pop

Red Mass Anounce US Tour Dates | To Play Pop Montreal

The brainchild of Roy Vucino, aka Choyce (CPC Gangbangs, The Daylight Lovers, Les Sexareenos), Red Mass took shape in 2008 following the inevitable implosion of the volatile and legendary CPC Gangbangs. Using Red Mass as a platform, Choyce and his collaborators are intent to pursue the ideals of free thinking, the use of chaos, sex-magik and liberation through art. The ever evolving line-up and contributors to Red Mass consist of musicians from Demon's Claws, Chocolat, Hot Springs, Black Feelings, Sunday Sinners, Vicious / Delicious and Ghost Limbs to name a few.
Through his prolific exploits, Choyce has helped give Montreal's flourishing garage and rock n' roll scenes international recognition. Having fronted CPC Gangbangs, he now also records and tours with long time collaborator Mark Sultan (Sup Pop, In The Red).
Now, Red Mass has opened itself to all with a sincere belief that it can offer young artists and outsiders alike a new haven. With a slew of singles, 10"s, EPs and experimental releases, Red Mass is ready to hit. Their psychedelic space rock 'n' roll and its elements of noise, folk, punk and electronic music is a culmination of 12 years of hard work. The dark poppy hooks, laced with other worldy sound effects, are at once an ode to the past, the music of today, and the shape of rock 'n' roll to come.

US Tour Dates:
SEPT. 15th - Providence, RI - Machines With Magnets w/ An Albatross, Aids Wolf, Gila Monster, Holy Sheet & Whore Paint
SEPT. 16th - Baltimore, MD - Golden West Café w/ Kid Congo Powers
SEPT. 17th - Brooklyn, NY - Party Expo w/ Food Stamps, Try Cry Try, Xray Eyeballs
SEPT. 18th - New York, NY - Death By Audio  w/ Xray Eyeballs
SEPT. 19th - Silver Spring, MD - Jackie's -- matinee show w/ Thee Lolitas
SEPT. 21st - Charlotte, NC - The Milestone,
SEPT. 22nd - Atlanta, GA - 529 w/ Aids Wolf
SEPT. 25th - Memphis, TN - GONER FEST @ Murphy's
SEPT. 27th - Toledo, OH - Woodchuck's
SEPT. 30th - Montreal, QC - POP MONTREAL - SEMPRINI RECORDS/ SIGNED BY FORCE SHOWCASE @ Casa Del Popolo w/ El Boy Die & Crabe
OCT. 12th - Pawtucket, RI - @ The Met w/ King Khan & The Shrines
OCT. 13th - Boston, MA - @ Royale Boston w/ King Khan & The Shrines
OCT. 15th - Silver Spring, MD - Quarry House w/ Paul Collins, The Spectacles, and Dirty Shames

Ellie Goulding To Release "An Introduction To Ellie Goulding"

Already a success in her native England, 23 year-old UK singer and songwriter Ellie Goulding is scheduled to make her stateside debut with her US debut EP, An Introduction To Ellie Goulding out September 21 on Cherrytree / Interscope. Produced by Starsmith, Goulding’s full length release Lights shot to #1 on the UK chart in March 2010. The focus track, "Starry Eyed" has already received over 10 million views on YouTube.
Ellie has received numerous accolades from her motherland in the form of The Critics Choice Award at the 2010 Brit Awards & topped the BBC sound of 2010 poll.  Goulding’s debut CD has garnered much critical praise. NME calls Lights, “never less than stunning…it marks the emergence of a smart, sincere and talented new pop star,” and Q declares, “There is undeniable greatness afoot here.” After early support slots with Little Boots and Passion Pit, Ellie has just sold out her third UK headline tour. UK festival performances-- Glastonbury, Festival, V Festival, Lovebox and T in the Park--earned her rave reviews.
Described as “electro-folk-acoustic-pop,” Ellie’s songs mix heartfelt emotion with other-worldly atmospherics, spinning electronica into dreamy warmth. If you see her live, you can expect to see her play guitar and drums. Goulding, who will make her maiden voyage to the US in support of An Introduction To Ellie Goulding, is scheduled to perform in Los Angeles at The Roxy on September 28th and in New York on September 30th at Hiro Ballroom. In 2011 Ellie will return stateside to support a special version of her US full length release of Lights.

