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The Deep Dark Woods to Release The Place I Left Behind

The Deep Dark Woods wake the ghosts of Appalachia with their prairie gothic pyre-side tales. On their new record, The Place I Left Behind, the band finds continuity in themes of temporal and geographic alienation, neglected inward trails, and the scars of abandoned intimacies.

Buoyed by the success of working with mastermind recording engineer Darren Van Niekerk, on their self produced CBC Songquest single “Charlie's (is Coming Down)” the band decided to approach their new album the same way. Recorded in Halifax with Van Niekerk behind the board once again, The Deep Dark Woods’ first self produced album allowed them to experiment in the studio as never before. Toying with numerous reverbs, vintage amps, instruments and mellotron, they also tried some never before played versions and arrangements of some of the album's songs. While more physically and mentally exhausting than previous albums, it turned out exactly the way the band wanted it to and the reward is their most realized album to date.

The record opens with a song about Saskatoon’s rougher edges. “West Side Street” is a study in contrasts – finespun vocals and a gently rolling melody cushion the gloomy story. “The Place I Left Behind” is loosely based on an old folk standard. Gorgeously morose, the title track confirms that The Deep Dark Woods capture lonesome yearning at its loveliest. “Sugar Mama” is a sweet and lively invitation to tap toes and shake off the blues; a seeming coming-of-age story is treated with playful banjo and an airy gait.

A rainstorm over the desert of modern music, The Place I Left Behind offers murder ballads alongside scrappy rockers, lovesick hymnals and slow-dance waltzes. The album illuminates folk traditions without stripping the shadows of roots music history. The Place I Left Behind echoes with traces of time and space that are never fully abandoned or forgotten.

The Place I Left Behind will be released on Six Shooter Records in Canada on August 2nd and Sugar Hill Records in the US and worldwide on October 18th.

Blix Street Records To Release "Simply Eva" by Eva Cassidy

She left us way too soon, in November of 1996, but Eva Cassidy's voice has continued to resonate with fans around the world since the music she left behind began to be released two years after her passing from melanoma at the age of 33.On January 25, 2011, independent Blix Street Records will release SIMPLY EVA, a collection of 12 acoustic versions of songs with which she has been associated, all previously-unheard guitar and vocal only performances.

This "Eva only" collection showcases Cassidy's extraordinary voice and superb guitar work as well as her unusual arrangements of sometimes familiar material to create a new and different listening experience for even the most devoted fans of her music. Whether it's her spare interpretation of Christine McVie's "Songbird," (which was the title cut of the initial breakthrough 1998 compilation from the Cassidy canon), the bluesy stylings of "People Get Ready" or the folk versions of "Wayfaring Stranger" and "Wade In The Water," it's Cassidy's voice that is front and center, unadorned. The new version of Paul Simon's "Kathy's Song" is extended to include three additional verses that did not appear on the previously released version.

In addition to including Eva's previously unreleased, re-defining version of "San Francisco Bay Blues," SIMPLY EVA is the first album to include the Blues Alley guitar/vocal performance of "Over The Rainbow" from the Rainbow video that triggered Eva Cassidy's rise to the top of the British Pop Charts in March, 2001. Recorded five years after the 1991 version heard on SONGBIRD (which country superstar Martina McBride recently cited among her favorite recordings on the ABC News Nightline "Playlist" feature, saying "I never get tired of it"), the included fully evolved version literally redefined this all-time number one popular song (according to a BBC radio poll). Other songs include "True Colors," "Who Knows Where the Time Goes," "Time After Time," "Autumn Leaves" and Eva's a cappella performance of "I Know You By Heart."

Blix Street President Bill Straw compiled the selections for SIMPLY EVA after initially searching the archives for a possible holiday track. "In doing so," he writes in the liner notes, "I literally heard Eva for the first time, again. That I was hearing the same songs in a different way actually added to my sense of re-discovery."

A special by-product of his quest was the discovery of a Cassidy rendition of "Silent Night," which has just been made available via iTunes and other digital outlets in time for the holiday season. Recorded in 1988, Eva's performance of the traditional Christmas classic is destined to become a holiday staple for years to come. It will be included on the iTunes digital download version of SIMPLY EVA as a bonus track when the album becomes available.

