today

Pittsburgh City Council Honors Gregg Gillis

Today, Tuesday, December 7, Pittsburgh City Councilman, William Peduto, presented a proclamation from City Council honoring Gregg Gillis (aka Girl Talk) for his work and support of his hometown, Pittsburgh, and declared today "Gregg Gillis Day" in the City of Pittsburgh. An official ceremony for the reading of the proclamation was held this morning at the City Council Building. It was open to the public, and aired live on City Channel Pittsburgh (Comcast channel 13 and Verizon channel 44).
Girl Talk played two sold out shows this past weekend, Friday, December 3 and Saturday, December 4 at Pittsburgh's brand new amphitheater, Stage AE. These were the first two performances at this venue.
Girl Talk's new album, All Day, is available for free download here.

National Jazz Museum in Harlem 2010 December Schedule

The National Jazz Museum in Harlem closes out 2010 in swinging style as we focus on the history, function and joy of jazz drums at Jazz for Curious Listeners and our Saturday panel. Among the drummers leading these sessions will be: Otis Brown III, Kenny Washington and Adam Nussbaum. Bassist and composer Sean Smith fronts a trio for our last Harlem in the Himalayas performance of the year, whereas the National Jazz Museum in Harlem All Stars will mambo and salsa your feet and hips, replete with grooves that'll make your holiday season complete, at the Dwyer Cultural Center.And while rhythm is most certainly our business, we also endeavor to share the stories of jazz and jazz artists with you, our patrons and visitors. So come enjoy discussions with author Ed Berger for Jazz for Curious Readers, pianist Jonathan Batiste for Jazz is Now!, and, for our flagship Harlem Speaks series, talks with pianist Mike LeDonne and saxophonist Greg Osby.

We wish you a merry and joyous holiday season, and hope the new year brings you good health and everything else your heart desires. Thanks for your support of the National Jazz Museum in Harlem.

Wednesday, December 1, 2010

Jazz Is: Now!
Jonathan Batiste
7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Join young pianist Jonathan Batiste as he performs and leads a discussion on jazz culture and its relevance in today's society. The Juilliard Jazz grad is one of the most exciting and sui generis artists on the jazz scene; you'll discover that his point of view is too. Join the celebration in the midst of the discourse.

Thursday, December 2, 2010

Harlem Speaks
Mike LeDonne, Pianist
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Pianist Mike LeDonne, born in Bridgeport Connecticut in 1956, was raised in his parent's music store and by the age of 10 his father, a jazz guitarist, began booking him on gigs. At age 21, Mike graduated from New England Conservatory and moved to New York City.

In 1981, he left to travel to the UK with Panama Francis and the Savoy Sultans. On returning, he began a two-year stint as the house pianist at Jimmy Ryan's, then one of New York's oldest jazz clubs. It was there that he came under the influence of and played with many old masters such as Roy Eldridge, Papa Jo Jones and Vic Dickenson. He spent 1982-1983 with the Benny Goodman sextet and went on to play with Buddy Tate, Al Grey, Ruby Braff and many others.

In 1988 he started playing with the Milt Jackson Quartet; Milt recorded Mike's compositions and arrangements and selected him as the band's musical director. In the fall of 1992, Mike was chosen to be part of a group of top young musicians (Ryan Kisor, Joshua Redman, Jesse Davis, Christian McBride, and Lewis Nash) for the Phillip Morris Superband World Tour. Around this time, Mike toured with the Newport All-Stars in lineups that also featured Harry "Sweets" Edison and Clark Terry. Mike has been playing and recording with Benny Golson since 1997. He has also been leading trios which have included Ron Carter, Jimmy Cobb, Billy Hart, Pete LaRoca and Louis Hayes.

Along with his many recordings as a sideman, he has five CDs on Criss Cross Jazz and three on Double Time Records, featuring music artists such as Tom Harrell, Gary Smulyan, Dennis Irwin, Kenny Washington, Steve Nelson, Peter Bernstein, Peter Washington, Mickey Roker, Eric Alexander, Jim Rotondi, and Joe Farnsworth. Mike is the co-author of Jim Snidero's Jazz Conception for Piano and Piano Comping books, on Advance Music. In 2002 Mike joined the faculty at the Juilliard School of Music. He has won praise not only from critics but from master musicians: the late Oscar Peterson picked him as one of his favorite pianists.

