july

Les Paul Return Monday, July 6th At The Iridium Jazz Club

les paulLes Paul's regular Monday night appearances at The Iridium Jazz Club since April 1995 attract devoted fans from all over the world.  World-class musicians like Paul McCartney, Keith Richards, Tony Bennett, Steve Miller, George Benson, Pat Metheny, Jeff Beck, Slash and countless others come to pay homage. By far, this is the music industry's most important regular music gig in NYC.

Les Paul is a living legend and an icon of the music world. He was inducted into the Rock and Roll Hall of Fame, received multiple Grammy Awards, pioneered the modern electric guitar and invented numerous recording techniques. Les has influenced countless musicians and guitarists and is hailed as "The Father Of The Electric Guitar".

IRIDIUM JAZZ CLUB
1650 BROADWAY (Corner of 51st)
NEW YORK, NY 10023
RESERVATIONS: 212-582-2121
http://www.iridiumjazzclub.com/

EVERY MONDAY LES PAUL AND HIS TRIO -- JOHN COLIANNI – PIANO - LOU PALLO – GUITAR, NICKI PARROTT - BASS

After a brief layoff the 94 year old guitar pioneer return’s on Monday, July 6th 

moe. Lights Up July 4th down the Shore

I have wanted to make a pilgrimage to the historic venue called The Stone Pony in Asbury Park, NJ since I first started to learn about good music in the early 90's.

STS9 Releases 'Peaceblaster,' July 8th, 2008

photos by Phil Emma- for the Grateful Web

Dubbed "...one of the country's most intriguing, innovative outfits around" by XLR8R Magazine, STS9 steps out this summer armed with their brand-new, highly anticipated studio album, Peaceblaster. STS9 releases their fourth studio album Peaceblaster, available online and at independent retailers beginning July 8th, 2008 on their self-owned record label, 1320 Records (visit www.thinkindie.com) to find a store near you). The new album features never-before heard tracks that artfully mirror the intensity of STS9's live shows, while preserving the musical intricacies of past studio albums that critics and fans have touted.

Consider the title of the California-based outfit's long-awaited fourth album: Peaceblaster. The two words rub against each other to create an image that is simultaneously utopian and violent, fraught with the very contradiction that permeates America circa now. The result is a tour-de-force of gut-punching rhythms and textured, shimmering tones. The songs don't seem to have been written so much as plucked from the sky. It's as if the beats and melodies have always existed, just waiting for STS9 to channel them.  STS9 already has a tremendous fan base, but Peaceblaster is perhaps more accessible than the band's previous efforts. Peaceblaster is, of course, dense with the Eno-esque layering of live and electronic instruments that STS9 is known for-the chords and samples swirling atop the pulsing bass and drums. But between the beats there is a distinctly human element absent from past records. 

With Peaceblaster, the band has honed their studio chops, but STS9 made their bones on the live stage. Consistently ranking in Pollstar's Top 50 American touring acts, the torrid roadwork continues this summer with an itinerary that takes the band from headlining gigs at legendary venues like Colorado's Red Rocks Amphitheatre and Berkeley's Greek Theatre, to stops on the festival circuit, where they'll join acts as diverse as Snoop Dogg and The Flaming Lips. This diversity works to shatter the boundaries of genre and scene.

For the month of July, touring heavyweights STS9 and Umphrey's McGee team up for what promises to be one of the hardest-hitting tours of the summer. This co-bill will feature extended sets by both bands, and will stop in Midwest and east coast cities throughout the month of July.  Look, also, for very special late night sets by each band in select markets, including Philadelphia, Raleigh, Madison, Chicago, and NYC. A complete list of STS9's U.S. summer appearances follows.

STS9 and Umphrey's McGee tour stops in the following cities:

July 10 Willow Island Centre Madison WI
July 10 Barrymore Theatre  Madison, WI (STS9 AFTER PARTY)
July 11 Live on the Levee St. Louis MO  FREE SHOW!
July 12 Westfair Amphitheatre Omaha NE
July 15 Moonlite Gardens Cincinnati OH
July 16 Innsbrook Pavilion Glen Allen VA
July 17 Lifestyle Communities Pavilion Columbus OH
July 18 White River Lawn Indianapolis IN
July 19 Charter One Pavilion Chicago IL
July 19 House of Blues Chicago IL (STS9 AFTER PARTY)
July 23 Higher Ground Burlington VT (STS9 Only)
July 24 Roseland Ballroom New York NY
July 24 Blender at Gramercy New York NY (STS9 AFTER PARTY)
July 25 Festival Pier at Penn's Landing Philadelphia PA
July 25 Fillmore at TLA Philadelphia PA (UMPHREY'S AFTER PARTY)
July 26 Bank of America Pavilion Boston MA
July 27 Pier 6 Concert Pavilion Baltimore MD
July 30 House of Blues Myrtle Beach SC
July 31 Koka Booth Amphitheatre Cary NC
July 31 Lincoln Square Theatre Raleigh NC (UMPHREY'S AFTER PARTY)
August 01 Masquerade Music Park Atlanta GA
August 02 Masquerade Music Park Atlanta GA

