jazz

Greg Lewis 2010 December Appearances

New York native, keyboardist Greg Lewis, a highly accomplished mainstay on the city’s jazz, blues and funk scenes, who has earned a solid reputation for his versatile work around town in a vast variety of settings, steps out front for the first time on his debut CD Organ Monk. Lewis’ sensitive and soulful keyboard playing has made him a favorite among some of the music’s finest vocalists – including blues queen Sweet Georgia Brown, jazz and soul songstress Lezlie Harrison and ex-Brooklyn Funk Essentials singer/songwriter Stephanie McKay  -- and earned him a featured role on saxophonist Sam Newsome’s Groove Project recording 24/7.  Now on Organ Monk the spotlight is finally shined on his enormous talents as the leader of his own allstar trio featuring multitalented guitarist Ron Jackson and drummer extraordinaire Cindy Blackman.

Born into a musical family, Lewis’ introduction to jazz came from hearing Monk records from the collection his late father, pianist David Lewis, who was a dedicated fan of Thelonious.  “It all started there,” the younger Lewis proclaims, also naming unsung master Elmo Hope as a major influence.  Lewis started his own piano studies at the age of eleven and began playing professionally around New York as a teenager.  He credits jazz legend Gil Coggins, who sent him as a sub one night to a gig where there was a Hammond B-3, for setting him on the path to becoming a bona fide organist.  These days Lewis has so devoted himself to mastering the difficult instrument with such fervor that he considers himself to be an “organ monk.”

Working weekly for the past five years at the hip Brooklyn club Night Of The Cookers, with his regular trio featuring Ron Jackson on guitar, Lewis has honed his skills on the B 3 to become one of New York’s first call organists.  It was at the club that he first met drummer Cindy Blackman, who was so impressed with his playing that she sat in with the group and made arrangements to later perform with Lewis.  An unwavering fan of the Tony Williams Lifetime group, featuring Larry Young on organ, Blackman is the perfect complement for Lewis’, who names Young as his primary influence on the instrument (along with, of course, Jimmy Smith as well as Sly Stone).  Lewis cites Young’s landmark interpretation of “Monk’s Dream” from the classic Unity album as a further inspiration for his decision to devote this his first date to the music of Thelonious.

Although albums memorializing Monk’s music have become somewhat commonplace since the iconic pianist/composer’s death, Organ Monk is most likely the very first on which the date is led by an organist. Lewis’ years of familiarizing himself with both his instrument’s expansive capabilities, as well as Monk’s sizable songbook, have led to this inevitable debut recording that breathes new life into the master’s repertory, while exploiting the Hammond B 3’s vast (and somewhat untapped) potential for creating new sounds.

Despite its classic organ-guitar-drum configuration, Lewis’ trio is far from typical in approach to making modern music. His arrangements of the fourteen Monk titles on the record are consciously contemporary in their originality, respecting the composer’s melodic, harmonic and rhythmic voice, while using the different elements of each piece to propel the group into its own unique nexus, one where the customary divisions between soloist and accompanist are blurred, or even erased.   Beginning with “Trinkle Tinkle”, one of Monk’s more intricate melodic lines, Lewis’ mastery of both the B 3’s dual keyboards and its too often neglected bass pedals is clearly evident, as is his fearless approach to arranging for the trio, with Blackman’s powerful drums doubling the intricate melody with him.

Lewis’ unaccompanied introduction to ”Jackie-ing”, slowing building around the chords of the playful Monk march before inviting drums and guitar to join him is an eloquent lesson in dynamic tension and release.  The trio trips around in space with Lewis’ organ at times reminiscent of Sun Ra before sliding smoothly into the infectious melody of “Criss Cross”, with Blackman’s drums offering a jagged contrast to the velvety tone of the B 3, before the trio settles into an earthy mood and then blasts back into the stratosphere to conclude astrally.  The band’s easy swinging reading of the beautiful “Light Blue”, featuring Jackson’s soulful guitar, is a ringing affirmation of the group’s ability to shine brightly in the classic organ trio tradition, as is their burning up tempo rendition of the not often heard “Played Twice” that features an exciting Lewis-Blackman dialogue.

The date’s other nine Monk pieces each offer a different perspective on the master’s work.  There’s the bouncing rhythm that jumps out of the long tones that set up “Boo Boo’s Birthday” and its fittingly funny quote by Lewis of the nursery rhyme “Mary Had A Little Lamb”, followed the lilting rhythms of the bebop masterpiece “Coming On The Hudson.”  Blackman’s energetic drumming on the fiercely burning “Four In One”, reminiscent of Art Blakey’s work with Monk, incites Lewis and Jackson to some of their best soloing of the date.  Lewis’ playing on “Locomotion” with his tonally expansive keyboard work, intelligent use of space and cleverly complementary bass line is nothing short of masterful.  On “We See” the trio once again swings mightily, with Lewis clearly demonstrating the influence of the great Jimmy Smith on his virtuosic playing.

“Monk’s Mood” is the date’s most beautiful ballad, with Lewis displaying the sensitive lyricism that has made him the favorite accompanist of so many of New York’s finest vocalists.  The trio shows off its intuitive split second timing in an edge of your seat dramatic reading of the marvelous melody of “Think Of One”, before digging down into their shared deep blues roots.  Lewis’ harmonic daring is clearly evident on his audacious arrangement of “Work.”  The final Monk piece of the date, “Introspection”, is a fitting example of the unmitigated joy the trio finds in coming together to make great music.

The date’s concluding coda is a Lewis original, “Kohl’s Here”, a fittingly Monkish melody dedicated to his teenage son that gives listeners a brief glimpse into the keyboardist’s own impressive abilities as a composer.  A talent that is sure to be seen in greater abundance on future releases from this extraordinary artist.