Friday, December 3, 2010

Harlem in the Himalayas
Sean Smith Trio
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office or call 212-620-5000 ext. 344

Bassist and composer Sean Smith has been part of the international jazz scene for more than 20 years. He has appeared in many of the major jazz rooms and concert halls all over the world. He has toured extensively in North and South America, throughout Europe and the Mediterranean, and as far away as Russia, Turkey, Morocco, and Japan.

In addition to leading his own quartet, Sean has been a member of the Jacky Terrasson Trio since 2000. His work with Jacky Terrasson and Emmanuel Pahud on the EMI/Blue Note recording Into The Blue was recently nominated for a 2003 Grammy Award. Sean has performed with many jazz superstars including Gerry Mulligan, Phil Woods, Benny Carter, Flip Phillips, Clark Terry, Johnny Griffin, Lee Konitz, Art Farmer, and Tom Harrell. He has also been the accompanist of choice for such world-renowned vocalists as Peggy Lee, Rosemary Clooney, Mark Murphy, Jimmy Scott, and Andy Bey. Sean has also performed and recorded with up-and-coming vocalist Kate McGarry.

A Manhattan School of Music graduate, Sean is also a prolific composer whose works have been played and recorded by such artists as Phil Woods, Mark Murphy, Bill Charlap, Gene Bertoncini, Bill Mays, and Leon Parker. His Song For The Geese was recorded by Mark Murphy as the title track of Murphy’s RCA/BMG release, which was nominated for a Grammy Award in 1998. Sean received a Bistro Award for outstanding instrumentalist in 2007.

Sean’s first recording, Sean Smith Quartet Live! (on Chiaroscuro), featured some of his compositions and was received with outstanding reviews. Sean’s most recent recording, Poise (on Ambient), features new compositions performed by his working band.


Monday, December 6, 2010

Jazz for Curious Readers
Ed Berger, author of books on Benny Carter and George Duvivier
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Biographer and photographer Ed Berger is the Associate Director and Head of Research Services of the Institute of Jazz Studies at Rutgers University. He's a graduate of Indiana University and has a M.L.S. from Rutgers University. He is co-author of Benny Carter: A Life in American Music, Reminiscing in Tempo, and Basically Speaking: An Oral History of George Duvivier. He served as record producer and road manager for Benny Carter and will delight us this evening with anecdotes about two of the gentlemen of jazz who lit up the stages of jazz for decade upon decade with sophisticated artistry.


Tuesday, December 7, 2010

Jazz for Curious Listeners
Rhythm is Our Business: The Drummers
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Otis Brown III

Tonight the New Jersey native Otis Brown III will bring his joyful style to Jazz for Curious Listeners in a discussion about his favorite drummers.

Since his birth in Hackensack, NJ, Otis has traveled a path that has led to him being one of the most in demand, and well respected musicians today. Expressing an early interest in music, Otis began his musical studies at age 7; by age 12 he was playing lead alto saxophone in the school bands while playing the drums in the Baptist church.

After moving to Newark, N.J., he continued performing double duty in his school bands playing snare drum in marching band, and alto saxophone in the jazz and concert ensembles, all of which were directed by his father Otis Brown Jr. He decided to pursue his musical education in college at Delaware State University, where he met legendary trumpeter Donald Byrd, an encounter that changed his life. He spent countless hours under the wings of Dr. Byrd, who later suggested that Otis continue his studies in New York, the jazz capital. He was awarded a scholarship to attend the prestigious New School University.

Since his arrival in New York Otis has performed and toured with musicians the caliber of Herbie Hancock, Christian McBride, Eric Lewis, Ron Blake, Roy Hargrove, Frank Lacy, Jeremy Pelt, Don Braden, Marc Ribot, Adam Rodgers, Pete Malinverni, Tim Hagans, Conrad Herwig, John Hicks, Oliver Lake, Aaron Goldberg, Bob Mintzer, George Garzone, and many others.

He currently can be seen touring with the Thelonious Monk Institute’s Jazz in America initiative, Joe Lovano’s trio quartet and nonet, the Laurent Coq trio, the Franck Amsallem trio and quartet, the Steve Wilson quartet, the Oliver Lake Big Band, the Bob Stewart tuba project and several other musical configurations.