With western U.S. headlining shows including:
August 15 The Independent San Francisco, CA (SOLD OUT)
August 16 The Greek Theatre Berkeley, CA with Bassnectar and special guest TBA  
August 22 McMenamin's Edgefield Portland, OR with special guests Blackalicious
August 23 Marymoor Amphitheatre Seattle, WA with special guests Blackalicious
September 04 Boulder Theatre Boulder, CO (SOLD OUT)
September 05 Red Rocks Amphitheatre Morrison, CO with special guests Talib Kweli and Flying Lotus
September 06 Red Rocks Amphitheatre Morrison, CO with special guests Ghostland Observatory and Bassnectar
September 20 San Diego Street Scene San Diego CA

All shows on-sale now at www.sts9.com and on-sale locally through TicketMaster at www.ticketmaster.com.

STS9's Peaceblaster comes nearly three years after their acclaimed 2005 releases, Artifact & Artifact: Perspectives, both of which were named in iTunes list of top albums of the year.  After a flurry of industry attention, STS9 retreated from the limelight to do what they love most:  play music. On the touring front, STS9 reached number 29 on Pollstar Magazine's "PULSE Charts" of the country's top touring artists. The band has shared the stage with a diverse range of acts including James Brown, Jurassic 5, Tortoise, Digable Planets, RJD2, De La Soul, The Brazilian Girls, Prefuse 73, Blackalicious, Saul Williams, Soulive, Cut Chemist, and many others, and has played such festivals as Austin City Limits Festival, Lollapalooza, Bonnaroo, Winter Music Conference, and Vegoose Festival.  Recently, the band sold out a 4 night headlining run at Atlanta's Tabernacle, and a 2 night run at Denver's Fillmore Auditorium.

Matmos Takes on Boulder Theater July 15th

Matmos- for the Grateful Web

Matmos' approach is quickly pushing them to the center of the experimental music world.  Straddling pop and serious electronica, they've toured and recorded with pop icon Bjork, performed in Lincoln Center and the Whitney Museum of Art, given seminars at Harvard and worked with some of the top musicians in the classical world. They're collaborating with the Kronos Quartet and composer Terry Riley, the city of Verona commissioned a re-think of Verdi's "Aida" from them last summer, and they're now readying a new work for the prestigious Group de Recherches Musicales in Paris.

"It's fascinating, what they're doing," says David Harrington, founder and first violinist of the Kronos Quartet, who commissioned a piece from Matmos after hearing one of their early recordings. "They invent these incredibly beautiful, thought-provoking sounds, and bring them together in ways that seem totally unique and natural. And there's nothing precious about it; there's a kind of openness about their music that attracted me immediately."

The new album finds the dynamic duo taking a holiday from conceptual responsibility, skipping the outré sampling antics in favor of a light-hearted "cosmic-pop" record made entirely out of synthesizers. Expect the unexpected.

Opening for the duo is Offthesky, multi tasking interdisciplinary artist Jason Corder from Lexington, Kentucky. Presenting Phonograffiti, a portmanteau that describes an interactive artistic community performance project where the musician and public audience are able to interact together on an intimate level. It is an event where everyone is able to become a performer. Offthesky has invited local painters to take the stage, painting on canvas hooked up with contact microphones. The painting creates the sound for the musician to process via brush strokes or light tapping while painting on the canvas during the performance.

Radio Ready

Celebrating 30 years of independent community radio, Communikey presents Matmos in honor of KGNU. Matmos will make a special appearance at KGNU performing live from the studio on Monday July 14th. A portion of proceeds from the 30 Year Anniversary Celebration show at the Boulder Theater on Tuesday July 15th will go to benefit the station. Doors are at 8:00pm and the show is all ages. Tickets can be purchased at www.BoulderTheater.com.