--

Tour dates:

December 03, 2010 -- 10pm
Greg Lewis Trio    Night Of The Cookers
767 Fulton St.
Brooklyn, NY 11217
(Btwn Greene Ave & S Oxford St)
http://www.nightofthecookers.com/

December 04, 2010 -- 10pm
Greg Lewis Trio    55 Bar
55 Christopher St.
New York, NY 10001
(West Village)
http://www.55bar.com/

December 10, 2010 -- 10pm
Greg Lewis Trio    Night Of The Cookers
767 Fulton St.
Brooklyn, NY 11217
(Btwn Greene Ave & S Oxford St)
http://www.nightofthecookers.com/

December 17, 2010 -- 10pm
Greg Lewis Trio    Night Of The Cookers
767 Fulton St.
Brooklyn, NY 11217
(Btwn Greene Ave & S Oxford St)
http://www.nightofthecookers.com/

December 18, 2010 -- 10pm
Greg Lewis Trio    55 Bar
55 Christopher St.
New York, NY 10001
(West Village)
http://www.55bar.com/

December 22, 2010 -- 7-9pm
Organ Monk Trio    55 Bar
55 Christopher St.
New York, NY 10001
(West Village)
http://www.55bar.com/

Bela Fleck & the Flecktones 2010 Fall/Winter Tour

Bela Fleck & the Flecktones will be bring the Holiday Tour with Jeff Coffin and special guest Alash Ensemble to the Western USA and Canada. Spread the word and come begin the Holiday Season with the Flecktones.
The Flecktones have their Merchandise Store restocked with gift goodies, be sure and visit before the end of the year!
--
Upcoming Tour Dates:
DATE          CITY                     VENUE
11.30.10      Calgary, AB CA    Epcor Centre for the Performing Arts
12.01.10      Edmonton, AB CA North Alberta Jubilee Auditorium
12.02.10      Banff, AB CA       Centre Complex (Eric Harvie Theater)
12.03.10     Spokane, WA        Bing Crosby Theater
12.04.10     Vancouver, BC CA  The Centre
12.06.10     Portland, OR      Arlene Schnitzer Concert Hall (Oregon Symphony Orchestra)
12.07.10     Eugene, OR           Hult Center for Performing Arts (Silva Concert Hall)
12.08.10     Bend, OR US         Mountain View High School Auditorium (KPOV)
12.09.10     Seattle, WA           Jazz Alley
12.10.10     Seattle, WA           Jazz Alley
12.11.10     Seattle, WA           Jazz Alley
12.12.10     Seattle, WA           Jazz Alley
12.14.10     Chico, CA            Laxon Auditorium - California State University
12.15.10     Santa Rosa, CA    Wells Fargo Center for the Arts
12.16.10     Oakland, CA       Fox Theater
12.17.10     Santa Barbara, CA  University of California
12.18.10     Los Angeles, CA    Orpheum Theater
12.19.10    Tucson, AZ            Rialto Theater

National Jazz Museum in Harlem 2010 December Schedule

The National Jazz Museum in Harlem closes out 2010 in swinging style as we focus on the history, function and joy of jazz drums at Jazz for Curious Listeners and our Saturday panel. Among the drummers leading these sessions will be: Otis Brown III, Kenny Washington and Adam Nussbaum. Bassist and composer Sean Smith fronts a trio for our last Harlem in the Himalayas performance of the year, whereas the National Jazz Museum in Harlem All Stars will mambo and salsa your feet and hips, replete with grooves that'll make your holiday season complete, at the Dwyer Cultural Center.And while rhythm is most certainly our business, we also endeavor to share the stories of jazz and jazz artists with you, our patrons and visitors. So come enjoy discussions with author Ed Berger for Jazz for Curious Readers, pianist Jonathan Batiste for Jazz is Now!, and, for our flagship Harlem Speaks series, talks with pianist Mike LeDonne and saxophonist Greg Osby.

We wish you a merry and joyous holiday season, and hope the new year brings you good health and everything else your heart desires. Thanks for your support of the National Jazz Museum in Harlem.

Wednesday, December 1, 2010

Jazz Is: Now!
Jonathan Batiste
7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Join young pianist Jonathan Batiste as he performs and leads a discussion on jazz culture and its relevance in today's society. The Juilliard Jazz grad is one of the most exciting and sui generis artists on the jazz scene; you'll discover that his point of view is too. Join the celebration in the midst of the discourse.

Thursday, December 2, 2010

Harlem Speaks
Mike LeDonne, Pianist
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Pianist Mike LeDonne, born in Bridgeport Connecticut in 1956, was raised in his parent's music store and by the age of 10 his father, a jazz guitarist, began booking him on gigs. At age 21, Mike graduated from New England Conservatory and moved to New York City.

In 1981, he left to travel to the UK with Panama Francis and the Savoy Sultans. On returning, he began a two-year stint as the house pianist at Jimmy Ryan's, then one of New York's oldest jazz clubs. It was there that he came under the influence of and played with many old masters such as Roy Eldridge, Papa Jo Jones and Vic Dickenson. He spent 1982-1983 with the Benny Goodman sextet and went on to play with Buddy Tate, Al Grey, Ruby Braff and many others.

In 1988 he started playing with the Milt Jackson Quartet; Milt recorded Mike's compositions and arrangements and selected him as the band's musical director. In the fall of 1992, Mike was chosen to be part of a group of top young musicians (Ryan Kisor, Joshua Redman, Jesse Davis, Christian McBride, and Lewis Nash) for the Phillip Morris Superband World Tour. Around this time, Mike toured with the Newport All-Stars in lineups that also featured Harry "Sweets" Edison and Clark Terry. Mike has been playing and recording with Benny Golson since 1997. He has also been leading trios which have included Ron Carter, Jimmy Cobb, Billy Hart, Pete LaRoca and Louis Hayes.

Along with his many recordings as a sideman, he has five CDs on Criss Cross Jazz and three on Double Time Records, featuring music artists such as Tom Harrell, Gary Smulyan, Dennis Irwin, Kenny Washington, Steve Nelson, Peter Bernstein, Peter Washington, Mickey Roker, Eric Alexander, Jim Rotondi, and Joe Farnsworth. Mike is the co-author of Jim Snidero's Jazz Conception for Piano and Piano Comping books, on Advance Music. In 2002 Mike joined the faculty at the Juilliard School of Music. He has won praise not only from critics but from master musicians: the late Oscar Peterson picked him as one of his favorite pianists.

Friday, December 3, 2010

Harlem in the Himalayas
Sean Smith Trio
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office or call 212-620-5000 ext. 344

Bassist and composer Sean Smith has been part of the international jazz scene for more than 20 years. He has appeared in many of the major jazz rooms and concert halls all over the world. He has toured extensively in North and South America, throughout Europe and the Mediterranean, and as far away as Russia, Turkey, Morocco, and Japan.

