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Ronnie James Dio & Elephant Art Conservation Project

The Ronnie James Dio Stand Up & Shout Cancer Fund has teamed with The Asian Elephant Art & Conservation Project (AEACP) to create one-of-a-kind guitars painted by the project's elephants in Thailand to raise money and awareness for both organizations. Wendy Dio, president and founder of Stand Up & Shout, board chair Gloria Butler and medical director Dr. Sandeep Kapoor, along with legendary Black Sabbath/Heaven and Hell bassist Geezer Butler and world-renowned photographer Mark Weiss, are currently in Chiang Mai, Thailand, home to the AEACP, where the guitars are being painted.

The talented elephants of the Asian Elephant Art & Conservation Project, whose paintings are now exhibited and sold in museums and galleries around the world and have been featured in National Geographic, are painting guitars graciously donated by The ESP Guitar Company.  These painted guitars will be auctioned off with half of the proceeds going to AEACP and the other half going to SUAS.

The Ronnie James Dio Stand Up and Shout Cancer Fund is a privately funded nonprofit organization dedicated to cancer prevention, research and education. It was founded in memory of the late singer who died in 2010. The organization is collecting additional guitars donated by celebrated musicians for a larger fund-raising auction later this year.

The AEACP is dedicated to saving the diminishing number of Asian Elephants and to raise public awareness of the plight of Asian Elephants. National Thai Elephant Day annually celebrates the importance of elephants a part of Thai culture and as part of their environment. Currently, there are between 3,000 and 4,000 elephants living in Thailand, half of which are domesticated.

Beat Kaestli & Elizabeth Lohninger @ The Zinc

On January 24th, NYC witnessed its coldest day in six years with high forecasts for the day in low teens. While the city's wiser residents spent their night coddled in sweaters and blankets, a select few decided to brave their way into Greenwich Village and attend Zinc Bar for a night of blood-tempering jazz and booze.

Jake Hertzog New CD + Miles Café Appearances

Jake Hertzog, one of the most original and exciting young guitarists on the scene, will be returning to the studio next month to record his third album. At 24 years old, Jake has already released two critically acclaimed fusion albums, toured the country as bandleader for Nickelodeon pop-stars Nat and Alex Wolff, and currently writes a jazz column for Guitar Player Magazine entitled “Hey Jazz Guy”.  He was also the youngest ever winner of the Montreux Jazz Festival Jazz Guitar Competition in 2006 and has performed and taught worldwide.

The upcoming record, a follow up to last year’s Patterns, will feature Jake’s all-star rhythm section, Victor Jones and Harvie S.  Harvie will also be taking on a new role in addition to bassist on this latest project as producer. “I am thrilled to be producing Jake Hertzog's upcoming CD- Jake is a serious and original artist who is becoming a major voice in contemporary music. I have been a part of his music from his first project as bassist and musical colleague --so this project holds special meaning for me.” Said Harvie, in regards to the upcoming collaboration.  In addition to hundreds of records on which Harvie has played bass, his production credits include Michael Brecker, Phil Woods, Chris Potter, Bob Mintzer, and Mike Stern.


Jake will be bringing his trio into one of New York’s most impressive recording studios, The Magic Shop, that has hosted artists such as The Rolling Stones, Coldplay, Norah Jones and Arcade Fire.  “It’s the perfect place for the synthesis of jazz and indie rock”, says Hertzog. “That’s what this record will be all about, continuing more deeply in the direction of the last two albums.”  The Jake Hertzog Trio will be in the studio next month and the record will be released in late spring.

Performing with the venerated rhythm section of Harvie S (bass) and Victor Jones (drums) the Jake Hertzog Trio bends genres with their exhilarating live performances. This is an event not to miss, as the band prepares for their third studio album.

Jake Hertzog Trio with Harvie S (bass) and Victor Jones (drums)

The Miles Café Jazz Club
212 E. 52nd St. 3Fl.
(b/t 2nd & 3rd Ave.)
New York, NY 10022

Friday, Feb. 4th - 7:30pm

Friday, Mar. 4th - 7:30pm

HEADTRONICS MAKE RARE OHIO STOP!

