing no signs of slowing down, NGDB is currently on an extensive North American Tour.  The band is celebrating another HUGE milestone this year, over four decades of touring and making music!

NGDB is currently on the road in support of their most recent release, the critically acclaimed album Speed of Life (2009, Sugar Hill Records). For a full list of tour dates, visit www.nittygritty.com.

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Tour Dates:

05/07/2011 - Fort Yates, ND - Prairie Knights Casino & Resort
06/03/2011 - Scottown, OH - Appalachian Uprising Bluegrass

06/04/2011 - Kent, OH - The Kent Stage

06/16/2011 - Kettering, OH - Fraze Pavilion for the Performing Arts

06/17/2011 - Louisville, KY - Kentucky Country Day School Theater
06/18/2011 - Springfield, MO - Show Me Music Festival
06/19/2011 - Littleton, CO - Hudson Gardens and Event Center
06/24/2011 - Manhattan, KS - The Country Stampede Tuttle Creek State Park

06/25/2011 - San Francisco, CA - The Fillmore
06/26/2011 - Laytonville, CA - Kate Wolf Memorial Music

07/03/2011 - Mountain View, AR - Ozark Folk Center

07/08/2011 - Huntley, MT - Huntley Homesteader Days Festival

07/09/2011 - Libby, MT - CARD Summer Concert

07/24/2011 - Twin Lakes, WI - Country Thunder USA

07/27/2011 - Minot, ND - North Dakota State Fair

07/30/2011 - Sweet Home, OR - Oregon Jamboree

School's out w/Flaming Lips' Drozd, The Turtles, Black Angels

The Academy of Contemporary Music at the University of Central Oklahoma (ACM@UCO) has a full calendar for the rockin' month of May. It all kicks off days before with its next master class featuring Mark Volman - AKA Flo - of 1960s band the Turtles on April 29. The Los Angeles native found fame with his band's 1967 hit single "Happy Together," and will engage students with an in-depth discussion of his career and performance. On April 30, The Turtles featuring Flo and & Eddie will perform at an ACM@UCO fundraiser.

On May 4, ACM@UCO will hold its inaugural graduation ceremonies, bidding farewell to its first class of students, including those who have landed high-profile jobs in the music industry. Flaming Lips multi-instrumentalist and former master class speaker Steven Drozd is confirmed as the special guest speaker for the event.

In addition, on May 5, 60 ACM@UCO-affiliated bands will perform across 11 venues in Oklahoma City's historic district as part of ACM@UCO's Bricktown Takeover. On May 10, ACM@UCO will host a master class with guitar legend Robben Ford. On May 7, ACM@UCO's student-run Performance Lab will play host to a performance by Man Man, followed by The Black Angels on May 20.

Callers Announce 2011 US Summer Tour

Ryan and Sara met Don at a show at Melvin's, a bar on St. Claude in the Marigny neighborhood of New Orleans. Ryan and Sara had just begun writing and recording songs together on an old 4-track with a mic hanging from the blade of a ceiling fan in the middle of that stifling sweaty summer, but they would soon part ways and leave New Orleans. Over the next couple of years they relocated to Providence together and later settled in Brooklyn where Don had also settled after Katrina.
Life of Love is the first collection of songs Callers wrote and recorded exclusively in New York as a three- piece. Naturally the band's sound grew in volume in response to the volume of the city; however, they held on to what makes them so consistently affecting: their raw spartan style, anchored by Sara's sensually tough vocals, and Ryan and Don's Southern-honed chops as multi-instrumentalists.
The album started with the band's cover of Wire's "Heartbeat", and the idea of creating something simple and cathartic. Using borrowed amps and mics, in bedrooms and in studios, and by the grace of their good friends, Callers recorded Life of Love in intense spurts over the course of a year. Unlike the experimental ballads on their debut Fortune, the new songs pulse with gritty urgency, colored by the sounds of damaged gear and the earnest spirit of a middle-school gospel choir. The result is an album stripped to the core, an expression of the inexpressible space between us and the places we inhabit and the people we share those places with.
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US Tour Dates
6/4 - Music Hall of Williamsburg - Brooklyn, NY ^&
7/6 - Club Passim - Cambridge, MA
7/7 - One Longfellow Square - Portland, ME
7/8 - Casa Del Popolo - Montreal, QC
7/9 - Cisco Systems Bluesfest - Ottawa, ON
7/10 - The Monkey House - Winooski, VT
7/23 - Hillside Festival - Guelph, ON
7/24 - Beachland Tavern - Cleveland, OH%
7/26 - Brillobox - Pittsburgh, PA%
7/27 - Metro Gallery - Baltimore, MD
7/28 - World Cafe Live Upstairs - Philadelphia, PA%