Born in Washington, DC, Eva Cassidy recorded and performed in the area for several years until her untimely death. She left behind a small, but impeccable body of recordings that have been meticulously curated and compiled by Blix Street Records with the support of her parents, Barbara and Hugh Cassidy.

In April, 1998, Blix Street posthumously released SONGBIRD, a collection chosen primarily from two other Cassidy albums, LIVE AT BLUES ALLEY and EVA BY HEART. It featured Eva's unqualified signature performance of "Over the Rainbow" as well as Sting's "Fields of Gold." Later that same year, Blix Street also released LIVE AT BLUES ALLEY and EVA BY HEART, the first national exposure for both albums, followed in May, 2000 by TIME AFTER TIME, a new compilation selected from her unreleased material.

But it was in 2001 that Eva Cassidy became an "overnight sensation" when the SONGBIRD compilation reached No.1 on the British charts. By the end of that year, the album had been certified triple-platinum in England (for sales of more than 900,000 sold) and gold in the U.S. (more than 500,000 units); the album, now six times platinum in England and platinum in the U.S., eventually hit No. 1 on Billboard's Internet Albums chart and topped the publication's Pop Catalog survey for 32 weeks. IMAGINE also hit No. 1 on the British charts in 2002 and commandeered the top slot on Billboard's Independent Albums chart. AMERICAN TUNE, another No. 1 in England in 2003, ultimately made it to No. 4 on Billboard's Independent Albums chart. WONDERFUL WORLD, a compilation of tracks from all the previous albums other than SONGBIRD, came out in 2004. SOMEWHERE, a collection that included two songs co-written by Cassidy as well as impressive covers, was released in 2008.

SIMPLY EVA now joins this classic catalogue that has already sold more than eight million CDs around the world.

Infantree Instigate Cockfight in “Mourning Glory”

Three-fourths of California quartet Infantree may still be under 21, but with their startlingly sophisticated songwriting chops and lush vocal harmonies the young musicians are already composing timeless music.  Signed to Vapor Records (Jonathan Richman, Everest, Tegan & Sara), the prolific band has released both an EP and a full-length this year.  The latter of which, titled Would Work, will be re-released in early March with extra tracks and a bonus disc of video content.  Neil Young also invited the guys to perform at this year’s Bridge School Benefit alongside artists like Elvis Costello, Emmylou Harris, Modest Mouse, and Grizzly Bear.

With three songwriting members that take turns on lead vocals, Infantree have no true frontman.  As a result, their highly collaborative approach creates a unique chemistry and the details of each of their songs are masterfully tailored.  It also allows for a diverse set of influences to find their way into the band’s music.  The band weaves in sun-soaked Americana, intricate baroque pop, dreamy psychedelia, and infectious Spanish melodies, to name a few.

The group has made a video for Would Work track “Mourning Glory.”  The song slyly and seamlessly shifts between a forlorn, banjo-driven section and a wistful Latin-flavored groove.  If you haven’t seen the video yet, click HERE to watch the boys don chicken suits and duke it out in a human cockfight.

Infantree’s attention to detail covers all aspects of the band, from consistently churning out charming videos for their songs to the band name itself.  The guys explain the metaphor behind the name “Infantree” in their own words here:

"Trees are carbon dioxide reducing, erosion preventing, oxygen producing, majestic, and sturdy life-forms that grow with their environment - not in spite of it (like industrial-age humans). Infantree is a symbol for growth. Whether it be intellectual, spiritual, physical, or emotional; growth is growth. If left unchecked, exponential growth could devour prosperity as we know it. Only when it's applied within a means does growth reach it's true potential of ceaseless sustanability. Infantree applies this method by way of harmony, like-mindedness, and an articulation of each indvidual's role/capacity as a musician/human-being. At the same time the use of childlike reckless abandon seems key to wading through the water-mark left by the mainstream mindset. This dynamic has helped the members of Infantree to spread their roots as friends while simultaneously growing as a band."

