natives

Local Natives Play Late Night With Jimmy Fallon

Local Natives Play Late Night With Jimmy Fallon Tonight At 12:30 AM EST.   Also, their new album, Gorilla Manor, is out now on Frenckiss Records.
You can catch some Grateful Web coverage of Local Natives here.
“It's a rare band that can use its chemistry as its own instrument. But the young, frightfully accomplished Local Natives are a rare L.A. band indeed.” – Los Angeles Times

“The camaraderie practically oozes out of the music of Local Natives, making Gorilla Manor my surprise album of the year.” – Bob Boilen of NPR

Local Natives Release Entirety Of "Gorilla Manor" For Remix

Local Natives have just finished an epic year, touring the world in support of their critically acclaimed debut Gorilla Manor.  But just before they go into hiding to start work on their second record, they're wrapping a few things up first.

The band are adding the last four unreleased stems to their remix site, allowing fans and other artists to remix any song they like. All tracks are then posted for the world to download and enjoy.

Local Natives are planning on releasing their favorites on a special compilation later this month, so any remixes must be submitted by Dec 15th to be eligible.

"We are happy to announce that we just released the stems to the remaining last four songs from the album on our remix site (Airplanes, Warning Sign, Cubism Dream, and Stranger Things).  Also, in light of all the awesome remixes we've received over the past six months, we're going to pick our favorites and package them into a sort of "Best-Of" compilation, so make sure to get any remixes in by December 15th to make the cut.  Here is a download of a groovy take of "Stranger Things" by Wallpaper.  Enjoy, and happy holiday remixing!  Spike that eggnog, hug your loved ones, and feel that spirit."

Click here for more info.

Local Natives at the Fox, Tues Sept 28

Local Natives make soaring, sky-scraping harmonies, dreamy orchestral melodies, and throbbing tribal beats that bash their way into your soul. Theirs are songs you can dance to almost as well as you can swoon to them. Drawing a line from the vocal stylings of Crosby Stills Nash & Young and the Zombies through the more esoteric edges of post-punk and Afro-beat, this California five piece have communally crafted a brand of indie rock all their own. The band’s sound has been described as “afropop-influenced guitars with hyperactive drumming and hooky three-part harmonies”.

For Local Natives everything is a collaboration, from song writing duties to the band’s self produced artwork. The three part harmonies come courtesy of keyboardist Kelcey Ayer, guitarists Ryan Hahn and Taylor Rice. Then there’s Matt Frazier on drums and Andy Hamm on bass, who look after the band’s equally impressive graphics and artwork. One of SXSW 2009’s biggest success stories, the band drove for two days to get from Los Angeles to Austin in order to play nine spectacular shows that saw them sprinting, instruments in hand, from one gig to the next. Their hectic schedule paid off as Local Natives left Austin with the attention of the UK music Industry.

Based in the Silver Lake area of Los Angeles, three of the five-piece originally hail from Orange County. Kelcey, Ryan and Taylor attended neighbouring high schools and hooked up with bassist Andy a year after they graduated, later meeting drummer Matt. They’ve been playing – and evolving - together for three years. Last year, however, the band realized that the new songs they were writing were the sounds of a new project entirely. Their debut album as Local Natives, “Gorilla Manor”, was released in the UK on Nov 2nd, 2009, and saw a US release date of Feb. 16th, 2010.I nitial reviews of Local Natives have drawn favourable comparisons to Arcade Fire, Fleet Foxes and Vampire Weekend.

All Ages / GA  / $14.00 adv / $16.00 DOS

Internet 24-7 at www.foxtheater.com

Phone: During box office hours: 303.443.3399

Local Natives Announce US Tour

Local Natives make soaring, sky-scraping harmonies, dreamy orchestral melodies, and throbbing tribal beats that bash their way into your soul. Theirs are songs you can dance to almost as well as you can swoon to them. Drawing a line from the vocal stylings of Crosby Stills Nash & Young and the Zombies through the more esoteric edges of post-punk and Afro-beat, this California five piece have communally crafted a brand of indie rock all their own.

For Local Natives everything is a collaboration, from song writing duties to the band’s self produced artwork. The three part harmonies come courtesy of keyboardist Kelcey Ayer, guitarists Ryan Hahn and Taylor Rice. Then there’s Matt Frazier on drums and Andy Hamm on bass, who look after the band’s equally impressive graphics and artwork.

One of SXSW 2009’s biggest success stories, the band drove for two days to get from Los Angeles to Austin in order to play nine spectacular shows that saw them sprinting, instruments in hand, from one gig to the next. Their hectic schedule paid off as Local Natives left Austin with the attention of the UK music Industry.

Based in the Silver Lake area of Los Angeles, three of the five-piece originally hail from Orange County. Kelcey, Ryan and Taylor attended neighboring high schools and hooked up with bassist Andy a year after they graduated, later meeting drummer Matt.  They’ve been playing – and evolving - together for three years. Last year, however, the band realized that the new songs they were writing were the sounds of a new project entirely.