^ Yellow Ostrich

& Wildbirds & Peacedrums

% Nat Baldwin

David Bromberg's USE ME Tapes Friends

When David Bromberg, one of America’s finest roots musicians, emerged from a recording hiatus of 17 years with the solo, acoustic, traditional folk-blues album Try Me One More Time (Appleseed, 2007), fans and critics were thrilled, and the CD was rewarded with a Grammy nomination. For his follow-up album, Use Me, Bromberg chose a different approach: Why not ask some of his favorite singer-songwriters and musicians to write (or choose), produce, and perform on songs tailored to his versatile but distinctive skills as a guitarist and vocalist?

Answering David’s call were well-known artists from the many genres comprising the amorphous “Americana” musical category. Representing contemporary rootsy singer-songwriters: John Hiatt, the first musician Bromberg approached, who penned the pensive “Ride On Out a Ways” for him; for New Orleans “fonk,” Dr. John; there’s three-guitar jam band interplay with Widespread Panic and jug band music with Levon Helm (the sprightly “Bring It With You When You Come,” produced by Grammy-winning Larry Campbell). Linda Ronstadt puts in a rare appearance on a soulful Brook Benton ballad, Los Lobos contribute a Mexican-flavored waltz, Vince Gill and Tim O’Brien take care of the country and bluegrass quotient, Keb’ Mo’ brings the blues, and the hitmaking Butcher Brothers, producers Phil and Joe Nicolo (Bob Dylan, John Lennon, Cypress Hill, Nine Inch Nails), provide the languid R&B groove for the title song, a cover of Bill Withers’ classic “Use Me.”

