friday

Keller Williams announces Brand New Album and Summer Tour Dates

Keller Williams releases his first-ever all-covers collection, amusingly titled Thief, on May 25, 2010. Recorded with the Keels—husband and wife duo Larry and Jenny KeelThief includes songs originally written and recorded by as wildly diverse an assemblage as anyone’s ever likely to dream up.

Keller is on tour this summer - at solo shows, with The Keels, and even for a run of gigs as vocalist/guitarist in The Rhythm Devils, the project by Grateful Dead drummer Bill Kreutzmann and his partner percussionist Mickey Hart. Keller’s complete list of currently confirmed tour dates is included below.

Thief offers up Keller-versions of songs by an [almost] unthinkable collection of artists: from Amy Winehouse (“Rehab”) to the Grateful Dead (“Mountains of the Moon”), the Butthole Surfers (“Pepper”) to Kris Kristofferson (“Don’t Cuss That Fiddle,” which opens the album, and “The Year 2003 Minus 25,” which closes the album). The set is filled out with tunes by Ryan Adams, the Presidents of the United States of America, the Raconteurs, Patterson Hood, Danny Barnes, Cracker, the Yonder Mountain String Band and Marcy Playground. All over the place, indeed, but that’s the way Williams likes it. And in his hands it all makes sense—like everything he’s ever touched, whether from his own pen or someone else’s, it all becomes Keller Williams' music. Fans are encouraged to stay tuned for a big Thief pre-sale and contest announcement coming soon.

Keller’s thirst for music of all kinds has also led him to the world of radio. For the past seven years he has hosted Keller’s Cellar, a weekly syndicated program available on over 40 terrestrial stations and online. Williams describes the show as “a self-indulgent, hour-long narrated mix tape of stuff I’m into. It’s rule-less except for what the FCC says we can’t do. I don’t play contemporary country music. I don’t play contemporary Christian music—however, there is possibly some old gospel. I don’t play opera. Everything else is fair game. World music from all around—African music from all the countries, jazz, funk, reggae, techno, chill, lounge, lounge singers, rub-a-dub, dancehall. I pretty much stay away from smooth jazz. It’s definitely a fun outlet for me.”

Long considered one of the most unique and prolific performers in all of rock, the Fredericksburg, Virginia native is known for flying by the seat of his pants on stage, utilizing an unorthodox approach that centers around an Echoplex Digital Pro looping unit, which allows Keller to alternate between several instruments on stage.

Keller Williams’ Current Tour Dates:
Friday, April 16 Biltmore Cabaret Vancouver BC
Sunday, April 18 World Ski Festival Whistler BC
Thursday, April 22 WorkPlay Theatre Birmingham AL
Friday, April 23 Floyd's Tallahassee FL
Saturday, April 24 Freebird Live Jacksonville FL
Friday, April 30 Handle Bar Greenville SC
Thursday, May 13 Lewis Ginter Botanical Garden Richmond VA
Sunday, May 16 The Hangout Music Festival Gulf Shores AL
Saturday, May 22 SmileFest - Deerfields Amphitheater Pinnacle NC
Friday, May 28 Bella Madre Music Festival Geneva MN
Saturday, May 29 Summercamp Chillicothe IL
Sunday, May 30 Delfest Cumberland MD
Keller Williams and Friends
featuring Jeff Austin and Keith Moseley
Thursday, June 17 Telluride Bluegrass Festival Telluride CO
Saturday, June 19 Clearwater Festival - Croton Point Park Westchester NY
Friday, July 2 Nateva Music & Arts Festival - Oxford Fairgrounds Oxford ME
Sunday, July 11 All Good Music Festival Masontown WV
Saturday, July 17 YMSB String Summit North Plains OR RHYTHM DEVILS
Sunday, July 18 Britt Festival Jacksonville OR RHYTHM DEVILS
Saturday, July 24 The Spud Drive In Driggs ID RHYTHM DEVILS
Sunday, July 25 Red Butte Garden Salt Lake City UT RHYTHM DEVILS
Saturday, July 31 Gathering of the Vibes Bridgeport CT RHYTHM DEVILS
Saturday, August 14 Mile High Music and Arts Festival Denver CO
Saturday, August 21 Hoxeyville Festival Cadillac MI

Dedication to Afro-Cuban Jazz: Art Blakey and Dizzy Gillespie

Creole Restaurant and Music Supper Club, located at 2167 Third Avenue (NE corner 118th St.), known for its great food according to ZAGAT, ambiance, and for bringing Jazz and R&B back uptown, proudly presents a Dedication to Art Blakey and Dizzy Gillispie for the inspiration of Afro-Cuban Jazz in America on Friday, April 9 and Saturday, April 10, 2010, respectively.  

