september

National Jazz Museum September 2011 Schedule

For a combination of jazz dialogue, education, and live performance, look no further than the National Jazz Museum in September.

Our flagship conversation series, Harlem Speaks, first features soprano saxophonist Jane Ira Bloom in our first of several Harlem Speaks @ The New School events, which will occur in Greenwich Village (details below). Next, elder master Jimmy Heath will regale the live audience at our Visitor’s Center with tales from his illustrious history as a jazz artist.

Our Jazz for Curious Listeners series focuses on four classic recordings—Kind of Blue, Art Tatum: Solo Masterpieces, Red Clay, and Jazz at Massey Hall. The monthly Saturday panel peers into the legacy of jazz at Carnegie Hall.

We launch a new series this month, Tune Talk. We’ll find out where our favorite jazz songs come from and how they evolve into standards. This month’s featured song: “Body and Soul.”
Last but not least, our collaborative series with the Rubin Museum of Art—Harlem in the Himalayas—features alto saxophonist David Binney’s quartet and some special guests.
Mark your calendars, and bring some friends to share in pleasurable listening and learning!

Tuesday, September 6, 2011
Jazz for Curious Listeners
How to Listen to Jazz: “Kind of Blue”
7:00– 8:30pm
Location: NJMH Visitors Center 
(104 E. 126th Street, Suite 2C) 
FREE | For more information: 212-348-8300
Whether you’re new to jazz, or a seasoned listener, you’ll appreciate this session on the best-selling jazz recording of all time. Recorded and released in 1959, leader Miles Davis’s Kind of Blue has stood the test of time as a jazz classic.

Why? Is it the fact that the ensemble played a “modal” approach instead of a string of chord changes as was prominent in the bebop style? Is it the fact that legendary artists participated: trumpeter Davis, tenor saxophonist John Coltrane, alto saxophonist Cannonball Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb? Was it songs such as “So What,” “Freddie Freeloader,” and “All Blues”? All of the above?

Come discover the answers, as explained by Executive Director Loren Schoenberg.

Tuesday, September 13, 2011

Jazz for Curious Listeners
How to Listen to Jazz: “Art Tatum: Solo Masterpieces”
7:00– 8:30pm
Location: : NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Pianist Art Tatum’s prodigious technical facility was awe-inspiring. His inventiveness, harmonic acuity, and melodicism puts him at the top of the jazz piano mountain.

The recordings you’ll hear tonight are from the latter part of his life. Impresario Norman Granz produced these dates, which displays Tatum’s marvelous agility and artistry at a peak.

We invite you to an enlightening listening and learning session that will take you inside of the genius of one of the most startling artists of the 20th century.

Thursday, September 15, 2011

Harlem Speaks
Jane Ira Bloom
6:30 – 8:30pm
Location: The New School for Jazz and Contemporary Music
(55 West 13th St., Arnhold Hall, 5th floor )
FREE | For more information: 212-348-8300

Soprano saxophonist/composer Jane Ira Bloom has been full-time faculty at the New School for Jazz and Contemporary Music since 1989, and holds degrees from Yale University and Yale School of Music. She is a pioneer in the use of live electronics and movement in jazz and winner of the Guggenheim Fellowship in music composition, the Mary Lou Williams Jazz Award for lifetime service to jazz, Downbeat International Critics Poll & Jazz Journalists Award for soprano saxophone, the IWJ Jazz Masters Award, and the Charlie Parker Fellowship for jazz innovation. Bloom also has an asteroid named in her honor by the International Astronomical Union (asteroid 6083janeirabloom).

She adjudicated the prestigious Thelonious Monk International Saxophone Competition, the BMI Jazz Workshop Composition Prize, and served on a distinguished panel of faculty composers at the new Jazz Composers Orchestra Institute at the Center for Jazz Studies at Columbia University.  Recipient of the Doris Duke Jazz New Works Award, and fellowships from the NEA, Rockefeller, Pew & Ford Foundations, she has performed, recorded, and/or collaborated with Charlie Haden, Ed Blackwell, Fred Hersch, George Coleman, Kenny Wheeler, Julian Priester, Rufus Reid, Bob Brookmeyer, Mark Dresser, Bobby Previte, Matt Wilson, Jerry Granelli, Marc Copland, Jay Clayton and Cleo Laine.