Danielle Ate the Sandwich | Gothic Theater

Before attending Danielle Ate the Sandwich at the Gothic Theater on October 8th I was unsure as to what kind of sandwich exactly she may have eaten. However, after speaking to Danielle before her show and watching her exuberant performance I was certain said sandwich must be chock full of wit, talent and brilliance.

An Evening with Charlie Hunter, Thurs Sept 9 @ the Fox Theatre

As a young guitarist growing up in the San Francisco Bay Area, Charlie Hunter was looking for a way to stand out in the '80s. His primary influences were jazz great Joe Pass and the fluid Tuck Andress, (of the guitar/vocal duo Tuck & Patti), both six-string guitarists who were adept at blending bass notes into their standard guitar melodies to make themselves sound like two musicians at once. But Hunter wanted to take it one step further, and set out to find an instrument on which he could simultaneously function as both a guitarist and a bassist. For his self-titled 1993 debut CD, Hunter played a seven-string guitar for the duality effect, locking down the bottom with drummer Jay Lane and mixing melodically with saxophonist David Ellis. But on his trio's 1995 sophomore release, "Bing, Bing, Bing!," Hunter unveiled his custom-made Novax eight-string, the guitar that finally allowed him to realize his capacity. Designed by Ralph Novak, the instrument featured special frets and separate signals for its guitar and bass portions. Picking bass notes with his right thumb while fretting them with his left index finger (while at the same time fingerpicking guitar chords and single notes with his right hand's remaining four digits as he frets with his left hand's other three fingers), Hunter achieves the real sound of two-for-one.

Hunter played with the side group T.J. Kirk in the mid-'90s, a band that derived their name from the cover material they exclusively played: Thelonious Monk, James Brown and Rahsaan Roland Kirk. Initially wanting to call themselves James T. Kirk before being threatened by the Star Trek TV and film series, T.J. Kirk released a self-titled 1995 debut and the 1996 follow-up, "If Four Was One", before disbanding. Hunter took drummer Scott Amendola with him for his next project, an ambitious instrumental remake of Bob Marley's "Natty Dread"album in its entirety. Also featuring saxophonists Kenny Brooks and Calder Spanier, the 1997 release beat the odds by becoming arguably Hunter's best album. After Spanier died from injuries sustained from being hit by a car, Hunter moved east to New York, taking Amendola with him. Teaming with vibraphonist Stefon Harris and percussionist John Santos, Charlie Hunter & Pound for Pound's 1998 CD Return of the Candyman is dedicated to Spanier. A departure from Natty Dread, mainly due to the work of Harris, the disc featured a vibes-heavy cover of Steve Miller's "Fly Like an Eagle."

Hunter's modus operandi had now become shifting personnel changes, and in between tours he recorded a 1999 duo CD with drummer/percussionist Leon Parker and a self-titled 2000 CD that featured Parker and an otherwise ensemble cast. Hunter also contributed greatly to the 2000 comeback CD by drummer Mike Clark, "Actual Proof". Hunter concluded his run at Blue Note with 2001's "Songs from the Analog Playground", which saw him collaborating with vocalists for the first time, ranging from labelmates Norah Jones and Kurt Elling to Mos Def. 2003 found Hunter with a new label (Ropeadope) and two new bands (the Charlie Hunter Quintet) on "Right Now Move" and the beginning of Groundtruther, a partnership with percussionist/composer Bobby Previte.  They released "Come in Red Dog, This is Tango Leader" before adopting the Groundtruther moniker. For 2003's "Friends Seen and Unseen",  it was back to the Charlie Hunter Trio, with drummer  Derrek Phillips and saxman John Ellis, both members of the Quintet. By now, Groundtruther had taken on a life of its own, with Hunter and Previte joined by a rotating third member.  "Latitude" was first, in 2004 with saxophonist Greg Osby, followed by "Longitude" with DJ Logic in 2005.

