band

Dale Earnhardt Jr. Jr. | Hi-Dive | Denver, CO

Dale Earnhardt Jr. Jr. took the stage last night at the Hi-Dive in Denver clearly on a mission from God. Wearing their traditional Nascar-style track jumpsuits and big ol mesh trucker caps, the Detroit duo of Josh Epstein and Daniel Zott made their debut in the great city of Denver on a tour supporting the release of their debut album, It’s a Corporate World.

The Dodos at Fox Theatre | 09.27.11

Z2 Entertainment is proud to present The Dodos with The Luyas at the Fox Theatre on Tuesday, September 27th. Tickets go on sale Friday, June 17th at 10:00 am.

The drums hit you in the chest first, spraying your speakers like swift gunshots. But then Meric Long’s finger-picked chords kick in, cascading across Logan Kroeber’s brass knuckle beats like only the best Dodos songs can.

This forward motion feeling has driven the duo since 2005, but several key changes lift their fourth LP (No Color) to another level. For one thing, the band reunited with Portland producer John Askew, the man behind the boards of the Dodos’ first two full-lengths,Beware of the Maniacs and Visiter. Having an old friend around was like adding an honorary third member; a voice of reason who can isn’t afraid of vetoing ill-fated ideas. Ideas like glossy layers of vibraphone that lost their luster halfway through.

The main focus of No Color was to bottle the frenzied folk approach that’s been there since the beginning. And it works damn well, from the dagger-drawing dynamics and brain-burrowing choruses of “Black Night” to the hairpin turns and splashy percussion of “Good.” And then there are the songs that’ll make you want to dub old episodes of 120 Minutes, including the instrumental break of “Don’t Stop” and the sneak attack solo that weaves its way around the steely rhythms of “Don’t Try and Hide It.”

“I have a love for ‘90s riffs that I haven’t gotten to showcase in this band,” says Long. “The most fun I had with this record was when I got to strap on the electric guitar and come up with Billy Corgan riffs while the tape was rolling.”

There’s less room for error than there’s ever been.  “We’re more naked this way,” explains Long. “You can hide a lot of your mistakes on an acoustic, but with an electric, every single note is much louder and more piercing. So I have to be way more on top of my playing now.”

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The Dodos

w/ The Luyas

Fox Theatre

Tuesday, September 27th

Doors:  8:30 pm

Show Time:  9:00 pm

Rebirth Brass Band at Fox Theatre | 07.22.11

Z2 Entertainment is proud to present Rebirth Brass Band at the Fox Theatre on Friday, July 22nd. Tickets go on sale Friday, June 17th at 10:00am.

Hailed by the New York Times as “a New Orleans institution,” the Rebirth Brass Band have been at the forefront of the brass band revival that they helped kick off almost 30 years ago. Formed by the Frazier brothers, Phil and Keith, along with Basin Street labelmate Kermit Ruffins in 1983, The Rebirth Brass band has gone from playing on corners in the French Quarter to selling out concert halls across the world and appearing in David Simon’s HBO hit “Tremé.”

It’s been a long road, but The Rebirth Brass Band has become one of the most beloved brass bands in New Orleans and around the world.

Since their founding, they’ve developed a signature brand of heavy funk that they expand upon on their latest effort, Rebirth of New Orleans. Opener “Exactly Like You” starts the album off with a rollicking, Mardi Gras stomp. “The Dilemma” and “Do It Again” find the group locking in to a down-tempo, Latin-influenced grooves, anchored by Phil Frazier’s tuba. And “Shrimp and Gumbo” and Feelin’ Fine” find the band effortlessly perfecting the New Orleans-style brass lines that put the city on the map.

Rebirth Brass Band were featured in the opening scene of David Simon’s hit HBO show “Tremé” as well as on the GRAMMY® nominated soundtrack. No band exemplifies the essence and soul of New Orleans like Rebirth Brass Band.

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Rebirth Brass Band

Fox Theatre

Friday, July 22nd

Doors:  8:30 pm

Show Time:  9:00 pm

Rocky Mountain Grateful Dead Revue @ Boulder Theater on Friday

Based originally on a premise of player interchangeability to suit the situation, compatibility and success have coalesced the band into its present configuration. The band's forte lies in its faithful rendering of Grateful Dead material, both originals and covers, and the Grateful Dead's trademark style of improvisation. Achieved through a careful balance of comprehension and execution of the more defined musical elements of the material with a fearless passion to connect with the elusive "X factor" that Jerry Garcia affectionately spoke of, RMGDR remains aligned with the Dead's creed of playing off the energy of the audience and making them an integral component of the overall dynamic.