Her compositions and commissions include the American Composers Orchestra, St. Luke¹s Chamber Ensemble, Pilobolus & Paradigm Dance Companies, NY City Center's Fall for Dance Festival, and the NASA Art Program. She has also produced and recorded for CBS, ENJA, JMT, Arabesque Jazz Recordings and Artistshare.  Bloom has been presented in the most prestigious halls, clubs, and festivals around the world, and a new event in Brooklyn, NY featuring cutting edge woman artists was named in her honor (the 2009 Bloom Festival).

Friday, September 16, 2011
Harlem in the Himalayas
David Binney Quartet and Special Guests
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door | 
For tickets: RMA Box Office or call 212-620-5000 ext. 344

David Binney, alto saxophone
Craig Taborn, piano
Elvind Opsvik, bass
Tyshawn Sorey, drums

Back after sold out shows in years past, acclaimed and highly individual saxophonist/composer David Binney is one of the most prolific jazz musicians on the scene today.  David's distinctive saxophone sound and innovative compositions have been heard from basement clubs in New York to jazz festivals in Europe.

In addition to David's extensive work as a leader, he has also been sought after as a sideman, appearing on recordings with Medeski, Martin & Wood and Uri Caine's Mahler Project. He has produced all of his own albums in addition to two Lost Tribe releases. David started his record label, Mythology Records, in 1998.

Saturday, September 17, 2011

Saturday Panel
Carnegie Hall Jazz
12:00– 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Starting with Benny Goodman’s historic 1938 concert, Carnegie Hall has hosted jazz concerts that gained classic status when they were issued on commercial recordings. Join us for an afternoon of superlative music courtesy of Miles Davis, Ella Fitzgerald, Duke Ellington, Count Basie and others.
Tuesday, September 20, 2011

Jazz for Curious Listeners
How to Listen to Jazz: Freddie Hubbard’s “Red Clay”
7:00– 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Trumpet icon Freddie Hubbard’s Red Clay marks a transitional moment in his career, in which he had been playing a form of straight-ahead jazz that some called “hard bop” on the Blue Note label. Red Clay incorporated electronic instrumentation (played on keyboard by Herbie Hancock, and bass by Ron Carter) and tapped into soul/funk styling. This was also the first recording on Creed Taylor’s CTI label, a forerunner of what came to be called “fusion jazz.”

Come to hear the various streams of style identified and made crystal clear, as this recording is placed within the historical context of Hubbard’s career as well as the stylistic direction of the music.

Wednesday, September 21, 2011

Tune Talk
“Body and Soul”
7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

A key reason why“Body and Soul” is considered a classic is the very famous rendition by Coleman Hawkins in 1939. As a rite of passage, professional tenor saxophonists everywhere learned that solo. But is one famous version of a song enough to make it an enduring classic?

Or, in this case, do superlative versions by the Benny Goodman Trio, and Chu Berry and Roy Eldridge before Hawkins’, plus re-workings by John Coltrane, Dexter Gordon and others add to the aura of legend?

Tenor saxophonist and museum executive director Loren Schoenberg will go deep into the archives tonight, so join the journey!

Tuesday, September 27, 2011

Jazz for Curious Listeners
How to Listen to Jazz: Charlie Parker and Dizzy Gillespie at Massey Hall
7:00– 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

In what turned out to be their last recording together, Dizzy Gillespie and Charlie Parker performed in Canada at Massey Hall on May 15, 1953 in a show marketed as “the greatest jazz concert ever.” The two primary founders of the bebop movement were joined by drummer Max Roach, bassist Charles Mingus, and pianist Bud Powell.

This concert was indeed a great affair in which they performed songs by Gillespie (“Salt Peanuts,” “A Night In Tunisia”), Thelonious Monk (“52nd Street Theme”), Tadd Dameron (“Hot House”), Juan Tizol (“Perdido”), Jerome Kern (“All the Things You Are”), among others. Come feed your ears with the thrilling sounds and your minds with the keen analysis of Loren Schoenberg.