Saturday, December 11, 2010

Jazz at the Dwyer
Afro-Cuban Jazz Dance Night with Bobby Sanabria & Quarteto Aché
7:00 – 11:00pm
Location: The Dwyer Cultural Center
(258 St. Nicholas Avenue at W. 123rd Street)
$20 | More information: info@DwyerCC.org

Bobby Sanabria - drummer, percussionist, composer, arranger, recording artist, producer, filmmaker, conductor, educator, multi-cultural warrior and multiple Grammy nominee – has performed with a veritable Who's Who in the world of jazz and Latin music, as well as with his own critically acclaimed ensembles. His diverse recording and performing experience includes work with such legendary figures as Dizzy Gillespie, Tito Puente, Paquito D'Rivera, Charles McPherson, Mongo Santamaría, Ray Barretto, Marco Rizo, Arturo Sandoval, Roswell Rudd, Chico O'Farrill, Candido, Yomo Toro, Francisco Aguabella, Larry Harlow, Henry Threadgill, and the Godfather of Afro-Cuban Jazz, Mario Bauzá.

Bobby, the son of Puerto Rican parents, was born and raised in the "Fort Apache" section of New York City's South Bronx. Inspired and encouraged by maestro Tito Puente, another fellow New York-born Puerto Rican, Bobby "got serious" and attended Boston's Berklee College of Music from 1975 to 1979, obtaining a Bachelor of Music degree and receiving their prestigious Faculty Association Award for his work as an instrumentalist. Since his graduation, Bobby has become a leader in the Afro-Cuban, Brazilian and jazz fields as both a drummer and percussionist, and is recognized as one of the most articulate musician-scholars of la tradición living today.

He has been featured on numerous Grammy-nominated albums, including The Mambo Kings and other movie soundtracks, as well as numerous television and radio work. Mr. Sanabria was the drummer with the legendary “Father of the Afro-Cuban Jazz movement,” Mario Bauzá’s Afro-Cuban Jazz Orchestra. With them he recorded three CD’s (two of which were Grammy-nominated) which are considered to be definitive works of the Afro-Cuban big-band jazz tradition. Mr. Sanabria was also featured with the orchestra in two PBS documentaries about Bauzá and also appeared on the Bill Cosby show performing with the orchestra. He also appeared and performed prominently in a PBS documentary on the life of Mongo Santamaria and on camera in the CBS television movie, Rivkin: Bounty Hunter.

Bobby and his Quarteto Aché toured Armenia in June of 2007 being personally invited by the U.S. Embassy to represent the United States in a series of concerts. Headlining in the final event, The Cascade Jazz festival in Yerevan, Armenia’s capitol, the group received a thunderous ovation from the estimated 8,000 person audience which was broadcast throughout the country. In a pre-concert press conference when asked what jazz represented, Bobby simply stated, “Freedom.“ His group has the unique distinction and honor of being the first ensemble ever to perform Latino oriented jazz in this country and spread clave consciousness in a unique master class that he held at the Yerevan Conservatory. If this weren’t enough, the ensemble performed a private concert for Armenia’s Heads of State, and President Robert Khachaturian who stated that, “I simply love jazz! Its spirit of improvisation in a collective democracy is the inspiration for my vision for Armenia."

Tuesday, December 14, 2010

Jazz for Curious Listeners
Rhythm is Our Business: The Drummers
7:00 – 8:30pm
Location: Maysles Institute
343 Lenox Ave
New York, NY 10027
FREE | For more information: 212-348-8300
Kenny Washington

Jazz drummer and historian Kenny Washington is a repository of jazz music in story and in practice. He can tell you the history of jazz and jazz drumming, and then show you what he's talking about. Hailing from Staten Island, NY, Kenny began his career in the late '70s with Lee Konitz, and was a favorite of stalwart musicians such as Johnny Griffin, Betty Carter, and countless others. His record collection is the envy of jazz collectors, his moniker "the jazz maniac," was earned while doing deejay work on WBGO. Today, he can be found playing in the trio of pianist Bill Charlap as well as the ensemble led by legend Ahmad Jamal. And tonight he'll share the legacy of jazz drumming on film featuring Max Roach, Kenny Clarke, Ray McKinley, Papa Jo Jones, Sid Catlett, and many others, so don't miss this rare opportunity!