The resultant album is due for July 12, 2011 release on Appleseed Records. A national tour will ensue.
Standout tracks change with each listening, but some of the high points include the crisp blues shuffle “Tongue,” the album’s lone Bromberg original, with Levon Helm on drums; “You Don’t Wanna Make Me Mad,” featuring David on slide guitar and Dr. John on piano; the ominous slow blues “Diggin’ in the Deep Blue Sea,” updated by Keb’ Mo’ and Gary Nicholson from Larry Davis’ “Texas Flood” to address the dangers of offshore drilling, and the chipper Vince Gill — Guy Clark co-write “Lookout Mountain Girl,” the only song on which David cedes most of the lead guitar duties (to Vince, although David splits the lead with Widespread Panic’s Jimmy Herring on “Old Neighborhood”).
Rather than collating individual instrumental parts literally phoned in to a central location, the recording sessions for Use Me generally took place on each guest artist’s home turf — in Woodstock (Levon Helm), New Orleans (Dr. John), Nashville (John Hiatt, Tim O’Brien, Vince Gill), Los Angeles (Los Lobos), and so on, to retain their regional flavors. For Bromberg, who started his professional career as an accompanist for everyone from Dion and Jay and the Americans to Bob Dylan and Willie Nelson, the sessions were simultaneously a throwback to his sideman days and a sidestep from his own recordings. “As artist and producer, I get to completely mold my vision of how the song should go,” he explains. “The drawback is that I don’t get many ideas that are not my own. It was fascinating for me to see the different approaches that everyone used in production.”
No matter who the producers, songwriters or accompanying musicians are on Use Me, Bromberg’s expressive guitar-playing and “rippling Fred Neil-like baritone that . . . brings warm, reassuring comfort” (Rolling Stone) remain the centerpiece of the CD, diamonds in golden settings.
Born in Philadelphia in 1945 and raised in Tarrytown, NY, “I listened to rock ’n’ roll and whatever else was on the radio,” says Bromberg. “I discovered Pete Seeger and The Weavers and, through them, Reverend Gary Davis. I then discovered Big Bill Broonzy, who led me to Muddy Waters and the Chicago blues. This was more or less the same time I discovered Flatt and Scruggs, which led to Bill Monroe and Doc Watson.”
Bromberg began studying guitar when he was 13 and eventually enrolled in Columbia University as a musicology major. The call of the Greenwich Village folk scene in the mid-’60s drew David to the downtown clubs and coffeehouses, where he could watch and learn from the best performers, including primary sources such as his inspiration and teacher, the Reverend Gary Davis.
Bromberg’s sensitive, blues-based approach to guitar-playing earned him jobs playing the Village “basket houses” for tips, the occasional paying gig, and lots of employment as a backing musician for Tom Paxton, Jerry Jeff Walker and Rosalie Sorrels, among others. He became a first-call, “hired gun” guitarist for recording sessions, playing on hundreds of records by artists including Bob Dylan (New Morning, Self Portrait, Dylan), Link Wray, The Eagles, Ringo Starr, Willie Nelson and Carly Simon. In the early ’90s, David produced an as-yet-unreleased Dylan album, although two tracks have been issued as part of Dylan’s “Bootleg Series.”
An unexpected and wildly successful solo spot at the 1970 Isle of Wight Festival in Great Britain led to a solo deal with Columbia Records, for whom David recorded four albums. His eponymous 1971 debut included the mock-anguished “Suffer To Sing the Blues,” a Bromberg original that became an FM radio staple, and “The Holdup,” a songwriting collaboration with former Beatle George Harrison on which Harrison also played slide guitar. David, who had met the Grateful Dead’s Jerry Garcia at the Woodstock Festival when they both took refuge from the rain in a tepee, wound up with four Dead members, including Garcia, playing on his next two albums.
Bromberg’s range of material, based in the folk and blues idioms, continually expanded with each new album to encompass bluegrass, ragtime, country and ethnic music, and his touring band grew apace. By the mid-’70s, the David Bromberg Big Band included horn-players, a fiddler, and several multi-instrumentalists, including David himself. Among the best-known Bromberg Band graduates: mandolinist Andy Statman, later a major figure in the Klezmer music movement in America, and fiddler Jay Ungar (who wrote the memorable “Ashokan Farewell” for Ken Burns’ PBS documentary, “The Civil War”).
Despite jubilant, loose-limbed concerts and a string of acclaimed albums on the Fantasy label, Bromberg found himself exhausted by the logistics of the music business. “I decided to change the direction of my life,” he explains. So David dissolved his band in 1980, and he and his artist/musician wife, Nancy Josephson, moved from Northern California to Chicago, where David attended the Kenneth Warren School of Violin Making. Though he still toured periodically, the recordings slowed to a trickle and then stopped.
After “too many Chicago winters,” in 2002 David and Nancy moved to Wilmington, Del., where they currently serve as unofficial “artists in residence” and where David established David Bromberg Fine Violins, a retail store and repair shop for high quality instruments. Frequent participation in the city’s weekly jam sessions helped rekindle Bromberg’s desire to perform music “live” again, and the encouragement of fellow musicians Chris Hillman (The Byrds, Desert Rose Band, Flying Burrito Brothers) and bluegrass wizard Herb Pedersen helped nudge him back into the recording studio. The Wilmington jams also led to the formation of Angel Band, fronted by Nancy and two other female vocalists, with David frequently serving as an accompanist.
Bromberg’s participation in his local and musical community has subsequently included a fund-raising music festival (Bromberg’s Big Noise in the Neighborhood) to help renovate a local theater, and a keynote address at this past spring’s Folk Alliance International convention, a non-profit organization of musicians, concert presenters and industry professionals.
David continues his musical revitalization with projects like Use Me, playing solo shows or backed by his own bluegrass quartet and reunions of the David Bromberg Big Band. Use your ears and catch him when you can!

Younger Brother Release Vaccine Today

Vaccine (released April 26, 2011/ SCI Fidelity Records) is the third album by genre-bending U.K. outfit Younger Brother. And while members Simon Posford, Benji Vaughan and Ruu Campbell remain royalty on the electronic music scene, (the album reached #2 on iTunes’ electronic music chart), Vaccine marks a notable evolution from the band's electronic origins, embracing melodic song structures and organic instrumental sounds. The result is turning heads, and ears

Check out a rare acoustic Younger Brother performance here.

Vaccine’s nine original songs incorporate elements of catchy uber-pop, early American folk and blues, and vintage prog-rock, with lyrics that balance pointed humor and weighty philosophical matters, giving the album a level of intimacy and emotion that's not normally associated with electronic music. The release continues Younger Brother's evolution from studio project to full-fledged, organic band, with Posford, Vaughan and Campbell joined by Marc Brownstein (Disco Biscuits) on bass, Tom Hamilton (Brothers Past) on guitar and Joe Russo (who also plays in the Grateful Dead spin-off act Furthur) on drums.