In addition to leading his own quartet, Sean has been a member of the Jacky Terrasson Trio since 2000. His work with Jacky Terrasson and Emmanuel Pahud on the EMI/Blue Note recording Into The Blue was recently nominated for a 2003 Grammy Award. Sean has performed with many jazz superstars including Gerry Mulligan, Phil Woods, Benny Carter, Flip Phillips, Clark Terry, Johnny Griffin, Lee Konitz, Art Farmer, and Tom Harrell. He has also been the accompanist of choice for such world-renowned vocalists as Peggy Lee, Rosemary Clooney, Mark Murphy, Jimmy Scott, and Andy Bey. Sean has also performed and recorded with up-and-coming vocalist Kate McGarry.

A Manhattan School of Music graduate, Sean is also a prolific composer whose works have been played and recorded by such artists as Phil Woods, Mark Murphy, Bill Charlap, Gene Bertoncini, Bill Mays, and Leon Parker. His Song For The Geese was recorded by Mark Murphy as the title track of Murphy’s RCA/BMG release, which was nominated for a Grammy Award in 1998. Sean received a Bistro Award for outstanding instrumentalist in 2007.

Sean’s first recording, Sean Smith Quartet Live! (on Chiaroscuro), featured some of his compositions and was received with outstanding reviews. Sean’s most recent recording, Poise (on Ambient), features new compositions performed by his working band.


Monday, December 6, 2010

Jazz for Curious Readers
Ed Berger, author of books on Benny Carter and George Duvivier
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Biographer and photographer Ed Berger is the Associate Director and Head of Research Services of the Institute of Jazz Studies at Rutgers University. He's a graduate of Indiana University and has a M.L.S. from Rutgers University. He is co-author of Benny Carter: A Life in American Music, Reminiscing in Tempo, and Basically Speaking: An Oral History of George Duvivier. He served as record producer and road manager for Benny Carter and will delight us this evening with anecdotes about two of the gentlemen of jazz who lit up the stages of jazz for decade upon decade with sophisticated artistry.


Tuesday, December 7, 2010

Jazz for Curious Listeners
Rhythm is Our Business: The Drummers
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Otis Brown III

Tonight the New Jersey native Otis Brown III will bring his joyful style to Jazz for Curious Listeners in a discussion about his favorite drummers.

Since his birth in Hackensack, NJ, Otis has traveled a path that has led to him being one of the most in demand, and well respected musicians today. Expressing an early interest in music, Otis began his musical studies at age 7; by age 12 he was playing lead alto saxophone in the school bands while playing the drums in the Baptist church.

After moving to Newark, N.J., he continued performing double duty in his school bands playing snare drum in marching band, and alto saxophone in the jazz and concert ensembles, all of which were directed by his father Otis Brown Jr. He decided to pursue his musical education in college at Delaware State University, where he met legendary trumpeter Donald Byrd, an encounter that changed his life. He spent countless hours under the wings of Dr. Byrd, who later suggested that Otis continue his studies in New York, the jazz capital. He was awarded a scholarship to attend the prestigious New School University.

Since his arrival in New York Otis has performed and toured with musicians the caliber of Herbie Hancock, Christian McBride, Eric Lewis, Ron Blake, Roy Hargrove, Frank Lacy, Jeremy Pelt, Don Braden, Marc Ribot, Adam Rodgers, Pete Malinverni, Tim Hagans, Conrad Herwig, John Hicks, Oliver Lake, Aaron Goldberg, Bob Mintzer, George Garzone, and many others.

He currently can be seen touring with the Thelonious Monk Institute’s Jazz in America initiative, Joe Lovano’s trio quartet and nonet, the Laurent Coq trio, the Franck Amsallem trio and quartet, the Steve Wilson quartet, the Oliver Lake Big Band, the Bob Stewart tuba project and several other musical configurations.


Saturday, December 11, 2010

Jazz at the Dwyer
Afro-Cuban Jazz Dance Night with Bobby Sanabria & Quarteto Aché
7:00 – 11:00pm
Location: The Dwyer Cultural Center
(258 St. Nicholas Avenue at W. 123rd Street)
$20 | More information: info@DwyerCC.org

Bobby Sanabria - drummer, percussionist, composer, arranger, recording artist, producer, filmmaker, conductor, educator, multi-cultural warrior and multiple Grammy nominee – has performed with a veritable Who's Who in the world of jazz and Latin music, as well as with his own critically acclaimed ensembles. His diverse recording and performing experience includes work with such legendary figures as Dizzy Gillespie, Tito Puente, Paquito D'Rivera, Charles McPherson, Mongo Santamaría, Ray Barretto, Marco Rizo, Arturo Sandoval, Roswell Rudd, Chico O'Farrill, Candido, Yomo Toro, Francisco Aguabella, Larry Harlow, Henry Threadgill, and the Godfather of Afro-Cuban Jazz, Mario Bauzá.

Bobby, the son of Puerto Rican parents, was born and raised in the "Fort Apache" section of New York City's South Bronx. Inspired and encouraged by maestro Tito Puente, another fellow New York-born Puerto Rican, Bobby "got serious" and attended Boston's Berklee College of Music from 1975 to 1979, obtaining a Bachelor of Music degree and receiving their prestigious Faculty Association Award for his work as an instrumentalist. Since his graduation, Bobby has become a leader in the Afro-Cuban, Brazilian and jazz fields as both a drummer and percussionist, and is recognized as one of the most articulate musician-scholars of la tradición living today.

He has been featured on numerous Grammy-nominated albums, including The Mambo Kings and other movie soundtracks, as well as numerous television and radio work. Mr. Sanabria was the drummer with the legendary “Father of the Afro-Cuban Jazz movement,” Mario Bauzá’s Afro-Cuban Jazz Orchestra. With them he recorded three CD’s (two of which were Grammy-nominated) which are considered to be definitive works of the Afro-Cuban big-band jazz tradition. Mr. Sanabria was also featured with the orchestra in two PBS documentaries about Bauzá and also appeared on the Bill Cosby show performing with the orchestra. He also appeared and performed prominently in a PBS documentary on the life of Mongo Santamaria and on camera in the CBS television movie, Rivkin: Bounty Hunter.