COMMUNIKEY PRESENTS: CMKY 19: MATMOS (Matador Records) with Offthesky (Live Installation)

TUESDAY JULY 15TH 2008

DOORS AT 8:00PM

ALL AGES

$15

BOULDER THEATER

2032 14TH STREET BOULDER COLORADO

303-786-7030

WWW.COMMUNIKEY.US

TICKETS ONLINE: http://bouldertheater.com

PORTION OF PROCEEDS TO BENEFIT KGNU COMMUNITY RADIO 88.5FM

Phix News, July '05

Phix - Boulder, Colorado- for the Grateful Web

Hey everybody, just a quick note from Phix-land to let you know about some things we've got coming up.

First of all, we have added a Denver show this Friday night (aka tomorrow), at Cervante's Masterpiece Ballroom.  It is a post-Mike & Leo/Mule/moe. show, so if you're still spinning after Red Rocks, spin on by!  We e-mailed Mike to tell him about the show and invite him to stop by...we're not holding our breath, but you never know...it's happened before!  The Cervante's show is, of course, in addition to our show TONIGHT at Quixote's True Blue (now right next door to Cervante's).  This is the continuation of our monthly residency at the new Quixote's.  If you haven't checked the place out, we encourage you to do so - it looks better than ever!

In about 2 weeks we will be kicking off our Summer Tour '05.  This tour starts off in the midwest, and continues down to the East Coast...we're covering some serious mileage!  After that, festival season begins,  Here are the dates we have on the calendar:

SUMMER TOUR JULY '05

Thursday, July 14 @ the Beat Kitchen, Chicago IL

Friday, July 15 @ the Newport Music Hall, Columbus OH

Saturday, July 16 @ Milestones, Rochester NY

Sunday, July 17 @ Mezzanotte Lounge, Syracuse NY (JUST ADDED!)

Tuesday, July 19 @ the State Theater, Falls Church, VA

Wednesday, July 20 @ Ziggy's, Winston-Salem NC

Thursday, July 21 @ House of Blues, North Myrtle Beach, SC

Friday, July 22 @ the Brandyhouse, Atlanta GA

Saturday, July 23 @ Brady & Emily's wedding! (CONGRAT'S GUYS!  THE BIG DAY'S ALMOST HERE!)

Sunday, July 24 @ Blue Cats, Knoxville TN (JUST ADDED!)

BACK TO COLORADO FOR A FEW...

Friday, July 29 @ Quixote's True Blue, Denver CO (Our residency moves to Fridays!)

Saturday, July 30 @ State Bridge Lodge, Bond CO.  State Bridge is a beautiful outdoor venue located on the Colorado river, about halfway between Vail & Steamboat Springs.  There is free camping right up the road!  It's your best chance all summer to come out & get stupid with Phix!

Friday, August 5 @ The Fox Theater, Boulder CO.

FESSSSTIVAAAAAAAL!

Saturday, August 6 @ Yggdrasil Festival, at Harmony Park in Geneva, MN (http://www.yggdrasilfestival.com/).  We're hopping a plane on Saturday morning to go play the late-nighter in Minnesota!  Festival features Karl D and more!

Friday-Saturday, August 19-20 @ Lovefest, Goodnight, MO (http://www.lovefestmusic.com/).  This will be a great festival in the hills of Missourri.  Features Snake Oil Medicine Show, Bockman, Speakeasy, Shanti Groove and more.  Phix is doing the late-nighter here too!

Saturday, August 27 @ Nedfest, Nederland CO (http://www.nedfest.com/).  We're psyched for this festival, right in our own backyard, in this beautiful mountain town 17 miles west of Boulder.  Features the Motet, Runaway Truck Ramp, the Fareed Haque Group, Great American Taxi with Vince Herman, and tons more.

Saturday, Sept. 3 @ the Highland Jam, Elkins WV (http://www.highlandjam.com/)

As always, you can visit the tourdates page at www.phixband.com for show details, directions, etc.  We have also uploaded our complete performance from the Fox Theater here in Boulder back in May.  The recording came out great!  Check it out on the "sounds" page.  Also, look for more national dates in September and October, as well as the continuation of our monthly residency here in Denver.

As always, we want to thank everybody for coming out and supporting us.  Without you to share this wonderful music with, we'd be...well, we wouldn't be here at all!

See you soon!

Phix

Paul, Chris, Brian, Derek, Dex, & Isaac

4th of July, Bombs Bursting through Air, Hotdogs, Apple Pie, Ad Nauseum

our flag needs a good bath- for the Grateful Web

The question of how a movement for social justice deals with symbols like the Fourth of July or like the flag has always been a controversial one. At the height of the Vietnam War, when some were advocating burning the flag, others said we should wash it instead, try to reclaim the symbol instead of repudiate it.

I'm no flag-burner (although, of course, I support freedom of expression). I don't see the point in an act that simply shocks the sensibilities of people. I'd like to be able to celebrate the Fourth. But right now the flag needs a lot of washing, and reclaiming the Fourth of July as a celebration that plays any positive role will take a lot of work.