Thursday, September 29, 2011

Harlem Speaks
Jimmy Heath, saxophonist, composer and arranger
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Long recognized as a brilliant instrumentalist, Heath is also a magnificent composer and arranger. He has performed with nearly all the jazz greats of the last 50 years, from Howard McGhee, Dizzy Gillespie, and Miles Davis to Wynton Marsalis. For the past 30 or so years, Heath performed regularly with his brothers, Percy and Albert, as the Heath Brothers, a band that often included contributions from his son Mtume, a noted percussionist, composer, and rhythm-and-blues producer.
During his career, Heath has performed on more than 100 albums. He has written more than 125 compositions, many of which have become jazz standards and have been recorded by artists such as Art Farmer, Cannonball Adderley, Clark Terry, Chet Baker, Miles Davis, James Moody, Milt Jackson, Ahmad Jamal, Ray Charles, Dizzy Gillespie, J.J. Johnson, and Dexter Gordon. Heath has also composed extended works, premiering his first symphonic work "Three Ears" in 1988 at Queens College (CUNY) with Maurice Peress conducting.
Heath retired from the Aaron Copland School of Music at Queens College in 1998, where he served as a Professor of Music for more than 11 years. Still, he maintains an extensive performance schedule and continues to conduct workshops and clinics throughout the United States, Europe, and Canada. He holds honorary degrees from Sojourner-Douglass College and the Juilliard School, and has a chair endowed in his name at Queens College. Currently, he serves on the board of the Thelonious Monk Institute of Jazz.
In January 2010, his long-awaited life story, I Walked With Giants, was published by Temple University Press.

Rex Grants, Musical Caravan Events and The World As It Could Be

August began with our 2nd 3-day Institute on The World As It Could Be curriculum, presented in collaboration with the University of San Francisco. A filled class of 25 avidly took in the presented material to lea rn about the Universal Declaration of Human Rights (UDHR) and experience applying music, visual arts,  spoken word, performance arts and movement to express their personal connection to human rights issues.  The photo here shows the class members rehearsing for their culminating presentation.  The video of the culminating presentation helps demonstrate the intensely moving experience of working with the curriculum.  We are excited to know that the work done August 2-3 is now being applied in classrooms and communities in the Bay Area, as well as Milwaukee, WI!

On August 10th, we were privileged to experience a very special night of story telling by Bob Weir, Carolyn Garcia, John Perry Barlow, and Mickey Hart about Rex and other reflections, led by Bill Walton, and held at Bob's new TRI Studios. We'll soon have the video of the evening available.

As to Rex Musical Caravan events, the SF Giants made August 9th another great tribute to Jerry Garcia and the Grateful Dead, and once again generously included the Rex Foundation as a recipient of charitable proceeds.   Adding to this already positive energy is the enthusiastic support reflected in the following upcoming Caravan events:

  • Be part of the special project by Fan Mosaics, LLC, where 2,500 Jerry Garcia fans have the opportunity to include their photos in an officially licensed mosaic print of the Grateful Dead legend based on the noted photo taken by world-famous photographer Herb Greene. Here are the participation details.
  • Blair Babcock and the Blurry Pickers are donating half the proceeds of the download sales of their song "Fairlee Well" to Rex. Click here to read Blair Babcock's story about the song and hear "Fairlee Well."
  • On Saturday, September 10th, the Kind Buds once again perform in support of Rex at the Iron Horse Music Hall in Northhampton, MA, as described in more detail here.
  • The Donna Jean Godchaux Band with Jeff Mattson of Dark Star Orchestra, along with Particle, headline the Third Annual Pink Moon Music and Arts Festival September 15-18, 2011 in Rock Camp WV.  We were very pleased to learn that the impetus to support local area schools came from the Rex Jam at the All Good Festival. Check out the details of the festival and how Rex is generously supported.
  • Ann Arbor's own Macpodz are heading East and hopping on board the Rex Musical Caravan with a concert at the Brooklyn Bowl September 27. Here are the details.

