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Omara Portuondo - of Buena Vista Social Club- 80th Birthday Celebration @ Boulder Theater

Omara Portuondo, the world-renowned vocalist who began her career in the music scene of her native Cuba in the 1940s, will celebrate her 80th Birthday with performances in the U.S. this fall. Portuondo on the heels of a GRAMMY win for her 2008 release Gracias will entertain audiences with her rich, soulful brand of jazz and balladry. Portuondo, is an original member of the internationally critically acclaimed Buena Vista Social Club a group whose roots date back to the Cuban club scene of the 1940s before it took the world by storm in the late 90s. She was the first Cuban artist in six years to be granted a visa to perform in the United States and the first Cuban citizen to appear on television as a presenter at The Latin Grammy Awards.

Jose Marte, our great Cuban poet, once said that music is the soul of the people, says Omara. "Music is at the heart of every culture, something to be shared among all people, regardless of borders and politics. It has always been a universal language for people who might not otherwise understand each other. Perhaps, through these performances, I could be a goodwill ambassador between these two countries."

Portuondo's recent appearances in the U.S. in the fall of 2009 and spring of 2010 had critics saying the following:

The Cuban singer Omara Portuondo, is still impulsive onstage. ... She sang high and low, whispering and declaiming, hinting at tears and pride... -New York Times March 2010

"Her performance here of two classic boleros was enough to transport us to another time and place" - Tiny Desk Concert March 2010

More Info / Buy Tickets

Masters of Reality Announce US Headlining Dates

n maps, or from the air, the Mojave Desert is usually deemed brown... a blotch in the lower stomach of California that bulges against Arizona and Nevada. For fifteen years, the Mojave Desert has been the adopted home of one songwriter / performer / producer who calls himself 'one half of Masters of Reality.' Meet Chris Goss. About 2,800 miles East by Northeast; New York City. Another man sits at the head of Manhattan's media design giant Spontaneous. Director / illustrator / songwriter / drummer, and former member of New York noise and space rock bands Surgery and Dr. Mars, he is the "other" half of Masters of Reality. Meet John Leamy.

For nearly 20 years, the intermittent and somewhat reclusive collaborative musical efforts of Goss and Leamy, collectively known as the avant-renegade rockers Masters of Reality, (a relationship that began with Leamy painting the cover of their very first Masters album), have changed the face and character of rock and roll music around the world. Hence, these two ain't part time hobbyists. Goss describes himself as a "parallel aesthetician." "Art and music can be loaded with aesthetic and esoteric nano-timebombs, each level of delivery and digestion can and should be emotionally manipulated and shaped for the future... and the best part is, no one knows what we're building because it will never be finished. Look how the world of food is fusing, well, that's happening to a million things simultaneously. Our brains and nervous systems, even in our rock and roll, hopefully."

They are what's called in the 'biz' as 'musician's musicians.' Goss explains "With John and I wrapped up in so much media production in our day to day lives, when we get together to record and tour a new 'Masters of Reality' album, it's the white rat thrown into the cage of two hungry pythons. It's nothing short of a quick ecstatic feast. We have absolutely no intentions other than making music that we want to hear, and other musicians definitely sense that wonderful freedom and experimentation and try to emulate it, to great profit. Proof of good design, I'd assume."

And if a band's musical history and credibility are still relevant in today's American Idol, vocal tuned, studio buffed pop world; Goss began working with music-mega-mogul Rick Rubin in the mid 80's by recording the longest running 'Top of the Hour' theme music for MTV. Followed shortly by the release of the first Masters of Reality LP on Rubin's Def American Records. Goss soon reformed the band's line-up to join forces with none other than Cream's Ginger Baker, a collaboration that lasted nearly three years and resulted in an LP that sent the single "She Got Me (when she got her dress on)" to Number 8 on the Billboard charts. Simultaneously, Goss began working and forming what's now known as the 'California Desert Rock Scene,' producing three legendary albums with Kyuss and soon after began producing and even giving the name Queens of the Stone Age to a young musical protege' Joshua Homme. A musical partnership that still exists now nearly 20 years later and the start of a production career that has made Goss one of the world's most sought after rock and roll studio wizards and songwriters. His collaborations include The Cult, Stone Temple Pilots, PJ Harvey, UNKLE, Mark Lanegan, SOULWAX, Dave Grohl, Marilyn Manson's Twiggy Ramirez and many many more, but it's Masters of Reality that delivers the true core of Goss' and Leamy's musical powers, and the reason that the musical world has been paying close attention for over two decades.