I still recall my father (veteran of World War II front lines Battle of the Bulge) saying how much he hated each and every 4th of July. He hated the loud cracking sounds of firecrackers (symbols of bombs) and the sights of the  "beautiful" colors of "bombs bursting in air" ....to him these explosive sounds and sights  created painful flashbacks of people screaming, buddies getting killed, and strangers being blown to pieces....all in the name of freedom. My dad fought for "freedom" but he never wanted to CELEBRATE the horrors that created it. The use of fireworks with flags waving in the background, people laughing and clapping while guzzling down beer, and eating spoiled potato salad make me sick. I can't celebrate the symbols of war.  If my father was alive today, he would help me wash the flag rather than wave it. Our freedom should be celebrated in traditional 4th of July fashion????? I don't think so.

I hope Bush chokes on his hotdog and that a big cherry bomb firecracker goes off in HIS face this 4th of July. Maybe he'd have a nano-inkling of empathy for the absurdity of celebrating war wins.... I don't want to celebrate anything to do with killing others as a means to our so-called "freedom." My father came back from war a broken man from all the traumas of war. He never experienced personal freedom as a result of all the fireworks and killings. I'll celebrate my "freedom" by hiking through our beautiful forests before the Republicans screw up our natural environment. Bitter? Nah...just weary of war and tired of celebrating our national pride for winning them when nobody really wins. So...when you ooohh and ahhhh over the expensive and colorful firework display showering over your city, and when you place your right winged hand over your heart to the tune of "...Red rocket's red glare and bombs bursting in air...."  try also turning  a little red in the face from remembering all the men, women, and children that died or were maimed (regardless whether or not they were Americans) as a result of bombs that we dropped. Why are we celebrating?

We've all paid too big a price for a hotdog, applepie, and a sparkler.

Robert Minkin Photography (July 2001)

waitingRobert's photographed rock-n-roll since the mid-seventies. Covering such music genres as "punk" rock typified by the Clash and Talking Heads, the Blues of Muddy Waters and B.B. King, Jazz artists and the San Francisco sounds of the Grateful Dead, Robert continues to pursue his love of music and photography.

 

Robert is available for assignment for live events, trade shows, and band promotion. Equally adept at traditional and digital media, he can offer creative solutions for your photo and design needs. Please contact him to discuss your needs.

 

Raised in Brooklyn, NY, Robert eventually settled with his family in Marin County, California. He is a partner in Minkin Design, a full-service web design and graphic studio.

 

Stock photographs are available for editorial, multimedia and other usage. Please check the stock list for available artists. Bob's work has appeared in many publications and book titles.

 

Many of photographs shown here are available for purchase. These are hand-printed using the finest materials. Please contact Robert for more information regarding purchasing a photograph.

Download our complete stock photo list:
Text file (word)
PDF file
(Adobe Acrobat reader is needed to view PDF files)

Impeach Bush (July 2003)

Why Impeach Bush and Cheney?

There is strong evidence that Bush and Cheney have committed numerous impeachable offenses. In order to restore the rule of law in America it is necessary to investigate these charges and, if there is sufficient evidence, to impeach them both.

Summary of Impeachable Offenses

  1. Misled Congress about Threat from Iraq - violated Title 18 USC 371 and 1001
    1. Shaped Intelligence to Justify War with Iraq
    2. Lied about Uranium from Niger
    3. Lied about Aluminum Tubes
    4. Lied about Congress having Same Information as Bush
    5. Bush did not meet the requirements of HJR114 and therefore invaded Iraq without authority.
  2. Illegal Electronic Surveillance - violated FISA laws and 4th amendment
  3. Torture of Prisoners - violated Federal Anti-Torture Laws and Geneva Convention
  4. Violated International Law
  5. Refused to comply with Congressional Subpoenas <== currently a hot issue in Congress!

 

Other Charges

Uncle Sammy (July 2001)

- for the Grateful Web
Uncle Sammy @ Wetlands preserve- for the Grateful Web

EDITOR NOTE MAY 2006: BAND MAY BE IN THE BAND GRAVEYARD? Let us know.

Combining the grooves of funk, rock, latin, drum and bass, reggae, swing and afro-beat with the harmonic languages of jazz, pop sensibilities, progressive composition and full on improvisation, Uncle Sammy has been turning heads and opening ears on the east coast U.S. and around the world for over four years. They have shared the bill with such acts as Steve Kimock, Percy Hill, Moon Boot Lover, Jiggle, The Slip, ulu, The Miracle Orchestra, Sector 9, Psychedelic Breakfast, The Disco Biscuits, Soulive, Foxtrot Zulu, Brothers Past, Ancient Harmony, Blueground Undergrass, JGB, Deep Banana Blackout, The Heavy Metal Horns, Two Ton Shoe, moe. side project Ha Ha the Moose, and many others.