December 15, 2010

Jazz Is: Now!
Jonathan Batiste
7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Join young pianist Jonathan Batiste as he performs and leads a discussion on jazz culture and its relevance in today's society. The Juilliard Jazz grad is one of the most exciting and sui generis artists on the jazz scene; rest assured that his point of view is too. Join the celebration in the midst of the discourse.

Thursday, December 16, 2010

Harlem Speaks
Greg Osby, Saxophonist     
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Saxophonist, composer, producer and educator Greg Osby has made an indelible mark on contemporary jazz as a leader of his own ensembles and as a guest artist with other acclaimed jazz groups for the past 20 years. Highly regarded for his insightful and innovative approach to composition and performance, Osby is a shining beacon among the current generation of jazz musicians. He has earned numerous awards and critical acclaim for his recorded works and passionate live performances.

Born and reared in St. Louis, Greg Osby began his professional music career in 1975, after three years of private studies on clarinet, flute and alto saxophone. Coming from a vibrant and musical city, Osby showed an early interest in the performing arts and spent his years in secondary school with a heavy involvement in Blues and Jazz groups. In 1978 Osby furthered his musical education at Howard University (Washington, D.C.) where he majored in Jazz Studies. He continued his studies at the Berklee College of Music (Boston, MA) from 1980 to 1983.

Upon relocating to New York in early 1983, Osby quickly established himself as a notable and in demand sideman for artists as varied as Herbie Hancock, Dizzy Gillespie, Jack DeJohnette, Andrew Hill, Muhal Richard Abrams, Jim Hall and Jaki Byard as well as with many ethnic and new music ensembles in the New York area.

In 1985 Osby was invited to to join Jack DeJohnette's innovative group, "Special Edition". It was as a member of this ensemble Osby was able to fine tune the more challenging aspects of his conception in an open ended, no holds barred musical situation. Says Osby, "My musical thinking for performance and composition advanced by light years as Jack was open to my input and was very encouraging in pushing me to to maintain a steady flow of experimentation. It marked a major turning point in my development as an artist."

In 1987, Osby signed his first recording deal with a new German label, JMT (Jazz Music Today). With this situation, he felt that he was finally able to document life as he saw it through music. He had free creative reign to do whatever he liked. He recorded four CD titles for that label. Osby signed with Blue Note Records in 1990 and recorded fifteen outstanding recordings for that label as a leader. In 2008, Osby launched his own label, "Inner Circle Music", which serves as a platform for many of today's brightest artists. From the pulse of the streets and the language of a generation, Osby has sketched numerous musical essays set to a contemporary score using the improvisational nature of Jazz as the connecting thread.

On "9 Levels," his latest recording on Inner Circle Music, Osby presents his wares in a sextet format and is joined by special guests, Nir Felder, guitar; Adam Birnbaum, piano; Joseph Lepore, bass; Hamir Atwal, drums; and a welcome newcomer to the international jazz scene, vocalist Sara Serpa.

Saturday, December 18, 2010

Saturday Panels
Jazz is a Drum
12:00 - 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
LIVE MUSIC/FILM + MORE

Today's Saturday panel is a retrospective of a century of jazz drumming, including rare films, panels and live music. If you are curious about the role of the drum in jazz, or simply love the swinging groove and powerful solos of jazz drummers as they lockstep with the walking or funking bass and the comping piano, come on through and bring some other friends who'll appreciate that move.

Tuesday, December 21, 2010

Jazz for Curious Listeners
Rhythm is Our Business: The Drummers
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Adam Nussbaum

Adam Nussbaum grew up in Norwalk, Connecticut and started to play drums at age 12 after studying piano for 5 years, also playing bass and saxophone as a teenager.

The multi-instrumentalist moved to New York City in 1975 to attend The Davis Center for Performing Arts at City College. While there he began working with Albert Dailey, Monty Waters, Joe Lee Wilson, Sheila Jordan and he played with Sonny Rollins in 1977 in Milwaukee. In 1978 he joined Dave Liebman's quintet and did his first European tour with John Scofield. During the early eighties he continued working with John Scofield in a celebrated trio with Steve Swallow. In 1983 he become a member of Gil Evans Orchestra and played with Stan Getz as well. He later joined Eliane Elias/Randy Brecker Quartet, Gary Burton, and Toots Thielemans. In 1987 he began touring with the Michael Brecker Quintet. In 1988 they recorded the Grammy winning "Don't Try This At Home" During 1992 he was part of the Carla Bley Big Band and that same year John Abercrombie hired him to complete his organ trio.