Bobby and his Quarteto Aché toured Armenia in June of 2007 being personally invited by the U.S. Embassy to represent the United States in a series of concerts. Headlining in the final event, The Cascade Jazz festival in Yerevan, Armenia’s capitol, the group received a thunderous ovation from the estimated 8,000 person audience which was broadcast throughout the country. In a pre-concert press conference when asked what jazz represented, Bobby simply stated, “Freedom.“ His group has the unique distinction and honor of being the first ensemble ever to perform Latino oriented jazz in this country and spread clave consciousness in a unique master class that he held at the Yerevan Conservatory. If this weren’t enough, the ensemble performed a private concert for Armenia’s Heads of State, and President Robert Khachaturian who stated that, “I simply love jazz! Its spirit of improvisation in a collective democracy is the inspiration for my vision for Armenia."

Tuesday, December 14, 2010

Jazz for Curious Listeners
Rhythm is Our Business: The Drummers
7:00 – 8:30pm
Location: Maysles Institute
343 Lenox Ave
New York, NY 10027
FREE | For more information: 212-348-8300
Kenny Washington

Jazz drummer and historian Kenny Washington is a repository of jazz music in story and in practice. He can tell you the history of jazz and jazz drumming, and then show you what he's talking about. Hailing from Staten Island, NY, Kenny began his career in the late '70s with Lee Konitz, and was a favorite of stalwart musicians such as Johnny Griffin, Betty Carter, and countless others. His record collection is the envy of jazz collectors, his moniker "the jazz maniac," was earned while doing deejay work on WBGO. Today, he can be found playing in the trio of pianist Bill Charlap as well as the ensemble led by legend Ahmad Jamal. And tonight he'll share the legacy of jazz drumming on film featuring Max Roach, Kenny Clarke, Ray McKinley, Papa Jo Jones, Sid Catlett, and many others, so don't miss this rare opportunity!

December 15, 2010

Jazz Is: Now!
Jonathan Batiste
7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Join young pianist Jonathan Batiste as he performs and leads a discussion on jazz culture and its relevance in today's society. The Juilliard Jazz grad is one of the most exciting and sui generis artists on the jazz scene; rest assured that his point of view is too. Join the celebration in the midst of the discourse.

Thursday, December 16, 2010

Harlem Speaks
Greg Osby, Saxophonist     
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Saxophonist, composer, producer and educator Greg Osby has made an indelible mark on contemporary jazz as a leader of his own ensembles and as a guest artist with other acclaimed jazz groups for the past 20 years. Highly regarded for his insightful and innovative approach to composition and performance, Osby is a shining beacon among the current generation of jazz musicians. He has earned numerous awards and critical acclaim for his recorded works and passionate live performances.

Born and reared in St. Louis, Greg Osby began his professional music career in 1975, after three years of private studies on clarinet, flute and alto saxophone. Coming from a vibrant and musical city, Osby showed an early interest in the performing arts and spent his years in secondary school with a heavy involvement in Blues and Jazz groups. In 1978 Osby furthered his musical education at Howard University (Washington, D.C.) where he majored in Jazz Studies. He continued his studies at the Berklee College of Music (Boston, MA) from 1980 to 1983.

Upon relocating to New York in early 1983, Osby quickly established himself as a notable and in demand sideman for artists as varied as Herbie Hancock, Dizzy Gillespie, Jack DeJohnette, Andrew Hill, Muhal Richard Abrams, Jim Hall and Jaki Byard as well as with many ethnic and new music ensembles in the New York area.

In 1985 Osby was invited to to join Jack DeJohnette's innovative group, "Special Edition". It was as a member of this ensemble Osby was able to fine tune the more challenging aspects of his conception in an open ended, no holds barred musical situation. Says Osby, "My musical thinking for performance and composition advanced by light years as Jack was open to my input and was very encouraging in pushing me to to maintain a steady flow of experimentation. It marked a major turning point in my development as an artist."

In 1987, Osby signed his first recording deal with a new German label, JMT (Jazz Music Today). With this situation, he felt that he was finally able to document life as he saw it through music. He had free creative reign to do whatever he liked. He recorded four CD titles for that label. Osby signed with Blue Note Records in 1990 and recorded fifteen outstanding recordings for that label as a leader. In 2008, Osby launched his own label, "Inner Circle Music", which serves as a platform for many of today's brightest artists. From the pulse of the streets and the language of a generation, Osby has sketched numerous musical essays set to a contemporary score using the improvisational nature of Jazz as the connecting thread.

On "9 Levels," his latest recording on Inner Circle Music, Osby presents his wares in a sextet format and is joined by special guests, Nir Felder, guitar; Adam Birnbaum, piano; Joseph Lepore, bass; Hamir Atwal, drums; and a welcome newcomer to the international jazz scene, vocalist Sara Serpa.

Saturday, December 18, 2010

Saturday Panels
Jazz is a Drum
12:00 - 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
LIVE MUSIC/FILM + MORE

Today's Saturday panel is a retrospective of a century of jazz drumming, including rare films, panels and live music. If you are curious about the role of the drum in jazz, or simply love the swinging groove and powerful solos of jazz drummers as they lockstep with the walking or funking bass and the comping piano, come on through and bring some other friends who'll appreciate that move.

Tuesday, December 21, 2010

Jazz for Curious Listeners
Rhythm is Our Business: The Drummers
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Adam Nussbaum

Adam Nussbaum grew up in Norwalk, Connecticut and started to play drums at age 12 after studying piano for 5 years, also playing bass and saxophone as a teenager.

The multi-instrumentalist moved to New York City in 1975 to attend The Davis Center for Performing Arts at City College. While there he began working with Albert Dailey, Monty Waters, Joe Lee Wilson, Sheila Jordan and he played with Sonny Rollins in 1977 in Milwaukee. In 1978 he joined Dave Liebman's quintet and did his first European tour with John Scofield. During the early eighties he continued working with John Scofield in a celebrated trio with Steve Swallow. In 1983 he become a member of Gil Evans Orchestra and played with Stan Getz as well. He later joined Eliane Elias/Randy Brecker Quartet, Gary Burton, and Toots Thielemans. In 1987 he began touring with the Michael Brecker Quintet. In 1988 they recorded the Grammy winning "Don't Try This At Home" During 1992 he was part of the Carla Bley Big Band and that same year John Abercrombie hired him to complete his organ trio.