Leon Russell, Fri Sept. 17 @ Boulder Theater

The ultimate rock & roll session man, Leon Russell's long and storied career includes collaborations with a virtual who's who of music icons spanning from Jerry Lee Lewis to Phil Spector to the Rolling Stones. A similar eclecticism and scope also surfaced in his solo work, which couched his charmingly gravelly voice in a rustic yet rich swamp pop fusion of country, blues and gospel. Born Claude Russell Bridges on April 2, 1942, in Lawton, OK, he began studying classical piano at age three, a decade later adopting the trumpet and forming his first band. At 14, Russell lied about his age to land a gig at a Tulsa nightclub, playing behind Ronnie Hawkins & the Hawks before touring in support of Jerry Lee Lewis. Two years later, he settled in Los Angeles, studying guitar under the legendary James Burton and appearing on sessions with Dorsey Burnette and Glen Campbell. As a member of Spector's renowned studio group, Russell played on many of the finest pop singles of the 1960s, also arranging classics like Ike & Tina Turner's monumental "River Deep, Mountain High"; other hits bearing his input include the Byrds' "Mr. Tambourine Man," Gary Lewis & the Playboys' "This Diamond Ring," and Herb Alpert's "A Taste of Honey."
In 1967, Russell built his own recording studio, teaming with guitarist Marc Benno to record the acclaimed Look Inside the Asylum Choir LP. While touring with Delaney & Bonnie, he scored his first songwriting hit with Joe Cocker's reading of "Delta Lady," and in 1970, upon founding his own Shelter Records imprint, he also organized Cocker's legendary Mad Dogs and Englishmen tour. After the subsequent tour film earned Russell his first real mainstream notoriety, he issued a self-titled solo LP, and in 1971 appeared at George Harrison's Concert for Bangladesh following sessions for B.B. King, Eric Clapton, and Bob Dylan. After touring with the Rolling Stones, Russell increasingly focused on his solo career, reaching the number two spot with 1972's Carny and scoring his first pop hit with the single "Tight Rope." While the success of 1973's three-LP set Leon Live further established his reputation as a top concert draw, response to the country inspired studio effort Hank Wilson's Back was considerably more lukewarm, as was the reception afforded to 1974's Stop All That Jazz. 1975's Will O' the Wisp, however, restored his commercial luster, thanks in large part to the lovely single "Lady Blue."
In June of 1975, Russell married singer Mary McCreary; the following year the couple collaborated on The Wedding Album, issued through his newly formed Paradise Records label. Also in 1976, the Russell-penned "This Masquerade" earned a Grammy Award for singer George Benson. He and McCreary reunited for 1977's Make Love to the Music, and upon completing the solo Americana, Russell teamed with Willie Nelson for 1979's Willie & Leon. He then spent the next two years touring with his bluegrass band, the New Grass Revival, issuing a live LP in 1981; although Paradise shut down later that year, the label was reactivated for 1984's Hank Wilson, Vol. II and Solid State. Russell spent the remainder of the decade largely outside of music and did not resurface until issuing the Bruce Hornsby produced Anything Can Happen in 1992. Hank Wilson, Vol. 3: Legend in My Time. Face in the Crowd appeared a year later.
21+ / Gold Circle: $51.00 / Reserved: $41.00 / GA: $30.00
On sale July 30
Tickets will be on sale through the Boulder Theater box office
Internet 24-7 at www.bouldertheater.com
Phone: During box office hours 303-786-7030

BROTHERS PAST ANNOUNCES SUMMER DATES

Indie-electronic act BROTHERS PAST has announced a round of summer tour dates, which includes a hometown show at the Electric Factory on Saturday, June 26. The band will also be performing at several festivals along the East Coast, including a high-profile slot at Camp Bisco.

Since returning from a one-year hiatus in early 2009, the band has spent the majority of its time working in the studio, crafting a follow-up to the 2005 release This Feeling’s Called Goodbye (SCI Fidelity Records.) “We’ve recorded a bunch of old songs and a bunch of new songs that Tommy Hamilton and I have written together.” keyboardist Tom McKee said. “All of it will eventually get released one way or another, but some of it probably won’t fit with the record. We’re definitely making progress though, and once we get it out there you’ll be seeing more of us on the road.”