Art Blakey (1919 – 1990) was a drummer, leader, composer and teacher, and co-founder the Jazz Messengers for 35 years. Blakey introduced congas to the sound of jazz in 1949, blending Afro-Cuban rhythms with straight ahead jazz.  After six decades of influencing Jazz around the world, Art died at the age of 71.

Dizzy Gillespie (1917 –1993) was a significant developer of the American jazz art form of bebop and modern jazz, and he was instrumental in founding Afro-Cuban jazz the infusion of Spanish rhythms.  He was a jazz trumpet player, bandleader, singer, and composer.  In the late 1940s, Gillespie was also involved in the movement called Afro-Cuban music, bringing Latin and African elements to great prominence and in the late 1940’s recorded with Chano Pozo and Mario Bauza.  Dizzy died at 75 leaving his legacy in Jazz and leaving Americans dancing to Afro Cuban jazz rhythms.

Creole Restaurant and Music Supper Club continues its tradition of being true to the American Jazz art form, by not forgetting jazz origins.  On Friday, April 9 and Saturday, April 10, 2010.  Grammy™ award winner Brian Lynch (trumpet), Grammy™ award winner Ian Smith (Alto Sax), Little Johnny Rivero (congas), Joel Forbes (bass), Todd Herbert (tenor sax) and “Killer” Ray Appleton (drums) will deliver an out of this world performance both nights, two sets each night, 7pm and 9pm with a $20 music cover charge. Doors open at 6pm and 8pm. Call 212-876-8838 ext.4 or visit their website for more information and to make reservations.

The Inimitable Baby Dee Tours in Support of Upcoming Release

After the overwhelming response to Safe Inside the Day in February 2008, the unique Baby Dee returns with A Book of Songs for Anne Marie, out in North America on 4/20 via Drag City. What was telling about the response to Safe Inside the Day was the purity of reaction. The back story, (let’s face it, Baby Dee is the epitome of the phrase) never overshadowed the fact that she gives everything and that is what connects with critics and audience alike. Harkening to the song cycles and lieder of Schubert and Schumann, the tracks of A Book of Songs for Anne Marie are part of a greater whole, a series of poems set to music. Joined by a talented group of musicians, including Matthew Robinson (cello), Sarah Alden (violin), John Nowel (violin) and John Contreras (cello), Dee will cross the continent, performing these minimally orchestrated, tender songs on piano as only she can: with humor, warmth, and gravity.

Check out the song “Lilacs” off of A Book of Songs for Anne Marie here.

Baby Dee Tour Dates:

Thursday, April 8 - Philadelphia, PA @ World Cafe

Friday, April 9 - Baltimore, MD @ Floristree

Saturday, April 10 - New York, NY @ Santos Party House

Monday, April 12 - Montreal, QC @ La Sala Rossa

Tuesday, April 13 - Toronto, ON @ The Music Gallery

Wednesday, April 14 - Cleveland, OH @ Opening Nights Festival

Thursday, April 15 - Cleveland, OH @ Beachland Ballroom

Friday, April 16 - Chicago, IL @ The Hideout

Saturday, April 17 - Cedar Rapids, OH @ CSPS

Sunday, April 18 - Dubuque, IA @ Monks Kaffee Pub

Monday, April 19 - Minneapolis, MN @ Cedar Cultural Center

Tuesday, April 20 - Winnipeg, ON @ West End Cultural Centre

Friday, April 23 - Calgary, AB @ The Big Secret Theatre

Saturday, April 24 - Calgary, AB @ The Big Secret Theatre

Tuesday, April 27 - Vancouver, AB @ Gallery Gachet

Wednesday, April 28 - Seattle, WA @ The Triple Door

Thursday, April 29 - Portland, OR @ The Woods

Friday, April 30 - San Francisco, CA @ Amnesia

Saturday, May 1 - Santa Monica, CA @ McCabes

Sunday, May 2 - Phoenix, AX @ Trunk Space

Monday, May 3 - Albuquerque, NM @ Outpost Performance Space

Wednesday, May 5 - Columbia, MO @ Mojos

Thursday, May 6 - Lexington, KY @ Niles Gallery (UK Campus)