Both improvisation and rhythm have always been major components of the unmistakable Masters of Reality sound, but on their new album, ‘Pine/Cross Dover’ (the band's brand new, two-headed beast of a full-length recording), the group pits the finer elements of the Mahavishnu Orchestra and Public Image Limited against each other. The end result? A Masters of Reality album that rocks, rolls, and grooves like one devilish son of a gun.

Joining Goss and Leamy, includes a host of special guests, including Eagles of Death Metal bassist Brian O’Connor and guitarist Dave Catching, Merle Jagger guitarist Mark Christian, background singers Shawnee Smith and Missi Pyle, as well as former Queens of the Stone Age guitarist Brendon McNichol. With a tour currently being planned, it’s only a matter of time until the latest batch of Masters of Reality classics take on a new life on stage.

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Masters of Reality Live!

US Headlining Tour Dates

11/10/2010 - House Of Blues - Anaheim, CA
11/11/2010 - 4th & B Street - San Diego, CA
11/12/2010 - House Of Blues - Los Angeles, CA
11/16/2010 - El Corazon - Seattle, WA
11/17/2010 - Lola's - Portland, OR
11/20/2010 - Pappy & Harriets, Pioneertown, CA

UK Dates w/ The Cult

1/18/2011 O2 Academy Leeds, UK
1/19/2011 O2 Academy Bristol, UK
1/21/2011 Hammersmith Apollo London, UK
1/22/2011 Cambridge Corn Exchange Cambridge, UK
1/23/2011 O2 Academy Bournemouth Boscombe, UK
1/25/2011 Rock City Nottingham, UK
1/26/2011 Wolverhampton Civic Hall Wolverhampton, UK
1/27/2011 O2 Academy 2 Newcastle, UK
1/29/2011 Academy Glasgow Glasgow, Scotland
1/30/2011 Academy Manchester Manchester, UK

Bob Marley's Wailers Continue His Legacy With New Single To "Keep Them Belly Full"

On a trip to Colombia at the end of last year, legendary reggae group The Wailers gave out hundreds of pairs of shoes to under-privileged children from the money they had raised from foregoing their daily riders.  During their extensive travels that followed, they were often confronted with one of the worst plights, yet one of the easiest problems to solve – hunger.
The Wailers’ leader and musical director Aston “Familyman” Barrett decided to collaborate with the World Food program and the United Stations because he felt that he wanted to make a contribution to help put an end to hunger around the world.  The result of their efforts culminated in a new track called “A Step for Mankind,” which is their first studio song in 16 years.   The song was recorded specifically for Oniric Records’ compilation CD Solution for Dreamers: Season 3 and is available at iTunes with ALL proceeds from the song going towards the United Nations’ World Food Programme (WFP). The Wailers are now asking for your help.
“A Step for Mankind,” written by Wailers’ vocalist Duane Stephenson, is a call for world unity and strength to support the ongoing struggle against world hunger. The band is joined on the track by new lead singer Koolant, a fresh talent from the heart of St. Thomas known for blazing a positive future for reggae music with his work. The track also introduces Dr Dre protégé Bishop Lamont, an up-and-coming rapper, contributes an unforgettable flow in the track’s breakdown.  Graced by the Wailers’ undeniably distinctive groove., “A Step for Mankind” is a small taste of more music forthcoming from the Wailers, who recently entered the studio in Jamaica to begin work on an album of all-new material.
The World Food Programme is the world’s largest humanitarian organization fighting hunger worldwide. A United Nations institution, the WFP is committed to getting food where it is needed, saving the lives of victims of war, civil conflict and natural disasters. Each year, on average, WFP feeds more than 90 million people in 70 countries.
According to the World Food Programme website:
  • Every 6 seconds a child will die from hunger
  • Each day 25,000 people will die from a lack of food
  • 1.02 billion people will go to sleep hungry tonight, this is 15 percent of the estimated world population
For 25 cents you can help save a person’s life today by going to iTunes and purchasing The Wailers “A Step for Mankind” here.
And be sure to check out The Wailers new video here.