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Date/Time: June 10, 2011, 9:00 pm

Audience: All Ages

Seating: Standing Room & Seated Balcony

Ticket Availability: Yes

On Sale Date/Time: May 3, 2011

Internet On Sale Time: 10:00 am

Box Office On Sale Time: 3:00 pm

General Admission: $16.00

Other: + $2.00 for under 21

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More Info / Buy Tickets

The Mahavishnu Project presents THE COMPLETE "VISIONS OF THE EMERALD BEYOND"

THE MAHAVISHNU PROJECT: Gregg Bendian, drums / Glenn Alexander, guitar / Neil Alexander, keyboards / Jim Cammack, bass / Chern Hwei, electric violin / Melissa Stylianou, voice / Pete Furlan, saxophones / Jon Weber, violin / Will Hakim, viola / Leigh Stuart, cello

The Mahavishnu Project is the only jazz repertory ensemble of its kind to receive the endorsement of guitarist/composer John McLaughlin and ALL of the original members of The Mahavishu Orchestra. In fact, keyboardist Jan Hammer hired MahaProj to be his band for the night at MoogFest 2006 in NYC- his only US appearance in over 15 years.

The Mahavishnu Project typically presents "complete album evenings" such as "The Complete Birds of Fire" or "The Complete Inner Mounting Flame." Of late the band is presenting a 35th anniversary concert of Mahavishnu's "Visions of the Emerald Beyond", known to fans and historians alike as the pinnacle of the 1970's jazz fusion movement - boldly combining elements of jazz, rock, classical, Indian music and free-form sonic exploration. In 2008, The Mahavishnu Project released "Return to the Emerald Beyond" on Cuneiform Records. It is a reverent re-imagining of the entire original Emerald Beyond music from start to finish and includes encores from "Birds of Fire" and "Inner Mounting Flame."

“Just a little note of appreciation for what you are bringing back to life. This musical period was the beginning of finding my own way in music, and to hear you guys playing those tunes in such an unbelievable way is quite amazing. Great job!! Keep up the good work.”

-John McLaughlin

JESSE GRESS with members of the Mahavishnu Project will be performing the music of Jeff Beck and Jan Hammer.

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Friday, June 10, 2011 

Doors: 8:00 pm

Show: 9:00 pm

Tickets: $20 General Admission

Leftover Salmon Announces Northeast Tour Dates

Jam scene innovators Leftover Salmon are announcing four Northeast dates for fall 2011. This will be the band's first tour through the region in 8 years. Founding members Drew Emmitt and Vince Herman will be joined by Greg Garrison (bass), Andy Thorn (banjo), Bill McKay (keys) and Jose Martinez (drums). Emmitt says that these dates and addition of banjoist Andy Thorn are the start of a brand new era for the band and that they are thrilled to be kicking it all off in some of their favorite Northeast cities.
Tickets will go on sale through the band’s ticketing website this Thursday, June 9th at 10am EST. All remaining tickets will be available through the venue box offices.
The unmistakable sound of Colorado’s Leftover Salmon fuses an unrivaled improvisational fervor to a dizzying combination of bluegrass, Cajun, funk, Southern rock, boogie, Caribbean, Latin, and jazz influences. Over their 22+ year career, Leftover Salmon has earned a legion of diehard fans, critical accolades, and a reputation as one of the most exciting and engaging concert experiences to ever hit the road. For more on Leftover Salmon visit: www.leftoversalmon.com

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Leftover Salmon September Tour Dates
9/20 Recher Theatre, Baltimore (Cornmeal opens)
9/21 The Birchmere, DC (Elephant Revival opens)
9/22 World Café Live, Wilmington MD (Cornmeal opens)
9/23 Brooklyn Bowl (Cornmeal opens)

Bright Eyes @ Boulder Theater | 08.09.11

97.3 KBCO & Westword is proud to present Bright Eyes at the Boulder Theater on Tuesday Aug 9th, 2011.  Tickets go on sale Friday, June 9th for $30 in advance and $35 day of show.

The People’s Key – the band’s seventh studio album – is the eagerly awaited follow-up to 2077’s acclaimed Cassadage.  Since 2006 the once revolving cast of Bright Eyes players has settled around permanent members Conor Oberst, Mike Mogis and Nathaniel Walcott, with additional musicians joining them in the studio and on tour.  Fully realized and bursting with charisma, The People’s Key is an assured and accomplished album, artfully arranged and filled with the engaging and mesmeric songwriting for which Conor is renowned.

Bright Eyes’ success snowballed in early 2005 when the simultaneous release of the sister albums “I’m Wide Awake,” “It’s Morning and Digital Ash In A Digital Urn” saw the Nebraskans hurled into the limelight and the Billboard Charts.  To say that the band became a househole name would be an overstatement but for a few months they seemed ubiquitous; from magazine covers to late night talk shows, they were name-checked by everyone from sports casters to country stars.  Conor Oberst has spent much of the last few years recording and touring with friends and musicinas, The Mystic Valley Band, as well as releasing a highly acclaimed album and tour as part of the so called indie supergroup Monsters of Folk.