Headtronics is an electronic project from DJ Logic (Medeski, Martin and Wood; John Popper Project), Steve Molitz (Particle; Phil Lesh and Friends) and Ohio bass prodigy Freekbass (Bootsy Collins; Buckethead) that has already received national attention though the artists have only performed a very limited number of dates.

The trio was birthed from a collaborative effort during last summer's Universal Church of Love and Music Funk Festival in PA. Afterward, Freekbass said, “It turned out to be one of those magical musical moments, so we decided to play some full shows together.” The accolades and influences of the individual artists of Headtronics ranges from funk, to rock and roll, to hip-hop, but together Logic, Molitz and Freekbass create electronic funk that appeals to fans of all genres.

With only select performances scheduled thus far for 2011, Headtronics (named by the legendary Bootsy Collins) will bring its electronic infused funk to Cleveland, OH, on Thursday, January 27, 2011. The fresh beats of DJ Logic, groundbreaking bass lines of Freekbass and truly unique keyboard skills of Steve Molitz create a style and show not to be missed!

Check out some Headtronics video here.

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When:  Thursday, January 27, 2011

Where: Beachland Ballroom, 15711 Waterloo Road, Cleveland, OH 44110

Show Details: ALL AGES, Doors: 8pm, $15.00 GA

Stockholm Syndrome @ the Fox Theatre | 2/26/11

Bill Bass & Boulder Weekly are proud to present Stockholm Syndrome at the Fox Theatre on Saturday, February 26th.

Stockholm Syndrome is made up of an all-star cast. When Widespread Panic bass player Dave Schools and acclaimed singer/songwriter Jerry Joseph of the Jackmormons decided to collaborate, each initially thought the side project would be a cool, if temporary, change of pace. With one studio album released, a new studio album set for release in early 2011 and multiple tours behind them, Stockholm Syndrome has transcended being just a side project. Stockholm Syndrome is a band.

The band’s unusual choice for a name, Stockholm Syndrome, refers to the psychological phenomenon in which a hostage bonds with his kidnappers. It seemed an apt moniker for the pair’s somewhat convoluted relationship. Now all Schools and Joseph needed was a band.

They put together their “Dream Team” including Eric McFadden (a San Francisco-based guitarist who has worked with Keb Mo’, Les Claypool and George Clinton’s P-Funk All Stars), Danny Louis (an Upstate NY based keyboard virtuoso widely known for his role in Gov’t Mule and Cheap Trick) and drummer Wally Ingram (an L.A.-based drummer who has worked with Jackson Browne, Sheryl Crow, Tracy Chapman and David Lindley). All three musicians were on board and are now back for more live dates, an in-store recording for release and a pending studio album.

Stockholm Syndrome is ready to serve up its potent brew of provocative songs and thrilling, genre-transcending musicianship to worldwide audiences. Schools is already contemplating the future, “We’ll take it as far as it wants to go. I think that everyone is really enjoying playing together…it ceased to be a recording project and became a band.”

There aren’t many bands with the ability to hit the ground running the way Stockholm Syndrome did. And now that they’re launched, they show no sign of slowing down soon.

Check out Stockholm Syndrome Online:

Stanton Moore Trio Coming to the Boulder Theater

In the early 90s, Moore helped found the New Orleans-based essential funk band Galactic. Their first album, 1996's widely acclaimed Coolin Off, led to an intense tour schedule of nearly 200 gigs a year for the next ten years. Building on their fan base by adding an esteemed list of all-star collaborations to the six albums that followed, Galactic continues to amass a worldwide audience via recording and touring globally.

Moore launched his solo career in 1998 aided by eight-string guitar virtuoso Charlie Hunter and saxophonist Skerik (Les Claypool, John Scofield, Roger Waters). The group recorded All Kooked Out! featuring a handful of local New Orleans musicians as well.