The U.S. release of Vaccine coincides with Simon Posford’s other current project: the highly anticipated “Shpongle presents The Shpongletron Experience.” For this massive run of Shpongle “Hybrid” DJ dates, Posford reveals his brand-new "Decks, FX & 101" show made up of an arsenal of turntables, synths, and effects units. The elaborately staged multi-media presentation, which Posford describes as a "maelstrom of beauty and surprise," will raise the bar on Shpongle's longstanding reputation for providing mind-bending, fully immersive multi-dimensional, multi-sensory experiences.

Visit www.facebook.com/shpongle for tour dates and additional information.

They Might Be Giants "Join Us" Advance Tracks out on iTunes Today

They Might Be Giants new album, Join Us, is the recordings that their fans have been waiting 20 years for! Impossibly catchy, sometimes strange and always original the album is a stunning return to form. On Join Us we find the Brooklyn originals have returned to rock and to their singular sensibility that made them an instant phenomenon in the world of alternative rock. Join Us is an electrifying mix of clever, maddeningly catchy songwriting and studio mastery. The album was created in the brand new private studio of their long-time collaborator Patrick Dillett (David Byrne, Mary J. Blige, Tegan and Sara, Doveman). The advance tracks are released digitally today on iTunes through the “Complete My Album” program, with the full album arriving in all digital and physical outlets July 19, 2011 through Idlewild/Rounder Records.

The advance track offering opens with “Can’t Keep Johnny Down”--a summer-perfect pop single that will get instantly stuck in your head and make you want to roll down the windows. The electronic ballad “Never Knew Love” puts a new and simple twist on the love song.  The pure folk-pop of “Old Pine Box” showcases the band's signature harmonies, handclaps and the always popular, never anticipated vocoder. Check out the “Can’t Keep Johnny Down” MP3 HERE.  Feel free to post and share!

They Might Be Giants unlikely success story started nearly three decades ago with their Dial-A-Song service. High energy, low budget videos broke them into heavy rotation on MTV and the rest would soon become alternative rock history.  Along the way the band has become the recipients of two GRAMMYs and a platinum record (1990’s Flood). They recorded numerous themes including The Daily Show with Jon Stewart, their GRAMMY-winning theme Malcolm In the Middle and many more.

Notorious for their energized live show, They Might Be Giants will launch the first international tour in over a decade this Fall, hitting 6 countries and over 50 US cities.  Several tour dates have been announces & stay tuned for more details next month.

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They Might Be Giants Tour Dates

5/29: Des Moines, IA @ Iowa State Fair Grounds
6/11: Toronto, ON @ Luminato Festival FREE CONCERT
7/15: London, UK @ Koko
7/16: Southwold, UK @ Latitude Festival
7/29: Brooklyn, NY @ Williamsburg Waterfront w/Eugene Mirman FREE CONCERT

Here We Go Magic To Be Joined By Aroara

Here We Go Magic are happy to announce both Aroara and Caveman will be joining them on their upcoming North American Tour.
Aroara is a new project featuring Andrew from Broken Social Scene, along with vocalist Ariel Engle, a frequent collaborator in the BSS live show. Their shows with HWGM mark their premiere as a live act. Andrew is also a member of Apostle of Hustle. HWGM toured both Europe and Canada with Broken Social Scene in 2010.
The tour is in support of The January EP. The EP's six tracks complete the songwriting cycle that Here We Go Magic began in an upstate New York farm house upon the commencement of their critically-acclaimed sophomore LP Pigeons (2010, Secretly Canadian). The band's signature mix of swirling guitars, krautrock grooves, pulsing synths, and hushed chants provide a foundation for these otherworldly songs.
"Hands in the Sky" is a ghostly number that showcases vocalist Luke Temple's lyrical pedigree, his words pushed forward in lockstep with a band heaven-bent on window dressing your headspace like a cosmos for the 20 minutes they've got your attention. At the center of the EP lies what Here We Go Magic does best, a dichotomy between eerie folk sounds and driving art rock. The jangly back-and-forth between the guitars of Michael Bloch and Temple form the backbone to "Song In Three," the yin to Pigeons standout "Collector"'s yang. Cyclical in its instrumentation and lyrics, the spooky lullaby "Hollywood" climaxes with a mantra that wouldn't have been out of place on the band's 2009 self-titled release.
The January EP was produced by Jen Turner and recorded live to analog tape in a band-built living room studio.
Pre-order now available through the Secretly Canadian website, all pre-orders also come with a download card for the EP.
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North American Tour Dates

