quartet

2011 Morristown Jazz & Blues Festival

The Mayor of Morristown in northern New Jersey will host a free all day concert on the Town Green on Saturday, August 20th. The Morristown Jazz & Blues Festival will run from noon until 10:00 p.m. and features the Rusty Paul Band, the Duke Ellington Legacy Band, the Winard Harper Sextet, Baby Soda and the Jerry Vezza Quartet.

The music begins at noon with two sets by the Rusty Paul Band, led by the son of the legendary guitarist Les Paul. With a special blend of jazz, blues and funk, the six musicians will pay tribute to the great Les Paul as well as feature other popular tunes.

At 2:00, the Duke Ellington Legacy Band, under the leadership of Duke’s grandson Edward Kennedy Ellington II, takes the stage. With fresh arrangements by pianist Norman Simmons and sax great Virginia Mayhew, this 9-piece ensemble is dedicated to keeping Duke’s music alive and current. Most recently, the Legacy Band headlined the New Jersey Jazz Society’s Jazzfest 2011.

Following the Legacy Band will be the popular Winard Harper Sextet. Regarded as one of the elite jazz drummers on the current scene, Harper has performed with many jazz legends including Dr. Billy Taylor, Betty Carter, Dexter Gordon and Ray Bryant. Surrounding himself with extraordinary young musicians, Harper is an explosive drummer who is in demand all over the world.

At 6:00, five young musicians known as Baby Soda take the stage. On the forefront of a new movement known as street jazz, Baby Soda draws on an eclectic set of influences ranging from 30’s era swing, New Orleans jazz and gospel. The band maintains a busy schedule of performances which includes venues such as the Village Vanguard, the Knitting Factory and the Louis Armstrong House.

The festival closes with the Jerry Vezza Quartet featuring two of the regions’ most popular jazz musicians, pianist Jerry Vezza and singer/guitarist Grover Kemble. Joining Jerry and Grover will be Tom Sayek on drums and Rick Crane on bass.

The brainchild of Mayor Timothy Dougherty, the festival has been made possible by business sponsors including PSE&G, JCP&L, Riker Danzig, Brown and Brown Metro, The Metropolitan, 40 Park, Weichert Realtors, Roots, Trenk Depasquale, TSS Facility Services, Integra Management Corporation, Realty Management Associates, Belle Associates, Inglesino Pearlman and the Grasshopper Restaurant. Additional sponsors include WBGO, the Star-Ledger and the New Jersey Jazz Society.

The Morristown Jazz & Blues Festival will take place on the Green in Morristown rain or shine from noon until 10:00 p.m. Admission is free and many local restaurants will be offering specials for festival attendees. Bring your lawn chairs and blankets.


Wayne Shorter at Town Hall Wednesday

It was announced today that Wayne Shorter is due to perform at the Barbican Centre in London and at the Cape Town International Jazz Festival in South Africa. How cool is that? Real. So get out your credit card, make your plans and have fun getting stripped-searched at JFK. OR - walk over to Town Hall on West 43rd Street, or just go to ticketmaster.com from the chair you're in, and get tickets for the band's first NYC appearance in over two years. The guys will be playing on Wednesday, Feb. 9 at 8pm (two weeks from tonight.) They'll do "An Evening With" with no opening group and play a straight 90+ min set. You'll be home by 10, can still watch "Top Chef," and will have a musical and spiritual experience you can cherish forever. Just ask anyone who was at Carnegie Hall in Dec. '08.

Tickets can be purchased at ticketmaster.com, all Ticketmaster outlets or by calling 800-745-3000. They are also available at the Town Hall Box Office, 123 West 43rd St.

Regarded as one of the most significant and prolific performers and composers in jazz and modern music, National Endowment for the Arts' "American Jazz Master" Wayne Shorter has an outstanding record of professional achievement in his historic career as a musician and composer. He has received substantial recognition from his peers, including 9 Grammy® Awards and 13 Grammy® nominations to date.

Shorter was a member of Art Blakey's Jazz Messengers from 1958 through 1962.  In 1964 Miles Davis invited Shorter to go on the road with his band, which also included Herbie Hancock, Tony Williams and Ron Carter. Shorter stayed with Davis for six years, recording a dozen albums with him, and creating a new sound with a bandleader who changed the face of music.

