jazz

New Jersey Jazz Society 2010 Jazz Fest

Each year since 1976, the New Jersey Jazz Society has presented Jazzfest, one of the best mainstream jazz festivals in the entire metropolitan New York City area.  This year is no exception as this popular jazz picnic pays tribute to recent New Jersey Hall of Fame inductees Count Basie and Les Paul, plus Django Reinhart and Woody Herman. Jazzfest will take place on the campus of Drew University in Madison, New Jersey on Saturday, June 5th from Noon to 10:00 p.m. with a free concert on Friday evening, June 4th.



Headlining Jazzfest 2010 will be the great Bucky and John Pizzarelli with the Statesmen of Jazz, featuring Harry Allen, Rebecca Kilgore and Martin Pizzarelli.  Also on the bill will be Frank Vignola’s Hot Club, Cecil Brooks III CBIII Band, Harry Allen’s Four Others, the George Gee Swing Orchestra, the Aaron Weinstein/Joe Cohn Duo, the Madame Pat Tandy Band, and a special solo piano appearance by the legendary Marty Napoleon, who performed with Louis Armstrong for many years.



The music takes place in two venues, the Concert Hall in the Dorothy Young Center for the Arts, and a spacious jazz tent located on the lawn area adjacent to the arts center. As an extra bonus, there will be a variety of vendors offering a wide selection of food, hard to find records, jazz CDs, art and crafts of all kinds.



FREE CONCERT ON FRIDAY NIGHT



For those interested in seeing the future of jazz, there will be a concert in the tent at Drew University on Friday June 4 featuring the winners of the three division of the New Jersey high school jazz band competition.  This concert is free and will start at 7:00 P.M.



Jazzfest is made possible through the generous support of RXR Realty, Toyota of Morristown, Jazzmobile, WBGO Jazz99FM, Hot House Magazine, the Madison Downtown Development Commission and the Madison Arts and Culture Alliance. The Best Western Morristown Inn is the official festival hotel and offers a special discount room rate for attendees of the festival. The Morristown Inn is located just two miles from Drew University. For reservations, call 973-540-1700

RUE 57 RESTAURANT LAUNCHES JAZZ SERIES

Rue 57, New York’s only brasserie-sushi bar will begin offering live music on Thursday evenings in their downstairs Salon beginning June 17 from 8pm - 11:30pm. For reservations and info, call (212) 307-5656.

The weekly series will feature some of New York’s finest musicians many of international renown. Kicking off the series will be saxophonist Grant Stewart, a hard-swinging tenor saxophonist steeped in the jazz tradition, on June 17. Also featured in the series will be veteran players Frank Wess and George Garzone.

“Excellent food, drink and entertainment from great artists, at great value at one of New York City’s finest eateries - who could ask for more?" asked Charles Carlini, entertainment coordinator for the weekly music series.

Diners will find jazz a sweet addition to this bustling bistro serving superb versions of French classics as well as Sushi.

Music Calendar

June 17 - Grant Stewart Quartet
June 24 - George Garzone Quartet featuring Joe Cohn
July 1 - George Garzone Quartet featuring Joe Cohn
July 8 - Harry Allen/Joe Cohn Quartet
July 15 - Vanessa Trouble Quartet
July 22 - Sarah Hayes Quartet featuring Joe Colianni
July 29 - Jerry Weldon Quartet featuring Joe Cohn

Irish Rockabilly sensation Imelda May returns to the States

After her show stopping performance with Jeff Beck for the Les Paul tribute on the Grammys, Imelda May has been invited back to perform with Beck, including two shows at New York's Iridium.  These exclusive shows will feature Imelda May + Jeff Beck performing songs written and performed by the legendary Les Paul - with Imelda reviving the extraordinary vocals of Mary Ford in her own unique style. The show will also feature some great rock & roll classics - all performed with Imelda's great band.  In addition to these shows, Imelda will be performing two shows at Bonnaroo, the Telluride Bluegrass Festival and even more headlining performances!
Dublin-born May, who has previously shared stages with Jeff Beck as well as Van Morrison, made her major label debut in late 2009 with Love Tattoo (Verve), which shot to #1 on the Irish charts, ahead of Bruce Springsteen and Eminem. Throughout the U.K. and Ireland, she has won honors from Rising Star of 2009 and Jazz Artist of 2009 to Best Female Newcomer.  Shaking up traditional jazz with a magnificent voice that channels both Janis Joplin and Patsy Cline, her mix of jazz, rockabilly and blues yields a cool, swinging fusion both classic and oddly modern.  Her fierce, unbridled concert performances have a reputation for being impassioned events.