Friday, May 7 - Detroit, MI @ Museum of Contemporary Art Detroit

7 Walkers, featuring Bill Kreutzmann and Papa Mali, Announce Dates

Legendary drummer and co-founder of the Grateful Dead, Bill Kreutzmann, together with funky bluesman and voodoo electronic pioneer Papa Mali, officially unveil 7 Walkers’ spring plans. 7 Walkers, which also features bass virtuoso Reed Mathis (Tea Leaf Green, JFJO) and multi-instrumentalist Matt Hubbard (Willie Nelson and Friends), will stop at select markets and festivals through out the country, all in anticipation of a new album release. The complete list of currently confirmed tour dates is included below.

7 Walkers recently spent time at an Austin, Texas studio, recording an album to be released later this year. In addition to a brand-new batch of Robert Hunter (Grateful Dead and Bob Dylan lyricist) originals that were co-written with the band, the new album offers up favorites from the Grateful Dead repertoire, Papa Mali originals, and some New Orleans and Southern songbook interpretations. Overall, the result is a fiery and funky collection of tunes that quite brilliantly capture the unique collaboration between these two very different musical shamans.

Bill Kreutzmann (who played every show in the Grateful Dead’s illustrious 30 year career as well as The Dead incarnations since) first met funky Papa Mali at a festival in 2008. Bill recalls in a recent interview, “We first met at the Oregon Country Fair last year. He was the headliner on the main stage, and I sat there and watched him and went, ‘This guy's for real man, I like this guy.' Then we met, after that he came over to my trailer that I was staying in and you couldn't separate us, we talked for hours. It was just one of those natural things, you know? You can't plan it; You can't make it happen. And then we started playing together.”

Live audio recordings of the 7 Walkers can be heard at the newly re-launched www.billkreutzmann.com.

Meanwhile, at nugs.net, fans can now download live BK3 recordings from their 2009 Colorado shows. Another potent Kreutzmann musical project, BK3 first toured in 2008 and featured a rotating lineup including such players as guitarist Scott Murawski (Max Creek) and bassists James "Hutch" Hutchinson (Bonnie Raitt), Oteil Burbridge (Allman Brothers), and Mike Gordon (Phish).

Bill Kreutzmann is also working to support the efforts of University of California at Santa Cruz, who has committed to helping to archive all things Grateful Dead. As Kreutzmann explains, “I am incredibly happy that the kind archivists at UC Santa Cruz understand the social value of [the Grateful Dead’s] priceless archive, and its hallowed meaning to our most beloved ‘Dead Heads.’ Without the care it is now going to receive, these treasures would be lost.”

7 Walkers Spring/Summer Tour Dates:

(*Please note guest bass player George Porter Jr. will perform these dates with 7 Walkers)

Tuesday, April 6 Sierra Nevada Brewing Co., Big Room Chico CA
Wednesday, April 7 Red Fox Eureka CA
Thursday, April 8 Crystal Bay Club Crown Room Crystal Bay NV
Friday, April 9 Great American Music Hall San Francisco CA
Saturday, April 10 Moe's Alley Santa Cruz CA
Friday, April 16 Spirit of Suwanee Music Park Live Oak FL
Saturday, April 17 The Salt Lick Driftwood TX
Friday, April 30 Mahalia Jackson Theatre New Orleans, LA
Thursday, June 3 Wakarusa Festival Ozark AR
Friday, June 11 Sonoma County Fairgrounds Santa Rosa CA

33rd Cape May Jazz Festival April 16-18, 2010

Immerse yourself in jazz vocals from ballads to low-down blues, mellow sax, high-pitch trumpet, Latin piano at the 33rd Cape May Jazz Festival April 16-18, 2010, presented by Bank of America and New Jersey Department of Travel and Tourism. Spyro Gyra opens up the festival Friday night with music that encompasses straight-ahead jazz, blues, Latin, Brazilian, instrumental pop, funk and fusion.  For more than 3 decades  Spyro Gyra has been dominating the contemporary jazz scene and still has a snap, originality and fresh sound which appeals to both old and new fans. Blues singer Shemekia Copeland opens up Saturday night with her huge, blast-furnace voice which gives her music a timeless power and heart-pounding urgency.  Her music comes from deep within her soul and from the streets where she grew up.