Kids of Widney High Release Full-Length Documentary

“After I take over the world, I want to learn how to play the bass,” says effervescent, long-time Kids of Widney High member Cain Fonseca. One of nine singer/songwriters, Cain is a young adult from East LA with developmental disabilities who—along with the rest of the Kids—writes, records, and performs his own unique brand of rock music.

Begun in 1988 at special-education high school Joseph P. Widney High, the Kids grew out of an adaptive songwriting class that is still in operation today and continues to churn out specialized musicians and singers, some of whom have formed their own permutation of “Kids of Widney High”-esque bands.

Having in the past been compared to the likes of: Daniel Johnston, Wesley Willis, Langley Schools Music Project, and Florence Foster Jenkins, the Kids of Widney High have been covered in both concert performances and on album recordings by such hot bands as: the Yeah Yeah Yeahs, the Aquabats, and Osaka Popstar (comprised of members of: the Ramones, the Misfits, and Black Flag). They also boast a dedicated fanbase that includes everyone from Marilyn Manson and Fiona Apple to actor James Garner and filmmaker Spike Jonze. Playing the LA leg of the Warped Tour some years back, a prominent record producer handed to the Kids their first album—made by an earlier lineup of members—that had at one time been owned by Kurt Cobain.

In the past, the Kids have worked with musical luminaries Jackson Browne (who assisted them with the recording of the second of four albums they have out to date), Mr. Bungle/Faith No More frontman Mike Patton (who took them on their first tour along with Bungle, and who put out a Kids album on indie pioneering label Ipecac), and various producers/writers from South Park who worked with the Kids and a similar group, MTV’s How’s Your News, on a television pilot some years back. The Kids were also prominently featured in comedic hit film The Ringer starring Johnny Knoxville and Katherine Heigl.

Having now broadened their artistic endeavors to encapsulate: fine art, films, music videos, short documentaries of their own, creative writings, poetry, and fashion designs, the Kids decided upon taking their first headlining, full-length tour up the West Coast (from Los Angeles to Seattle and back) two summers ago. Along the way, the Kids played a number of gigs at high-profile venues, made time for local print/online media syndicates and radio shows, exhibited their artwork and short films, and read their writings (including one oration at Beat epicenter City Lights in San Francisco).

Sponsored in part by Sony PlayStation, this tour was also an opportunity for the majority of Kids members—all of whom come from financially challenged backgrounds—to see a world outside of the city of Los Angeles. But, as Kids member (and self-proclaimed “class clown”) Peewee proudly intones, “We’re not here to tell a sob story. No! We’re having fun. Are you having fun?”

Act Your Age: The Kids of Widney High Story is a vibrant, life-affirming, funny, and wholly compassionate film that explores just what happens when a specialized group of artists such as the Kids of Widney High finally take to the road as they visit new cities and peoples, teaching their fans about the changing world of the disabled community at large. Along the way, the Kids fight, they love, they grow apart and together, they party—as do all raucous rock bands on such rapid-fire tours!—and come out the other end, as Kids frontman Shelly Goodhope says of himself, “A better man.”

Supplemented by over ten years of footage from various venues, fans, groupies, and the Kids themselves, Act Your Age is also an incredibly intimate portrait of a subculture that has been for far too long misunderstood and, ultimately, disenfranchised in the eyes of the general mainstream public.

Comparable to such independent mainstay music documentaries as: Dig!, End of the Century, and Fugazi’s Instrument, Act Your Age: The Kids of Widney High Story is a poignant and often funny look at a group of artists who are ready to challenge conventional notions about persons with disabilities and contemporary art in America today.

It’s time for everyone to see the world through the eyes of a Kid!