05.02.11 - San Francisco, CA - Rickshaw Shop $
05.04.11 - Salt Lake City, UT - Urban Lounge $
05.05.11 - Denver, CO - Larimer Lounge $
05.06.11 - Lawrence, KS - Jackpot Saloon ¬ “ >
05.07.11 - St. Louis, MO - Firebird $
05.09.11 - Chicaco, IL - Schuba’s $
05.10.11 - Pontiac, MI - The Pike Room at Crofoot $
05.11.11 - Toronto, ON - Horseshoe Tavern $
05.12.11 - Montréal, QC - Club Lambi $ #
05.13.11 -  South Burlington, VT - Higher Ground Lounge $
05.14.11 - New York, NY - Mercury Lounge !+~
05.16.11 - Washington DC - Red Palace  *
05.17.11 - Chapel Hill, NC - Local 506  *
05.18.11 - Atlanta, GA - The Earl  *
05.19.11 - Nashville, TN - The Basement *
05.20.11 - Pensacola, FL  - Handlebar  *
05.21.11 - New Orleans, LA - The Den at the Howlin' Wolf *
05.23.11 - Houston, TX - Fitzgerald’s Downstairs *
05.24.11 - Dallas, TX - Club Dada *
05.25.11 - Austin, TX The Parish *
06.05.11- Istanbul, The City Festival
06.24.11 - Cambridge, MA - T.T. the Bear's
06.25.11 - North Adams, MA Solid Sound Festival at Mass MoCA

$ w/Aroara
* w/Caveman
# w/Citizenship
! w/Porcelain Raft
+ w/NT
~ w/Bizi Gara
¬ w/Tune-Yards “ w/Buke & Gass