Tour Dates
Jun 8 & 9 - Iridium Jazz Club - New York, NY
Jun 11 - Chastain Amphitheatre - Atlanta, GA
Jun 12 - Bonnaroo - Mancester, TN
Jun 14 - Wellmont Theater - Montclair, NJ
Jun 15 - Paramount - Asbury Park, NJ
Jun 16 - Johnny Brenda's - Philadelphia, PA
Jun 17 - Bardavon Theatre - Poughkeepsie, NH
Jun 19 - Telluride Bluegrass Festival - Telluride, CO
Jun 20 - Riverwalk Center Music Festival - Breckenridge, CO

National Jazz Museum in Harlem 2010 June Schedule

Our June 2010 schedule includes discussions with musical artists Paquito D'Rivera and Craig Harris for Harlem Speaks; a talk with a living literary legend, Peter Straub, at Jazz for Curious Readers; and our adult education series, Jazz for Curious Listeners, features instrumentalists Jeremy Pelt, Nicholas Payton and Orrin Evans taking the reins of discourse on jazz in the 21st century.

On the performance tip, Craig Harris will let his horn do the talking as he headlines the first Harlem in the Himalayas concert of the month, followed by the sax/piano duo of Loren Stillman and Russ Lossing in the intimate performance space at the Rubin Museum of Art. We're also devoting a Saturday afternoon to piano jazz, on the Steinway piano of Dick Katz, in honor of whom the musicians will play in a range of stylistic approaches that Katz performed with aplomb for 50+ years.

Consider donning your dancing shoes for two nights of jazz-influenced music to dance to! The Afro-Cuban tradition will be celebrated for Jazz at the Dwyer, with David Oquendo and Havana 3. A special collaboration with the Riverside Theatre features percussionist Vanderlei Pereira  binding the ties between jazz and Brazilian music with groove and soul.

Tuesday, June 1, 2010
Jazz for Curious Listeners
Hear Me Talkin' To You: Jeremy Pelt
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Tonight young trumpet master Jeremy Pelt will confront topics not usually addressed by musicians and the jazz public, as we pursue a month-long consideration of jazz in the 21st century.

Jeremy Pelt arrived in New York in 1998 after graduating from Berklee College of Music. Once he got there, it wasn't long before he started being noticed by a lot of top musicians in the city. His first professional Jazz gig was playing with the Mingus Big Band. That gig lead to many long lasting associations with many of the talent in the band, and a great opportunity for growth. Since his arrival, he has been fortunate enough to play with many of today's and yesterday's Jazz luminaries, such as Jimmy Heath, Frank Wess,Charli Persip, Keter Betts, Frank Foster, John Hicks, Ravi Coltrane, Winard Harper, Vincent Herring, Ralph Peterson, Lonnie Plaxico, Cliff Barbaro, Nancy Wilson, Bobby Short, Bobby "Blue" Bland, The Skatalites, Cedar Walton, and many, many more. Jeremy has also been featured in a variety of different bands, including the Roy Hargrove Big Band, The Village Vanguard Orchestra, the Duke Ellington Big Band. Currently, he is member of the Lewis Nash Septet, and The Cannonball Adderley Legacy Band featuring Louis Hayes.

His work earned him a huge write-up in the Wall Street Journal by legendary Jazz writer and producer Nat Hentoff. His performances have received rave reviews from publications around the world.

After a reading of Pelt's biography and discography, it's easy to see why Pelt was voted Rising Star on the Trumpet five years in a row by Downbeat Magazine and the Jazz Journalist Association!!

Thursday, June 3, 2010

Harlem Speaks
Craig Harris, Trombonist/Composer
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

When Craig Harris exploded onto the jazz scene in 1976, he brought the entire history of the jazz trombone—from the growling gutbucket intensity of early New Orleans music through the refined, articulate improvisation of the modern era set forth by J.J. Johnson, into the confrontational expressionism of the '60s avant-garde.

Yet the contemporary music world quickly realized that his talents went far beyond his superb skills as a trombonist. While he performed with a veritable Who's Who of progressive jazz, including Sun Ra, Sam Rivers, Lester Bowie, Abdullah Ibrahim, Makanda Ken McIntyre, Jaki Byard, Cecil Taylor, Muhal Richard Abrams, and so on, his own projects displayed both a unique sense of concept and a total command of the sweeping expanse of African-American musical expression.
Those two qualities that have dominated Craig's past two decades of activity, bringing him far beyond the confines of the jazz world and into the sphere of multimedia and performance art as composer, performer, conceptualist, curator and artistic director.

In tonight's Harlem Speaks discussion, Harris will venture forth on his life and career, especially as it intersects with Harlem, where he has lived since 1976.

"I used to visit Harlem a lot before moving here. I went to Paris in July 1976 and returned in October 76. I walked the street with Sun Ra back then. I worked in Aaron Davis Hall. I did a piece entitled 'Brown Butterfly,' based on the physiology of Muhammad Ali, which included seven dancers and seven musicians," said Harris, who more recently composed a long-form composition on Harlem called the TriHarLenium. "I sought to capture the beauty, history and culture of a people who have always been originators. Harlem is currently undergoing gentrification and transition so I wanted to share its history through my TriHarLenium composition with Harlem's people."