It was in December 2008 that the band decamped to Silver Lake, where they all live in the same house.  But the Silver Lake digs isn’t the first house the band have shared. They lived together in Orange County too, in a place affectionately known as Gorilla Manor. “It was insanely messy and there were always friends over knocking around on guitars or our thrift store piano,” says Ryan, “it was an incredible experience and I’ll never forget that time.” The original Gorilla Manor, where the band wrote the majority of their record, had such an impact that the band has paid tribute to the house by naming their debut album in its honor.

The self-funded Gorilla Manor was recorded by Raymond Richards in West Los Angeles. Richards produced the record with Local Natives in his own Red  Rockets Glare Studio.

Featuring twelve sumptuous slices of dappled California sunlight and beguiling percussive rhythms, the album kicks off with the moody, driving, ‘Wide Eyes’. Says Ryan, “It’s about people’s obsession with the miraculous and disastrous…with witnessing extraordinary events”. The effervescent, mandolin boasting ‘Airplanes’ follows, which Kelcey explains is about “longing to have met my grandfather, a great man and pilot, who died before I was born.”  Also included is the glorious ‘Sun Hands’, which was released as a limited edition single on Chess Club back in July.  According to Taylor, the lyrics describe “that all too familiar feeling of wanting what you can’t have –  especially when you once had it.”  There’s a cover version in the mix too, a barely recognizable version of Talking Heads’ ‘Warning Sign’. “We’ve basically flipped the song on its head,” says Matt, explaining how they switched David Byrne’s original yelped vocals into a beautiful three-part harmony.

Local Natives US Tour

4/20 Tucson, AZ – Solar Culture
4/22 Dallas, TX – The Cavern
4/23 Austin, TX – Emo’s Inside
4/24 Houston, TX – Mango’s
4/26 Little Rock, AR – Sticky Fingerz Chicken Shack
4/27 Haittesburg, MS – Thirsty Hippo
4/29 St. Augustine, FL – Cafe 11
4/30 Nashville, TN – The Basement
5/1 Atlanta, GA – Masquerade
5/4 Chapel Hill, NC – Local 506
5/5 Washington, DC – DC 9
5/6 New York, NY – Bowery Ballroom
5/7 Philadelphia, PA – Kung Fu Necktie
5/8 Allston, MA – Great Scott
5/11 Cleveland, OH – Beachland Ballroom
5/12 Columbus, OH – The Basement
5/14 Chicago, IL – Schubas
5/15 Rock Island, IL - Rock Island Brewing Company
5/17 Minneapolis, MN – 400 Bar
5/18 Iowa City, IA – The Mill
5/19 Columbia, MO – Mojo’s
5/21 Denver, CO – Larimer Lounge
5/22 Salt Lake City, UT – Kilby Court
5/25 Spokane, WI – Empyrean
5/26 Boise, ID – Neurolux
5/27 Portland, OR – Mississippi Studios
5/28 Vancouver, BC – Media Club
5/30 Seattle, WA – Sasquatch

Local Natives | Debut LP "Gorilla Manor" Out 2/16/10

Local Natives make soaring, sky-scraping harmonies, dreamy orchestral melodies, and throbbing tribal beats that bash their way into your soul.  Theirs are songs you can dance to almost as well as you can swoon to them. Drawing a line from the vocal stylings of Crosby Stills Nash & Young and the Zombies through the more esoteric edges of post-punk and Afro-beat, this California five piece have communally crafted a brand of indie rock all their own.
For Local Natives everything is a collaboration, from song writing duties to the band’s self produced artwork. The three part harmonies come courtesy of keyboardist Kelcey Ayer, guitarists Ryan Hahn and Taylor Rice. Then there’s Matt Frazier on drums and Andy Hamm on bass, who look after the band’s equally impressive graphics and artwork.
One of SXSW 2009’s biggest success stories, the band drove for two days to get from Los Angeles to Austin in order to play nine spectacular shows that saw them sprinting, instruments in hand, from one gig to the next. Their hectic schedule paid off as Local Natives left Austin with the attention of the UK music Industry.
Based in the Silver Lake area of Los Angeles, three of the five-piece originally hail from Orange County. Kelcey, Ryan and Taylor attended neighboring high schools and hooked up with bassist Andy a year after they graduated, later meeting drummer Matt.  They’ve been playing – and evolving - together for three years. Last year, however, the band realized that the new songs they were writing were the sounds of a new project entirely.
It was in December 2008 that the band decamped to Silver Lake, where they all live in the same house.  But the Silver Lake digs isn’t the first house the band have shared. They lived together in Orange County too, in a place affectionately known as Gorilla Manor. “It was insanely messy and there were always friends over knocking around on guitars or our thrift store piano,” says Ryan, “it was an incredible experience and I’ll never forget that time.” The original Gorilla Manor, where the band wrote the majority of their record, had such an impact that the band has paid tribute to the house by naming their debut album in its honor.
The self-funded Gorilla Manor was recorded by Raymond Richards in West Los Angeles. Richards produced the record with Local Natives in his own Red  Rockets Glare Studio.
Featuring twelve sumptuous slices of dappled California sunlight and beguiling percussive rhythms, the album kicks off with the moody, driving, ‘Wide Eyes’. Says Ryan, “It’s about people’s obsession with the miraculous and disastrous…with witnessing extraordinary events”.  The effervescent, mandolin boasting ‘Airplanes’ follows, which Kelcey explains is about “longing to have met my grandfather, a great man and pilot, who died before I was born.”  Also included is the glorious ‘Sun Hands’, which was released as a limited edition single on Chess Club back in July.  According to Taylor, the lyrics describe “that all too familiar feeling of wanting what you can’t have – especially when you once had it.”  There’s a cover version in the mix too, a barely recognizable version of Talking Heads’ ‘Warning Sign’. “We’ve basically flipped the song on its head,” says Matt, explaining how they switched David Byrne’s original yelped vocals into a beautiful three-part harmony.