Dawes to Release Nothing is Wrong June 7th

ATO Records is proud to announce the release of Nothing Is Wrong, the highly anticipated second album by critically acclaimed Los Angeles-based, Dawes, on June 7, 2011.  Nothing Is Wrong is the follow-up to the band’s 2009 debut, North Hills (featuring their breakout anthem, “When My Time Comes”), an extraordinary record that was released quietly and soon became regarded among critics and fans across the country as a classic and must-own favorite. A collection of songs that expertly builds upon the template laid by North Hills, Nothing Is Wrong sees Dawes displaying strong growth and evolution while still manifesting their distinctive, unforgettable voice.
A self-described “American rock ‘n’ roll band,” Dawes represent everything pure and true about that fundamental delineation, four talented friends making music together, fueled by a shared belief in the power of their songs. With Nothing Is Wrong, singer/guitarist Taylor Goldsmith, his brother Griffin on drums, keyboardist Tay Strathairn, and bassist Wylie Gelber – continue to master their blend of singer/songwriter reflection with folk, country, and AOR-inspired arrangements, all ringing guitars, soaring harmonies, and heartfelt melodies.
“We didn’t change up our approach too much and yet we were able to create something that I feel has a new identity from our first record,” Goldsmith says. “It’s definitely taking a step in a direction and at the same time, it’s maintaining what it needs to maintain.”
In 2009, Dawes emerged from the ashes of California combo Simon Dawes with North Hills, which drew instant acclaim for its rootsy revitalization of classic El Lay rock. And like any American rock ‘n’ roll band worth its salt, Dawes followed up by touring nearly non-stop. As a result, Goldsmith was only able to write during rare free moments, in the course of brief visits home or while crashing at a friend’s for a few days.
Goldsmith took a brief break from the band to record with friends and tour-mates John McCauley of Deer Tick and Matt Vasquez of Delta Spirit as the collaborative supergroup Middle Brother, and in September 2010, Dawes reunited with producer Wilson at his new Echo Park studio. As with North Hills, Dawes opted to record Nothing Is Wrong live to 2” analog tape. Far from just an exercise in nostalgic authenticity, the band sees the more traditional technique as a way of focusing their energies and affirming their dedication to the creative process.
“If you’re writing on a typewriter,” Goldsmith says, “you have to commit to whatever you’re writing. Typewriters don’t make it easy for you to go back and rethink things. Same thing with recording analog. We don’t do it because that’s what the people we admire did. We do it because it demands something out of us. It doesn’t allow us to show up lazy or not on our game. We cut every track knowing that this stuff isn’t easy to edit.”
Along with critical approbation and an ever-growing fan following, Dawes has earned admiration from many of their greatest heroes. Benmont Tench of The Heartbreakers joined the band on organ on both North Hills and Nothing Is Wrong, while the new album’s “Fire Away” sees guest vocals from Jackson Browne, who has since invited the band to both support and back him on a European tour.  In addition, after Goldsmith contributed vocals to Robbie Robertson’s star-studded new How To Become Clairvoyant, the legendary guitarist/songwriter asked Dawes to serve as his backing combo for a number of promotional performances, sensing in them the character of a true band, a tight knit unit who know how to work together and instinctively play off each other’s individual gifts.
Nothing Is Wrong captures both Dawes’ studio and stage approaches, matching the loose extemporaneity and crunchy dynamism of the band’s live sets with finely honed arrangements and deft musicianship. Beginning next week, ATO Records and Dawes will release a series of weekly videos online featuring interview, candid, recording, and live performance footage leading up to release date on June, 7. Visit the band’s website for more information.
Check out Grateful Web reviews of both Middle Brother and Dawes.
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The tracklisting for Nothing Is Wrong:
1. Time Spent in Los Angeles
2.  If I Wanted Someone
3.  My Way Back Home
4. Coming Back to a Man
5. So Well
6. How Far We’ve Come
7. Fire Away
8. Moon in the Water
9. Million Dollar Bill
10. The You Laugh
11. A Little Bit of Everything
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TOUR DATES
May 5 - Houston, TX - Fitzgeralds
May 6 - Austin, TX - La Zona Rosa
May 7 - Dallas, TX - Granada Theatre
May 9 - Orlando, FL - Beacham Theater
May 10 - Ft. Lauderdale, FL - Culture Room
May 11 - Tampa, FL - State Theatre
May 12 - St. Augustine, FL - Cafe Eleven
May 13 - Atlanta, GA - Variety Playhouse
May 14 - Birmingham, AL - Secret Stages Festival (2pm -note 2 shows on 5/14)
May 14 - Nashville, TN - Cannery Ballroom
May 15 - Asheville, NC - Orange Peel
May 17 - Charlotte, NC - Visulite Theatre
May 18 - Carborro, NC - Cat's Cradle
May 19 - Athens, GA - Melting Point
May 20 - Chattanooga, TN - Nightfall Series (free show)
May 23 - New Haven, CT - Toad's
May 24 - Portland, ME - State Theatre
May 25 - Northampton, MA - The Iron Horse
May 26 - Burlington, VT - Higher Ground
May 27 - Montreal, QC - Le National
May 28 - Toronto, ON - Opera House
May 29 - Detroit, MI - St. Andrew's Hall
June 1 - Louisville, KY - Headliners
June 2 - Indianapolis, IN - The Vogue
June 3 - Chicago, IL - The Vic Theatre
June 5 - Hunter Mountain, NY - Mountain Jam
June 6 - St. Louis, MO - The Pageant
June 7 - Louisville, KY - Iroquois Ampitheatre
June 8 - Columbus, OH - LC Ampitheatre
June 9 - Pittsburgh, PA -Stage AE
June 10 - Philadelphia, PA - Mann Center
June 11 - Vienna, VA - Wolf Trap
June 13 - Vancouver, BC - Vogue Theatre
June 14 - Seattle, WA - Moore Theatre
June 15 - Portland, OR - Crystal Ballroom
June 16 - Bend, OR - Athletic Club of Bend
June 17 - Chico, CA -   El Rey Theatre
June 18 - Los Angeles, CA - Orpheum Theatre
June 20 - San Diego, CA - House of Blues
June 21 - Tucson, AZ - Rialto Theatre
June 22 - Phoenix, AZ - Marquee Theatre
June 23 - Las Vegas, NV - Silverton Casino
June 24 - Reno, NV - Knitting Factory
June 25 - Oakland, CA - Fox Theatre
July 2 - Emeryville, CA - High Sierra Music Festival
July 7 - Winnipeg, MB  - Winnipeg Folk Festival
July 8 - Winnipeg, MB  - Winnipeg Folk Festival