Monday, June 7, 2010

Jazz for Curious Readers
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

In an excellent overview of the oeuvre, themes, and achievements of renowned contemporary author Peter Straub, writer Stefan Dziemianowicz calls Straub "a jazz stylist of modern horror. Like the musicians whom he references frequently in his stories, he works at an art with deep-rooted traditions that he respectfully acknowledges. But also like those musicians, Straub works tirelessly to extend the range of those traditions, pushing them boldly into hitherto unexplored territory."  Critics and fans alike appreciate that Straub is knowledgeable of horror standards since his fiction abounds with ingenious riffs and variations on its classic themes. Yet he is also a restlessly imaginative artist who synthesizes original and deeply personal creations from seemingly disparate elements of his compositions as well as a versatile improviser who never approaches recurring ideas in his work the same way twice.

Straub came to writing horror by way of mainstream fiction, and he is arguably the most literary of contemporary horror writers, with influences that range from D. H. Lawrence to Vladimir Nabokov and John Ashberry. He was an established poet with two volumes of verse to his credit when his first novel, Marriages, was published in 1973. Like his second-written novel, Under Venus (not published until 1984), it was very much a tale of its time, concerned with characters in the grip of midlife emotional and spiritual crises and set in a realistically imagined post-1960s milieu. In much of his fiction to come, Straub would show readers that supernatural experience is an effective tool for expressing states of intense emotion.

But as with the greatest jazz artists, Straub's fiction moves beyond the bounds of simple genre. Jazz itself is a theme around and through which Straub plays variations, as in the title of his path-breaking 1988 novel, Koko. And in a brilliant interview with writer David Mathew, Straub discusses the origin of his novella story-within-a-story, "Pork Pie Hat," and gives a taste of the feeling tones in store for our talk with him tonight.

"The inspiration for Pork Pie Hat came from a long moment in a videotape of 'The Sound of Jazz,' a live television broadcast in 1957 or 1958 that assembled a lot of great jazz musicians in a studio and let them play whatever they felt like for the space of an entire hour. Just before its conclusion, Billie Holiday sat perched on a stool to sing a blues she had written called "Fine and Mellow" at the center of a circle made up of heroic figures like Ben Webster, Vic Dickenson, Jo Jones, Coleman Hawkins, Roy Eldridge, Rex Stewart, and - above all - the tenor saxophonist Lester Young, then only months from the end of his life and in terrible shape. Billie sang a chorus, two musicians played a chorus apiece, Billie sang another chorus, and so on...

"Lester Young wandered into view at the beginning of the second go-round. Someone had to give him a push in the back to get him on his feet and moving toward the microphone. You can see him lick his reed and settle the horn in his mouth. What he plays is one uncomplicated chorus of the blues that moves from phrase to phrase with a kind of otherworldly majesty. Sorrow, heartbreak, and what I can only call wisdom take place through the mechanism of following one note, usually a whole note, with another one, slowly. There he is, this stupendous musician who had once transformed everything about him by the grace of his genius, this present shambles, this human wreckage, hardly able to play at all, delivering a statement that becomes more and more perfect, more and more profound as it advances from step to step. I cried every time I watched it, and I watched it over and over. I played it for my friends and made them watch it. Eventually, I wondered: what could lead a person to a place like that, what brought him there? That was the origin of Pork Pie Hat."

Tuesday, June 8, 2010

Jazz for Curious Listeners
Hear Me Talkin' To You: Nicholas Payton
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Considered by many the premier jazz trumpeter of his generation, Nicholas Payton is also an outspoken thought leader among his peers. His musings via blog, or his pithy questions and insights via Facebook are evidence of a deep, provocative thinker.

The son of bassist and sousaphonist Walter Payton, he took up the trumpet at the age of four and by the time he was nine he was playing in the Young Tuxedo Brass Band alongside his father. Upon leaving school, he enrolled first at the New Orleans Center for Creative Arts and then at the University, where he studied with Ellis Marsalis.

After touring with Marcus Roberts and Elvin Jones in the early 90s Payton signed a recording contract with Verve; his first album, From This Moment, appeared in 1994. In 1996 he performed on the soundtrack of the movie Kansas City, and in 1997 received a Grammy Award (Best Instrumental Solo) for his playing on the album Doc Cheatham & Nicholas Payton. After seven albums on Verve, Payton signed with Warner Bros. Records, releasing Sonic Trance, his first album on the new label, in 2003. Besides his recordings under his own name, Payton has also played and recorded with Roy Haynes, Wynton Marsalis, Christian McBride, Joshua Redman, Roy Hargrove, and Joe Henderson.

In 2008, Payton became part of The Blue Note 7, a septet formed that year in honor of the 70th anniversary of Blue Note Records. His own latest release, Into the Blue, is a collection of ten tunes steeped in melody and groove that Nicholas says “embodies the sensibilities of beauty, elegance and simplicity” and delivers “danceable tempos.”

Tonight's discussion is the first of two consecutive Jazz for Curious Listeners he's leading . . . don't miss this chance to engage with a jazz master in the making.

Friday, June 11, 2010

Harlem in the Himalayas
Craig Harris Quartet
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office
or call 212-620-5000 ext. 344

Born in Hempstead on Long Island, N.Y. in 1953, Craig Harris is a graduate of the renowned music program of SUNY at Old Westbury. Profoundly influenced by its legendary founder and director, the late Makanda Ken McIntyre, Craig's move to New York City in 1978 quickly established him in the forefront of young trombonists, along with Ray Anderson, George Lewis and Joseph Bowie.