Thanks to contributors like you who donate $5 or more, initiate Caravan events, support our program work, and take part in Rex benefits, we are able to carry out The World As It Could Be initiative, keep making our grants and generate positive community connections along the way.  Check out the list of outstanding 2011 beneficiaries so far, and see, as you explore our website, everything else that your support makes possible

Disco Biscuits 2011 New Years Run CONFIRMED

THE DISCO BISCUITS are thrilled to announce that they will be performing at Chicago's legendary Auditorium Theatre on December 30th and 31st.

Girls Guns and Glory release 'Sweet Nothings' today

Boston based Girls Guns and Glory release Sweet Nothings today on Lonesome Day Records. A brainchild of frontman on acoustic guitar and vocals Ward Hayden, Girls Guns and Glory consists of Chris Hersch on electric guitar, Michael Calabrese (also of Lake Street Dive) on drums/vocals, and Paul Zaz Dilley on upright/electric bass. It is a reconnection to the roots of rock and roll for which he exhumed influences of the past including Johnny Cash, Hank Williams, Everly Brothers, Roy Orbison, Buddy Holly, and Little Richard.

Sweet Nothings was produced by Paul Q. Kolderie (Pixies, Radiohead, Warren Zevon, Uncle Tupelo) and Adam Taylor (Sarah Borges, Portugal the Man) and was the last project recorded at Boston's Camp Street Studios in Cambridge, Massachusetts. Sweet Nothings has songs both quick and catchy about the simple pleasures in life and slow and sentimental about—what else?—getting your heart ripped out, chewed up, spit out, and pieced back together. Also, listen for Sarah Borges (Sarah Borges & the Broken Singles) as she lends her voice to the Hayden-penned duet “1,000 Times.”

Girls Guns and Glory are a proficiently trained group: Chris Hersch and Michael Calabrese went to the New England Conservatory of Music and Paul Dilley attended Berklee College of Music. With the demands of a heavy-touring lifestyle, this is a group that cut its teeth on the road, and their resulting chemistry on stage is enjoyably electric. Hayden is quick to mention that, not only do these guys play their focal instruments with mastery, appreciation, and—on occasion—spirited abandon, each one of them is a multi-instrumentalist.

Hayden's original compositions conjure the palpable ache of a crushed heart; they touch on themes of love lost and hope found, and their words alone could be published in anthologies of poetry. Girls Guns and Glory is now an internationally touring band, named Independent Artist of the Year at the French Country Music Awards, and two-time winner of both the Roots Act of Year (Boston Phoenix Awards) and Americana Act of the Year (Boston Music Awards). Girls Guns and Glory is also the only band of its genre to ever take home the top honors of Act of the Year (Boston Music Awards) and to win the legendary WBCN Rock ‘n’ Roll Rumble. For more information, tour dates, media materials, click the link below.

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ON TOUR:

September 3 - Toby Keith's - Foxboro, MA
September 8 - Club Passim - Cambridge, MA
September 8 - Club Passim - Cambridge, MA
September 9 - The Pressroom - Portsmouth, NH
September 10 - The Hungry Tiger - Manchester, CT
September 11 - Narrows Festival of the Arts - Fall River, MA
September 14 - The Evening Muse - Charlotte, NC
September 15 - Westville Pub - Asheville, NC
September 16 - Pretty Penny Cafe - Hillsboro, WV
September 17 - Bristol Rhythm & Roots Reunion - Bristol, TN/VA
September 18 - Barley's Taproom - Knoxville, TN
September 21 - Norfolk Taphouse Grille - Norfolk, VA
September 22 - Doc Taylor's Seaside Market Lounge - Virginia Beach, VA
September 23 - Dogfish Head Brewing and Eats - Rehoboth, Beach, DE
October 1 - Toby Keith's - Foxboro, MA
October 5 - The Garage - Winston-Salem, NC
October 6 - Paddy Wagon - Richmond, KY
October 7 - Cheapside  Bar and Grill - Lexington, KY
October 8 - Cheapside Bar and Grill - Lexington, KY
October 28 - Burke's Tavern - Niantic, CT
November 1 - Bocktown Beer and Grill - Fayette, PA
November 2 - Bocktown Beer and Grill - Monaca, PA
November 4 - New Holland Brewing - Holland, MI
November 25 - Pressroom - Porsmouth, NH
November 26 - Toby Keith's - Foxboro, MA

The Jam Stampede Remembers Ron “Pigpen” McKernan

The Jam Stampede remembers Pigpen and will do a healthy dose of Pigpen on the day of his birthday, September 8. Plenty of Dead tunes will abound and we do one more spin around the sun for Pig.