Uncle Sammy finds its beginnings in the halls of the legendary Berklee College of Music in Boston, MA. In the fall of 1996, Tom Arey (drums/vocals) and Brian O'Connell (bass, chapman stick and vocals) met in a jazz ensemble class. Simultaneously, Tom and Max Delaney (guitar/vocals) met in Ear Training. While all this was going on Brian and Max met at a late night jam session. Meanwhile, Brian and Beau Sasser (keyboards, vocals) had been jamming jazz standards and funk regularly with a group known as Gabe Turner and the Jazz Explosion. All these paths would eventually cross.

The real start of the band happened when Max's friend Jeff Waful (then an intern at Gamelan Productions) got a gig for a band to open up on a Thursday night concert series put on by Gamelan at the Wellfleet Beachcomber in Cape Cod. So Max secured the talents of Tom and Brian to play every Thursday during the summer of 97 at this beautiful ocean side club. With the addition of Jay Mallory on vocals and rhythm guitar, they played originals and covers to a packed house at every show.

After the summer the boys went back to Boston to continue college. Jay stayed on the Cape and they picked up the talents of Beau Sasser. Rehearsals followed and a few gigs in Boston during the fall of 97. 1998 found the band playing more around the New England area and gaining a stronger fan base in Boston. By 1999, Uncle Sammy had become a regular at the famed Wetlands Preserve club in Manhattan, recognized as the capital of the jamband world. That year also found them performing on the Berkshire Mountain Music Festival as well as branching out farther into New York State and increasing it's gigs across New England. Also that year they independently released their first CD, "Live at Broadway Joe's", that has since gone on to sell thousands of copies.

In 2000, "Naturally Preserved", their second disk was released on Phoenix Presents to critical and popular praise. Another milestone in 2000 was the 5-week tour with Addison Groove Project, another Boston area band. The tour stretched across New England, the East Coast and New York State. In 2001, Uncle Sammy continued to play to bigger and bigger crowds in the Northeast as well as making a 3-week tour East Coast tour that went from Bar Harbor, ME to Key West, FL. They received an incredible response from people who had been waiting years to see them.

In the summer of 2001 they played many festivals including the Berkshire Mountain Music Festival in Massachusetts (for the third year in a row), Livestock in Pennsylvania and Scottypaluza in New York. One of their most historic sets occurred after their early afternoon set was rained out at the Gathering of the Vibes in upstate New York. The band proceeded to set up in a barn by the entrance to the festival and play a three and a half hour set to thousands of festival goers who had been frustrated by massive band cancellations all weekend. This set was released as "In the Barn" in early 2002 on the Live Discs label. The group continues to play in and around its home base of New England and will be touring ever farther into the western states and the south.

Uncle Sammy had increased its fan base considerably with a buzz growing across the country and an increasingly active tape and CD trading community that records and trades copies of their shows. The tapers have pushed the band ahead on its musical journey. "Knowing that a show is being taped makes you want to play even better because anyone will be able to hear it at any time", says Brian O'Connell. The band also has an active internet discussion group on which O'Connell comments, "the discussion group keeps us in constant contact with our fans, many of which are our close friends. It's a real community."

For bookings contact Phil Simon by email or phone: 413-772-8686

The Few (July 2002)

- for the Grateful Web

EDITOR NOTE MAY 2006: BAND MAY BE IN THE BAND GRAVEYARD? Let us know.

 

All it took to polish one of Los Angeles' gems was six months in Athens, Ga. That's how long Jack Burnside and his bandmates in the Few took up residence to make their debut album with production guru Andy LeMaster (Bright Eyes, Azure Ray). "We did it in chunks, whenever he was available," says Burnside. "Living there, and playing in the clubs, it raises your game." The result, an explosive, hooky collection that echoes Burnside's love of the Replacements and fascination with the Cure, is startling from a 22-year-old who took up guitar only three years ago. The Few's lineup includes Burnside's Buckley High buddy Jamie Zwick and drummer Pauline Mu, as well as recently added guitarist Jonathan Zeitlin. And if anybody at Friday night's show at the Knitting Factory detects a vocal similarity to Bright Eyes prodigy Conor Oberst, Burnside says it's coincidental: "I never envisioned myself as a singer. Things started to click when I quit trying to sound like anyone else."

- Kevin Bronson