In 1970, Shorter co-founded the group Weather Report with keyboardist and Miles Davis alum, Joe Zawinul. Weather Report was the premier fusion group through the '70s and into the early '80s.  Shorter then formed his own group in 1986.

In the summer of 2001 Shorter began touring as the leader of a talented young lineup featuring pianist Danilo Pérez, bassist John Patitucci and drummer Brian Blade, each a celebrated recording artist and bandleader in his own right. The ensemble features one of the finest rhythm sections in jazz.

Danilo Pérez' distinctive blend of Pan-American jazz, covering the music of the Americas, folkloric and world music, has attracted critical acclaim and loyal audiences. Perez recently released a Grammy®-nominated album entitled Providencia, his "most ambitious album since Motherland," notes the Wall Street Journal.

Drummer Brian Blade recently collaborated with Daniel Lanois on his Black Dub CD and tour project. In between Wayne Shorter Quartet concerts and recording and touring with Lanois, Blade also performs with his own Fellowship Band.

A Grammy®-winning acoustic and electric bassist, John Patitucci is not only known for his work with Shorter, but has attracted worldwide acclaim as one of today's most influential musicians and composers. In 2009, Patitucci, released a project for Concord Jazz, Remembrance, a remarkable Grammy® nominated outing.

This concert celebrates the Quartet's 10th anniversary and is their first NYC performance since 2008

Chris Crocco's Fluidic Duo @ ArtsEcho Galleria

The Chris Crocco Fluid Trio + is the second outing by the terrific threesome fronted by the Virginia born-New York based guitarist Christopher Crocco, an imposing sequel to his impressive debut disc The Chris Crocco Fluid Trio.  As on his first album, a bassless trio outing, Crocco is joined by his longtime friend and mentor, saxophonist George Garzone and Cuban expatriate, current McCoy Tyner drummer Francisco Mela, along with the addition of the very capable bassist and frequent collaborator Peter Slavov.  In the years since the release of their first cd the music created by Crocco, Garzone and Mela has since developed into, in the words of Crocco, “this amazing sound and power,” noting that “we all seem to speak the same improvisational language.” Slavov has joined each of them on many occasions in the past, thereby making him the perfect plus to augment the Fluid Trio.

Crocco confesses that the album was recorded without a concept - just the desire to record the best performances of the new music he had composed since the band’s last effort.  “It was time,” he says, “but when I finished it was easy to see the titles, music, and overall vibe was a result of my own personal catharsis.” Much the result of his studies with Garzone, Crocco has come to realize that his musical objective is to find “the truth” within his art and hence he has abandoned many of the stock improvisatory tricks that often lead many artists (guitarists in particular) away from their own true identities. The resulting record is a more honest expression of the real Chris Crocco – a personal statement of his original music that reveals the true artist behind the music.

The opening track “Avenge” finds the full trio + quartet jumping right off to the races, playing an intricate uptempo line with a vengeance, guitar and tenor doubling the rhythmically charged melody in a manner reminiscent of the work of iconoclast pianist Lennie Tristano, while exchanging phrases with Mela’s drums. Each of the group’s member’s virtuosic capabilities are demonstrated with taste and rest.

“Heaven,” featuring the guitar-bass-drum trio of Crocco, Slavov and Mela, is a three tonic modified minor groove piece in the Coltrane tradition. More devilish than heavenly in mood, the tune’s loping tempo is exquisitely executed by Mela, whose assimilation of Elvin Jones’ asymmetrical drum patterns into his own personal polyrhythmic style makes him one of today’s truly original stick men.  Deceptively simple and restrained, the piece which spotlights the solo work of the leader and Slavov evinces a quiet intensity that is one of the hallmarks of the date.

Crocco’s “Silvia” – the sequel to his first album’s “To Silvia (Don’t Say Goodbye)” – is described by the composer as “the end of the novel.”  A feature for the full quartet, the brooding melancholy melody, at times reminiscent of Horace Silver’s “Peace,” showcases the beautiful tone of Garzone’s tenor.

“When It Is When” again features Crocco’s guitar in trio format with Slavov and Mela. A progressive groove that borrows from the standards of the leader’s generation opens with Crocco strumming a repeated lower register melodic line that iterates a matadorial strength and splendor, buoyed by Mela’s splashing cymbal work.  Chris’s solo finds him venturing into an eastern tinged abstract impressionism that hearkens to the relatively unheralded work of guitarists Gabor Szabo and Atilla Zoller.