In April 2010, Moore releases Groove Alchemy. The 12-track set is the culmination of Moore's multimedia project that also includes an instructional book and DVD of the same name. All three facets of the project are designed to explore the roots of funk drumming by examining the work of pioneers like Jabo Starks, Clyde Stubblefield, and Zigaboo Modeliste - each of whom made their mark at different times throughout the 1960s as the engines driving James Brown's and the Meters' legendary rhythm sections - and in turn tracing their influences back to the rhythms coming out of New Orleans in the earlier part of the 20th century. Recorded at Levon Helm's studio in Woodstock, NY, this project is the follow up to the widely acclaimed Take it to the Street DVD and book that focused specifically on New Orleans drumming styles.

Moore stays active as a spokesperson for the Gulf Restoration Network and is a regular proponent of and player with the Voice of the Wetlands All-Stars. Additionally he serves on the board of directors for the Roots of Music, a free music education and academic mentoring program founded by Derrick Tabb, drummer for Rebirth Brass Band and recent nominee for CNN's Heroes awards.

More Info / Buy Tickets

EOTO - Southeast Winter Tour & New Years Eve!

EOTO will cap off 2010 in the southeast after logging over 170 national live performances this year. The dynamic duo will conclude their 30+ day winter tour with stops in Mississippi, Alabama, Georgia, South Carolina and Florida before landing in Colorado for their New Year's Performance at City Hall in Denver --- an event that also features some of the nation's top DJ's including Dieselboy, Liquidstranger, Heyoka, NastyNasty, Nit Grit, Freddy Todd, Rumblejunkie, Jantsen, S.P.E.C.T.R.E., and Ishe among others.

EOTO takes the free-wheeling party vibe of a DJ set to the next level by using organic instruments, innovative performance technology, and uncharted musical exploration, forging a new path in the way electronic music is produced and performed. Live drums, guitars, keys, and vocals are mixed, remixed, and sampled on the fly using cutting-edge programs. This is all done without a script, and without a net.

The project consistently brings a new level of improvisational skills to the table with a style and genre of music that is completely their own. Some may call it Dubstep or others may find their unique sound rooted in House/Breakbeat or even drum & bass --- but one thing is for sure, they experts at detonating the party thermometer.

The group features long time friends Michael Travis and Jason Hann; a duo that is known for holding down the rhythm section for a variety of internationally renowned touring bands including Youssou N'Dour, Isaac Hayes, Dr. Dre, Loreena McKinnett, SCI, and a slew of other established artists.

The soundwave of EOTO is building to epic proportions with an endless barrage of live dates around the country bringing a dance heavy party that is second to none. The project will finish off their 2010 tour with a few final dates in the southeast before their favorite show of the year, New Years - which is set to take place on their home-stomping grounds and also featuring: Dieselboy, Liquidstranger, Heyoka, NastyNasty, Nit Grit, Freddy Todd, Rumblejunkie, Jantsen, S.P.E.C.T.R.E., and Ishe to name a few.

To learn more about EOTO check out their website at www.eotomusic.com  |  Read Grateful Web's interview with Jason Hann.

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TOUR DATES INCLUDE:

11/30 Proud Larry's, Oxford, MS

12/1 Zydeco, Birmingham, AL

12/2 Masquerade - Heaven Room, Alanta, GA

12/3 Music Farm, Charleston, SC

12/4 Freebird Live, Jacksonville, FL

12/31 City Hall, Denver, CO

Juan-Carlos Formell @ Zinc Bar | NYC

Grammy-nominated Cuban guitarist/composer/vocalist Juan-Carlos Formell re-ignites the connections between Cuban music and jazz with his explosive new project "Johnny's Dream Club". Named for a legendary Havana jazz cabaret, "Johnny's Dream Club" represents a place outside time - the vortex between New Orleans and Havana, where the parallel lines of Cuban music and American jazz converge. It's a new dimension of latin jazz --intense, lyrical, dangerously dream-like. Formell and his all-star quartet map this territory in a delirious sequence of juxtapositions: "Ciudad" ("City"), evoking the nightmare of an urban apocalypse, flows into a  jazz ballad about an elusive love ("Siempre que te vas"); songs about being lost at sea ("Las islas son malvadas", "Cuando hable de la noche") and the bloody history of the Caribbean ("Yanbando") are set against haunting, mystical love songs ("Sotavento", "Fuego de Amor") inspired by Havana's "Feeling" movement.