Friday night tenor saxophonist Tim Warfield, one of the most impressive young tenors around, will pay Tribute to Shirley Scott with his organ quintet. Warfield wanted to pay tribute to Shirley using the Hammond B-3 to relate his happy, soulful experiences with music they performed together, songs introduced by her or original compositions Warfield wrote with her in mind.  Continuing Friday night guitarist Monnette  Sudler will perform in Carneys Main Room with tenor Bootsie Barnes, trombonist Steve Turre and Aaron Graves on keys for a slamming hard-bop groove.  For a total change of pace vocalist Marta Topferova, who moved from Prague to New York City and immersed herself in the dynamic clusters of Latin American life, will entertain in Carneys Other Room with her elegant, low-key misty voice backed by stellar musicians who include Latin sounds from Cuban, Argentinian tango to Venezuelan rhythms. Mississippi Heat is one of Chicago’s hottest blues bands playing traditional Chicago blues with their  band leader’s golden tone on the harmonica and vocalist Inetta Visor permeating Cabanas  Friday night.

Saturday afternoon starts out with prejams  in both rooms at Carneys with the up-and-coming youth bands Tom Zmuda and Thursday Night Jazz and the Divine Jazz Combo followed by jam sessions.  Georgie Bonds, a world-class singer, songwriter and blues entertainer, will continue the blues tradition with Delta blues in Cabanas.

Saturday night continues with the exciting Cuban piano player Chuchito Valdes returning for 2 shows in the Grand Hotel Ballroom.  Chuchito raised a mountain of rhythmic intensity with power and passion at the April 2008 festival   following in the footsteps of his grandfather Bebo and father Chucho Valdes blending elements of Afro-Cuban music, jazz, bebop, mambo and cha-cha-cha.   Another jazz festival favorite vocalist Juanita Williams along with Fred Hughes on piano will perform at the Jazz Dinner and 11pm show in Aleathea’s Restaurant.  Juanita came up musically by way of gospel, was inspired  by  blues greats Etta James and Aretha Franklin and sings sweet soul music and gritty blues with originality, sass and flair.  Pianist Fred Hughes, another festival favorite, compliments Juanita playing dynamic piano solos.  Appearing in Carneys Main Room B. D. Lenz has been described as one of the hottest new contemporary jazz guitarists on the scene today fusing  jazz and rock complemented by warm chords of funk, soul, rhythm and blues to dance to.  Carneys Other Room presents The Shook-Russo Quartet who is composing their own original music within the jazz idiom honoring the masters by carrying on the mainstream tradition with the huge sound and driving groove of Amy Shook on bass and the incredibly skillful Frank Russo on drums.   Jesse Andrus, a favorite tenor/alto sax and flute player seen at the jams, will be in the Boiler Room with his group Absolute Truth Saturday night.  Absolute Truth weaves jazz with soul, R&B, African and Latin rhythms, gospel, blues and funk which creates a sound that is at once fresh and familiar honoring the masters who came before them while creating a sound all their own.   Performing in Cabanas the multi-talented  Ray  Schinnery  will stir the soul with his vocals, move you to hilarity with his lyrics and woo you with his guitar.
Pre-Jam Sunday opens up with the Little Jazz Giants and the Young Lions in 2 rooms at Carneys followed by 2 Jam Sessions along with the Charles Walker Blues Band in Cabanas.  Hailing from Wisconsin the 5-piece Walker band performs various styles of blues, R&B and funk with Walker’s expressive saxophone stealing the show along with Shanna Jackson’s  powerfully deep soulful voice.