First playing alongside another of his teachers at SUNY, baritone saxophonist Pat Patrick in Sun Ra's Arkestra for two years, Harris embarked on a world tour with South African pianist/composer Abdullah Ibrahim (Dollar Brand) in 1981. Highly affected by their stay in Australia, Craig played with Aborigine musicians and returned with a dijeridoo, a haunting wind instrument that has become a part of his musical arsenal ever since.

Upon his return, Harris became a member of such major groups as David Murray's Octet, the Beaver Harris-Don Pullen 360 Degree Musical Experience, Sam Rivers' various orchestral aggregations, Lester Bowie's Brass Fantasy and many, many more. He also played for the now dearly-departed Lena Horne in her Broadway orchestra for a year.

Harris has performed all over the world with his own ensembles and has recorded numerous albums for various labels; tonight hear this innovative creative spirit make music with his quartet that will certainly be a highlight of the Harlem in the Himalayas roster of concerts in 2010.

Tuesday, June 15, 2010
Jazz for Curious Listeners
Hear Me Talkin' To You: Nicholas Payton
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Since 1994 when Nicholas Payton made his recording debut as a leader with From This Moment, the trumpeter has been lauded as a significant, top-tier voice in jazz. Even though he started out as a “young lion of jazz,” heralded as one of the new-generation guardians of the hard bop flame, Payton consistently committed himself to discovering his voice outside of the strict confines of that rearview mirror approach to the music.
While his jazz journey has taken him down many roads – from heritage artist to electric experimenter – the 34-year-old trumpeter has arrived at a new plateau of jazz maturity with Into the Blue, his ninth album and his first for Nonesuch. It’s at once a nod to the past and a leap into the future. “It’s an amalgam of every recording I’ve done up until now,” says Payton. “As a musician, as an artist, you’re always trying to zero in on the bull’s eye as a means of becoming a better version of yourself. With Into the Blue, I’ve been able to find the kind of music that’s more inclusive of all of my life. The approach and the ideas of my music have become more singular, more cohesive. I had no agenda in terms of a specific genre or style, only to be true to who I am now.”

True to himself: that's a fitting way to describe Payton's approach to music and the issues that he addresses in writing, online, and at rare public discussion appearances such as last week's Jazz for Curious Listeners. Come witness the continuation of Payton's improvisation on life, the mind and spirit.

Thursday, June 17, 2010

Harlem Speaks
Paquito D'Rivera, Composer/Saxophonist/Clarinetist
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Born on the island of Cuba, Paquito D'Rivera began his career as a child prodigy. A restless musical whiz during his teen years, Mr. D’Rivera created various original and ground-breaking musical ensembles. As a founding member of the Orquesta Cubana de Musica Moderna, he directed that group for two years, while at the same time playing both the clarinet and saxophone with the Cuban National Symphony Orchestra. He eventually went on to premiere several works by notable Cuban composers with the same orchestra. Additionally, he was a founding member and co-director of the innovative musical ensemble Irakere. With its explosive mixture of jazz, rock, classical and traditional Cuban music never before heard, Irakere toured extensively throughout America and Europe, won several Grammy nominations (1979, 1980) and a Grammy (1979).

Paquito D'Rivera is the first artist to win Latin Grammy's in both Classical and Latin Jazz categories (2003), for Stravinsky’s Historia del Soldado (L'Histoire du Soldat) and Brazilian Dreams with the New York Voices. The other historic recipient who has won duo Grammy's in both Classical and Jazz categories is Wynton Marsalis.

D’Rivera is a recipient of the National Medal for the Arts, presented at the White House by President George W. Bush in 2005, and was named one of the 2005 NEA (National Endowment for the Arts) Jazz Masters.

While Paquito D'Rivera's discography includes over 30 solo albums in Jazz, Bebop and Latin music, his contributions to classical music are impressive. They include solo performances with the London Philharmonic, the London Symphony, the Warsaw Philharmonic Orchestra, the National Symphony Orchestra, the Baltimore Symphony, the Florida Philharmonic Orchestra, and the Brooklyn Philharmonic. He has also performed with the Puerto Rico Symphony Orchestra, the Costa Rica National Symphony, the Simón Bolivar Symphony Orchestra, the Bronx Arts Ensemble, and the St. Luke’s Chamber Orchestra, among others.

In addition to his extraordinary performing career as an instrumentalist, Paquito D'Rivera has rapidly gained a reputation as a dynamic composer. The prestigious music house, Boosey and Hawkes, is the exclusive publisher of Mr. D'Rivera’s compositions. Recognition of his significant compositional skills came in 2007 with the award of a John Simon Guggenheim Fellowship in Music Composition, and the 2007-2008 appointment as Composer-In-Residence at the Caramoor Center for Music and the Arts with the Orchestra of St. Luke’s. His works often reveal his widespread and eclectic musical interests, ranging from Afro-Cuban rhythms and melodies, including influences encountered in his many travels, and back to his classical origins.