Since then he has kept active in a wide variety of groups. Among them a recently formed quartet 'BANN' with Seamus Blake, Jay Anderson & Oz Noy, A co-op quartet "NUTTREE" with Abercrombie, Jerry Bergonzi & Gary Versace, The James Moody Quartet, 'We Three' w/ Dave Liebman & Steve Swallow, Eliane Elias Trio, 'Playing in Traffic' w/ Steve Swallow & Ohad Talmor and also busy maintaining an active freelance schedule. Adam has taught as an Adjunct professor at New York University, the New School and State University of New York at Purchase. He also does clinics and master classes around the world.

And today, free, you can have your own master class with a master of jazz drumming.

Copyright Criminals Airs on November 29th on PBS

Copyright Criminals, the acclaimed documentary that charts the history of sampling in hip-hop and its modern clashes with outdated copyright law, will air on PBS’ Emmy Award-winning series “Independent Lens” the week of Nov. 29 (check local listings).

The film features in-depth interviews with Public Enemy’s Chuck D and Hank Shocklee, De La Soul, funk pioneer George Clinton, James Brown’s “Funky Drummer” Clyde Stubblefield, producer Steve Albini and many others.

Filmmakers Benjamin Franzen and Kembrew McLeod showcase not only hip-hop sampling’s pioneering artists, but also those whose work has been sampled thoroughly. Ultimately, they ask how should we fix our copyright laws to both encourage creativity with 21st century tools and still ensure that “original” creators get paid for their work?

The broadcast comes as creative technology advances on a near-weekly basis. When the last copyright law was passed in 1998, only 26 percent of homes had Internet access. Today, young people can film, soundtrack, edit and distribute movies globally, all from their mobile phones.

Meanwhile, artists like Girl Talk are shining bright lights on issues of copyright and creativity. Girl Talk’s new album, All Day, released for free Nov. 15, includes more than 350 samples.

Copyright Criminals’ innovative visuals include video remixes by Eclectic Method that illustrate for the viewer precisely what snippets of sound they’re hearing in dense sampling collages.

The film, which Rolling Stone’s Rob Sheffield called “amazing,” was screened at the Toronto International Film Festival. USA Today called Copyright Criminals “a compelling and insightful documentary illuminating both sides of a hotly debated issue.”

Director and producer Benjamin Franzen is the owner of the Atlanta-based production company Changing Images. Executive producer and writer Kembrew McLeod is an associate professor of communications studies at the University of Iowa, and author of Freedom of Expression®: Resistance and Repression in the Age of Intellectual Property, among other books.

Kids of Widney High Release Full-Length Documentary

“After I take over the world, I want to learn how to play the bass,” says effervescent, long-time Kids of Widney High member Cain Fonseca. One of nine singer/songwriters, Cain is a young adult from East LA with developmental disabilities who—along with the rest of the Kids—writes, records, and performs his own unique brand of rock music.

Begun in 1988 at special-education high school Joseph P. Widney High, the Kids grew out of an adaptive songwriting class that is still in operation today and continues to churn out specialized musicians and singers, some of whom have formed their own permutation of “Kids of Widney High”-esque bands.

Having in the past been compared to the likes of: Daniel Johnston, Wesley Willis, Langley Schools Music Project, and Florence Foster Jenkins, the Kids of Widney High have been covered in both concert performances and on album recordings by such hot bands as: the Yeah Yeah Yeahs, the Aquabats, and Osaka Popstar (comprised of members of: the Ramones, the Misfits, and Black Flag). They also boast a dedicated fanbase that includes everyone from Marilyn Manson and Fiona Apple to actor James Garner and filmmaker Spike Jonze. Playing the LA leg of the Warped Tour some years back, a prominent record producer handed to the Kids their first album—made by an earlier lineup of members—that had at one time been owned by Kurt Cobain.