The schedule, musician’s pictures, information and sounds bytes are found on the web at www.capemayjazz.org.  For more information on reduced price All Event Weekend Pass including reserved seating or to be put on the mailing list please call 609-884-7277.  An All Event Weekend Pass to attend 18 events beginning 8pm Friday through 4pm Sunday is $150 general admission. Individual Friday or Saturday Night All Event Wristbands are $55.  Saturday Afternoon Jam Wristbands are $35, Sunday Jams $25.  Reserved Seating is available at the Theatre at Lower Regional High School for an additional $25 per person. Complimentary Festival Transportation running every 10 minutes is available between venues all weekend.

The 33rd Cape May Jazz Festival is presented by New Jersey Department of State, Division of Travel and Tourism VisitNJ.Com and Bank of America and sponsored by the Delaware River and Bay Authority, Barefoot Wines, Jazz Times, WRTI Temple Public Radio, WBGO Jazz 88, WMGM  TV40, WCFA 101.5, WTTH the Touch, Cape May Star and Wave, Verizon Wireless with generous support from the New Jersey State Council on the Arts/Department of State, a partner agency of the National Endowment for the Arts, the New Jersey Cultural Trust, local businesses and donors.

This Friday starts Gene Ween Band US Southeast tour

weenCome on out and see Gene Ween and his band, doing some new songs, some ween songs, and some freaky covers. His all-star band features Ween bassist Dave Dreiwitz, guitarist Scott Metzger and drummer Joe Russo.

 

Friday, March 20
Cat's Cradle
300 E Main St
Carrboro, NC
w/opening act Torch Marauder
www.etix.com



Saturday, March 21
Neighborhood Theater
511 East 36th St
Charlotte, NC
w/opening act The Loners
www.neighborhoodtheatre.com


Sunday, March 22
The Earl
488 Flat Shoals Ave. SE
Atlanta, GA
(an Evening with GWB)

www.ticketalternative.com


Tuesday, March 24
Exit/In
2208 Elliston Pl
Nashville, TN
w/opening act The Mattoid
www.exitin.com


Wednesday, March 25
40 Watt
285 W Washington St.
Athens, GA
w/opening act Timmy Tumble
www.40watt.com


Thursday, March 26
Orange Peel
101 Biltmore Avenue
Asheville, NC
w/opening act
Shake It Like a Caveman
http://theorangepeel.net

Brazilian Trio CD Release Party Friday and Saturday, October 24 and 25th at Sweet Rhythm

Brazilian Trio- for the Grateful Web

What The Critics Are Saying:

This trio is known for its samba jazz, and, indeed, "Forests" has an overarching vibe that's as chilled and elegant as a Jobim samba. In fact, Helio Alves (piano), Duduka Da Fonseca (drums) and Nilson Matta (bass) display a great deal more breadth in their performances than simply cruising in the samba groove. On "Montreux," they evoke a lovely, impressionistic feel in their measured approach. Their take on Milton Nascimento's "Vera Cruz" has a grandness that's nearly cinematic, particularly Alves' busy, articulate opening solo. Again bringing its skills to bear on a Nascimento tune, "Tarde," Alves plays with a gravity and a stylistic flair that's truly impressive. — Philip Van

Vleck Billboard Magazine

The Brazilian Trio consists of three Brazilian-born musicians who left their native land to expand their musical horizons in New York. Pianist Helio Alves has recorded extensively as a leader, while bassist Nilsson Matta and drummer Duduka Da Fonseca make up two thirds of the group Trio da Paz. The band is not a typical piano/bass/drums trio, but an interactive group with all members contributing to the arrangements. - Ken Dryden Allmusic.com

They explore gems by Milton Nascimento (including a shimmering, reflective rendition of "Tarde" and a driving romp through "Vera Cruz"), along with a breezy take of Ivan Lins' "Amor." Their originals, which make up half of the CD, are just as potent. Alves' sauntering samba "Ubatuba," Matta's "Forests" conveys both the beauty of Brazilian wilderness and the tense daily battle for survival among its inhabitants. Da Fonseca's easygoing, lyrical "Flying Over Rio" is also noteworthy.