Starting a rock band was actually Ron McKernan's idea, and he was its first front man, delivering stinging harmonica, keyboards, and beautiful blues vocals in the early years of the Warlocks/Grateful Dead. Nicknamed "Pigpen" for his funky approach to life and sanitation, he was born into a family that was generally conventional, except for the fact that his (Caucasian) father was an R & B disc jockey. And that sound put Pig's life on the rails of the blues from the time he was 12. Liquor, Lightnin' Hopkins, the harmonica and some barbecue - it was an unusual life for a white kid from San Carlos, but it was Pig's life.

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Mexicali Live

Show Date: September 8, 2011

Tickets : $8.00 in advance

Doors: 6:00pm

Show: 8:00pm

Band website

201-833-0011

1409 Queen Anne Road

Teaneck, NJ 07666

The Dang-It Bobbys Release New Album 'Big Trouble'

The Dang-it Bobbys, whose sound The New York Times described as “lovely riffs on bluegrass, country and folk music,” will release on September 20 its sophomore album, BIG TROUBLE, the follow-up to its 2009 debut, SOMETHING IN THE AIR. While many of the band’s riffs are lovely, there is much more: ingenious combinations of musical styles as well as smart, funny lyrics and a special energy that is downright contagious.

The Dang-It Bobbys will play the CD Release Show at 10 p.m. Saturday, September 24, at Rockwood Music Hall, 196 Allen St. in New York City. Complimentary Cover; information: 212.477.4155.

The Dang-it Bobbys, led by multi-instrumentalist Kris Bauman, explore what the word “Americana” truly means on the upcoming release, which features musicians from the New York City bluegrass, jazz, rock and country music scene, The band is a real melting pot of American music, showcasing the talents of blues/funk guitarist Luca Benedetti (ulu), jazz/classical violinist Alan Grubner (Henry Threadgill, Howard Levy), jazz bassist Chris Higgins (Pat Metheny), bluegrass mandolinist Dan Marcus (Norah Jones), and the 2001 RockyGrass Dobro champion, Todd Livingston (Earl Scruggs).
The Dang-it Bobbys’ unorthodox background is clearly evident on the autobiographical title track “Big Trouble,” a cautionary tale for would-be travelers to Mexico, juxtaposing a bluegrass style 4/4 and English lyrics with a traditional Mexican 3/4 feel and “gringo-ized” Spanish. On “Hey Guess What,” the cyclical form, heart-wrenching harmonica and mantric snare drum provide the backdrop to a mother’s attempt to come clean to her daughter. “Heading Out,” an unconventional ballad, showcases the band’s range of both intensity and tenderness.
The Dang-it Bobbys garner influence from all facets of American music, from bluegrass and country to jazz and blues. It is this flavorful stew of styles, coupled with the artistry of the adroit musicians featured on BIG TROUBLE, that give The Dang-it Bobbys an unquestionably American sound.
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Upcoming Performances:
September 24, Rockwood Music Hall, New York
October 2, 9, 16, 23, 30, Pete’s Candy Store, Brooklyn

Elephant Revival To Tour the Northeast Starting in September

Indie acoustic quintet Elephant Revival will tour the Northeast and beyond behind its sophomore release, BREAK IN THE CLOUDS (June 2011, Ruff Shod/Nettwerk Records), with praise for its songwriting, instrumentation, multi-genre style and spirit ringing in its ears.

The tour starts in mid-September, with dates in venues from New York City, Philadelphia and Pittsburgh to Kentucky, Boston-area (return show) and Indiana.