In the past, the Kids have worked with musical luminaries Jackson Browne (who assisted them with the recording of the second of four albums they have out to date), Mr. Bungle/Faith No More frontman Mike Patton (who took them on their first tour along with Bungle, and who put out a Kids album on indie pioneering label Ipecac), and various producers/writers from South Park who worked with the Kids and a similar group, MTV’s How’s Your News, on a television pilot some years back. The Kids were also prominently featured in comedic hit film The Ringer starring Johnny Knoxville and Katherine Heigl.

Having now broadened their artistic endeavors to encapsulate: fine art, films, music videos, short documentaries of their own, creative writings, poetry, and fashion designs, the Kids decided upon taking their first headlining, full-length tour up the West Coast (from Los Angeles to Seattle and back) two summers ago. Along the way, the Kids played a number of gigs at high-profile venues, made time for local print/online media syndicates and radio shows, exhibited their artwork and short films, and read their writings (including one oration at Beat epicenter City Lights in San Francisco).

Sponsored in part by Sony PlayStation, this tour was also an opportunity for the majority of Kids members—all of whom come from financially challenged backgrounds—to see a world outside of the city of Los Angeles. But, as Kids member (and self-proclaimed “class clown”) Peewee proudly intones, “We’re not here to tell a sob story. No! We’re having fun. Are you having fun?”

Act Your Age: The Kids of Widney High Story is a vibrant, life-affirming, funny, and wholly compassionate film that explores just what happens when a specialized group of artists such as the Kids of Widney High finally take to the road as they visit new cities and peoples, teaching their fans about the changing world of the disabled community at large. Along the way, the Kids fight, they love, they grow apart and together, they party—as do all raucous rock bands on such rapid-fire tours!—and come out the other end, as Kids frontman Shelly Goodhope says of himself, “A better man.”

Supplemented by over ten years of footage from various venues, fans, groupies, and the Kids themselves, Act Your Age is also an incredibly intimate portrait of a subculture that has been for far too long misunderstood and, ultimately, disenfranchised in the eyes of the general mainstream public.

Comparable to such independent mainstay music documentaries as: Dig!, End of the Century, and Fugazi’s Instrument, Act Your Age: The Kids of Widney High Story is a poignant and often funny look at a group of artists who are ready to challenge conventional notions about persons with disabilities and contemporary art in America today.

It’s time for everyone to see the world through the eyes of a Kid!

Learn more about The Kids of Widney High at:

www.KidsOfWidneyHigh.com.

www.YouTube.com/ProfKlickberg

www.MySpace.com/TheKidsOfWidneyHigh

Also, be sure to check out the FREE preview.  Here is information on the preview:

ACT YOUR AGE: THE KIDS OF WIDNEY HIGH STORY
Monday, October 18th & 7PM
99 minutes + Q&A with filmmaker and KOWH member
CU Campus, ATLAS 102
Trailer | Website | Youtube

The Drums' Internationally Acclaimed Debut Out Today

Following a massive wave of critical acclaim, New York City’s own The Drums release their state-side debut on Downtown Records today!  Hailed by Rolling Stone as “one of the best indie pop debuts of the year.” the band is featured on Windows Media Guide and Last.FM Discover today.  The full album is streaming on AOL Spinner and a new special b-side “When I Come Home” is RCRD LBL’s RCRD of the Day” MP3 download today!

The Drums’ spellbinding sound takes inspiration from elements of some of the greatest bands in history from The Smiths to the The Shangri-las and fuses them with the band’s own raw energy and excitement. The rhythm and reverb will force you to dance and the melodies will stay with you after the first listen.

After the release of their debut EP Summertime! and a string of tour dates in the UK, The Drums were listed at #1 on both Clash and NME’s Top Tips of the Year, in addition to being #5 on the BBC’s Sound of 2010 poll. Their live show has been called “explosive” and Jonny Pierce “one of the most magnetic frontmen in years.” The list of supporters is endless but nothing is more convincing than this stellar collection of songs. The last track on the album is entitled “The Future.” Fitting, since it will be full of sounds from The Drums.

You’ve heard the buzz and with the release of the band’s debut album, the songs speak for themselves. The band is currently on a national co-headlining tour with Surfer Blood.  Get ready to listen to the album that is sure to be your end of summer soundtrack.