Also a gifted author, Mr. D’Rivera’s book, My Sax Life, was published in Spain by the prestigious literary house, Seix Barral, and contains a prologue by Guillermo Cabrera Infante. Acclaimed by the public and critics alike, the English edition was released by Northwestern University Press in November 2005.

The National Jazz Museum in Harlem is proud to feature one of the most respected and beloved artists in jazz this evening for what promises to be a discussion full of fun by a free-spirited virtuoso artist who puts profound feeling into his music, no matter the style or genre.

Friday, June 18, 2010

Harlem in the Himalayas Loren Stillman/Russ Lossing Duo
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office
or call 212-620-5000 ext. 344

A saxophonist and composer from Brooklyn, Loren Stillman is hailed as a writer and a stylist that has found a previously unoccupied slot in the jazz spectrum. He's been recognized as one of today's truly original creative voices by publications such as The New York Times, Downbeat Magazine, Jazziz and Jazz Times as well as by National Public Radio. A former student of Lee Konitz and David Liebman, Stillman has performed and recorded throughout the United States and Europe and Japan with his own ensembles, and with those led by Charlie Haden, Carla Bley, Paul Motian, John Abercrombie, Andy Milnes DAPP Theory, Eivind Opsviks Overseas, Tyshawn Soreys Obliquity, Vic Juris Quartet and The Vanguard Jazz Orchestra.

Russ Lossing is a provocative, fresh leader in creating alternatives to long held conceptions in music. His individual voice, as a pianist, teacher and composer, is sought out as an authority in the jazz and avant-garde fields emerging in music today. He's has composed over 300 works and is in special demand as a world class jazz pianist and improviser.  Lossing has seven CDs as leader and is featured on over 30 other CDs as sideman and collaborator with world acclaimed musicians such as Paul Motian, Dave Liebman, John Abercrombie, Mat Maneri and Mark Dresser. He has composed 21 film scores from avant-garde shorts to full length documentaries for PBS, BBC and world broadcast performances, as well as dramatic features both foreign and domestic.  He has numerous television and live radio performances and interviews in the U.S.A. and Europe relative to his distinction as a performer and composer.

Tonight's performance promises to be an adventure into musical territory both expansive and introspective, not to be missed by those with a cutting-edge sensibility.

Friday, June 18, 2010

Jazz at the Dwyer
Afro-Cuban Jazz Dance Night: David Oquendo and Havana 3
7:00 – 11:00pm
Location: The Dwyer Cultural Center
(258 St. Nicholas Avenue at W. 123rd Street)
$15 | More information: info@DwyerCC.org
<mailto:info@DwyerCC.org>

A Night to Remember!

Dance was formerly a mainstay of the public ritual of jazz performance, and remains an essential part of the variety of Latin American music. The Afro-Cuban legacy in jazz brings dance to the forefront, as declarative horns and clave-based rhythms kiss the American impulse to swing. Come ready to do your own thing . . . on the dance floor at the Dwyer Cultural Center in Harlem!


David Oquendo was born in Havana, Cuba in 1958.  Self taught, Oquendo absorbed the essence of the Afro Cuban rhythmical vernacular in the poorest neighborhoods of his native city. At 12 years of age, David started playing guitar and singing in several “Rock” bands around Cuba.  Even though he was not conservatory trained, his passion for music, his discipline and self-criticism, took him to the point where eventually he was considered one of the best guitar accompanist in Cuba. This was evident in his appearances at “El Rincon del Feeling”, “Cabaret Tropicana”, “Cabaret Internacional de Varadero”, “ Salon Rojo” at the Hotel Capri and many more venues.



As accompanist, David has worked with artist of the caliber of: Moraima Secada, Elena Burke, Lucho Gatica, Meme Solis, Maggie Carles, Lenny Andrade, and many others.  As guitarist, singer, composer, arranger and bassist, David has performed in concerts and recordings in Cuba, Panama, Dominican Republic, Austria, Canada, Greece, Spain, Brasil, Bermuda and the US with names such:  Paquito D’Rivera, Compay Segundo, Marc Anthony, Johnny Ventura, Ray Barreto, Arturo Sandoval, Giovanni Hidalgo “Manenguito”, Mauricio Smith, Andy Gonzalez, Manny Oquendo, Johnny Pacheco, Gilberto Santarrosa, El Gran Combo, Jose Luis Quintana “Changuito”, Willie Chirino, Regina Carter, Candido Camero, Patato Valdez, Gato Barbieri, Carlos Ponce, Sergio Vargas, Rudy Calzado, Basilio, Yomo Toro, Anthony Rios, Jose Fajardo, Israel Lopez “Cachao”, Graciela and Chico O’Farril to mention a few.

David has a Grammy Award for the album “Tropicana’s Nights” with Paquito D’Rivera, a Grammy Nomination for “Bebop Timba” with Raphael Cruz and three Latin Grammy Nominations for “Raices Habaneras”, “50 Years of Mambo” and “Paquito D’Rivera Presenta Las Hermanas Marquez”.