Upon releasing This Feeling’s Called Goodbye, BROTHERS PAST received national attention from fans and critics alike. Morgan Wells of Urb Magazine described it as "...a glimpse into the future of pop music... Brothers Past offers a smooth and believable blend of electronica, rock and pop just original enough to place [This Feeling's Called Goodbye] at the top of a growing pile of genre-bending releases." Steven Rosen in HARP echoed the praise: "There's a future in this kind of music." The record’s catchy rock anthems, captivating arrangements and inspired lyrics received numerous "Top Ten" mentions and was nominated by the Jammy Awards for "Album of the Year." The release has established Brothers Past as innovative songwriters with a progressive vision towards future.

UPCOMING TOUR DATES:
06/18/10 THE WAREHOUSE, HARTFORD, CT
06/19/10 PUTNAM DEN, SARATOGA SPRINGS
06/25/10 BIG F’ing BOAT, NEW YORK, NY
06/26/10 THE ELECTRIC FACTORY, PHILADELPHIA, PA  (with the New Deal)
07/04/10 THE STONE PONY, ASBURY PARK (with Moe)
07/16/10 CAMP BISCO, MARIAHVILLE, NY
08/20/10 LIBERATE MUSIC & YOGA FESTIVAL, SHELDON, VT
08/21/10 BELLATERRA MUSIC & ARTS FESTIVAL, STEPHENTOWN, NY
09/10/10 DANKFEST, MINOT, ME
09/11/10 CATSKILL CHILL, HANCOCK, NY

The Undertones reissued digitally in the U.S.

The Undertones emerged from Derry, Northern Ireland, in 1977, as part of the U.K. punk and new wave scene. Inspired by radio, records and the Ramones, five Derry teens (Feargal Sharkey, brothers John and Damian O’Neill, Billy Doherty and Mickey Bradley) had never been in bands before. Straight out of a local pub, The Casbah, the band recorded Teenage Kicks, their debut EP, which caught fire on John Peel’s BBC Radio One show and got them signed to Sire Records in the U.S.  “Less interested in fashion, anarchy, or politics than in the heady joys of a great pop song, they fused irresistible, hooky tunes with the fierce passion of teenage rock & roll believers, and came up with a handful of instant classics,” observed All Movie Guide’s Mark Deming.

On June 28, 2010, Union Square Music will make the Undertones’ four albums available digitally. Included will be The Undertones (1979), Hypnotised (1980), Positive Touch (1981) and The Sin of Pride (1983), the Teenage Kicks EP, as well as a never-before-released Best of the Undertones compilation.

The digital-only reissues will be available at iTunes.

The Undertones: Appearing in both the Q magazine list of the “100 Greatest British Albums Ever” and the book 1001 Albums You Must Hear Before You Die, The Undertones' debut LP is a bone fide pop-punk classic. The lead track “Teenage Kicks” has long been regarded as one of the purest expressions of teenage punk pop and has been covered by everyone from KT Tunstall to Green Day. It was also famously U.K. DJ John Peel's favorite record ever. Signed to Seymour Stein’s Sire records in 1978, the band had not originally planned to make an album but after seeing many of their contemporaries —The Sex Pistols, The Clash etc. — make successful albums, they decamped to Eden Studios in West London to record the songs they had been playing in their legendary Friday night gigs at the Casbah. As the bassist Michael Bradley says, there was “No plot, no theme, no parodies of any genre.” The Undertones’ 1979 debut is an off-the-cuff collection from five Londonderry kids with nothing to lose.

Hypnotised: As critically acclaimed and as commercially successful as the Undertones debut LP, Hypnotised featured both the classic three-minute pop punk of its predecessor (check “My Perfect Cousin,” “There Goes Norman” and “Whizz Kids”) while highlighting a newfound maturity and sensitivity with tracks like the plaintive “Wednesday Week” and stately “The Way Girls Talk.” Recording in the tranquil surroundings of the Wisseloord Studios in Hilversum in the Netherlands (three band members would cycle to the studios every day) so relaxed the band that they weren’t overly concerned that they didn’t have enough songs for the album until the producer Roger Bechirian suggested that “I can ask that chap from the Rumour to write some for you.” Back in Londonderry, the O'Neill brothers came up with three more songs — “Wednesday Week,” “Tearproof” and “More Songs About Chocolate and Girls,” an homage to the Talking Heads’ More Songs About Buildings and Food. “More Songs . . .” would open the album and define the appeal of the band with its much-quoted line: “Sit down relax and cancel all other engagements, it's never too late to enjoy dumb entertainment.”