Chicago Sun Times says, “The melodic, finely tuned songs are a tribute to the collaborative songwriting talents of each band member,” who are Bonnie Paine (vocals, washboard, djembe and musical saw), Sage Cook (electric banjo/guitar, acoustic guitar, mandolin, viola and vocals), Dango Rose (double-bass, mandolin, banjo and vocals), Daniel Rodriguez (acoustic guitar, electric banjo/guitar and vocals) and Bridget Law (fiddle and vocals).

The band plays a variety of folk instruments, from washboard to fiddle, electric banjo, djembe to musical saw, but the band goes further with originals that snap and sparkle with traditional balladry, Scottish/Celtic fiddle, psychedelic old-time, indie rock, rustic Americana, world beat, traditional jazz and an occasionally hip-hop beat.

“Elephant Revival is not five musicians supporting one songwriter, but friends in full collaboration for the betterment of music,” says The Huffington Post, “both their own and what folk means to modern America, which is inevitably embedded in the lyrical content.” BREAK IN THE CLOUDS was recorded in Lyons, Colo., and was produced by David Tiller (Taarka) in his studio, The Distillery.

“We have elements from many different styles of music. The cohesive quality comes from the honor and respect we hold for each other and our fans.” Rose told Relix magazine, which wrote, “The band’s multi-layered musical style comes from the various musical breeding grounds of its players” a particular quality that puts Elephant Revival far ahead of the rest of the crowd. “We create in service to the music,” Rose said. “We do not control what it is or what it will become.”
The band will play a special end of the summer concert at the State Bridge in Bond, Colo., with DeVotchKa and Gregory Alan Isakov on September 10.
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Upcoming Elephant Revival Fall Tour includes:
September 10, State Bridge, Bond, Colo. (with Devotchka and Gregory Alan Isakov)
September 16, Old Rock House, St. Louis, Mo.
September 17, Bluebird, Bloomington, Ind.
September 18, Uncle Slayton’s, Louisville, Ky.
September 20, Thunderbird Café, Pittsburgh
September 21, Birchmere, Alexandria, Va.
September 22, Grape Room, Philadelphia
September 23, Piano’s, New York City
September 24, The Saint, Asbury Park, N.J.
September 25, Histroic Blairstown, Blairstown, N.J.
September 27, Iron Horse, Northampton, Mass.
September 28, Blueberry Hill Jam III, Warren, Ver.
September 29, Club Passim, Cambridge, Mass.
September 30, Red Square, Albany, New York
October 1, The Axe Festival, Collinsville, Conn.
October 5, The Box, Charlottesville, Va.
October 6, Sun Music Hall, Floyd, Va.
October 7, One Stop, Asheville, N.C.
October 8, Smith’s Olde Bar, Atlanta
October 12, Loveless Barn, Music City Roots, Nashville, Tenn.
October 14-16, Harvest Festival, Ozark, Ark.
October 21, Aggie Theater, Fort Collins, Colo.
November 18, Bluebird Theatre, Denver
November 19, Boulder Theater, Boulder, Colo.

Infected Mushroom at Fox Theatre - 09.23.11

Z2 Entertainment is proud to present Infected Mushroom at the Fox Theatre on Friday, September 23rd, 2011.  Tickets go on sale Friday, August 19th for $15.00 in advance & $17.00 day of show.  Door times and show times will be announced in the near future.

Psy-Trance innovators Infected Mushroom have become one of the biggest electronic bands on the planet. Twice ranked among the world’s 10 best DJs by the bible of the scene, the U.K.’s DJ Magazine, the Israel-bred, L.A. based duo bring a frenetic rock energy to the form. Their explosive show, featuring guitars, live drums, intensely passionate vocals and an ambitious multimedia backdrop, ranks among the genre’s most unpredictably joyous events. And their recordings continually venture where other electronic acts fear to tread.