Founder and director of the Afro Cuban folklore group “Raices Habaneras”, which has been performing, without interruption, every Sunday since 1996 what has become known as “Domingos de la Rumba” (Rumba Sundays), David’s mission is to expose the public to a genuine representation of the “Rumba” genre.  David, was musical director and producer for “The Cuban Rumba All Stars”, a first time, historical collaboration by members of Cuba’s Rumba groups:  Los Munequitos de Matanzas, Yoruba Andabo, Clave y Guaguanco, Obba ILU, Coro Folklorico Cubano, Raices Profundas y Grupo Tata Guines.

As a member of Faculty of Harbor Conservatory for The Performing Arts, since 2002, he is teaching guitar, Cuban tres, bass, voice and the Afro-Cuban folklore workshop, the Latin Band workshop, the Guitar ensemble and the Vocal training Group Class.

David has appeared in: “El Show de Cristina” in Univision, the series “OZ” in HBO, “Harmony in the Kitchen” in the Food Network, “State of the Arts” and “The Cuban Americans” in PBS, The Ivan Acosta’s films “How to Create a Rumba” and “ Candido Hands of Fire”, The Heddy Honigmann’s film “Dame la Mano”, “Al Rojo Vivo” in Telemundo and “Orgullo Hispano” in Channel 47 Telemundo NYC, “Sabado al Mediodia” and “Al Despertar” in Channel 41 Univision NYC.  As well as WBGO Jazz 88.3 FM, WBAI 99.5 FM and WADO 12.80 AM radio in NYC.  He has also performed in prestigious stages such as: Madison Square Garden, Carnegie Hall, Radio City Music Hall, Avery Fisher Hall, Town Hall, Beacon Theatre, NJPAC Newark, Symphony Space, Cami Hall, Seattle International Children Festival, Jackie Gleason Theater, Olympia Theater at Gusman Center and Tropigala at The Fontainebleu in Miami Beach as a part of The 4th Annual Latin Grammy’s performance, The WOMAD Festival in Spain, Tenerife’s Carnival, Sao Pablo and Rio de Janeiro Jazz Festival in Brasil, The JVC Jazz Festival, Ravinia Jazz Festival, San Francisco Jazz Festival and The Montreal Jazz Festival.



Saturday, June 19, 2010

Saturday Panels A Piano Extravaganza
12:00 – 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Special guest: Ethan Iverson and others

The National Jazz Museum in Harlem is proud to present four hours of live piano jazz as we welcome into our museum holdings the Steinway piano of the late Dick Katz, kicking off our Memorial Concert Series in his honor.

Renowned as a repository of the variety of jazz piano styles from the earliest years of the idiom to the modern styles of the 40s, 50s, and 60s, Katz was last at the museum during our Saturday panel on Papa Jo Jones in 2009. His body was weak, and his gait slow that day, but his eyes gleamed with delight as he discussed Jones's life and career, and the generation of musicians that were central to his own development as a jazz artist.  

In tribute to this friend of the museum and exemplar of the continuum of jazz piano styles, we'll feature hours of the versatility of jazz piano by Katz's friends and admirers.
Tuesday, June 22, 2010

Jazz for Curious Listeners
Hear Me Talkin' To You: Orrin Evans
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

We continue with a month of conversations led by jazz musicians on topics not usually associated with jazz musicians with pianist Orrin Evans, whom Executive Director Loren Schoenberg invited to participate based on "illuminating chats spurred on Facebook."

Born in Trenton, NJ but raised in Philadelphia, acoustic pianist Orrin Evans was among the "Young Lions" of straight-ahead jazz who emerged in the 1990s, as was the previous Jazz for Curious Listeners guest host, Nicholas Payton. Evans' main focus is hard bop, although he has occasionally ventured into soul-jazz and R&B when backing such vocalists as Denice King http://www.artistdirect.com/nad/music/artist/card/0,,525768,00.html and his wife, Dawn Warren http://www.artistdirect.com/nad/music/artist/card/0,,679983,00.html.

Expect a far-reaching discussion with jazz at the starting gate, and audience participation and feedback determining the finish line.

Sunday, June 27, 2010

Special Event
Evening of Brazilian music and jazz: Vanderlei Pereira 5
2:00 – 4:30pm
Location: Riverside Theatre (at the Riverside Church)
91 Claremont Avenue, betw. 120th and 122nd
FREE | For more information: 212-348-8300

Music by drummer, percussionist, composer and educator Vanderlei Pereira and friends. Come dance!
Drummer Vanderlei Pereira is one of the most sought-after musicians on the contemporary Brazilian jazz scene. Combining a prodigious knowledge of Brazilian rhythms with dazzling technique and a distinctive touch, Vanderlei has captivated audiences with his unique and electrifying performances.

Yet Vanderlei Pereira's proficiency on the drum set extends beyond his mastery of Brazilian rhythms. He received a Diploma in Jazz Studies from the Mannes College of Music in New York City, where he studied with the renowned jazz drummers John Riley and Vernel Fournier. In addition, Vanderlei has studied with the Latin jazz drum and percussion masters Ignacio Berroa, Bobby Sanabria and Johnny Almendra. He has incorporated these diverse influences into his playing and, as a result, has earned the respect of both straight-ahead and Latin jazz musicians on the demanding New York scene, where he is widely admired and respected for his musical versatility.