Billy Iuso And Restless Natives

- for the Grateful Web

www.myspace.com/billyiusorestlessnatives ">Billy Iuso was Born on January 26, 1969 in Port Chester, New York. While being born an Aquarian, during "the age of Aquarius " didn't Pre-determine his destiny in music, Billy, like so many other children of his time was weaned on the changing culture and the music that symbolized it.

His Mom and Dad were at Woodstock and early on, Billy was constantly hearing the likes of Joe Cocker, Van Morrison, The Band and of course The Grateful Dead. But, in particular, even though he was living in the Northeast, was exposed to the Southern Rock bands of the early 70's...i.e. The Allman Brothers, Marshall Tucker, Wet Willie. Also the New York Radio stations playing the funky soulful sounds of Sly and the Family Stone, James Brown, Jackson Five, and Marvin Gaye etc. All of the music, influenced but did not define where Billy was heading.

From age 8-15, Bill moved around a lot with his mother, he lived in Ohio, Miami FL and Houston TX. He received his first guitar as a present from his dad at the age of 13. But it wasn't until he moved back to Northeast at 15 , that he taught himself how to play the guitar and discovered that his recently changed voice had a "guttural" singing quality to it.

Billy formed his first band in 1986 at 17, not surprisingly it was a Grateful Dead "cover" band called Euphoria. They were quite successful in and around the New England area, even playing the opening week for the now defunct Wetlands NYC, the first club dedicated to this genre of jam music. Gradually moving from imitation to emulation Billy inserted a couple of his originals into the set. However, again not surprisingly, like so many other successful cover bands, Billy had the urge to create and play his own music.

So in 1989, Billy told his dad " don't waste your money on sending me to college" and moved to Providence, RI to seek a city /college town to spawn his music. Then he formed the now critically acclaimed "Brides of Jesus" playing music at the forefront of his musical genre that came to be known as the Jam-Band movement.

iusoIn the early 90's Billy had his "ups", opening for the likes of Dave Matthews, Widespread Panic, George Clinton, Funky Meters. And his "downs", living in his rehearsal space because he couldn't afford a separate place to live and a place to practice and opted for the latter. Through the ups and downs, coming and goings of band members, and relocating to Athens, Georgia, Billy remained true to a high energy mix of funk and roots rock in his writing, vocals and playing.

In 1994, Billy released the first Brides CD " What's Going to Set You Free" with acclaimed Allman Brothers producer Johnny Sandlin. While in Athens Billy and the Brides toured constantly all over the country with headlining and opening slots building his career. One of the most influential bands which they opened for on many occasions were the Meters, which built a friendship and a bond that linked him to his new home the Crescent City.

Billy moved to New Orleans in early 1997, here Billy recorded the second Brides CD For Real. After touring constantly for nearly four years Billy had an opportunity to stage manage for The Meters, Neville Brothers, and Vida Blue (Phish's Page McConnell side project) which in turn put his own musical career on the back burner.

Still playing a few Brides shows here and there, Billy released the third Brides CD Saints and Sinners in 2002 and returned to the touring circuit. Wanting a change and due to the unavailability of other members of BOJ due to their other musical commitments, Billy decided to go solo. His new self titled CD Restless Natives is a collection of new and unrecorded originals and a few choice covers that don¹t confine him to the Jam funk style that the Brides are known for.

Billy continues to perform as Billy Iuso and the Restless Natives with a familiar ever-changing cast of characters, 'Mean' Willie Greeweirn, Bryan Besse, Marc Pero, Ryan Plattsmier, and Chris Marsciel, Sam Hothckiss and other.

Recent highlights of the Natives include a stellar show at Tipitina's that featured Russell Batiste on a second drum set, late night jams in the French Quarter with the likes of the Grateful Dead's own Bobby Weir in the audience, and bringing the patio bar at House of Blues to a second-line sing-a-long on Mardi Gras Day.