auditorium

Jake Shimabukuro October Newsletter

Aloha! Jake finished his annual tour of Japan last month and is now getting ready for shows on the east coast of the United States and his first visit to GERMANY!!

Jake's proud to announce his new album "Peace Love Ukulele" will be released in January 2011! The album includes Jake's original songs "143" (the numeric pager code for "I love you") and his tribute to World War II veterans, "Go For Broke". On the album's only two solo ukulele arrangements, Jake brings his unique style to Leonard Cohen's "Hallelujah", and Queen's epic rock and roll classic "Bohemian Rhapsody".

Watch Jake perform "Bohemian Rhapsody" filmed by Tad Nakamura in Hiroshim, Japan.

Jake recently released a new album "I Love Ukulele" in Japan. To promote this new album, Jake went on a month long tour (August 14 - September 14) around Japan, which consisted of 16 shows in 14 cities.  While in Japan, Jake even had time to visit some elderly homes and spread the joy of music that we are all familiar with.

Upcoming Tour Dates:

10.16.2010 - 2nd Annual Asian American Music Festival - Los Angeles, CA

10.17.2010 - Balboa Theatre - San Diego, CA

10.20.2010 - Sellersville Theatre 1894 - Sellersville, PA

10.21.2010 - Infinity Hall - Norfolk, CT

10.22.2010 - The Berlind Theare - Princeton, NJ

10.23.2010 - Rams Head On Stage

10.24.2010 - Gagnon Auditorium at the Morgan School - Clinton, CT

10.25.2010 - Highline Ballroom - New York, NY

10.26.2010 - Regattabar - Cambridge, MA

10.30.2010 - German Jazz Festival Frankfurt - Frankfurt, GERMANY

11.02.2010 - The Ceder - Minneapolis, MN

11.03.2010 - Stoughton Opera House - Stoughton, WI

11.04.2010 - The Ark - Ann Arbor, MI

11.06.2010 - Old Town School of Folk Music - Chicago, IL

11.19.2010 - Raymon F. Kravis Center for the Arts - West Palm Beach, FL

01.28.2011 - The Kentucky Center for the Performing Arts - Louisville, KY

02.03.2011 - 41st Annual Jazz Festival Fundraiser - Penfield, NY

02.07.2011 - The Grand Opera House - Wilmington, DE

02.08.2011 - Birchmere - Alexandria, VA

02.10.2011 - Lipinsky Auditorium University North Carolina at Asheville - Asheville, NC

02.11.2011 - Kenan Auditorium University North Carolina Wilmington - Wilmington, NC

02.12.2011 - Progress Energy Center For the Performing Arts - Raleigh, NC

02.18.2011 - Kahilu Theatre - Kamuela, HI

03.24.2011 - Orange Couty PAC Segerstrom Concert - Costa Mesa, CA

03.26.2011 - San Francisco Jazz Festival - San Francisco, CA

03.31.2011 - Campbell Hall - Santa Barbara, CA

04.01.2011 - Target Artbeat Series-Henderson Events - Henderson, NV

08.26.2011 - Dave Koz & Friends at Sea - 2011 - Seattle, WA

Four Never-Before-Released Live Albums By Jefferson Airplane

The argument rages on, but for many music fans in the ’60s, the best live band from the Bay Area was Jefferson Airplane. Formed during the summer of 1965 in San Francisco, the group triumphed in 1967 with Surrealistic Pillow, one of the key recordings of the Summer of Love, containing the hits “Somebody to Love,” “White Rabbit” and “Today.” The Airplane featured three master instrumentalists (Jorma Kaukonen, Jack Casady and Spencer Dryden) and three vocalists: Grace Slick (replacing original singer Signe Anderson in 1966), Marty Balin and Paul Kantner. The Rock ’n’ Roll Hall of Fame inductees made a total of eight studio albums and released a smattering of live albums including 1969’s Bless Its Pointed Little Head.