Positive Touch: Bassist Michael Bradley admits that despite the commercial success of Hypnotised, the Undertones were bored musically by the time they reconvened in the Wisseloord studios in Netherlands to record Positive Touch. Freed from their contract with Sire, they started recording without a record deal, enabling them to experiment without any executives breathing down their necks. If the band’s debut album was influenced by what they’d been listening to in O’Neill’s front room, then Positive Touch came out of what they’d been listening to since, with influences as diverse as the Stones, Motown, Orange Juice and Dexy’s Midnight Runners. Melody Maker declared the resulting 14 songs to be “one of the truly classic pop albums of all time.”   

The Sin of Pride: For the Undertones’ fourth and final album the band demoed the songs in a home-built studio in Londonderry. As bassist Michael Bradley recalls, “When I say ‘build,’ I mean we went out and bought the wood, and the nails, and cobbled together a small hut. Then we sent away to HHB for a Fostex 8-track and a bunch of microphones. Feargal, being the most technically minded, looked after the recording.” The band weren’t happy with the results and neither were their label EMI with the final album produced by Mike Hedges (of Cure and Wah fame). Lacking the pop punk of the band’s debut album, The Sin of Pride has its merits: NME described it as “an immaculate conception of pop” but the album was not a commercial success and tensions with Feargal soon lead him to leaving the band.   

Best of the Undertones: This never-before-released compilation contains the songs for which the Undertones are best noted: “Teenage Kicks,” “Get Over You,” “Here Comes the Summer,” “”You’ve Got My Number (Why Don’t You Use It),” “My Perfect Cousin,” “Wednesday Week,” “It’s Going to Happen,” “Julie Ocean,” “Beautiful Friend” and “The Love Parade.”

Teenage Kicks EP: In a move to bring back the EP, quintessential to the development of punk and new wave, Union Square will offer the original Teenage Kicks EP from 1978 featuring the hit “Teenage Kicks” along with “Smarter Than U,” “True Confessions” and “Emergency Cases.”

Parlovr Unveil Cover Art & Tracklisting / East Coast Tour To Be Announced Soon

Meet Parlovr (pretend the V is a U when you say it). Over the last few years, these three Montrealers have been bringing their manic melee of indie pop to the musically-curious masses. They’ve already amassed plenty of attention from tasters and tastemakers alike via their blissfully bizarre tracks and seizure-inducing live shows; however, after recently signing onto the Dine Alone Records roster, the band is ready to make some serious noise in the new decade – in more ways than one…
Initially formed in a Mile-End loft during the winter of 2006 by guitarist/vocalist Louis David Jackson and keyboardist/vocalist Alex Cooper, the current incarnation of Parlovr came about in 2007 when drummer Jeremy MacCuish entered the fold – a catalyst to the fusion of the foiling songwriting styles of the original two. Since, the band has taken off on its own sonic tangent, appropriately dubbed “sloppy pop” in the past; stripped down but salacious and spastic.
The music is about as diverse as the city that spawned it – an interweaving of styles that takes on a shape and shimmer of its own. Raw and reverb-soaked, their independently-released, self-titled debut dropped in late 2008, recorded and produced by Martin Horn at Digital Bird Studios.
The songs found therein are rooted in dramatic dynamics not unlike those that exist between Cooper and Jackson’s foiling songwriting styles – quiet and loud; screams and whispers; sing-alongs and spacey instrumentals; warm low-end and crisp, shimmering leads; short pop jabs and extended epics. You get the idea, right? It’s quirky, it’s catchy, and while it’s full of familiar throwbacks to ‘60s pop, ‘80s post-punk, and ‘90s garage, it’s also refreshing.
Since its release, the album has garnered some great ink in pretty much every well-respected left-of-centre publication here in Canada – Hero Hill, Chartattack, and Hour among them. Even some from the south are taking notice, with Spin magazine calling the band one of the “5 to watch” out of Montreal (it’s pretty much the new Seattle) and The New York Times sharing kind words about their live show. It’s obvious the bandwagon is starting to fill up, and everybody on it is dancing.
Parlovr has spent time bringing their melodies on the road, having toured extensively throughout Canada, New York, France and Europe alongside indie pop peers like Arctic Monkeys and Franz Ferdinand.
With all of the pieces in place, Parlovr seems set to bring their melodic mayhem to a widespread populace for the new decade.
It’s 2010, and it’s finally cool to say you listen to Parlovr music.