Learn more about The Kids of Widney High at:

www.KidsOfWidneyHigh.com.

www.YouTube.com/ProfKlickberg

www.MySpace.com/TheKidsOfWidneyHigh

Also, be sure to check out the FREE preview.  Here is information on the preview:

ACT YOUR AGE: THE KIDS OF WIDNEY HIGH STORY
Monday, October 18th & 7PM
99 minutes + Q&A with filmmaker and KOWH member
CU Campus, ATLAS 102
Trailer | Website | Youtube

the New Deal, Pioneers of Live Electronic, Announce Fall Tour

Toronto’s live-electro pioneers the New Deal kick-off their largest, most ambitious tour in years with dates stretching from Colorado to North Carolina and bills shared with Toubab Krewe, King Britt, Brothers Past and more (details below). As always, tND’s concerts will feature inspired instrumental improvisations and driving beats, but new for this tour, the band will introduce a brand new keyboard setup, implemented to fortify the tND sound.

Touring in support of their latest release, Live: Toronto 7.16.2009 (SCI Fidelity Records) is a perfect snap-shot of the band onstage doing what they do best. With over 800 shows and ten albums released, Jamie Shields (keyboards), Darren Shearer (drums/beatbox) and Dan Kurtz (bass) have established themselves as leaders and innovators in the live electronic world, spawning countless bands, garnering numerous awards and selling out venues around the world. With a massive U.S. tour set for 2010, they prove the best is still ahead.

Check out the Grateful Web's interview with the New Deal.

the New Deal Tour Dates:

10/07/10 Boulder, CO Fox Theatre (w/ Brothers Past)

10/08/10 Ft. Collins, CO Hodi's Halfnote (w/ The Passage Project)

10/09/10 Denver, CO Cervantes' (w/ Mimosa, Future Rock, Brothers Past)

10/12/10 Bloomington, IN The Bluebird (w/ Papadosio)

10/13/10 St. Louis, MO Old Rock House (w/ Steez)

10/14/10 Madison, WI The Majestic (w/ Steez)

10/15/10 Ann Arbor, MI The Blind Pig (w/ Steez)

10/16/10 Buffalo, NY Town Ballroom (w/ King Britt)

11/03/10 Pittsburgh, PA Mr. Small’s Theatre (w/ Two Fresh & Mimosa)

11/04/10 Scranton, PA Eleanor Rigby's (w/ Eclectic Method)

11/05/10 Charlottesville, VA Jefferson Theater (w/Toubab Krewe)

11/06/10 Baltimore, MD Bourbon Street (w/ Toubab Krewe)

11/09/10 Blacksburg, VA Attitudes (w/ Eclectic Method)

11/10/10 Knoxville, TN The Valarium (w/ Toubab Krewe)

11/11/10 Athens, GA New Earth Music Hall

11/12/10 Asheville, NC The Orange Peel

11/13/10 Live Oak, FL Bear Creek Music Festival

Furthur | Red Rocks | 9/24/2010

Two of the world's greatest road warriors, Phil Lesh & Bobby Weir, made their almost annual stop to the venue the epitomizes everything organic, granola, hippie and The Grateful Dead.  As many venues as both Lesh & Weir have played, every show at Red Rocks is just a little extra special.  Phil while doing his donar rap -- mentioned his love for the amphitheater and has said on at least a few occasions it is his favorite venue in the world.

Outside fans were arriving pretty early filling up the lower south lot and upper north lots first.  The weather couldn't have been any better, and those who live here in Colorado know late September at Red Rocks is precarious, at best.  There was some vending in the lots, though by and large it was fairly quiet.  Grateful Web, however, was hawking our "Make Love Not War" t-shirts in light of election season and America's never-ending political quagmire.  Give one as a gift to your political nemesis!  Email us if you'd like one or want more information. 

My friends went inside early to scope out some good seats.  I stayed back to guard the fort, which really means playing hacky sack with my new neighbor friends, drinking some beers, talking about which run at MSG was the best (I say 1990, hands-down -- another said '87, another said '88 - this continued through our hackin), and having a great time in the gorgeous Red Rocks parking lot.

The band came on around 8pm.  The sound where I was sitting was superb, but considering I was sitting literally over the heads of the soundboard folk, this would make sense.  Futhur is finishing their late summer/early fall tour here in Colorado.  You may wonder how in the world does a 70 year old another 62 year old just continue to tour -- but I must tell you I thought both Bobby and Phil both looked pretty well-rested and enthused on stage last night, which has not always seen the case with Weir during the past few years.  But Bobby seemed more engaged than I have seen him in a while, yet still giving John plenty of space to roam.  Furthur shows for me are pretty tame experiences, but I did find a few moments last night when John really opened things up and hit some pretty nice peaks, particularly in 'Fire on the Mountain,' which was more than apropos considering the recent fires in the near-bye foothills.    