A precursor to - and influence upon - bossa nova, Feeling emerged from the Bohemian enclaves of Centro Habana in the late 1940s. Feeling's free-style guitar, with progressive harmonies, diminished chords and bittersweet texts of disillusioned love reflected the sophisticated after-hours atmosphere of Havana's bohemian AfroCuban musicians: composer/guitarists Jose Antonio Mendez and Cesar Portillo de la Luz; singers Elena Burke and Omara Portuondo; pianists Bebo Valdes and Peruchin.

Feeling was also the starting point of Juan-Carlos Formell's biography. Born in Havana in 1964, a fourth generation Cuban musician, he learned the technique of the Feeling guitar from the creators of the genre: Mendez, Froilan, Guyun.  He began composing in his teens, and studied bass with Andres Escalona, the first bassist of the Havana Symphony Orchestra. After completing his studies Juan-Carlos became the bassist for the jazz pianist Emiliano Salvador.

As a classically trained bassist, virtuoso guitarist, and composer gifted with a groundbreaking and powerful writing style, Juan-Carlos had all the elements to become a voice of his generation - but instead, was prevented from performing or recording his own work by Cuba's government-controlled music industry because his music didn't fit into any official category. In 1993, after touring Mexico as a replacement for bassist Cachaito Lopez, Juan-Carlos fled to the United State to realize his mission of creating a new wave of Cuban music. He settled in New York City and soon started his own band. His years of struggle were vindicated when he was signed to a major record label in 1999 and his debut album, "Songs from a Little Blue House" was nominated for a Grammy. Part prophet, part poet, in exile Juan-Carlos has forged a post-modern identity for AfroCuban music that has been hailed as "musical magic realism". His five albums constitute an epic poem of Antillean mytho-history, with songs ranging from a paen to the flora and fauna of his native country, a personal invocation to an AfroCuban deity, an ode to a sacred river or a hymn to the "divine light" that brings us to a union with our higher selves. Juan-Carlos describes his new project as "a reflection of our culture today -- in the post-modern landscape, we are all refugees from the broken city, haunted, adrift at sea, in danger of losing our true reference points and losing our way forever. I keep returning to New Orleans for inspiration because I believe that there, at the crossroads of the Caribbean, it's possible to create music that embraces the past while gazing at the future -- a new music without genres and categories."

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Juan-Carlos Formell @ Zinc Bar | NYC  -- November 10th, 2010

ZINC BAR 82 West 3rd St (btw Sullivan & Thompson)
sets: 9:30 PM, 11:30 PM & 1:00 AM

Dead News: Warner Bros. Box Set + Jam Cruise Tixs

It's time to slip into auditory bliss with the five-LP boxed set The Warner Bros Studio Albums! Out now, the collection features The Grateful Dead, Workingman's Dead, and American Beauty, plus the sought-after original mixes for Anthem Of The Sun and Aoxomoxoa on 180-gram vinyl cut from the original analog masters.

Pick it up at Dead.net and you’ll not only get free shipping*, but you’ll also get an exclusive reproduction of the rare 1968 “Dark Star” 7” single AND an exclusive reproduction of a rare 1967 promotional poster.

Take a tour of The Warner Bros Studio Albums boxed set with David Lemieux. Click here.

SIRIUS|XM, home of the Grateful Dead Channel, is giving you and a guest the chance to win a trip on Jam Cruise 9! Featuring performances from over 30 bands and special guests, including Bob Weir, Rob Wasserman & Jay Lane are Scaring the Children, Rhythm Devils featuring Bill Kreutzmann & Mickey Hart, and many more. The cruise sets sail from Ft. Lauderdale January 4-9, 2011 with port stops in Roatan, Honduras & Costa Maya, Mexico. See Official Rules and enter for your chance to win – click here!