The Drums/Surfer Blood 2010 North American Tour Dates

9/15: Atlanta, GA @ The Loft
9/17: Orlando, FL @ Social
9/18: Miami, FL @ Grand Central
9/19: Tampa, FL @ State Theatre
9/20 Gainesville, FL @ Common Ground Coffeehouse
9/21: Tallahassee, FL @ Club Downunder
9/23: Houston, TX @ Fitzgerald’s (The Drums ONLY)
9/24: Dallas, TX @  The Loft (The Drums ONLY)
9/25: Austin, TX @ ND (The Drums ONLY)
9/27: Phoenix, AZ @ Clubhouse
9/28 Pomona, CA @ Glass House
9/29: Los Angeles, CA @ The Music Box
10/01: San Francisco, CA @ The Independent (The Drums ONLY)
10/03: Portland, OR @ Wonder Ballroom
10/04: Seattle, WA @ Neumos (The Drums ONLY)
10/05: Vancouver, BC @ The Biltmore Cabaret
10/07: Boise, ID @ Neurolux
10/08: Salt Lake City, UT @ Urban Lounge
10/10: Denver, CO @ Bluebird Theater
10/13: Minneapolis, MN @ The Varsity Theater
10/14: Chicago, IL @ Lincoln Hall
10/16: Toronto, ON @ Mod Club (The Drums ONLY)
10/17: Montreal, QB @ Cabaret du Musee Juste Pour Rire (The Drums ONLY)
10/18: Boston, MA @ Paradise (The Drums ONLY)
10/20: New York, NY @ Webster Hall
10/22: Philadelphia, PA @ Making Time

Leftover Salmon October 30th Halloween at the Fillmore!

Leftover Salmon is excited to announce their return to the Fillmore Auditorium in Denver to celebrate Halloween! Zombie Jamboree will be Salmon’s 5th time decking out the Fillmore in Halloween fashion. Costumes and Halloween has always been a big part of Leftover Salmon. This October 30th we will continue that tradition with special guest Todd Snider back by Great American Taxi to open the show. A limited amount of tickets will be sold through our fan ticketing today Wednesday September 8th at 10am MST. Buy Tickets here.

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Leftover Salmon has released a new DVD "Twice in a Blue Moon" filmed on their 20th celebration at the Boulder Theater on 12/30&31 2010!

View the trailer of the DVD here and go to http://leftoversalmonbluemoon.com to purchase.

Wish We Were Floyd: A Tribute to Pink Floyd

The music of Pink Floyd continues to be a top seller today, with classic albums like Dark Side of the Moon and The Wall appealing to new generations decades after their release. Wish We Were Floyd showcases the total immersive experience of a live Pink Floyd show, entertaining the casual Floyd listener as well as the hardcore fan. Those familiar with Pink Floyd's radio hits will recognize much of the material.

Multi-platinum country star, Dierks Bentley, at Boulder Theater this week!

Not so many years ago, he was singing for tips in Second Avenue bars and soaking up country music history at his day job working in the video tape library of the late, great Nashville Network. Today he's among the most successful and relevant country singers in the business. They say Nashville doesn't work like this anymore - that talented strivers with no connections don't stand a chance. But Dierks Bentley proved that Music City's engine still runs and that as a place for education, inspiration and validation, it has no parallel. Critics find him credible. Fans pack his shows. There are precious few new artists recording hits today about whom that can be said. Bentley's kind of country has never been straight-up-the-middle. Instead, the Arizona-native grew up on a potent hybrid of honky-tonk, bluegrass, singer/songwriters, classic country and modern rock & roll, forging his own sound along the way.

The Travelin' McCourys do not stand still. They are on the road and online entertaining audiences with live shows that include some of the best musicians and singers from all genres. It's always different, always exciting, and always great music. No other band today has the same credentials for playing traditional and progressive music. As the sons of bluegrass legend Del McCoury, Ronnie McCoury on mandolin and Rob McCoury on banjo continue their father's work a lifelong dedication to the power of bluegrass music to bring joy into people's lives. And with fiddler Jason Carter and bassist Alan Bartram, the ensemble is loved and respected by the bluegrass faithful. But the band is now combining their sound with others to make something fresh and rejuvenating. It's that attitude, backed up by talent, that marks great musicians, traditional or progressive. The Travelin' McCourys are twenty-first century musical pilgrims and adventurers. They're onto something new, just like Bill Monroe was in the 1940s, but now we can see and hear that adventure live or online.