I think Chimenti is a fine piano player, but personally I’d prefer more Hammond organ stuff and less piano. Furthur is mellow enough already, which is why I really think they would benefit more from a big Brent-esque organ sound more than all the piano playing.  Just my 2cents – with that said,  I would be a very happy camper if I could play piano as well as Jeff, so nothing at all personal toward him.  Joe Russo, on the other hand, is a groove machine.  This guy is really great and impresses me more each time.

Grateful Web is currently uploading videos, so check back through the next few hours for links to them. The videos really came out nice, especially set 1..

Danielle Ate the Sandwich Releases New Album and Tours Coast to Coast

Danielle Ate the Sandwich is the musical persona of singer/songwriter and ukulele/guitar player Danielle Anderson. Born in Nebraska and living in Colorado since 2000, Danielle’s beautiful voice and unique songwriting are impossible to deny, but one glance at her chosen moniker and it’s clear she doesn’t take herself too seriously. Danielle Ate the Sandwich likes to have fun on record, onstage, and in life. And it’s infectious.

Described by Denver's Westword as, "cripplingly enchanting… her lyrics tell the story of a generation uncertainly coming of age in an age of uncertainty," Danielle might as well be the spokesperson for this brave new world. Part of a young breed of artists who are finding fame in new places, Danielle wasn’t discovered in a coffeehouse like her idols; she was ushered into stardom by YouTube.

A few years ago Danielle started making home videos featuring hokey skits and sweet acoustic songs. Her disarming charm and natural talent captured the hearts of fans around the world. She now has over 3.5 million views and 25,000 subscribers on YouTube and has toured the country, played the Mile High Music Festival, and performed at Colorado’s legendary Red Rocks Amphitheatre.

Though she may crack fun at everyone including herself and tell a few dirty jokes during the show, Danielle’s music is full of depth, nuance, and subject matter ranging from sex changes and death to hot dogs. She’s fiercely intelligent and witty as hell but completely disarming, and she’s not afraid to bust out covers like Hall & Oates’ “Rich Girl,” Miley Cyrus’ “Party In The U.S.A.” and TLC’s “Waterfalls.”

Danielle has certainly made more than a few fans by reworking popular songs until they feel like her own, but it’s her refreshing original material that keeps them coming back. In the summer of 2010 she released Two Bedroom Apartment, her third album and first effort in a professional studio. Upon its release, the album quickly shot to #5 on iTunes’ singer/songwriter chart, confirming the YouTube buzz and welcoming a new star to the indie world. Danielle Ate the Sandwich will be on tour this fall and winter, details below.


Danielle Ate the Sandwich Tour Dates

09/24/10 Denver, CO Lannie’s Clocktower Cabaret
09/25/10 Colorado Springs, CO The Loft
10/08/10 Englewood, CO Gothic Theatre
10/11/10 Los Angeles, CA Hotel Cafe
10/15/10 Eugene OR Uketoberfest Eugene Uke Festival
10/16/10 Santa Cruz, CA The Crepe Place
11/04/10 Vienna, VA Jammin Java
11/05/10 Easton, MD Stoltz Listening Room @ The Avalon Theatre
11/06/10 Brooklyn, NY Little Field Arts Center
11/08/10 New London, CT Oasis Room @ The Garden Arts Center
11/11/10 Clinton, NY The Barn at Hamilton College
11/13/10 Philadelphia, PA Tin Angel
11/21/10 Charleston, WV Mountain Stage

Kelli Scarr Announces US Fall Tour / To Play The Woodstock Farm Animal Sanctuary Benefit

Kelli Scarr's interest in music and recording started early, at the age of three with her Nana using a handheld cassette recorder to record her singing. Growing up amongst the soundtrack of her parent’s records and singing in the Lutheran church of her hometown, music quickly became an important part of Kelli Scarr’s life.