Nitty Gritty Dirt Band @ Boulder Theater

The Nitty Gritty Dirt Band formed in Southern California during the spring of 1966 as a scruffy, young jug-band. Forty-two years later, the quartet (Jeff Hanna, Jimmie Fadden, Bob Carpenter and John McEuen) is still going strong.
Nitty Gritty Dirt Band’s self-titled debut album, released in 1967, included the pop hit “Buy For Me The Rain.” But it was their 5th record, 1970's Uncle Charlie and His Dog Teddy, that would become band's breakthrough project, yielding 3 pop hits including their version of Jerry Jeff Walker's “Mr. Bojangles.” Among the many outstanding tracks on Uncle Charlie was a version of Earl Scruggs' “Randy Lynn Rag.” That cut set into motion what would become the Will the Circle be Unbroken album, a veritable summit of talent which included NDGB’s heroes: Scruggs, Doc Watson, Merel Travis, Roy Acuff and Mother Maybelle Carter. The Nitty Gritty Dirt Band's Circle... album, a three-LP set,recorded live in the studio in Nashville over six days in 1971, became a landmark event and a multi-platinum success. Circle remains such a significant effort that 30 years later it was one of 50 recordings to be honored and preserved by the Library of Congress.
In the early 80’s, after a few more pop hits, the band returned to Nashville once again and began what would become a highly successful career in mainstream country music. Hits that included “Dance Little Jean,” "Workin' Man", "Long Hard Road", “Baby's Got A Hold On Me” and “Fishin' in the Dark” put them at the top of the country charts for over a decade. In 1989, the group revisited the Circle concept, gathering another impressive roster of performers (including Johnny Cash, EmmyLou Harris, Levon Helm, Chet Atkins, Bruce Hornsby, John Hiatt and Roseanne Cash) for sessions that had a pronounced country-gospel feel. Circle II would go on to win three Grammy Awards and the Country Music Association Album of the Year. In 2002 Circle III (with many current artists added to the previous cast) received similar accolades and attention, garnering the International Bluegrass Music Association Recorded Event of the Year award as well as leading to a 2005 Grammy for Country Instrumental Performance (with Earl Scruggs, Randy Scruggs, Jerry Douglas and the late Vassar Clements). With a career that spans five decades, the Nitty Gritty Dirt Band has gone from a hippie jug-band to pioneers of country rock, and their influence is still being felt today.
--
Friday July 9, 8:00pm
NITTY GRITTY DIRT BAND
Tickets will be on sale through the Boulder Theater box office | Internet 24-7 at www.bouldertheater.com | Phone: During box office hours 303-786-7030

San Francisco's BIG LIGHT Announce Summer Tour Dates

San Francisco's Big Light will tour this summer in support of their debut album, Animals In Bloom. The dates mark the furthest the band has pushed outside their hometown in a short three year history. And with good reason. Big Light has made a timeless rock and roll record that demands to be heard beyond the Bay Area. The album's 12 tracks spill over with fuzzed-out guitars, artful lyrical observations and stirring garage pop psychedelia. Hailed as one of the most promising young rock bands in San Francisco, Big Light are now setting their sights on the rest of the country.

Forming circa 2007 as a vehicle for aspiring singer/songwriter/guitarist Fred Torphy to get his songs into the world, BIG LIGHT spent the next three years developing their sound and performing around the West Coast relentlessly. Climbing the S.F. club circuit quickly, they went from playing bar gigs like Bottom of the Hill to headlining The Independent to support slots at the legendary Fillmore sharing bills with the likes of Spoon, Broken Social Scene and Dead Confederate among others. A hit on the festival circuit as well, Big Light has previously performed at Outside Lands, Noise Pop and Wanderlust. On this upcoming tour, they're set for another run of summer festivals, including High Sierra, Summer Camp and Bobolink.

With its debut album, Animals In Bloom, Big Light has crafted a record that has enough indie pop charm to land on the radio, but is adventurous enough to engage those who are looking for more than hooks. Headphone junkies and audiophiles themselves, they've created a "listening experience" that never feels fake or dishonest. Experiencing the new album and watching the band evolve at such a rapid rate onstage, one gets the feeling that Big Light is poised to shine bright for years to come.