Tuesday, June 29, 2010

Jazz for Curious Listeners
Hear Me Talkin' To You: Orrin Evans
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Influenced by McCoy Tyner, Horace Silver, Bud Powell, and Thelonious Monk, among others, our guest host Orrin Evans graduated from high school in the early 1990s and studied at Rutgers University in New Brunswick, NJ before going on to private study with Kenny Barron, and work as a sideman with Ralph Peterson, Duane Eubanks, singer Lenora Zenzalai-Helm and Bobby Watson. In fact, Watson's effect on Evans has been so affecting that Evans's latest CD, Faith in Action (on Posi-Tone Records), is a tribute to the silvery alto saxophonist.

Evans recorded his first CD as a leader, The Orrin Evans Trio, for his own Black Entertainment label in 1994. After that, he signed with Criss Cross and recorded numerous CDs. Most recently, he's released a DVD titled, "Live All Over the Place," excerpts from which he may share tonight.

Programme Gent Jazz 2010

The programme for the Gent Jazz Festival (July7-July18, Gent, Belgium) is now complete with names such as Madness, Gil Scott-Heron, Soil & “Pimp” Sessions, Vive Le Jazz (the new jazz project by Vive La Fête), Cibelle, Odean Pope and his All Star “Odean’s List”, Julian Lage Group, radioKUKAorkest and Root. Earlier the festival had already announced names such as Norah Jones, Daniel Lanois’ Black Dub, Ornette Coleman, Kruder & Dorfmeister and Gilberto Gil.

The first part of the festival welcomes the young guitar talent Julian Lage July 10. The same day Toots Thielemans headlines the day with a ‘Special Project’ with pianist Kenny Werner and guitar player Oscar Castro-Neves. The ensemble radioKUKAorkest and an all star band with saxophone player Odean Pope, Odean Pope and his All Star “Odean’s List” complete the remaining open spots July 11.

In the second part of the festival the young and eccentric Brazilian Cibelle opens July 15 before the earlier announced Mariza and Gilberto Gil. Friday July 16 we can find the premiere of Vive le Jazz, the new project by the electro-pop band Vive La Fête, on the programme. They open the day before The Cinematic Orchestra and Kruder & Dorfmeister. Root, the Belgian trio with keyboard player Dominique Vantomme, is the first band of the day July 17 followed by Gil Scott-Heron and the infectious sound of the British band Madness. On the last day of the festival the Japanese “death jazz” of Soil & “Pimp” Sessions is added to the line-up before Joe Bonamassa and Daniel Lanois.

Info & tickets:www.gentjazz.com

Tickets cost 29 euros per evening (excl. booking costs), except for those of July 7 (concert day with Norah Jones) which cost 42 euros (excl. booking costs). A Three-Day Pass costs 73 euros (excl. booking costs). Tickets are available as of today. Tickets can be booked via www.gentjazz.com, or at FNAC. Just as last year, the last festival weekend coincides with the opening weekend of the Ghent Festivities.

Chuchito Valdes @ Boulder Theater

Born in Havana Cuba, Chuchito Valdes comes from one of the most distinguished musical families in Cuba. He has recorded and performed piano with the world renown Cuban band, Irakere, which he led for 2 years.

The Motet plays Earth Wind & Fire @ the Fox Theatre

The Motet is extremely excited to announce that for Halloween 2010 they will be performing the music of the most successful and influential funk band from the 1970’s: Earth, Wind, & Fire. This promises to be far and away the pinnacle of The Motet’s increasingly popular Halloween tribute performances. With a 13 piece band featuring a trio of lead vocalists, 4 horns, 2 guitars and percussion, these shows will undoubtedly rise to the historic standards that Earth, Wind & Fire have brought to their live concerts.

Showcasing percussion laden funk grooves, syncopated horn lines, gospel influenced vocal harmonies, psychedelic jazz-rock improvisation, and multiple top 10 hits, The Motet’s celebration of the music of Earth, Wind & Fire is sure to go down as the most mind blowing dance party in the history of the band’s epic Halloween performances. This show is not to be missed!

Sunday October 31, 9:00pm
Special Halloween Show
THE MOTET PLAYS EARTH, WIND & FIRE

All Ages / GA / $18 adv / $20 DOS | Tickets on sale now at the Fox Theatre box office  | Internet 24-7 at www.foxtheatre.com  | Phone: During box office hours: 303.443.3399

Denver-Based Guitarist Grant Gordy To Release Debut Album May 11

Grant Gordy, the Denver-based guitar player whose lifelong study of music, from Bill Evans to The Beatles and beyond, has informed his own writing and arranging, will release his self-titled debut album on May 11.

“[He] belongs to the new elite family of American acoustic practitioners who are pushing the ever-expanding envelope of a musical frontier … Bluegrass, newgrass, jazz, classical and even ‘dawg’ are all audible influences in Grant’s musical vision,” says David “Dawg” Grisman, whose David Grisman Quintet Gordy subbed in and would ultimately join as guitarist. “[His] guitar stylings offer a rare blend of flat-picking virtuosity, jazz exploration and classical sensibility …”

“Pterodactyl,” “Grapes” and “Lila” are just three of the compositions on the new CD, which also includes Gordy’s “Blues to Dawg” that he invited Grisman to contribute his signature mandolin playing to. Each song in the collection exemplifies Gordy’s spirit of adventure and sense of self.