Since then he has kept active in a wide variety of groups. Among them a recently formed quartet 'BANN' with Seamus Blake, Jay Anderson & Oz Noy, A co-op quartet "NUTTREE" with Abercrombie, Jerry Bergonzi & Gary Versace, The James Moody Quartet, 'We Three' w/ Dave Liebman & Steve Swallow, Eliane Elias Trio, 'Playing in Traffic' w/ Steve Swallow & Ohad Talmor and also busy maintaining an active freelance schedule. Adam has taught as an Adjunct professor at New York University, the New School and State University of New York at Purchase. He also does clinics and master classes around the world.

And today, free, you can have your own master class with a master of jazz drumming.

11th Annual Newport Beach Jazz Party

Presidents’ Day Weekend, February 17-20, 2011, will again be the time for mainstream jazz lovers from around the country (& world) to arrive in Newport Beach for “Right Down The Middle And Straight Ahead” Jazz at the Marriott Newport Beach Hotel & Spa.  The party will again center on a large stage nightly at 7:00pm (Thursday at 8:00pm) with reserved seating providing a near perfect mix of concert conditions and intimacy of a club setting, all in the Grand Pacific Ballroom.

Highlights of this 11h Annual jazz lover’s weekend:

Thursday’s Grand Opening Night will kick off the weekend with the Ken Peplowski Quartet followed by the Larry Fuller Trio and concluding with John Pizzarelli’s Tribute to Duke Ellington- Rockin’ In Rhythm with Swing Seven featuring Jeff Hamilton.

Friday evening will begin with an All-Star set lead by trombonist Dan Barrett and feature Claudio Roditi-trumpet, Houston Person-tenor sax, Anat Cohen-clarinet, Eric Reed-piano, Christoph Luty-bass and Paul Kreibich-drums. The second of 4 sessions will feature tenor man Scott Hamilton along with Benny Green on piano, Chuck Berghofer on bass and Lewis Nash on drums. For the first time at the party - San Francisco vocalist Kim Nalley will take the stage together with party veteran Houston Person.  Rounding out the night will be a return of the popular Jeff Hamilton Trio!

Claudio Roditi will open Saturday night’s sessions with an All-Star group featuring Scott Hamilton, Eric Reed, Christophy Luty and Jeff Hamilton.  The second session will bring together Yellowjackets’ famed tenor player Bob Mintzer along with party favorite flutist Holly Hofmann and the rhythm section of Benny Green, Chuck Berghofer and Lewis Nash.  Set #3 will for the first time at the party feature famed lyricist Alan Bergman and bringing the evening to a close will be an All-Star set featuring Anat Cohen, Downbeat Magazine’s Annual Critics Poll Jazz Artist Rising Star together with Ken Peplowski!

Sunday night will open with one of the most recorded drummers in jazz- Lewis Nash followed by a solo set by pianist Benny Green.  Joining Benny for the next session will be bassist John Clayton and drummer Jeff Hamilton! The third set will feature the Ken Peplowski Quartet with Tom Ranier on piano, bassist Chuck Berghofer and Jeff Hamilton on drums.  Bringing the weekend to a swingin’close will be Frank Sinatra, Jr. and his 20 piece orchestra under the direction of Terry Woodson!

Featured at this year’s Pool Sessions (Friday, Saturday and Sunday from 12 noon until 3:30pm), among 9 great sessions, will be the latin and Brazilian sounds of the Scott Martin Band;  big band standards of the Blue Note Swing Orchestra with guest Dan Barrett; USC Thornton Jazz Orchestra directed by Bob Mintzer; B3 organist Atsuko Hashimoto with Jeff Hamilton and guitarist Graham Dechter and the Dave Tull Trio. Other highlights include All-Star sets lead by Bill Cunliffe, Holly Hofmann/Anat Cohen and Claudio Roditi/Gilbert Castellanos.

Additionally, two Champagne Brunches will be offered starring legendary trumpeter Jack Sheldon on Saturday and a return performance by the popular Barbara Morrison and Houston Person on Sunday. Also appearing at the Saturday Brunch will be the Eric Reed Trio plus Scott Hamilton and on Sunday the Adam Schroeder Quartet!

Tickets are now available for the complete four night, three-day package including one Champagne Brunch.  Prices are $350/375. Individual reserved seats are priced at $60/$75 for evening performances and $40/50 for the Grand Opening Sessions,  $30 each  for “Friday, Saturday & Sunday By the Pool” and $50 for each Jazz Brunch. For tickets to the 11th Annual Newport Beach Jazz Party, call the Jazzline at 949.759.5003 or for complete artist appearance times and an order form visit our website.

Those wishing to have a weekend getaway may also enjoy the Marriott Newport Beach Hotel & Spa special rate of $154 per night for a standard room, $164 for Pool/Music View, $174 for Ocean Music View and $179 for Concierge. For hotel reservations call Marriott at 949.640.4000 and ask for the Newport Beach Jazz Party rate.  The Marriott  is located at 900 Newport Center Dr., Newport Beach-  10 minutes from the John Wayne/Orange County.

Colin Stetson To Release "New History Warfare Vol. 2: Judges"

Colin Stetson is a horn player of uncommon strength, skill and genre-defying creativity.  He composes and performs otherworldly songs that combine a mastery of circular breathing technique with percussive valve-work and reed vocalisations, conveying a polyphonic solo music that combines influences as diverse as Bach, early metal, American pre-war Gospel, and the playing of Jimi Hendrix, Peter Brotzman and Albert Ayler.

New History Warfare Vol. 2: Judges is Stetson's second solo record and his first for Constellation.  Colin has been making his mark as a staggering solo performer for several years now, in front of audiences small and large, from intimate jazz and experimental music venues to big stages, whether opening for Arcade Fire or The National, or at jazz and new music festivals like Moers and London Jazz Fest.  His talents have been widely recognised and employed by artists as diverse as Tom Waits, Laurie Anderson, Antibalas and Bon Iver.  His live solo performances are absolutely stunning and uncategorisable and he conveys a commensurate intensity and iconoclasm on this new studio album of original material.

New History Warfare Vol. 2: Judges was recorded entirely live in the studio at Montréal's Hotel2Tango, with no overdubs or looping pedals, using over 20 mics positioned close and far throughout the live room.  Guest vocals by Laurie Anderson and Shara Worden (My Brightest Diamond) are the only exceptions to this rule, along with one brief french horn suite ("All The Days I've Missed You") that was multi-tracked by Colin.