GOMEZ Announce July Tour Dates

Fresh off the exciting announcement of their seventh studio album release, Whatever’s On Your Mind, Mercury Music Prize winning five-piece, Gomez, will be heading out on tour! Whatever’s On Your Mind is due on June 21, 2011 on ATO Records; pre-order the album now. Their first single from the new collection, “Options”, is available on iTunes now. You can stream the song here.
With a performance in the Dave Matthews Band Caravan and a stop at NYC’s Terminal 5, the band will be making their way through a multitude of cities for their July run of dates in support of the album. Gomez’ live shows are legendary – the band defies genres and labels and in doing so have quietly built a massive audience by consistently transporting listeners into a state of head-bobbing bliss. With their signature vocals and song stylings in full effect on this album, you can count on electrifying performances that show the true musicality of the band, exemplified by their time-tested, audience-approved live shows.
Serving as the follow-up to their acclaimed 2009 release, A New Tide their forthcoming album sees Gomez (Ben Ottewell, Tom Gray, Paul “Blackie” Blackburn, Ian Ball and Olly Peacock) pushing their limits in a way we have not yet heard. The band partnered up with longtime friend, Sam Farrar (Phantom Planet) to co-produce and sought out to feature other artist friends on the record, Luke Steele (Empire of the Sun, Sleepy Jackson) and  Stuart Bogie (Antibalas, TV on the Radio, Iron and Wine).


Whatever’s On Your Mind, their first self-produced offering since 2001’s In Our Gun, finds Gomez driving forward on a beautifully lush and dynamic album. There is a fresh feeling of rebirth and awakening. One to raise a smile even from the naysayers. A broad grin from the rest of us.

Full list of announced dates are below with more to be announced soon, including west coast, rocky mountain and northwest shows.
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TOUR DATES
July 8 - Kansas City, MO - Crossroads
July 9 - Minneapolis, MN - Basilica Block Party
July 10 - Chicago, IL - DMB Caravan
July 12  - Boston, MA - The Paradise
July 14 - New York, NY - Terminal 5
July 15 - Philadelphia, PA - TLA
July 16 - Ottawa, ON - (venue to be announced on 4/26)
July 17 - Toronto, ON - The Phoenix
July 18 - Washington DC - 9:30 Club
July 20 - Raleigh, NC - Lincoln Theatre Outside*
July 21 - Charlotte, NC - The Fillmore*
July 22 - Atlanta, GA - The Tabernacle*
July 23 - Glen Allen, VA - Innsbruck After Dark*
* with John Butler Trio

Viennese Prog-Jazz Band to Battle Gloom in NYC

On Wednesday, May 4, at 7:30 PM, the up-and-coming Viennese progressive jazz quartet Kompost 3 will present their self-titled debut album to a New York audience. Trumpet, e-piano, drums, bass, and subtle electronics provide the sonic groundwork for this young and funky instrumental jazz band. Despite their young age, the members of Kompost 3, Martin Eberle, Benny Omerzell, Lukas König, and Manu Mayr, have already played with a wide variety of renowned artists, including Soap&Skin, Wolfgang Mitterer, and Wolfgang Puschnig.

Founded in 2009, the band calls Vienna’s third district its home, a residential area for workers interspersed with masterpieces of aristocratic architecture. The days of 18th century imperialism are long gone, and the dreary reality of working life has settled into the third district. Detecting 21st century signs of muck and rot, the band takes its energy from this wholly Viennese air of decay to create music that is fresh and invigorating, much like a compost pile produces fertilizer – hence the name, Kompost 3.

Martin Eberle, born 1981, plays trumpet and flugelhorn, studies classical trumpet at the Feldkirch Konservatorium and jazz trumpet at the Hochschule der Künste Bern/Swiss Jazz School Bern. Benny Omerzell, born 1984, plays Fender Rhodes electric piano and red instruments and currently studies at the Jazzhochschule Graz. Manu Mayr, born 1989, plays electric bass and double bass and studies at the Konservatorium Wien Privatuniversität and the Bruckneruniversität Linz. Rounding off the distinctive sound of Kompost 3 with drums and electronics, Lukas König, born 1988, studies at the Bruckneruniversität Linz and the Gustav Mahler Konservatorium in Vienna.

The concert takes place at the auditorium of the ACFNY at 11 East 52nd Street (between Fifth and Madison). Admission is free, but reservations are required. Check or call 212 319 5300 ext. 222.