Recorded in Omaha, Nebraska, at the band’s own ARC Studios, The People’s Key was produced by Mike Mogis and engineered by Mogis and Andy LeMaster.  Additional Bright Eyes players on The Player’s Key:  Andy LeMaster (Now It’s Overhead), Matt Maginn (Cursive), Carla Azar (Autolux), Clark Baechle (The Faint), Shane Aspegren (The Berg Sans Nipple), Laura Burhenn (The Mynabirds) and Denny Brewer (Refried Ice Cream).

For more information please visit http://www.conoroberst.com.

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Bright Eyes

Boulder Theater

Tuesday, August 9th

Doors: 7:30 pm

Show Time: 8:30 pm

Grateful Dead's Shakedown Street and Blues for Allah Get Deluxe 180-Gram Pure Virgin Vinyl Treatment

In a move sure to delight audiophiles and collectors of classic pop music albums, the Audio Fidelity label will reissue of two classic Grateful Dead albums on 180-gram pure virgin vinyl, in limited numbered edition gatefold packages on June 7th, according to label president Marshall Blonstein.The band's 1975 BLUES FOR ALLAH and 1978's SHAKEDOWN STREET will be available from both online and brick-and-mortar retail outlets as the latest offerings in Audio Fidelity's continuing program of audiophile reissues.

Audio Fidelity, which Blonstein founded in 2002 after leaving the pioneering DCC Compact Classics label that he started in 1986, has become synonymous with high-quality album reissues geared toward the audiophile market. Since 2009, Audio Fidelity has reissued some of the best-known and most significant pop and rock titles in both 24Karat Gold CD and 180-gram virgin vinyl editions.Continuing the policy Blonstein established at DCC, all Audio Fidelity titles are produced from original sources and feature the original artwork. Among the imprint's growing catalog are key recordings by Stevie Wonder, Simon & Garfunkel, the Beach Boys, Rod Stewart, the Doors, Cat Stevens, James Taylor and Linda Ronstadt.

The two Grateful Dead reissues occupy special places in the fabled San Francisco band's history. BLUES FOR ALLAH, originally released in September of 1975, was the third of only four albums issued on the group's Grateful Dead Records imprint. While the LP's best remembered cuts, "Franklin's Tower" and "The Music Never Stopped," remained in the band's concert set list for some 20 years, the title track-the first part of an ambitious suite-was performed only a few times in 1975 before being retired from the band's repertoire. BLUES FOR ALLAH reached No. 12 on Billboard's album chart; from the LP, "The Music Never Stopped" was the Dead's highest charting single since "Uncle John's Band."

First issued in November 1978 on Arista Records, SHAKEDOWN STREET was the Dead's tenth album, its eighth to go Gold. Produced by Little Feat founder Lowell George, it was an eclectic collection that featured updated versions of venerable live Dead favorites ("Good Lovin,'" "All New Minglewood Blues") and also introduced songs that would become staples of the band's concerts for years to come, most notably "I Need a Miracle" and "Fire on the Mountain." The lighthearted SHAKEDOWN STREET cover illustration was done by renowned underground-comics artist Gilbert Shelton, famous for The Fabulous Furry Freak Brothers and Wonder Wart-hog strips. The album remained on the Billboard chart for close to six months, peaking at No. 41.

The Grateful Dead vinyl reissues represent Audio Fidelity's expanded vinyl release schedule, which has recently included titles such as Cheap Trick's IN COLOR, Laura Nyro's FIRST SONGS, Harry Nilsson's A LITTLE TOUCH OF SCHMILSSON IN THE NIGHT and Kate Bush's HOUNDS OF LOVE. While the label often issues a title in both Gold-CD and virgin-vinyl formats, Blonstein admits some of the impetus for producing the latter comes from the renewed interest in vinyl LP's. According to the R.I.A.A., vinyl sales surged 26% in 2010 over the previous year.

Blonstein is bullish on the public's appetite for audiophile reissues of classic albums, and Audio Fidelity's capacity to satisfy it. "The traditional music retail stores as we once knew them are gone," he continues. "At the same time, there's a strong traditional 'unique' retail base of retailers that has found a way to do more than survive; they're thriving. When CDs first came out, they were unique. It was a new format. Vinyl and cassettes starting declining rapidly in sales. The uniqueness and the improved sound quality made the CD an almost instant success, but it lacked the emotional connection consumers experienced with vinyl. The resurgence of vinyl shows us that connection is being made again ... the consumer likes to hold a vinyl LP, to study the artwork. It's now become a very hip format again, and when you see consumers shopping for vinyl at stores, you see them spending more time looking to buy music in general. It's obvious that there is an audience for top-quality remastered CD and vinyl pressings."