A classical trio with a decidedly Brazilian flavor, Brazilian Trio presents a program containing a taste of the Brazilian repertoire along with original pieces that demonstrate the group's diversity and commitment to today's contemporary jazz sounds. The three New York-based musicians from Brazil, pianist Helio Alves, bassist Nilson Matta and drummer Duduka Da Fonseca, produce enough sophisticated modern jazz rhythms here that it would be incorrect to label this album as a Brazilian genre recording. This is contemporary straight ahead jazz with a slight Brazilian slant.

The program begins with one of the best by borrowing the Ivan Lins composition "Amor," and presenting the piece in a vibrant form as Alves lays down fabulous piano lines and Da Fonseca taps the cymbals throughout. The Album is dedicated to the Brazilian forests and with that in mind the title tune ("Forests") begins with the sounds of birds and other wildlife, is introduced by light piano lines and then powers up and moves quickly. Alves presents excellent jazzy grooves on his original "Samba Alegre" giving the bassist and drummer nice solo portions.

The trio plays a beautiful light ballad with Hermeto Pascoal's largely ignored "Montreux" in an attempt to give it new life and with this rendition, they do indeed provide the spark. Drummer Da Fonseca's only original here is a dandy. The brief but bossa colored "Flying Over Rio" has the drummer on the brushes on a warm cushy piece of music. The repertoire includes a couple of Milton Nascimento tunes with the soft "Tarde," and his classic composition of "Vera Cruz," a common closer for most samba jazz recordings, finishing with a marvelous performance from Alves.

I was thoroughly enthralled by "Forests" as it is not your typical piano trio recording. The three Brazilians play their hearts out with a fiery yet graceful performance of beautiful Brazilian and modern jazz music. - Edward Blanco Ejazznews

Ah, a great Brazilian take on the classic jazz trio format.  A transplanted bunch of hard workers tilling the fields of the Big Apple serve up a lovely cross pollinated date that's sure to hit a nerve with jazzbos and samba fans.  It's unembellished but it doesn't need bells and whistles to make it's point with anything other than great playing.  In general, the piano trio has a fine history and this adds a great new leg to the format's legacy. Check it out. - CHRIS SPECTOR MIDWEST RECORD

This trio consists of three of Brazil's best jazz musicians with pianist Helio Alves, drummer Duduka Da Fonseca and Nilson Matta on bass. They are all based in New York but retain strong roots in Brazil. Each is a formidable jazz artist and they have successfully melded American jazz and samba for Forests. It is a combination of originals and Brazilian standards that will resonate with fans of both segments. Highlights are "Montreux", Alves dancing across the keys on "Pro Zeca" and "Vera Cruz". - D. Oscar  Groomes O's Place Jazz Newsletter

This exciting recording is a perfect example of the thorough absorption of the Bossa Nova being integrated with the mainstream jazz piano trio. All three members of Brazilian Trio are, in fact, Brazilians but have lived in New York City for decades,settling in the 1970s, '80s and '90s.

Pianist Helio Alves is the youngest of the three, having worked with Oscar Castro-Neves, Rosa Passos and Paquito D'Rivera. His decidedly modal approach to piano jazz is undoubtedly a credit to the influence of Bill Evans.

Like Alves, bassist Nilson Matta hailed from Sao Paulo and has been a prolific musician seemingly appearing on scores of dates over the years. Drummer Duduka Da Fonseca relocated from Rio in 1970 and has been a vital part of the New York jazz scene ever since; at one time he was a part of the Don Pullen Afro-Brazilian Connection. His wife is Brazilian vocalist Maucha Adnet, who has established herself as a primary interpreter of Antonio Carlos Jobim. Da Fonseca and Matta form two-thirds of Trio Da Paz along with guitarist Romero Lubambo.

The music on Forests, while reflecting the pulse and passion of Brazil, is not really Bossa Nova or Samba. Rather, it represents a synthesis of those forms with the style of the American jazz trio. The tunes are redolent of the forests of Brazil, presented in a manner that moves the music into a new category.

Opening with Ivan Lins' lovely "Amor," featuring Alves' lyrical piano, the session moves into Matta's title tune, dedicated to the forests of the Earth and in particular the Amazon Rain Forest, with Da Fonseca offering some tasty brushwork. Milton Nascimento contributes "Tarde," a beautiful melody that is limned again by Alves' Bill Evans-style work. Hermeto Pascoal's "Montreux" is a hard-to-find and rarely recorded title that made its debut at the 1979 Montreux Jazz Festival. The album concludes with Nascimento's popular "Vera Cruz," a full blown jazz samba.