In 2006, the Charlie Hunter Trio resurfaced with "Coperopolis" and almost immediately announced that it was disbanding as Ellis wanted to further pursue a solo career. What to do? Form another trio! After recruiting Erik Deutsch on keys and Simon Loft on drums, they released "Mistico" in the summer of 2007, Hunter's first album for Fantasy.

All Ages / GA  / $15.00 adv / $20 DOS

Internet 24-7 at www.foxtheater.com

Phone: During box office hours: 303.443.3399

Particle, Oct 30 @ the Fox Theatre

Not your typical jam band (they have just as many disco and electronica influences as anything else), Particle started in 2000 in Los Angeles with keyboardist Steve Molitz, drummer Darren Pujalet, bassist Eric Gould, and guitarist Dave Simmons. Tragically, Simmons died just two months after the band started, but Particle found his replacement in Charlie Hitchcock. Gaining fans from the pure energy of their live show, Particle released their debut album, Launchpad, in 2004. The next year Hitchcock left the band, and Scott Metzger and Ben Combe took his place on guitar, also bringing in vocals -- a new addition for the group. Particle celebrated their first-ever performance with the new lineup by recording it and releasing its highlights (along with pieces from another show) as Transformations Live for the People in 2006.

All Ages / GA  / $18.00 adv / $23.00 DOS

Parlovr Unveil Cover Art & Tracklisting / East Coast Tour To Be Announced Soon

Meet Parlovr (pretend the V is a U when you say it). Over the last few years, these three Montrealers have been bringing their manic melee of indie pop to the musically-curious masses. They’ve already amassed plenty of attention from tasters and tastemakers alike via their blissfully bizarre tracks and seizure-inducing live shows; however, after recently signing onto the Dine Alone Records roster, the band is ready to make some serious noise in the new decade – in more ways than one…
Initially formed in a Mile-End loft during the winter of 2006 by guitarist/vocalist Louis David Jackson and keyboardist/vocalist Alex Cooper, the current incarnation of Parlovr came about in 2007 when drummer Jeremy MacCuish entered the fold – a catalyst to the fusion of the foiling songwriting styles of the original two. Since, the band has taken off on its own sonic tangent, appropriately dubbed “sloppy pop” in the past; stripped down but salacious and spastic.
The music is about as diverse as the city that spawned it – an interweaving of styles that takes on a shape and shimmer of its own. Raw and reverb-soaked, their independently-released, self-titled debut dropped in late 2008, recorded and produced by Martin Horn at Digital Bird Studios.
The songs found therein are rooted in dramatic dynamics not unlike those that exist between Cooper and Jackson’s foiling songwriting styles – quiet and loud; screams and whispers; sing-alongs and spacey instrumentals; warm low-end and crisp, shimmering leads; short pop jabs and extended epics. You get the idea, right? It’s quirky, it’s catchy, and while it’s full of familiar throwbacks to ‘60s pop, ‘80s post-punk, and ‘90s garage, it’s also refreshing.
Since its release, the album has garnered some great ink in pretty much every well-respected left-of-centre publication here in Canada – Hero Hill, Chartattack, and Hour among them. Even some from the south are taking notice, with Spin magazine calling the band one of the “5 to watch” out of Montreal (it’s pretty much the new Seattle) and The New York Times sharing kind words about their live show. It’s obvious the bandwagon is starting to fill up, and everybody on it is dancing.
Parlovr has spent time bringing their melodies on the road, having toured extensively throughout Canada, New York, France and Europe alongside indie pop peers like Arctic Monkeys and Franz Ferdinand.
With all of the pieces in place, Parlovr seems set to bring their melodic mayhem to a widespread populace for the new decade.
It’s 2010, and it’s finally cool to say you listen to Parlovr music.

Richie Havens' 'Nobody Left To Crown' Streets Today

Richie Havens'' new album- for the Grateful Web

A sense of timelessness rings throughout Richie Havens' latest release, Nobody Left to Crown, as though the passing years have only strengthened the meaning of his soul-filled folk rock. Nobody Left to Crown, released to the US on Verve Records on July 29th, attests that Richie Havens has never been more relevant, necessary even, than he is today.