Marshall Blonstein's professional career comprises a virtual history of the modern music and entertainment business. The Los Angeles native started in the business in 1965 as a promotion executive at Epic and ABC Records. As a principal of Ode Records, he helped make Carole King's Tapestry one of the best-selling albums of all time and built two of the longest running cult-film franchises in The Rocky Horror Picture Show and Cheech & Chong's Up in Smoke. Blonstein subsequently served as president of Island Records, working with artists such as Bob Marley and Steve Winwood, and, in 1986, founded DCC Compact Classics to take advantage of the technical advances offered in the digital medium. DCC quickly grew into the premiere audiophile imprint, issuing sets by Elvis Presley, the Eagles, the Doors, Frank Sinatra and many others.

Upon leaving DCC in 2002, Blonstein created Audio Fidelity, which has assumed a similarly prestigious perch among imprints serving the audiophile and music-collecting communities. In addition to its audiophile catalog, Audio Fidelity, based in Camarillo, California, also releases compilation CDs, a variety of reissues and DVDs, such as Soupy Sales, Elvis Presley, Tim Allen and Hugh Hefner's legendary series Playboy After Dark.

The Heavy Pets Hit The Road With Double Live CD

2011 Has been a busy year for the Florida based Heavy Pets. The band hits the road this summer with a double-disc live album taken from their 2010-2011 tour recorded by Charlie Miller of the Grateful Dead fame. Coupled with a full national tour on the horizon, this could be the year of the Heavy Pets – whose last studio effort was hailed one of the top 10 albums of the year by the Huffington Post in 2010.

What’s not to love about the Heavy Pets breezy approach to music? The five piece band seamlessly moves through pop, reggae, rock, rhythm, blues, hip-hop, funk and even masters the open-ended jam styling’s of jazz as if it were their native tongue. Each musician as talented as the next, the players bounce between instruments changing roles as drummer, keys, guitar, and even lead vocals as they make their way through varied arrangements in their diverse and extensive catalog . It comes as no surprise that the Huffington Post named their last self-titled album one of the top 10 of the year; it plays like a Pandora radio station offering a little bit of something for everyone.

Beginning this summer, The Heavy Pets will hit the road with a 14 live tracks called Charlie Miller’s Live Picks featuring two hand selected discs of music chosen from the best moments of their 2010-2011 Illumination tour and includes a selection of popular songs like “So Thank You Music”, “Dew Point” and “Chew”. The summer release will be available on-line for download and for purchase at select festival and theater performances while supplies last.

But it’s not just their chops that set the Heavy Pets apart from other touring outfits. The band has an uncanny ability to write quality songs on a dime. This year will see the Pets releasing a live double disc, an acoustic album and a straightforward electric album which the band has been busy recording this spring. While the expected release date for the two new studio efforts are yet to be announced, rumor has it that each album captures a different face of the band who is known best for their jaw-dropping live shows. The band will be giving away a few of their original songs for free download leading up to the release to whet the appetites of their fans.

For more information about the Heavy Pets and their busy release schedule take a peek at the bands website at www.theheavypets.com and don’t forget to sign up for the mailing list where the next series of free downloads are expected to be leaked in the coming weeks.

The New Deal's FINAL Colorado Performance @ Fox Theatre

Z2 Entertainment is proud to present The New Deal at the Fox Theatre on Saturday, July 2nd, 2011.  Tickets go on sale Friday, June 10th for $25.

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The New Deal has decided that 2011 will mark the end of a spectacular 12-year career.

It has been an amazing run for the band and we appreciate the loyal and dedicated tND fanbase across North America and Asia. Our individual lives have taken very different paths with family, living abroad, and other various projects. We have come to a point where the time and commitment that it takes to maintain our band at its best is no longer possible. As a group, we’ve never been known to go halfway, so we have decided to end things with a great run of summer and fall shows that we hope to be the best yet.

Over the next several months, TND will return to the East Coast. The final Summer and Fall 2011 shows will bring us to many of our favorite places in the US and Canada, and we’re looking forward to finishing things off in a big way.

We look forward to each and every one of these very special shows. Our fans have been fantastically devoted and supportive, and we hope to give them a final run of performances that will be truly memorable.

In addition to the summer shows and festivals already announced, we expect to add a few more dates to give as many fans as possible the opportunity to see us play together one last time.

Read Grateful Web's interviews with The New Deal.

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The New Deal: Until The End Tour

“The Final Colorado Performance”

Fox Theatre

Saturday, July 1st, 2011

Doors:  11:30 pm

Show Time:  12:00 pm