Amit “Duvdev” Duvedevani and Erez Eisen have been working for nearly two years on an aggressive new album – their first since 2007’s critically acclaimed Vicious Delicious – for dance-music visionary Paul Oakenfold’s Perfecto label. Duvdev describes the as-yet untitled record, recorded at Infected Mushroom Laboratory in L.A. and slated for a June 2009 release, as a return to the pair’s metal roots. Guests include singer Jonathan Davis of Korn, who lends his estimable pipes to the track “Smashing the Opponent.” Oakenfold has worked closely with the band in an A&R capacity. “Paul’s known as a House DJ, so we weren’t sure how he’d feel about our heaviest material,” Duvdev reveals, “but he loved it. He’s really brought a lot of great energy and advice to the table.” From the Ultra Fest in Miami to the Virgin Festival in Baltimore, from Mexico’s OMIX to Cali’s Coachella, from Brazil’s Ipanema Beach to Melbourne’s Metro Club, Infected Mushroom has averaged about 120 live performances per year. The band will honor that tradition in 2009, starting with a 17-date U.S. tour slated to kick off in Texas in March.   For more information please visit http://www.infected-mushroom.com.

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Infected Mushroom

Fox Theatre

Friday, September 23rd, 2011

John K Band Labor Day Weekend Mini-Tour

Its been a hot summer, but this past Furthur tour on the east coast was an incredible (and sweaty) blast!  And now the John K Band is pleased to announce that as the summer rolls into the final stretch, the John K Band will be out on the road for a Labor Day Weekend Mini-tour!  A three-night run that sees us returning to the 8x10 in Baltimore (Fri Sep 2) and the State Theatre in the DC area (Sat Sep 3) and then making our first real road-trip to the Stone Pony in Asbury Park, NJ (Sun Sep 4).

At our Spring performances we brought out some new material, including new original songs, and we have more planned for these upcoming shows.  You can listen to some of our previous shows free at the Internet Archive.

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Upcoming Shows

Friday, September 2nd, 2011
The 8x10, Baltimore, MD
$10 in advance, $12 day of show - all-ages

Saturday, September 3rd, 2011
State Theatre, Falls Church, VA
$10 in advance, $12 day of show - 18+

Sunday, September 4th, 2011

The Stone Pony, Asbury Park, NJ
$12 in advance, $15 day of show

The Milk Carton Kids return to Denver 8/26, celebrate 12k album downloads in 2 weeks

Produced by The Milk Carton Kids (Kenneth Pattengale and Joey Ryan) and Eric Robinson, PROLOGUE contains nine new songs recorded live and mixed over four days at Marlay Studios in North Hollywood. PROLOGUE also includes an expansive and insightful foreword penned by Joe Henry. Read the foreword below.

A limited run of PROLOGUE will be printed on CD and vinyl for purchase. CD and vinyl copies of PROLOGUE are available for pre-order now thru July 18th. After July 18th physical copies will only be available at live shows.

PROLOGUE will be made available for free download from www.themilkcartonkids.com starting on July 19th. No email necessary.

Starting in Phoenix, Arizona on August 10, 2011, The Milk Carton Kids will begin a tour of 46 shows across the United States and Canada in support of PROLOGUE. The first leg of dates (west coast) are included below.

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Tour Dates:

August 13 – Los Angeles, CA – McCabe’s
August 14 – Ventura, CA – Zoey’s
August 16 – San Francisco, CA – Cafe Du Nord*
August 18 – Portland, OR – Doug Fir*
August 19 – Seattle, WA – Rendezvous*
August 21 – Vancouver, BC, Canada – Railway Club
August 23 – Salt Lake City, UT – Kilby Court
August 24 – Logan, UT – Logan Arthouse
August 26 – Denver, CO – Soiled Dove
August 28 – Oklahoma City, OK – Blue Door
August 30 – Austin, TX – Lambert’s
August 31 – Dallas, TX – Poor David’s Pub
September 7 – Nashville, TN – 3rd & Lindsley **
September 8 – Bloomington, IN – The Bishop **
September 10 –  Louisville, KY – Uncle Slayton’s **
September 11 – Chicago, IL – Schuba’s **
September 13 – Milwaukee, WI – Mad Planet **
September 14 – Minneapolis, MN – Aster Cafe
September 15 – Ames, IA – M-Shop **
September 17 – St. Louis, MO – Off Broadway **

* with Andrew Belle
** with Tom Brosseau