After high school she moved to Boston, Massachusetts to study voice at Berklee, and she soon joined the band Moonraker.  Following college, Kelli, along with Moonraker, moved to Brooklyn, NY where they were thrown head first into the ever-expanding indie scene, opening for bands like the Arcade Fire and Broken Social Scene.

After several years of touring and three albums, the band dissolved in 2005 and Kelli started to shift her musical focus more towards film scoring, composing the score for Matthew Nourse’s full-length feature, “The Pacific and Eddy” and Jeremiah Zagar’s documentary, “In a Dream” (HBO).  Kelli soon found herself nominated for best original score for, “In A Dream” by the Cinema Eye Honors alongside fellow nominees Nick Cave and Danny Elfman. It was also during this time that Kelli joined Brooklyn-based alt indie group, Salt and Samovar.

During an almost accidental bill sharing, Kelli was noticed by local NYC musician, Moby. After striking up a friendship, Kelli and Moby were soon working on music together with Kelli singing the title track of Moby’s haunting and introspective 2009 release, “Wait For Me” (Mute). Kelli also quickly joined Moby’s touring band for a world tour to support the critically acclaimed album. On top of singing and playing keyboards within Moby’s band, Kelli was also asked to open the shows, playing her own music in supporting slots for Moby and winning over crowds all over the world.

Amidst all of the transitions and touring, Kelli had begun recording songs on her own. She began simply by recording quiet piano songs at home in between working her hospital day job and in brief moments to herself during her three year old son’s naps. From what began as a simple process Kelli quickly found herself with a collection of recordings that spanned the world, two and a half years and included a diverse cast of musicians, engineers and producers.

The themes and inspiration for her music ranged from the once small gold rush town of Folsom, CA, now turned suburban sprawl, to the raising of a child and the wishes of a parent. For a majority of the record the songs acted as a therapeutic release and moment of reflection for the relationships in her life and the struggle to find peace within them. Along with these moments of self-release, her songs captured the images of her childhood and reflected everything from scenes of driving through California to the memories of her favorite childhood movies like Alice in Wonderland and The Wizard of Oz.

After a long and exhausting two and a half year process Kelli had a record of mainly home recordings, which she named, “Piece”; a name she adopted early on with the advice of friend and filmmaker Matthew Nourse, to help her visualize the album as a “snapshot in time” within an otherwise hectic time.

In the end “Piece” reflected a large portion of Kelli’s life and those around her. From the sounds of her creaky upright piano and midnight acoustic recordings to the whimpers of her son waking up from a nap in the next room, “Piece” captured an extremely personal journey, providing a photo album's worth of lush images. “Piece” will be released on August 10th, 2010 as the debut for indie start-up label, Silence breaks.

Ethiopian Superstar Gigi Releases New Album on MOD Technologies

Ejigayehu “Gigi” Shibawbaw, one of Ethiopia's best-known singers, is releasing her latest album Mesgana Ethiopia on October 19th through MOD Technologies, the label founded by Grammy-winner Bill Laswell (who has collaborated with countless legends from Mick Jagger to Laurie Anderson to Tony Williams). This release features Gigi singing her original songs mixed with some Ethiopian traditional tunes – all sung in Amaharic – bridging African styles, Reggae, Dub, Avant-Funk,/Jazz, World Beat, Trance, and Ambient music.

Already an international star, Gigi has recorded and toured across the globe with iconic, master musicians including Tabla Beat Science featuring Zakir Hussain and Sultan Khan, Pharoah Sanders, Herbie Hancock, Wayne Shorter, Hamid Drake, Sly & Robbie, Abegasu Shiota, Buckethead, Karsh Kale, DJ Disk and Laswell himself.  Her music has also been featured in films, including 2003’s Beyond Borders, which starred Angelina Jolie and Clive Owen.

Gigi has a powerful voice that can also convey beautiful fragility.  This versatility allows her to be the source and structural framework for her backing band’s African Futurism/One World Music approach. For a taste, click HERE to stream/download "Shemum Mune."