Gifted with one of the most recognizable voices in popular music, Richie Havens has a soulful singing style that remains as unique and ageless as when he first emerged from the Greenwich Village folk scene in the early 1960s.  It's a voice that has inspired and electrified audiences from the Woodstock Music & Arts Fair in 1969, to the Clinton Presidential Inauguration in 1993 - coming full circle with the 30th Woodstock Anniversary celebration, "A Day In The Garden", in 1999. Richie Havens is not a man to easily abandon his hopes for a better world. "We are at the dawn of major change", he declares with a broad smile.  Nobody Left to Crown is his heartfelt and unwavering contribution to these fine aspirations.

For over three decades, Richie has used his music to convey messages of brotherhood and personal freedom. With more than twenty-five albums released and a touring schedule that would kill many a younger man, he continues to view his calling as a higher one.  As he told The Denver Post, "I really sing songs that move me.  I'm not in show business; I'm in the communications business.  That's what it's about for me".

Richie Havens tours this summer and fall in support of Nobody Left to Crown.  His current list of tour dates is as follows:

The current list of confirmed tour dates is as follows:

July 30 Sporting Monte Carlo - Salle Des Etoiles Monaco
August 02 Newport Folk Festival Newport RI
August 03 Sleeping Bear Dunegrass and Blues Empire MI
August 07 Brooklyn Academy of Music Metrotech Plaza Brooklyn NY
August 08 Reach Performing Arts Center Deer Isle ME
August 09 L. L. Bean Summer Concert Series Freeport ME
August 10 Nashua River Valley Folk Festival Lancaster MA
August 25-26 Mohegan Sun Casino Uncasville CT
August 29-31 Rhythm Festival 2008 Clapham, Bedfordshire, UK
September 05 The Ohio Theater Cleveland OH
September 06 Beverly Arts Center of Chicago Chicago IL
September 07 The Carnegie Visual and Performing Arts Center Covington KY
September 13 Tupelo Music Hall Londonderry NH
September 15 Kentucky Theater Lexington KY
September 19 Le Poisson Rouge New York NY
September 20 Events Center at Bethel Woods Center for the Arts Bethel NY
September 26 Infinity Hall Norfolk CT
September 27 Jonathan's Ogunquit ME
September 28 Higher Ground S. Burlington VT
November 21 The Sellersville Theater Sellersville PA
November 22 Patchogue Theater Patchogue NY
November 28-29 Stone Mountain Arts Center Brownfield ME
December 05 Sun Music Hall Charlotte NC
December 06 The Orange Peel Asheville NC
December 07 The Community Church Concert Series Chapel Hill NC
December 11 Rhythm & Brews Chattanooga TN
December 13 WorkPlay Theatre Birmingham AL
December 20 Remis Auditorium, Museum of Fine Arts Boston MA

2009
January 16 One World Theater Austin TX
January 17 Historic Central School Lake Charles LA
January 23 Anthology San Diego CA
January 24 The Palmdale Playhouse Palmdale CA
February 06 The Firehouse Coffeehouse Littleton MA
February 07 Veritas Auditorium Chicopee MA
February 08 Carol Autorino Center / Hoffman Auditorium West Hartford CT
February 20 Kirkland Performance Center Kirkland WA
February 28 Mariner Theatre Homer AK
March 1 Alaska Center for the Performing Anchorage AK
April 17 Macomb Center for the Performing Arts Clinton Township MI
April 18 Jasper Community Arts Jasper IN
April 23 Thrasher Opera House Green Lake WI
April 24 Stoughton Opera House Stoughton WI
April 25 ECC Blizzard Theatre Elgin IL
May 15 Metropolitan Museum of Art New York NY
May 16 Algonquin Arts Manasquan NJ

More dates to be announced.

Richie Havens to Release 'Nobody Left To Crown'

Richie Havens'' new album out July 29th- for the Grateful Web

A sense of timelessness rings throughout Richie Havens' latest release, Nobody Left to Crown, as though the passing years have only strengthened the meaning of his soul-filled folk rock. Nobody Left to Crown, to be released to the US on Verve Records on July 29th, attests that Richie Havens has never been more relevant, necessary even, than he is today.