Upcoming BIG LIGHT tour dates are:

May 29 | Summer Camp Music Festival | Chilicothe, IL
May 30 | Beat Kitchen | Chicago, IL (w/ Van Ghost)
June 3 | Starry Plough | Berkeley, CA (w/ Nathan Moore)
June 4 | Cater Ranch Music Festival | Bootjack, CA
June 5 & 6 | Bobolink Music Festival | Belden, CA
June 11 | TBD | Providence, RI
June 10 | The Saint | Asbury Park, NJ
June 11 | Brooklyn Bowl | New York, NY (w/ Rotary Downs)
June 12th | Middle East | Boston, MA (w/ Holly Golightly)
June 16th | Humboldt Brew | Arcata, CA (w/ Wendy Darling)
June 17th | High Dive | Seattle, WA (w/ Wendy Darling)
June 18th | Mississippi Studios | Portland, OR (w/ Wendy Darling)
June 19th | Gem State Jam | Boise, ID
July 1-4 | High Sierra Music Festival | Quincy, CA
August 4th | Independent | San Francisco, CA (w/ Apollo Sunshine)
August 26th | Rocks off Boat Cruise| New York, NY (w/ American Babies)

COLLECTORS’ CHOICE TO REISSUE ABKCO’S CAMEO-PARKWAY CLASSICS

On June 22, 2010, Collectors’ Choice Music in conjunction with ABKCO Music & Records will begin a rollout of six reissues and compilations from the legendary Cameo and Parkway Records masters. The initial six CDs, including four twofers, are Rawhide’s Clint Eastwood Sings Cowboy Favorites, Bobby Rydell Salutes The Great Ones/Rydell at the Copa, Chubby Checker’s It’s Pony Time/Let’s Twist Again, The Orlons’ The Wah-Watusi/South Street, Terry Knight And The Pack/Reflections plus the compilation Remember Me Baby: Cameo Parkway Vocal Groups Vol. 1 which features The Lydells, The Dovells, The Tymes, Lee Andrews, Billy And The Essentials and more.

For some time ABKCO had been looking for the right team with whom to delve into its vaults to create an ongoing Cameo Parkway reissue program.  ABKCO found the right mix in Collectors’ Choice Music and have entered into an exclusive arrangement, ensuring that a flow of reissues and compilations will be available over the next few years. All releases will be curated by Teri Landi, ABKCO’s resident engineer and catalog archivist, and annotated by respected music journalists.

Jody Klein, CEO of ABKCO Music & Records commented, “We are delighted to have Collectors’ Choice Music onboard for these releases of great historical relevance. Their expertise in this area will ensure that the music that made Cameo-Parkway such a cultural touchstone will be enjoyed by music fans who have long awaited these collections.”

Much of the material has not been available since its original release on vinyl some 45-50 years ago. Both companies have approached these reissues with careful A&R, annotation, package design and sound engineering. Said Gordon Anderson, Sr. VP of Collectors’ Choice, “The opportunity for our company to release this material represents the culmination of a career-long dream for me, and a fervently-held dream for thousands of our Collectors’ Choice Music customers.”

Founded by Bernie Lowe and Kal Mann in December 1956, Philadelphia-based Cameo-Parkway was one of the great American indie labels during the late ’50s and ’60s.  It was home to big pop-rock and R&B stars like Bobby Rydell, Chubby Checker and The Orlons, as well as to all manner of styles and artists both famous and obscure. It also represents the last great, largely untapped repository of vintage pop music from the rock ’n’ roll era.

It has been argued that popular culture was forever changed by the impact of Cameo-Parkway hits. Cameo-Parkway was one of America’s leading independent labels during the era that preceded the British invasion, offering a breathtaking range of pop, soul, rock, novelty and dance records that have continued to resonate with fans over the past five decades.  The label’s biggest claim to fame is the string of dance craze hits that followed in the wake of “The Twist.”  These included “Mashed Potato Time,” “The Wah-Watusi,” “Bristol Stomp,” “Do the Bird,” “Hully Gully Baby,” “Pony Time,” “The 81,” “Limbo Rock” and, of course, “Let’s Twist Again.”

Beyond the dance songs — most of which originated in Philadelphia — Cameo-Parkway issued garage rock classics from the Midwest including ? And The Mysterians’ “96 Tears” as well as early tracks by Detroit’s Bob Seger, The Rationals and Terry Knight And The Pack. The label even embraced the British invasion, releasing sides by The Kinks and Screaming Lord Sutch. Soul played a significant role with singles by The Tymes, Patti LaBelle And Her Bluebells, Frankie Beverly And The Butlers, The Five Stairsteps, and Bunny Sigler. Beyond those, Cameo was the label home of Bobby Rydell, who transformed from “swingin’ pop idol” to a mature vocalist and was accepted by both teen and adult audiences with such hits as “Wild One,” “Kissin’ Time” and more adult fare such as “Volare” and “Sway.”  