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Mesanga Ethiopia features the following incredibly talented group of musicians:

Bill Laswell: Material founder, legendary bassist, producer, reconstructionist, inventor of Herbie Hancock’s mega-hit “Rockit”, creator of the first and only landmark full album remix-constructions on the music of Bob Marley, Miles Davis & Carlos Santana, cofounder of the Axiom Label w/Chris Blackwell, veteran of over 700 recordings to date.

Abegasu Shiota: Keyboardist, acclaimed producer/arranger of Ethiopian pop culture, has worked with most all of the important artists there.

Hamid Drake: Master drummer, Americas most valuable - Avant-Jazz – World/Beat percussionist.

Aiyb Dieng: From Senegal, Easily the most widely recorded African percussionist.

Dominic Kanza: Post Modern African guitarist, master of many advanced styles.

And Featuring 2 world renown guest musicians –  Steven Bernstein: Trumpet / slide trumpet; and Peter Apfelbaum: Tenor saxophone, flute, percussion.  Both are composers, arrangers and world class band leaders in their own right.

Girl In A Coma's "As The World Falls Down"

The San Antonio-based trio, Girl In A Coma, were chosen by Joan Jett herself for her Blackheart Records label and have toured extensively with Morrissey, at the personal invitation of the man who penned the song that inspired their name.  After successfully releasing a series of three Adventures in Coverland EPs on 7-inch vinyl this April, Girl in a Coma will release these tracks as a full-length CD along with three brand new tracks October 19th on Blackheart Records.

Girl In A Coma is thrilled to share a new video, directed by Robert Rodriguez for their cover of David Bowie’sAs The World Falls Down”.  Check out the video on SPIN.com where it premiered or here.

With Adventures in Coverland, Girl in a Coma delve further into the band’s collective musical history, recording their own versions of classic songs that helped shape the sonic core of Trio B.C., a record which prompted Alternative Press Magazine to rave that the band had “really hit their stride” and Billboard to enthuse that the ladies were “full of swagger and in fine form.”

The new songs on the record include a vibrant update of Buffalo Springfield’s ‘60s protest anthem “For What It’s Worth,” an acoustic version of their song “BB” and a new original Girl in a Coma song, “Yo Oigo,” which was written to be featured in Robert Rodriguez’s new movie “Machete.” The band displays their reverence for Selena’s music with their amped-up reworking of “Si Una Vez,” a stunning highlight of the record, and were honored to perform the song  at the 2010 Tejano Music Awards.

Having toured in the past with Morrissey, Sia, Pogues, Cyndi Lauper and more, Girl In A Coma hit the road this Fall wrapping up the tour with several performances with the Dresden Dolls.  Be sure to catch the band taking over the stage live in a city near you.

Girl In A Coma Tour Dates

09/23: El Paso, TX @ House of Rock
09/24: Marfa, TX @ El Cosmico Gathering
09/29: Atlanta, GA @ The Masquerade
09/30: Charlotte, NC @ The Casbah @ Tremont Hall
10/02: Brooklyn, NY @ Music Hall of Williamsburg
10/03: Washington, DC @ Black Cat
10/04: Newark, DE  @ Mojo Main
10/05: Providence, RI @ Club Hell
10/08: Toledo, OH @ Frankie's
10/09: Newport, KY @ Southgate House
10/11: Hot Springs, AR @ Maxine’s
10/23: Helotes, TX @ Josabi's
10/30: Houston, TX @ Tom Bass Park Amphitheatre
11/05: Asbury Park, NJ @ The Wonder Bar
11/19: Dallas, TX @ Granada Theater (w/ The Dresden Dolls)
11/20: Houston, TX @ Fitzgerald's (w/ The Dresden Dolls)
11/21: Austin, TX @ La Zona Rosa (w/ The Dresden Dolls)

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Track List

“Si Una Vez” (orig. by Selena)
“While My Guitar Gently Weeps” (orig. by The Beatles)
“Transmission” (orig. by Joy Division)
“As The World Falls Down” (orig. by David Bowie)
“Come On, Let's Go” (orig. by Ritchie Valens)
“Walkin’ After Midnight” (orig. by Patsy Cline)
“Femme Fatale” (orig. by The Velvet Underground)

PLUS THREE BRAND NEW TRACKS
“For What It’s Worth” (orig. by Buffalo Springfield)
“Yo Oigo”
“BB” (acoustic version)