Stetson is able to weave an uninterrupted flow of arpeggiated swirls and chordal progressions while simultaneously singing yearning melodic lines through the reed of his horn - a technically powerful combination, exponentially intensified by Colin's innate sense of pace, phrasing and trajectory.  Stetson approaches his solo work with one foot firmly rooted in a pop sensibility, harmonically and in terms of overall song structure - a sensibility on fine display in longer pieces like "Judges", "The Stars In His Head (Dark Lights Remix)" , "Clothed In The Skin Of The Dead" and "Fear Of The Unknown And The Blazing Sun".  He can paint short, ecstatic spirals of rapid-fire ostinati that move through the entire range of the instrument, full of subtle rhythmic shifts and filigree, as with "The Righteous Wrath Of An Honourable Man", "From No Part Of Me Could I Summon A Voice" and "A Dream Of Water", all of which clock in at the 2-3 minute range (and the last of which features a spoken word vocal by Laurie Anderson).  Colin can also shred, especially when rallying the full force of the bass saxophone, whether in the foghorn blasts that open the album or the gasping syncopated pulse of "Red Horse (Judges II)".  The seamless, steamy, multi-timbral drone that underpins Shara Worden's guest vocal on "Lord I Just Can't Keep From Crying Sometimes" demonstrates another side of Colin's mastery and sensibility.

The sessions were co-produced by Stetson and Shahzad Ismaily and engineered by Efrim Menuck at the Hotel2Tango, then taken to Greenhouse Studios in Reykjavik and mixed by Ben Frost, the critically acclaimed experimental electronic/ambient composer and producer whose shared influences of minimalism, noise and black metal made him the perfect choice for a bold and unconventional approach to the raw material.  Frost pushes and pans different mic signals to the fore from song to song (and within songs), eliciting a cornucopia of details and extremes in Colin's playing and highlighting the complexity of sounds generated by a single horn in Stetson's hands.  Rhythms are formed by clicking keys, minute textures are brought forward by running ambient mics extremely hot, and low end is at times pushed fully into the red to devastating effect.  Mastering by Mell Dettmer provides the final touch.

The result is a highly original, experimental and thrilling record that fires on all levels: as a document of an astoundingly strong and gifted player, as a compositional tour-de-force, and as a studio production bursting with intensity and inventiveness: a challenging work that resists classification but remains accessible to music lovers of many stripes.

The Puppini Sisters covering Wham!'s "Last Christmas"

The Puppini Sisters share their version of Wham!'s "Last Christmas" - transforming the modern synth holiday classic into a bittersweet nouveau/ancien WWII era Parisian stunner that Surviving the Golden Age praises as "truly a revelation. This might be the definitive rendition."
Holiday music finally puts on red lipstick, slips into a silky cleavage-celebrating ballgown, and goes gorgeous and glamorous with Christmas With The Puppini Sisters - the album Metromix describes as "imagine if 'Glee' did a big-band/swing episode and you’re pretty close."
A female vocal trio featuring ‘40s-style close harmony, backed by a fearless jazz threesome, the retro-futuristic Puppini Sisters put their signature sequined stamp on timeless songs of the season for the sensational group’s third album - listen to their swingin’ and rockin’, sexy and eccentric take on the sassy holiday classic "Santa Baby"!
Swingin’ and rockin’, sexy and eccentric have never before described a Christmas album--until now.  Then again, there has never before been an artist who claims both The Andrews Sisters and The Smiths as influences.  Holiday music finally puts on red lipstick, slips into a silky cleavage-celebrating ballgown, and goes gorgeous and glamorous with Christmas With The Puppini Sisters (Verve), released October 5, 2010.
A female vocal trio featuring ‘40s-style close harmony, backed by a fearless jazz threesome, the retro-futuristic Puppini Sisters put their signature sequined stamp on timeless songs of the season for the sensational group’s third album.  From a scorching cover of Mariah Carey’s “All I Want For Christmas,” hyperspeed “Step Into Christmas,” oh-so-sexy “Santa Baby,” cabaret “Here Comes Santa Claus” and lilting “Last Christmas” to a weirdly wonderful “White Christmas,” scat-filled “Let It Snow,” ukulele oozing “Mele Kalilimaka,” uber-trad “Winter Wonderland” and divine “O Holy Night,” the Puppini Sisters (no, they’re not really sisters, that would be so on-the-nose) deliver original twists rather than nostalgic flashbacks.
Whether imaginatively reworking standards such as “Boogie Woogie Bugle Boy” and recent pop such as Beyonce’s “Crazy In Love,” or introducing new songs, the classically-trained London-based trio first captured the hearts of fans around the world with their international gold 2007 debut Betcha Bottom Dollar (#2 on the U.S. Jazz chart) and 2008’s The Rise And Fall Of Ruby Woo (#5 on the U.S. Jazz chart).
Brunette Marcella Puppini, a former assistant to fashion icon Vivienne Westwood, had dreamed of becoming opera’s next star.  Redhead Stephanie O’Brien began in music as a maverick of the classical world but found her niche playing gypsy jazz violin, South American harp and singing.  Blonde Kate Mullins, well, she sings like an angel and swears like a sailor.  The vocalists/multi-instrumentalists met in 2004 at London’s Trinity College of Music while pursuing Jazz Performance and Composition degrees.  Offered a gig at an outrageous gay nightclub, they jumped at the chance to perform.  Marcella, who gave the band her name, worked out a hasty arrangement of Kate Bush’s “Wuthering Heights” inspired by ‘40s swing and jazz.  The crowd adored their stunning vocals and cocktail hour charisma.
Since then, along with releasing several singles and two albums, they have performed at the Glastonbury festival and on an American stadium tour supporting Cyndi Lauper; been heard on TV series in the U.K. and the U.S., including “Grey’s Anatomy”; and been in constant demand as guest performers at notable entertainment and fashion events across the globe.  Even Prince Charles personally told them he thought they were “splendid” (seriously, we could not make that up).  The Puppini Sisters may have started out retro but they have become true originals.  With Christmas With The Puppini Sisters, holiday music never sounded so fresh and new.