But what most fans don’t know is that there are vast reserves of never-released live material by Jefferson Airplane capturing key moments in their history. On October 26, 2010, Collectors’ Choice Music Live will release four previously unreleased live albums: Live at the Fillmore Auditorium 10/15/66 Late Show — Signe’s Farewell, Live at the Fillmore Auditorium 10/16/66 Early & Late Shows — Grace’s Debut, Live at the Fillmore Auditorium 11/25/66 & 11/27/66 — We Have Ignition, and Return to the Matrix 2/1/68.

The first three releases document the astonishing growth of the band, and follow the near-seamless absorption of Grace Slick’s voice and material into the Airplane’s sound just as they were entering the studio to record Surrealistic Pillow. The fourth release captures the group triumphantly returning to their home turf at Marty Balin’s club The Matrix for a relaxed, exploratory set in an intimate setting, performing material from their first four albums, including Crown of Creation, seven months before its release. Taken together, the four releases confirm that at its best, when Jorma was soaring, Jack rumbling and the three voices joining in ecstatic melisma, no other band could ascend to the heights attained by the Airplane. Hand-picked by a team of devotees, annotated by frequent Airplane flyer Craig Fenton (author of the book Take Me To A Circus Tent: The Jefferson Airplane Flight Manual), and featuring rare photos inside handsome digi-packs, these concerts distill and express the dream and promise of the Haight-Ashbury scene.

• Live at the Fillmore Auditorium 10/15/66 Late Show — Signe’s Farewell: The Grace Slick era of the Airplane has understandably received most of the attention paid the band over the years. But they had released a good album (Jefferson Airplane Takes Off) and were already a powerful live outfit before Slick came aboard. The 10/15/66 release not only marks the first appearance on CD of a live recording featuring Signe Anderson with the band, but also her very last show. Both Marty Balin and the Fillmore’s Bill Graham give her shout-outs. Songs include “3/5ths of a Mile in Ten Seconds,” “Tobacco Road,” “Midnight Hour,” “High Flyin’ Bird” and “Chauffeur Blues” (which Grace never performed out of respect for Signe, who’d made the old blues tune her own). It was the end of an era. But a new one was about to begin the very next day, and is the subject of the 10/16/66 release.

• Live at the Fillmore Auditorium 10/16/66 Early & Late Shows — Grace’s Debut: The 10/16/66 volume chronicles the first set of concerts featuring Grace Slick as a member of the Airplane, a mere day after Signe Anderson officially left the band. The band has yet to add the material Slick brought to the band (“Somebody To Love” and “White Rabbit) to the set list, but Grace’s harmony work with Marty and Paul is impressive, and you can literally hear her confidence growing from the first set to the second. The album contains “The Other Side of This Life,” “Let Me In,” “Don’t Let Me Down,” “Run Around” and “High Flying Bird,” plus versions of “3/5ths of a Mile in 10 Seconds” and “Tobacco Road” with the new line-up, and Leiber & Stoller’s “Kansas City,” which has never appeared on any Airplane studio or live album. Surrealistic Pillow photographer Herbie Greene contributes photos. Things would never be the same for the band or for ’60s rock.

• Live at the Fillmore Auditorium 11/25/66 & 11/27/66 — We Have Ignition:  CCM Live subtitled these shows We Have Ignition as they believe this is when the Airplane transformed from a high-flying bird into a psychedelic spaceship (but not yet a Starship.) It’s difficult to believe, when comparing these November shows with Grace’s live debut on 10/16/66,  that only six weeks have elapsed. Not only has the band (particularly guitarist Jorma Kaukonen) progressed as musicians, but the infusion of Surrealistic Pillow material some four months before the album hit the stores shifts the focus of this folk-rock band to rock. Included are “Plastic Fantastic Lover,” “High Flyin’ Bird,” “Bringing Me Down,” “ D.C.B.A-25,” “My Best Friend,” “Go to Her,” “She Has Funny Cars,” “3/5ths of a Mile in 10 Seconds,” “Skip Spence’s “J.P.P. McStep B Blues,” “White Rabbit,” “Today” and more.  Two rarities are a mind blowing, 9:45-minute version of “The Other Side of Life” (performed for a photo session) that neither its author, the folk singer-songwriter Fred Neil, nor the band could ever have anticipated, and the only known recording of an instrumental known in some quarters as “My Grandfather’s Clock.” This is the Airplane at its early apex.