More Info / Buy Tickets

Shy Blakeman To Release LONG DISTANCE MAN

Shy Blakeman, the Texas singer-songwriter with a colorful past and engaging character who was first introduced to audiences during the 2006 season of “Nashville Star,” is scheduled to release his third album LONG DISTANCE MAN today.

Influenced by the eclectic southern mixture representative of The Black Crowes, Waylon Jennings and Ray Charles, Blakeman succeeds in his efforts to break ground on a new sound by melding genres into an album that is equally pleasurable and viably commercial. This new venture allows the listener to go along for a ride with the “Long Distance Man” as he musically meanders through songs that cross the plains of Texas country at “Quarter to Three,” hears the blues and tastes the “Swamp Water Whisky” of Baton Rouge, dances all night in a few of the “So Many Honky Tonks” that decorate the true country landscape, and establishes roots at the Americana homestead that is “Dragon Fly.”

Produced by Ted Russell Kamp (Shooter Jennings) and Executively Produced by Warren Izard, the album also features a bevy of world class players who have graciously lent their time and talent to support the new project. Artists of note include Marc Ford (The Black Crowes), Audley Freed (The Black Crowes, Cry Love, Peter Frampton), Doug Pettibone (Lucinda Williams, Jewel), Kenny Vaughn (Steve Earle, Marty Stuart, Rodney Crowell), Michael Webb (John Fogerty), Jason Sutter (Chris Cornell), Ron Dziubla (Royal Crown Reveue, Ricky Martin), and Gia Ciambotti (Bruce Springsteen, Bonnie Raitt).

The rollicking title track was released to radio on February 23, 2010 and early commendations for the album are already rolling in. “I’ve been drowning in a sea of cookie-cutter music. Thank you Shy Blakeman for throwing me a life preserver [with] LONG DISTANCE MAN,” says Kelley Peterson of KHKX/KMCM/KQRX in Odessa, Texas.

Blakeman will be promoting his new album today during a performance at the Kinetic Entertainment "The Early Bird Gets The Music" showcase at Annie’s West, 706 W. 6th St. Austin, Texas. He has also been invited to perform for the CMT Awards after-party in Nashville, Tenn. Scheduled for June 9, 2010, this unofficial wrap-up to the CMA Music Fest activities will be hosted by Cowboy Troy, the 2006 and 2007 co-host of “Nashville Star.”

For more information visit: www.shyblakeman.com

Dierks Bentley @ Boulder Theater

Not so many years ago, he was singing for tips in Second Avenue bars and soaking up country music history at his day job working in the video tape library of the late, great Nashville Network. Today he's among the most successful and relevant country singers in the business. They say Nashville doesn't work like this anymore - that talented strivers with no connections don't stand a chance. But Dierks Bentley proved that Music City's engine still runs and that as a place for education, inspiration and validation, it has no parallel. Critics find him credible. Fans pack his shows. There are precious few new artists recording hits today about whom that can be said. Bentley's kind of country has never been straight-up-the-middle. Instead, the Arizona-native grew up on a potent hybrid of honky-tonk, bluegrass, singer/songwriters, classic country and modern rock & roll, forging his own sound along the way.

The Travelin’ McCourys do not stand still. They are on the road—and online—entertaining audiences with live shows that include some of the best musicians and singers from all genres. It’s always different, always exciting, and always great music. No other band today has the same credentials for playing traditional and progressive music. As the sons of bluegrass legend Del McCoury, Ronnie McCoury on mandolin and Rob McCoury on banjo continue their father’s work—a lifelong dedication to the power of bluegrass music to bring joy into people’s lives. And with fiddler Jason Carter and bassist Alan Bartram, the ensemble is loved and respected by the bluegrass faithful. But the band is now combining their sound with others to make something fresh and rejuvenating. It’s that attitude, backed up by talent, that marks great musicians, traditional or progressive. The Travelin’ McCourys are twenty-first century musical pilgrims and adventurers. They’re onto something new, just like Bill Monroe was in the 1940s, but now we can see and hear that adventure live or online.

Thursday April 22 8:00pm
AEG Live presents
DIERKS BENTLEY & THE TRAVELIN' McCOURYS, "UP ON THE RIDGE" TOUR
w/Hayes Carll
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Tickets will be on sale through the Boulder Theater box office
Internet 24-7 at www.bouldertheater.com
Phone: During box office hours 303-786-7030