 

Gifted with one of the most recognizable voices in popular music, Richie Havens has a soulful singing style that remains as unique and ageless as when he first emerged from the Greenwich Village folk scene in the early 1960s. It's a voice that has inspired and electrified audiences from the Woodstock Music & Arts Fair in 1969, to the Clinton Presidential Inauguration in 1993 - coming full circle with the 30th Woodstock Anniversary celebration, "A Day In The Garden", in 1999. Richie Havens is not a man to easily abandon his hopes for a better world. "We are at the dawn of major change", he declares with a broad smile.  Nobody Left to Crown is his heartfelt and unwavering contribution to these fine aspirations.

 

For over three decades, Richie has used his music to convey messages of brotherhood and personal freedom. With more than twenty-five albums released and a touring schedule that would kill many a younger man, he continues to view his calling as a higher one.  As he told The Denver Post, "I really sing songs that move me.  I'm not in show business; I'm in the communications business.  That's what it's about for me".

 

Richie Havens tours this summer and fall in support of Nobody Left to Crown.  His current list of tour dates is as follows:

 

The current list of confirmed tour dates is as follows:

 

July 05 Guilfest Surrey England
July 06 Solidays Paris France
July 11 Bluesfest Windsor Windsor ON
July 12 Bluesfest London Downtown ON
July 20 Stephen's Talkhouse Amagansett NY
August 02 Newport Folk Festival Newport RI
August 03 Sleeping Bear Dunegrass and Blues Empire MI
August 07 Brooklyn Academy of Music Brooklyn NY
August 08 Reach Performing Arts Center Deer Isle ME
August 09 L. L. Bean Summer Concert Series Freeport ME
August 10 Nashua River Valley Folk Festival Lancaster MA
August 25-26 Mohegan Sun Casino Uncasville CT
August 29-31 Rhythm Festival 2008 Clapham, Bedfordshire, UK
September 05 The Ohio Theater Cleveland OH
September 06 Beverly Arts Center of Chicago Chicago IL
September 13 Tupelo Music Hall Londonderry NH
September 19 Le Poisson Rouge New York NY
September 20 Events Center at Bethel Woods Center for the Arts Bethel NY
September 26 Infinity Hall Norfolk CT
September 27 Jonathan's Ogunquit ME
September 28 Higher Ground S. Burlington VT
November 21 The Sellersville Theater Sellersville PA
November 22 Patchogue Theater Patchogue NY
November 28-29 Stone Mountain Arts Center Brownfield ME
December 11 Rhythm & Brews Chattanooga TN
December 13 WorkPlay Theatre Birmingham AL
January 16 One World Theater Austin TX
January 23 Anthology San Diego CA
January 24 The Palmdale Playhouse Palmdale CA
February 06 The Firehouse Coffeehouse Littleton MA
February 07 Veritas Auditorium Chicopee MA
February 20 Kirkland Performance Center Kirkland WA
February 28 Mariner Theatre Homer AK

 

More dates to be announced.

Left Coasting

leftInspired by the principle of Zen Parking  ~~you need not actively seek the space, it will present itself to you~~ a vision was born of starting a band that would use improvisation to create itself rather than be created. A novel idea you say? We like to think so.

After a search that, by design, conducted itself, the journey began. Five like-minded musicians came together with a common goal to let the songs play the band.

This band's diverse style, draws on various musical traditions, including funk, blues, rock and progressive rock, folk music, world music and jazz, engaging in free improvisation, in effect spontaneously composing music that has never been heard before by the audiences or the players themselves.

Influenced by a wide range of artists including Jerry Garcia, John Coltrane, The Band, George Porter Jr, Stanton Moore, Karl Denson and Melvin Seals, they integrate their unique styles to reach an intoxicating groove. This results in a collaboration that is both highly focused and freely creative.

Left Coasting is:

Brandon Watson - Drums
Andrew Ferren - Tenor Sax, vocals
Pat Blizinski - Keys, vocals
Mike Berry - Guitar, vocals
Josh Atlas - Bass