• Return to the Matrix 2/1/68: The Airplane returned to the first club they ever played, the Matrix, in 1968 for a 103-minute show at the height of their commercial prowess. They band premiered two songs from the Crown of Creation album (which was months away from being released): “Share a Little Joke” and an instrumental version of “Ice Cream Phoenix.” They also performed “Blues From an Airplane,” a song from its first (pre-Slick) album. Also here: “Somebody to Love,” “Young Girl Sunday Blues,” “She Has Funny Cars,” “Two Heads,” “Martha,” “Kansas City,” “Other Side of this Life,” “Today,” “Won’t You Try/Saturday Afternoon,” “It’s No Secret,” “Watch Her Ride,” “Plastic Fantastic Lover,” “Ballad of You and Me and Pooneil,” “White Rabbit,” “Fat Angel” and  “3/5ths of a Mile in 10 Seconds.”

Los Lobos Announces 2010 Summer Tour Plans

Los Lobos, the Grammy-winning East L.A. band, is on tour this summer in support of a brand new studio album. The new release, titled Tin Can Trust will hit streets on August 3, 2010. The band’s summer schedule brings them coast to coast, including a run of select shows with John Hiatt & The Combo. A complete list of currently confirmed dates is included below.

With Tin Can Trust—Los Lobos’ first release for Shout! Factory and first collection of new original material in four years— the venerable quintet once again redefines itself and expands its scope, while never losing sight of where they come from. And, like so much of Los Lobos’ previous work, Tin Can Trust is an album that speaks to the time and place in which it was conceived; the album’s title can be traced back more than a century, but for the band, it’s apt for the rickety state in which so many of us find ourselves—and our world—today.

The 11 tracks on Tin Can Trust offer the perfect balance of Los Lobos’ parts: the band’s lineup has remained uninterrupted since 1984, when saxophonist/keyboardist Steve Berlin joined original members Louie Pérez (guitar, drums, vocals), David Hidalgo (guitar, violin, accordion, percussion, vocals), Cesar Rosas (guitar, vocals) and Conrad Lozano (bass, vocals), each of whom had been there since the beginning in 1973.

Seven songs on the album are distinguished and genius Hidalgo-Pérez collaborations, including the opening track “I’ll Burn It Down,” which features a guest vocal harmony from blues-rocker Susan Tedeschi. Three others were written in whole or in part by Rosas – including the album’s two Spanish-language numbers: the cumbia “Yo Canto” and the norteño “Mujer Ingrata” – and display Los Lobos’ signature seamless infusion of Mexican folk songs into rock music. Also included in Tin Can Trust – a cover of the Grateful Dead’s “West L.A. Fadeaway” – offering a nod to the bands’ shared history that extends back into the 1980s when the Angelenos befriended and opened shows for their northern peers.

As with every new recording Los Lobos makes, Tin Can Trust moves Los Lobos into yet another new dimension while simultaneously sounding like no one else in the world but Los Lobos. Los Lobos’ unified vision and strong work ethic are evident throughout the self-produced album, but so is something even greater: “an intuitiveness,” says Los Lobos songwriter/multi-instrumentalist Louie Pérez, “that happens only from being in a band for so long.” As Rolling Stone once wrote, “This is what happens when five guys create a magical sound, then stick together for 30 years to see how far it can take them.”

Look for Los Lobos on tour this summer in support of Tin Can Trust.