Dave Stryker CD Release @ Cecils | New Jersey

Whether you’ve heard guitarist Dave Stryker fronting his own group (with 20 CD’s as a leader to date), or as a featured sideman with Stanley Turrentine, Jack McDuff, and Kevin Mahogany, you know why Gary Giddins in the Village Voice calls him “one of the most distinctive guitarists to come along in recent years.”  He was voted one of the Top Ten Guitarists in the 2001 Critics and Readers Poll of Downbeat Magazine, and was recently elected again as a Rising Star for the 5th time in the 2008 Downbeat Critics Poll. His latest CD is called "Keystone" on SteepleChase Records.

Stryker grew up in Omaha, Nebraska, moved to New York City in 1980, and joined organist Jack McDuff’s group, traveling all over the U.S. for two years (1984-85).  From 1986 to 1995, Stryker played with tenor saxophonist Stanley Turrentine, performing at all the major festivals, concert halls, and clubs throughout the world.  He has also performed with Freddie Hubbard, James Moody, Dizzy Gillespie, Jimmy Smith, Dr. Lonnie Smith, Eliane Elias, Joe Lovano and many others.

Dave currently performs with The Stryker / Slagle Band (with saxophonist Steve Slagle), The Dave Stryker Organ Trio and his Blue to the Bone Band.  He has recorded and published over 130 of his compositions, recorded 20 CD’s under his own name and recorded as a sideman on over 50 others.  He has performed all over the world at all the great Jazz Festivals and concert halls including Carnegie Hall, The Monterey Jazz Festival, The Newport Jazz Festival, and The JVC Jazz Festival.

Dave is also involved in passing along his experience by teaching both privately and at the John J. Cali School of Music at Montclair State University, The Aebersold Summer Jazz Workshop, The Litchfield Jazz Camp, The Veneto/New School Jazz Workshop in Italy, and The Outreach Jazz Workshop in Austria.  His book Dave Stryker’s Jazz Guitar Improvisation Method, is available from Mel Bay Publishing.

Dave Stryker Organ Quartet CD Release gigs:

Dave Stryker-guitar
Jared Gold-drums
Stephen Riley-tenor sax
McClenty Hunter-drums
Freddie Hendrix-trumpet

Cecils Jazz Club

364 Valley Rd
West Orange, NJ 07052
973-736-4800

Sat. Dec. 18th 7 and 9 pm
Shanghai Jazz in Madison NJ

Sun. Dec. 26  8 & 10 pm
w/ Billy Hart-drums
Trumpets Jazz Club
6 Depot Square
Montclair NJ 07042
973-744-2600

Trombone Shorty joins forces with Los Amigos Invisibles for 2011 tour

Trombone Shorty & Orleans Avenue join forces with Los Amigos Invisibles for what promises to be a knockout, high-energy tour that celebrates the new year.  Troy “Trombone Shorty” Andrews, the fast-rising 24-year-old funk/rock star, has kicked his already impressive career into high gear worldwide with the release of Backatown, his Verve Forecast debut in April of this year. Los Amigos Invisibles, the Grammy-nominated, Venezuelan-rooted, New York City-based Latin-funk sextet, are sure to be the perfect match to create an explosive mix of musical and cultural styles destined to wring every bit of energy out of their audiences.

The February co-headline tour includes such highlights as a double bill at San Francisco’s legendary Fillmore Auditorium, a Grammy eve performance at L.A. Live’s Conga Room and a very special show during Fan Appreciation Week celebrating the new Austin City Limits Live venue at Moody Theatre.

Trombone Shorty, who possesses “the presence of a rock star” (The New York Times) and has built his reputation on “blistering, bold, exuberant and cutting edge” (USA Today) live performances, has a style perfectly complemented by co-headliners Los Amigos Invisibles, who “emanate pure Groove . . . walking bass lines, percolating percussion, scratchy guitar and relentless drums of a band that knows no difference between arty fun and sensual fire” (Rolling Stone).

Both artists have developed into global touring machines, each with a high level of swagger and visibility.

Los Amigos Invisibles were originally discovered by David Byrne in a Manhattan record shop. The multi-dimensional disco funk stars signed with Luaka Bop, moved to New York City from their native Venezuela and soon established themselves in the dance music scene with their elevated grooves.  Los Amigos have appeared on Jimmy Kimmel Live and played major festivals including Coachella, Bonnaroo and Lollapalooza.  The band won their first career Latin Grammy in 2009 with an acclaimed studio album, Commercial (Nacional Records), which includes guests Dimitri From Paris and Mexican singer Natalia Lafourcade. Their new EP, Not So Commercial, features B-sides and alternate versions from the group’s award-winning album’s studio sessions.

For Trombone Shorty and his six-piece touring band, Orleans Avenue, 2010 was a breakout year.  Their live performance schedule caught fire when Backatown debuted at #1 on Billboard’s Contemporary Jazz chart, holding the top spot for nine weeks and currently at #3 over six months later. Shorty and the band headlined concerts across North America, including a triumphant set with special guest Mystikal at Jazzfest, a rousing return to Bonnaroo, and a debut performance at the Hollywood Bowl for the Playboy Jazz Festival.  They made their Japanese debut at the acclaimed Fuji Rock Festival, followed by gigs in Rio and Sao Paolo.  After an historic performance at the Monterey Jazz Festival (and breaking the Festival’s all-time CD sales record), Shorty set off on a cross-Europe tour, highlighted by five shows in the coveted opening slot on Jeff Beck’s U.K. tour. This November Shorty and Orleans Avenue support Dave Matthews Band on tour and in December, Troy will serve as curator for the Brooklyn Academy of Music’s Red Hot + New Orleans, a premiere concert event dedicated to funding AIDS research.

Trombone Shorty’s visibility quotient on national television continues at an explosive pace including recent appearances on the Late Show With David Letterman, NFL Kickoff 2010, Jimmy Kimmel Live, The Tonight Show, Austin City Limits, and HBO’s hit New Orleans drama Tremé. The band’s “Hurricane Season” was heard weekly on MTV’s The Real World, New Orleans as the opening title track and there is much more to come.