Unbroken Chain will be working with charity: water on the Box of Rain Project to bring clean and safe drinking water to people in developing nations. Learn more about the Box of Rain Project - featuring many opportunities to raise funds for a noble cause and bid on exciting upcoming auction packages.

Grandchildren Play DENVER At Larimer Lounge On 10.18

In Grandchildren, every memory is a montage of sound. The beat-driven, orchestral-pop epics play like an audio scrapbook of memories from songwriter Aleks Martray's life.

Martray, the son of a high-ranking military officer, and Grandchildren's creator, was born on a US army base in Germany and raised on both sides of the Atlantic.  “I was restless from a really young age,” he explains, “Growing up in flux between different places I gravitated towards more intangible things like stories, melodies, movies, and dreams, and so early on music became a way of making a home for myself.”

Grandchildren’s debut album, Everlasting, feels like a culmination of all that restlessness. A sonic collage of the sentimental and the confrontational- the album is a safe haven for multiple realities- fusing tribal beats, frayed electronics, fireside folk melodies, richly-woven orchestral-pop flourishes and even field recordings from Martray’s journeys across Central America, the Caribbean and Africa.

“The project began during my nomadic mid-20’s. I was split between Baltimore, Philadelphia, NY, DC, and travels abroad. I think the music is a reflection of a young person processing their own coming of age through constant self inflicted culture shock. The textures of the final album span time and space,” he says. “And yet, it comes across as one seamless reality. You can feel the influences but you can’t put your finger on them.”

During this time Martray’s closest thing to home was a small 3rd floor bedroom in a dilapidated Victorian house in west Philadelphia known as Danger Danger. At the height of its illegal phase, this notorious underground venue hosted everything from IDM-infused metal (Genghis Tron) to frantic free-jazz (Marshall Allen of the Sun Ra Arkestra). These eclectic sounds billowed up towards Martray’s make-shift bedroom recording studio, taking what began as a solo experimentation in dizzying new directions.

“The songs evolved through the recording process,” explains Martray, “they were so layered that when I went to play them live, so much had to be sampled. That’s when I realized this wasn’t a solo project. It’s music for a small orchestra.”

With that in mind, Martray brought his fellow housemates—a motley crew of instrument-swapping misfits—into the fold one by one. This included drummer Roman Salcic, a Croatian transplant reared on American rock music; jack of all trades Tristan Palazzolo; math-thrash guitarist Adam Katz; bassist/percussionist Russell Brodie; and classical-pianist-turned-synth-slinger John Vogel. Over the course of one daunting year, the group developed Grandchildren’s 10-song album into a live set that’s as seamless and widescreen as the recordings.

“It looks spontaneous to people,” explains Katz, “but everything’s carefully choreographed on our end.”

A lot of that stems from a two-month North American tour in 2008, one that was plagued by chicken pox, blizzards, border patrols, and van break-ins. This not only brought them closer together; it gave Grandchildren the chance to perfect the ebb and flow of their live set.

“And now that everything’s down to a science,” says Martray, “it becomes a form of art in and of itself. As full and layered as the album is, it rests on the backbone of those early bedroom recordings. Kind of like with a car, where you keep replacing parts until the whole thing is new. By the end you can’t even remember what came from where. The process hides within the sound.”  He pauses and adds, “We want people to feel the music first, and ask questions later.”

US Dates:

09/20 – First Unitarian Church – Philadelphia, PA (w/ No Age)

09/26 - The Roebling Inn - New York, NY

10/08 – Johnny Brenda’s – Philadelphia, PA (w/ Special Guests)

10/18 – Larimer Lounge – Denver, CO (w/ Seabear)

10/19 – Kilby Court – Salt Lake City, UT (w/ Seabear)

10/20 – Neurolux – Boise, ID – (w/ Seabear)

10/23 – Mississippi Studios – Portland, OR (w/ Seabear)

10/25 – Independent – San Franciso, CA (w/ Seabear)

10/26 – Troubadour – West Hollywood, CA (w/ Seabear)
10/27 – Casbah – San Diego, CA (w/ Seabear)