Confirmed tour dates include:

Friday, June 11 Dinuba High School - Dinuba Car Show "Cruise Night" Dinuba CA
Sunday, June 27 Saskatchewan Jazz Festival - Bessborough Garden Mainstage Saskatoon SK
Tuesday, June 29 Taste of Chicago Chicago IL
Friday, July 2 Hop Farm Festival Kent ENGLAND
Saturday, July 3 Cavea Auditorium Rome ITALY
Sunday, July 4 Latino Americano Milan ITALY
Monday, July 5 Castello Udine ITALY
Tuesday, July 6 Teatro Communale Brescia ITALY
Saturday, July 10 Santa Barbara Bowl Santa Barbara CA With Steve Miller Band
Sunday, July 11 Greek Theatre Los Angeles CA With Steve Miller Band
Wednesday, July 14 - Thursday, July 15 Minnesota Zoo - Weesner Amphitheatre Apple Valley MN
Friday, July 16 Sioux Falls Jazz Fest Sioux Falls SD
Saturday, July 17 Grand Targhee Resort Alta WY
Friday, July 23 Door Community Auditorium Fish Creek WI
Saturday, July 24 Hillside Festival Guelph ONT
Wednesday, August 4 Clayton Opera House Clayton NY
Thursday, August 5 Thursday At The Square Buffalo NY
Friday, August 6 Flood City Music Festival Johnstown PA
Saturday, August 7 North Carolina Museum of Art Raleigh NC
Sunday, August 8 Birchmere Alexandria VA
Thursday, August 12 Sandia Amphitheatre Albuquerque NM with John Hiatt & The Combo
Friday, August 13 Arvada Center Arvada CO with John Hiatt & The Combo
Saturday, August 14 Chautauqua Auditorium Boulder CO with John Hiatt & The Combo
Saturday, August 21 Rodney Strong Winery Healdsburg CA with John Hiatt & The Combo
Sunday, August 22 Mountain Winery Saratoga CA with John Hiatt & The Combo
Monday, August 30 PNE Centre Vancouver BC with John Hiatt & The Combo
Wednesday, September 1 Winspear Centre For Music Edmonton ALB with John Hiatt & The Combo
Thursday, September 2 Jack Singer Auditorium Calgary ALB with John Hiatt & The Combo
Friday, September 3 Casino Regina Show Lounge Regina Sask. with John Hiatt & The Combo
Friday, October 8 Folly Theater Kansas City MO
Wednesday, October 13 University of California - Davis Davis CA
Sunday, October 17 - Sunday, October 24 Rhythm & Blues Cruise San Diego CA

Stay tuned to www.loslobos.org for up-to-minute information.

Crowded House To Release "Intriguer"

Following up on their 2007 release, Time On Earth – their first studio recording in fourteen years – New Zealand dream-pop auteurs Crowded House deliver Intriguer, scheduled for release on July 13th, 2010, on Fantasy Records, a division of Concord Music Group.The internationally acclaimed group begins a nationwide tour of the U.S. and Canada in support of the new album on Monday, July 12th. Also available that day will be the 2-disc Intriguer Deluxe Edition, featuring a special bonus live DVD.
Produced by Jim Scott (Wilco), Intriguer once again brings together singer/guitarist and chief songwriter Neil Finn with original Crowded House bassist Nick Seymour and keyboardist/guitarist Mark Hart, who’d been with the band from 1989 until its last days. Also on board is drummer Mark Sherrod, the relative newcomer to the family, having joined the band for the making of the aforementioned Time On Earth. Recorded at Roundhead Studios in Auckland, New Zealand, in the spring and summer of 2009, the album includes songs that “have been worked over on the road and transformed a few times, some all the way back to square one,” says Finn. “It’s a good place to return to from time to time.” Intriguer opens with “Saturday Sun,” a track whose straightforward backbeat calls to mind the best elements of ‘60s pop. The follow-up track, “Archer’s Arrows,” takes a more ominous turn with the help of some carefully layered vocals and the violin work of Lisa Germano (who later reappears on the pensive “Even If”).
“Falling Dove” is both melancholy and defiant, while “Isolation” derives its dreamlike sensibility from a heavy dose of guitar tremolo and the dreamlike vocals of Finn’s wife, Sharon Dawn Johnson. Both of these tracks, positioned back-to-back in the sequence, benefit from the psychedelic guitar work of Liam Finn, Neil’s son and longtime collaborator in the studio and onstage.
“Twice If You’re Lucky” is a prime example of the aforementioned evolutionary process that left its mark on most of the songs on Intriguer. “We played an alternative version, more complex and mysterious on tour, then deconstructed back to the original, simple form in the last week of recording,” Finn explains. “I am inclined to circle songs, looking for any bit of advantage I can find – a verse, a chord or a word to change.”
“Elephants” is the wistful closer, driven by lush piano harmonies that seek to linger a while and take in the fleeting moment before the story comes to close. “Intriguer is exotic in parts, traditional in origin,” says Finn. “Through many a twist and turn we fashioned some drama and intrigue. You will find some threads that go back through all that history and some new discoveries as well that will need to be followed up. Its part of the continuum and it may just be the best thing we’ve done…until the next one.”
2007’s Time On Earth, turned the band on to what Finn calls “the scent of something new.” Thankfully, for the rest of us, Intriguer proves the Crowded House story in many ways, is just beginning.