Collectors’ Choice’s initial rollout of six CDs includes the following:

• Bobby Rydell — Bobby Rydell Salutes The Great Ones/Rydell at the Copa. These two 1961 albums — presented here in their original stereo mixes — represented an effort by Rydell to move beyond the limitations of his teen idol persona. The title of Rydell’s Cameo LP, Bobby Rydell Salutes The Great Ones, works on two levels.  It is an early tribute to the performers the young singer admired all his life, as indicated by the little caricatures of Al Jolson, Bing Crosby and Frank Sinatra in the upper corner of the LP’s cover, and the “great ones” in the title refers to songs from the Great American Songbook such as “Mammy,” “That Old Black Magic” and “All of You.”  By recording a live album at the Copa, Rydell was following a well-trodden trail left by other pop male vocalists like Bobby Darin and Paul Anka.  Jim Ritz contributed liner notes.

• Chubby Checker — It’s Pony Time/Let’s Twist Again: This twofer includes two albums from the height of the Chubby Checker twist phenomenon that he and Cameo-Parkway had spawned, virtually ruling the music charts in 1960 and 1961. The first album’s title track, “Pony Time,” went to #1, his only chart-topper besides “The Twist,” while Let’s Twist Again, his fourth album, hit #11, shortly followed by three Top 10 albums in a row. Also featured here are “We Like Birdland,” “The Watusi,” The Hully Gully,” “I Could Have Danced All Night,” “Let’s Twist Again” and more.  Jim Ritz penned the liner notes.

The Orlons — The Wah-Watusi/South Street. Discovered by high school classmate and future Cameo labelmate Len Barry, The Orlons (Shirley Brickley, Marlena Davis, Rosetta Hightower and Stephen Caldwell) were one of Cameo-Parkway’s most popular vocal groups and certainly the label’s top girl group. This twofer presents their only two charting albums from 1962 and ’63 respectively, and both featuring Top 5 title tracks. Heard here in their original pristine mono with notes by Gene Sculatti that contain quotes from Caldwell (he of the ultra-low “frog” voice), this reissue contains the title hits plus “Dedicated To The One I Love,” “Tonight,” “Cement Mixer” and more.

• Terry Knight And The Pack — Terry Knight And The Pack/Reflections. Although Cameo-Parkway was best known for rock ’n’ roll, pop and R&B, these albums (originally released on Cameo’s Lucky Eleven imprint) illustrate the label’s embrace of Midwestern rock. Flint, Michigan’s Knight And The Pack were a garage band with many regional hits that never broke nationally; they might have become stars but for the fact that band members Mark Farner and Don Brewer left to form Grand Funk Railroad, with Knight producing. In his liner notes, Jeff Tamarkin tells the story of their 1966-67 fuzz-laced sounds featured in “Numbers,” “You’re a Better Man Than I,” “The Lovin’ Kind,” “One Monkey Don’t Stop No Show,” “Dimestore Debutante” and others.

Clint Eastwood — Rawhide’s Clint Eastwood Sings Cowboy Favorites: Oscar-winning actor Clint Eastwood has demonstrated a musical streak throughout his acting and directing career, and this 1963 album catches him at the beginning. Fresh from his success on the TV series Rawhide, he croons (and quite convincingly so) a collection of cowboy favorites. The set includes the 1962 single “Rowdy” b/w “Cowboy Wedding Song,” as well as “San Antonio Rose,” Bouquet of Roses,” “Along the Santa Fe Trail,” “The Last Roundup,” “Sierra, Nevada” and more.  Jim Ritz contributed liner notes.

Remember Me Baby: Cameo Parkway Vocal Groups Vol. 1: There are collectors and there are doo-wop collectors, which is why Collectors’ Choice devoted its very first compilation in the series to the vocal groups whose recordings defined Cameo-Parkway during its earliest years. Heard here are The Gainors’ “You Must Be An Angel,” Billy And The Essentials’ “Remember Me Baby,” and never before released tracks by The Dovells and The Tymes, “Short On Bread” and “Did You Ever Get My Letter?,” respectively.  Also featured are rare tracks from The Anglos, The Defenders, The Exceptions, The Expressions, The Gleems, Pookie Hudson And The Spaniels, The Impacs, The Rays, Rick And The Masters, The Sequins, The Skyliners and The Turbans — 24 tracks in all. Annotated by Ed Osborne.