Gordy describes himself: “At heart, I'm really an improviser; that's what very first drew me to playing music — the idea that you can make things up as you go along — but I'm also very interested in composition. I like the idea of a group of musicians having as much room and freedom to explore and improvise as they want, but within a context of a compelling arrangement that can be exciting for, and draws in, the listener.”

Gordy’s touring behind the release include:

Friday, June 11, KRFC Radio-Fort Collins, “Live at Lunch” show
Saturday, June 12, Brewgrass Festival, South Pearl Street, Denver
Saturday, June 12, Little Church in the Pines, 536 Gold Run Road, Salina
Wednesday, June 16, Dazzle Jazz Club, 930 Lincoln St., Denver
Thursday, June 17, Bongo Billy’s Cafe, 300 W. Sackett Ave., Salida
Wednesday, June 23, Club Passim, 47 Palmer St., Cambridge, Mass.
Thursday, June 24, Caffe Vivaldi, 32 Jones St., New York City

Jazz Guitarist Jake Hertzog tours Midwest

It’s almost safe to say that this sounds like nothing you’ve heard before.  To say that Hertzog is a shredder that can’t be stopped is just to get the conversation started.  Playing somewhere between jazz and rock, this is what “Metal Machine Music”  might have sounded like if Lou Reed had intended it to be something more than a pile of shit to get him out of his contract.  Wanna hear young Al DiMeola on speed?  What else can I say?  This is the guitar record you play when you absolutely, positively need to have your mind melted.  Yngwie Malmsteen and Charlie Christian rolled into one, all this kid has to do is not run so fast that he trips over himself and the world will be his oyster.  Hot stuff for shredder ears.

Guitar Player Magazine is calling him "…the blazing wunderkind." The Boston Phoenix has declared him "...the WOW! factor." Award-winning jazz guitarist and composer, Jake Hertzog, is making it big in New York City. Jake’s second studio album, Patterns, just released this April 2010, is already Guitar Player Magazine’s Editor’s Pick. Jake is a monthly contributor to GP Magazine’s ‘Lessons’ section under the alias Hey Jazz Guy and has been coined as the Jazz ambassador to the non-jazz world.

Jake’s debut album, Chromatosphere (2009), brought him critical acclaim including a five page interview in Guitar Player Magazine (June 2009) highlighting his unique technique and approach to modern jazz guitar. Both albums, recorded and produced by Grammy Award-winner, Joshua Paul Thompson.

Furthermore, he stands as musical director and lead guitarist for Nickelodeon's The Naked Brothers Band stars, Nat and Alex Wolff. They have concluded two national tours and have performed on national television shows including Good Morning America, The View, Nickelodeon Kids Choice Awards, The Today Show and many others.

Past achievements include winning the Grand Prize in 2006 for the Montreux Jazz Guitar Competition in Switzerland. In the festivals 44-year history, he holds title at 20 years old as the youngest ever prize winner. He was invited back in 2007 to showcase his original music in the Montreux Jazz Festival. Jake is an Alum of the prestigious Berklee College of Music and recipient of several performance scholarships.

Tour Dates:

Saturday, May 29, 2010
The Jazz Kitchen - Indianapolis, IN
http://www.thejazzkitchen.com
7:00-10:00pm
$18

Sunday, May 30, 2010
Nighttown - Cleveland, OH
http://www.nighttowncleveland.com
7:00pm & 8:30pm
$15/each

Tuesday, June 1, 2010
The Iron Post - Champaign/Urbana, IL
http://www.theironpost.com
7:00pm
$8

June 1 from 2-4pm
Free Clinic @ University Laboratory High School Music Room
Open to public

Wednesday, June 2, 2010
The Iron Post - Champaign/Urbana, IL
http://www.theironpost.com
7:00pm
$8

Azar Lawrence Sextet @ Tribeca Performing Arts Center

When saxophonist Azar Lawrence first burst on to the jazz scene in the '70s he was hailed by many as the second coming of John Coltrane.  "Azar Lawrence burns like a bright, hot flame at the altar of his muse. Given the ever-present fire danger in the Southland, a fire truck should remain on call when Lawrence blows. " raves  AllAboutJazz.  BMCC Tribeca PAC’s Lost Jazz Shrines series is dedicated to bringing legendary New York City jazz clubs back into the consciousness of the world with a thorough remembrance and celebration.  Our opening night concert will be a tribute to the late Rashied Ali. Saxophonist Azar Lawrence performed there frequently, and Rashied Ali played the drums on his next release.

Azar Lawrence Sextet
Lost Jazz Shrines Series Part 1 Celebrating Ali’s Alley
May 7, 8:30PM, $25

BMCC TRIBECA PERFORMING ARTS CENTER
Borough of Manhattan Community College
199 Chambers Street
(212) 220 -1460 | www.TribecaPAC.org