One significant observation about Brazilian Trio is that, despite its members' individual recording experiences, this is a fully interactive trio, bringing the distinctive touch of Brazil to a faraway studio. - Michael P. Gladstone Allaboutjazz.com

Forests marks the auspicious debut of the Brazilian Trio - pianist Helio Alves, bassist Nilson Matta and drummer Duduka Da Fonseca - three musicians already well known in Brazilian jazz circles, having played with an impressive list of Latin icons, including Paquito D'Rivera, Rosa Passos and Antonio Carlos Jobim.

While the traditional piano trio format serves them well, the group's bicultural background takes the music deeper. All three hail from Brazil yet have made New York their home. Alves' improvising sounds like he absorbed the best of Bill Evans, Matta's bass playing is tasteful, supportive and, at the same time, stylistically unique and Da Fonseca's percussion work is nothing short of masterful.

The album is a mix of original compositions and tunes from Brazilian masters such as Milton Nascimento and Victor Assis Brasil. "Amor," the opening track by Ivan Lins, sets a mellow groove; "Samba Alegre," an Alves original, showcases the trio's seamless interplay and rhythmic chops and Nascimento's "Tarde" comes off like the musical embodiment of a sunset.

The skillful ensemble work of these musicians makes this recording particularly enjoyable. In their experienced hands, this collection of samba jazz originals and well-chosen classics is a great listen. - Karen Hogg All About Jazz NY

PHIX this Friday @ Boulder Theater

Phix will play their 500th show at the Boulder Theater- for the Grateful Web

Phix figured since Langerado put them up to show 499, and it felt so good, they might as well do show 500 and what better place than in their home town of Boulder at the historic Boulder Theater.  This will be the first time Phix will be headlining this amazing room and in addition to seeing Phix hit this milestone there will be opening sets by two Phix original projects that you'll definitely want to check out. Guitarist Paul Murin and drummer Chris Sheldon will be playing with their new band The Higher Good and Bassist Brian Adams will be playing with The Ethereal Plane.  This will be a great, long night of music, so please join us.

Vince Welnick Died Friday, June 2nd, 2006

Vince Welnick- for the Grateful Web

Vince died Friday, June 2nd.  He played keyboards with the Grateful Dead from September 1990 - August 1995.  Though he received a lot of criticism during his tenure, Vince was a loving, happy guy who played his heart out with the band.  Grateful Web sends our thoughts to his family and friends.  Thanks for your loving nature, Vince. We'll miss you...

***

"No fear, no hate, could be greater then the size of;
The love that I am seeing deep in the eyes of;
All of my friends, True Blue"
Vince Welnick "Missing Man Formation"
 
 
This song by Vince Welnick was a key inspiration for Quixote's True Blue and the guiding spirit of each of the places that we created successively.  Vince Welnick, the last keyboardist for the Grateful Dead, passed away today, June 2nd.  This bright and charming keyboardist eagerly took the place of Brent Mydland in the Grateful Dead hotseat creating some very memorable moments in the golden days of the Grateful Dead.  He led me to a greater understanding of Jerry Garcia when he said that "he could be ornery at times, but I have never met a kinder gentler man in  my life.  When I first saw Jerry Garcia I believed in Santa Claus.  Everybody is asking the big question and love is the answer.  And I'll always believe in Santa Claus."  Shortly after Jerry Garcia died, Vince Welnick, created a band called Missing Man Formation which was probably the strongest post-Dead band that I ever saw.  In fact when I first saw this band in 1996 and they did the long forgotten song, Saint Stephen,I thought I was going to explode.  Yes, spontaneously combustion was on my mind and I was giddy like a child.  Vince also played at my wedding August 9th at Red Rocks with Gregg's Eggs.   He was all about love and his presence on that day made it all the more special.  His heart was full of compassion in a seemingly heartless world.  He left his mark on my family and will always be considered a member of it.  In short, he will be missed as a friend and a brother.
 
February 21st, 1951 - June 2nd 2006
 
Stay True Blue,