Jakob Dylan & Three Legs ft: Neko Case & Kelly Hogan

Live radio show with Nick and Helen Forster featuring music and conversation with the Jakob Dylan & Three Legs (ft: Neko Case, Kelly Hogan, Paul Rigby, Jon Rauhouse, Tom Ray & Barry Mirochnick). Being the son of one of the most influential, innovative, eccentric, and unique songwriters in the history of Western pop music probably opened some doors for Jakob Dylan when he started his own musical career, but being Bob Dylan's son was just as likely a heavy load to carry as well, and the good news is that the younger Dylan has handled the pressure with relative élan.
He studied at private schools in L.A. and New York, and eased into the music business in the late '80s when he formed the Wallflowers with guitarist Tobi Miller, keyboard player Rami Jaffee, bassist Barrie Maguire, and drummer Peter Yanowitz. Featuring a classic heartland sound that was closer to Tom Petty & the Heartbreakers or John Mellencamp than it was to anything Bob Dylan recorded, the band signed to Virgin and released a self-titled debut album in 1992, but it sold poorly and Virgin dropped the band.
Dylan assembled a second version of the Wallflowers -- guitarist Michael Ward, bassist Greg Richling, and drummer Mario Calire -- keeping only Jaffee. The "new" group signed to Interscope Records and recorded its second album with producer (and Dylan family friend) T Bone Burnett. Bringing Down the Horse was released in 1996, producing the alternative radio hit "6th Avenue Heartache." A second single from the album, "One Headlight," followed later in the year, and by the spring of 1997 it had become a Top Ten hit, firmly establishing the Wallflowers as a legitimate commercial band, and while the media naturally played up Dylan's connection to his iconic father, the Wallflowers had their own sound and Jakob's similarities to his dad as both a singer and a songwriter were only occasional at best. A third single from Bringing Down the Horse, "The Difference," was issued in 1997, and the album hung on as a big seller throughout 1997, and in 1998 "One Headlight" won Grammys for Best Rock Song and Best Rock Performance by a Duo or Group with Vocal.
The obvious next move would have been to rush out a third album, but Dylan and the Wallflowers instead took a long four-year break from recording, returning in October 2000 to release Breach. The album, although quite impressive, went largely ignored. The more mainstream Red Letter Days appeared a year later in 2001, and following a two-year hiatus, Rebel, Sweetheart was issued in 2003, closing out the band's deal with Interscope. Dylan signed a solo contract with Columbia Records, his dad's longtime label, in 2006, and issued the acoustic-based Seeing Things, produced by Rick Rubin and recorded at Rubin's Hollywood Hills studio, under his own name in 2008, leaving the status of the Wallflowers up in the air. Jakob's new record, "Women & Country" will drop April 6, 2010.
In 2006, SPIN Magazine called Neko Case "one of pop music's best" voices, and Interview Magazine hailed her album Fox Confessor Brings The Flood as "one of the most original, beguiling, honest records of the year." The album also earned Case Female Artist of the Year honors from the PLUG Independent Music Awards, and a Top 10 placement in the Village Voice's annual Pazz and Jop Critics Poll of the year's best releases. Fox Confessor was Case's first album to debut in the Billboard Top 100, and has sold nearly 200,000 copies in the U.S. alone.

Kelly's Hogan's voice is so versatile it can wrap itself around any song, in any style, be it torchy jazz, country weepers, soul-fueled bump and grinders or long-lost pop nuggets, and transform them into something all her own. Hogan began to hone her mellifluously spooky welter of torch songs and honky tonk anthems when she fronted the legendary peg-legged cabaret quartet, The Jody Grind, and then fanned the flames of her bummer-rock fixation while playing guitar for Orbisonic southern gothic punks, The Rock*A*Teens. She has also kept her bad self busy with appearances on some clever and popular Bloodshot compilations, and she did a split single with Neko Case. The past few years has seen Kelly singing with fellow Georgians the Drive By Truckers, the kiddie-punk ensemble Wee Hairy Beasties, the hopped up jazz combo The Wooden Leg and recording and touring with Neko Case as her back up singer.
Sunday March 28, 8pm
97.3 KBCO presents
e-TOWN: Jakob Dylan & Three Legs
ft: Neko Case & Kelly Hogan
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Tickets are on sale through the Boulder Theater box office | Internet 24-7 at www.bouldertheater.com | Phone: During box office hours 303-786-7030