TOUR DATES

Jul 12 - Toronto, ON - Massey Hall
Jul 13 - Montreal, QC - Metropolis
Jul 15 - Ottawa, ON - Lebreton Flats Park
Jul 16 - Buffalo, NY - Erie Canal Harbor
Jul 17 - Boston, MA - House of Blues
Jul 19 - New York, NY - Bowery Ballroom
Jul 20 - New York, NY - Bowery Ballroom
Jul 21 - New York, NY - Bowery Ballroom
Jul 23 - Montclair, NJ - Wellmont Theatre
Jul 24 - Atlantic City, NJ - House of Blues
Jul 26 - Vienna, VA - Wolftrap
Jul 28 - Clearwater, FL - Ruth Eckerd Hall
Jul 29 - Miami, FL - Fillmore Miami Beach
Jul 30 - Orlando, FL - Hard Rock Live
Aug 1 - Atlanta, GA - Tabernacle
Aug 2 - Nashville, TN - Ryman Auditorium
Aug 4 - Austin, TX - Stubb’s Walker Creek
Aug 5 - Dallas, TX - House of Blues
Aug 19 - Los Angeles, CA - Club Nokia
Aug 20 - Los Angeles, CA - Club Nokia
Aug 22 0 San Diego, CA - Humphrey’s Concerts by the Bay
Aug 23 - San Francisco, CA - Warfield
Aug 24 - Saratoga, CA - Mountain Winery
Aug 26 - Troutdale, OR - Edgefield Amphitheater
Aug 28 - Seattle, WA - Chateau Ste. Michelle Winery
Aug 29 - Vancouver, BC - Queen Elizabeth Theatre
Aug 30 - Victoria, BC - Royal Theatre
Sep 1 - Edmonton, AB - Northern Alberta Jubilee Auditorium
Sep 2 - Calgary, AB - Southern Alberta Jubilee Auditorium
Sep 4 - Apple Valley, MN - Zoo Amphitheater
Sep 5 - Chicago, IL - House of Blues Sep 6 - Chicago, IL - House of Blues

Halloween with Leftover Salmon at the Fillmore Auditorium

photos by Mike Moran- for the Grateful Web

Live Nation proudly presents LEFTOVER SALMON at the Fillmore Auditorium on Friday, October 31st.   Showtime is 7:00 PM. Doors open at 6:00 PM. Our fan ticketing will go on sale (HERE) today August 7th starting at 10am MST. The remaining tickets will be available thru ticketmaster starting Saturday August 9th.

After a four year hiatus, Leftover Salmon will again return to the Fillmore in Denver for its once traditional Halloween blowout. Following a summer full of festival dates, Leftover Salmon's Halloween show will mark one of the very few stand alone performances by the band since taking a break at the end of 2004.

The band is also offering music downloads to fans signed up on the Leftover Salmon email list. The downloads feature tunes recorded during recent live performances. The current download is from the Salmon set at the Mile High Music Fest in Denver, which went down just last month. GO HERE to download.