Los Amigos Invisibles and Trombone Shorty & Orleans Avenue itinerary:

Mon., Feb. 7  SEATTLE, WA Neumos
Tues., Feb. 8  PORTLAND, OR Dante’s
Wed., Feb. 9  ARCATA, CA Humboldt Brews
Thurs., Feb. 10  SANTA CRUZ, CA The Catalyst
Fri., Feb. 11  SAN FRANCISCO, CA The Fillmore
Sat., Feb. 12  LOS ANGELES, CA Conga Room
Tues., Feb. 15  DENVER, CO Bluebird Theatre
Wed., Feb. 16  BOULDER, CO Fox Theatre
Fri., Feb. 18  AUSTIN, TX Austin City Limits Live at Moody Theater
Sat., Feb. 19  HOUSTON, TX House of Blues
Sun., Feb. 20  DALLAS, TX House of Blues
Wed., Feb. 23  ASHEVILLE, NC The Orange Peel
Thurs., Feb 24  ATLANTA, GA Variety Playhouse

Alan Hampton Announces Solo NYC & International Dates

Making the leap from sideman to solo artist, Alan Hampton's debut LP The Moving Sidewalk effortlessly showcases his tender, ashy voice shimmering over lush string trios, Dr. Who synthesizers and finger-picked acoustic guitars all performed by many of Brooklyn's finest musicians.

After performing around the world with artists including Gretchen Parlato, Sufjan Stevens, Clare and the Reasons, Robert Glasper and Elizabeth & the Catapult, Hampton announces solo NYC shows and national dates with Parlato to celebrate the release of The Moving Sidewalk.

--

Who is Alan Hampton:
Alan Hampton’s debut record, The Moving Sidewalk effortlessly showcases his range of musicality and resourcefulness. His tender, ashy voice shimmers over lush string trios, Dr. Who synthesizers, and finger-picked acoustic guitars, all performed by many of Brooklyn’s finest musicians. The ten, carefully constructed songs are intricate hybrids of various genres and influences, pooling from Brian Wilson, Wayne Shorter, and The Band.
Enhanced only by its homebrewed process, The Moving Sidewalk was recorded in Pete Rende’s Brooklyn apartment, and mixed in David Boucher’s Culver City garage. The album’s cover features Hampton’s whittled self-portrait standing on a winding sidewalk that ribbons from a cityscape made of papier mâché and wire form, which was designed and constructed with close friend Lindsey Anderson.
An extensive musical education; years of experience as a sideman and bassist in NYC; and practice in a variety of different genres have all contributed to the abundant reservoir of resources that make Hampton’s record at once eloquent and unassuming. Hampton studied composition and performance, and toured and performed with jazz luminaries Terrence Blanchard, Herbie Hancock, and Wayne Shorter at the Thelonious Monk Institute of Jazz in Southern California. After completing the program, he moved to Brooklyn where he made his mark as a bassist and sideman, performing around the world and recording with the likes of Gretchen Parlato, Sufjan Stevens, Clare and the Reasons, Robert Glasper, and Elizabeth and the Catapult.
Since the arrival of The Moving Sidewalk, and his leap from sideman to solo artist, Hampton has gained notoriety as a singer and a songwriter, and has appeared on records by singer Gretchen Parlato, and bassist Derrick Hodge, who is known for his work with Common, Mos Def, and Maxwell.
Where The Moving Sidewalk will take Hampton next, he can’t be sure. But the evidence rings loud and clear: In the world of music, Alan Hampton is quickly setting the pace.
--
Alan Hampton Tour Dates:

Nov 23 - Rose Hall - NY, NY    
Dec 4 - Alverno College - Milwaukee, WI
Dec 10 - Rockwood Music Hall - NY, NY
Jan 3 - Joe's Pub - NY, NY (CD Release show)
Feb 10 - Olin Center - Lewiston, ME    Bates College
Feb 12 - Vermont Jazz Center - Brattleboro, VT    
Feb 18 - Riverside Fine Arts Association - Jacksonville, FL    
Apr 22 - Wichita Jazz Festival - Wichita, KS    
Apr 23 - Wichita Jazz Festival - Wichita, KS
More tour dates to be announced soon

National Jazz Museum in Harlem Nov. 15 - Nov. 21, 2010 Schedule

Upcoming events at the National Jazz Museum in Harlem for this week include:

--

Tuesday, November 16, 2010

Jazz for Curious Listeners
Savory Collection Part 2: Count Basie – 1930s
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
The Savory Collection may well redefine the critical view of jazz in the late 1930s. Dan Morgenstern, Director of the Institute of Jazz Studies, provides proof of this claim in the New York Times by "citing the case of Herschel Evans, a saxophonist who played in the Count Basie Orchestra but who died early in 1939, just before his 30th birthday. Evans played alongside Lester Young, who was one of the giants of the saxophone and constantly overshadowed Evans on the Basie group’s studio recordings.

“There can never be too much Lester Young, and there is some wonderful new Lester Young on these discs,” Mr. Morgenstern said. “But there are also some things where you can really hear Herschel, who is woefully under-represented on record and who, until now, we hardly ever got to hear stretched out. What I’ve heard really gives us a much better picture of what he was all about.”

That's just one of the wonders of Basie you'll hear tonight!

Friday, November 19, 2010

Harlem in the Himalayas
Meg Okura / Pan Asian Chamber Jazz Ensemble
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office <http://click.icptrack.com/icp/relay.php?r=-1&amp;msgid=0&amp;act=11111&amp;c=246760&amp;destination=http%3A%2F%2Fwww.rmanyc.org%2Fharleminthehimalayas%2F>  or call 212-620-5000 ext. 344
Meg Okura is “the queen of chamber jazz,” says Dan Bilawsky in All About Jazz. In her Pan Asian Chamber Jazz Ensemble, Okura skillfully balances her roles as violin virtuoso, prolific composer, and master erhu player. Comprised of a group of young virtuosi, the Pan Asian Chamber Jazz Ensemble brilliantly weaves together jazz, classical, and traditional Japanese music to create their own unique blend of world-chamber jazz. They have been hailed by the New York Times as “vibrant” and “sophisticated.” See and hear why this evening in the intimate setting of the acoustically rich theater at the Rubin Museum of Art.

Saturday, November 20, 2010

Saturday Panels
Savory Saturday
12:00 – 4:00PM
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Come have an extended listening session and hear live music, all based around new discoveries unheard for 70 years. By now, if you're a jazz fan attuned to history, you're aware of the Savory Collection. But whether you're a long time fan, or a newbie, you owe it to yourself to experience this gold mine find from the vaults of jazz lore.