The moody swinging “Trial of Time” marks the return of the quartet with Garzone and showcases the remarkable middle register work of tenor and guitar, with Chris shining brightly with a full rich tone and a relaxed bluesy feel. Calling the piece “a composition that relies on a pocket swing with a floater melody on the end,” he astutely notes that “time is relative and can be bent.”

“What It Is” is a straight ahead blues by Crocco played with Slavov and Mela on bass and drums. Played at a blistering tempo it demonstrates the leader’s uniquely personal voice, avoiding the clichéd improvisational devices that lead most guitarists’ solos to predictable places. The interaction between Chris and Francisco reveals the intuitively perceptive relationship built upon years of experience that allows for a disciplined freedom that leads the music to new and interesting places.

The minor melody “Spice Mine” is another Coltrane inspired Crocco composition. The dramatic Spanish tinged line opens up into inspired solo statements by the composer and Slavov, with Mela’s AfroCuban styled drumming constantly interacting to shift the contexts within which they are heard.

“Metal” is an entirely free improvised guitar-drums duo completed in just one take. Constructed from Crocco’s opening guitar vamp it features the sound of Mela’s cymbal on top of his snare, which is emphasized in the title. Chris notes that the feeling is “like when we first met.... two people playing as solid as one.”

Crocco’s “My Own Personal Wake” is an introspective piece that begins on a reflective note that recalls “Monk’s Mood.” The painterly composition unfolds over the featherlike canvas of Mela’s brushes, with Slavov’s bassline lending an Americana flavor that can be found in much of guitarist Bill Frissell’s finest work.

The closing “My Peace” is a duo between Crocco and Slavov, a configuration the two have played in frequently around New York.  Hymn like in mood it is an indication of the harmony with life that Chris found in his music.

The Fluid Trio + is an important new statement from Chris Crocco.  With the able assistance of George Garzone, Francisco Mela and Peter Slavov he demonstrates major advances in the development of his own musical voice. One that is personal, flowing and seeking nothing more than the truth.

National Jazz Museum in Harlem 2010 December Schedule

The National Jazz Museum in Harlem closes out 2010 in swinging style as we focus on the history, function and joy of jazz drums at Jazz for Curious Listeners and our Saturday panel. Among the drummers leading these sessions will be: Otis Brown III, Kenny Washington and Adam Nussbaum. Bassist and composer Sean Smith fronts a trio for our last Harlem in the Himalayas performance of the year, whereas the National Jazz Museum in Harlem All Stars will mambo and salsa your feet and hips, replete with grooves that'll make your holiday season complete, at the Dwyer Cultural Center.And while rhythm is most certainly our business, we also endeavor to share the stories of jazz and jazz artists with you, our patrons and visitors. So come enjoy discussions with author Ed Berger for Jazz for Curious Readers, pianist Jonathan Batiste for Jazz is Now!, and, for our flagship Harlem Speaks series, talks with pianist Mike LeDonne and saxophonist Greg Osby.

We wish you a merry and joyous holiday season, and hope the new year brings you good health and everything else your heart desires. Thanks for your support of the National Jazz Museum in Harlem.

Wednesday, December 1, 2010

Jazz Is: Now!
Jonathan Batiste
7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Join young pianist Jonathan Batiste as he performs and leads a discussion on jazz culture and its relevance in today's society. The Juilliard Jazz grad is one of the most exciting and sui generis artists on the jazz scene; you'll discover that his point of view is too. Join the celebration in the midst of the discourse.

Thursday, December 2, 2010

Harlem Speaks
Mike LeDonne, Pianist
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Pianist Mike LeDonne, born in Bridgeport Connecticut in 1956, was raised in his parent's music store and by the age of 10 his father, a jazz guitarist, began booking him on gigs. At age 21, Mike graduated from New England Conservatory and moved to New York City.

In 1981, he left to travel to the UK with Panama Francis and the Savoy Sultans. On returning, he began a two-year stint as the house pianist at Jimmy Ryan's, then one of New York's oldest jazz clubs. It was there that he came under the influence of and played with many old masters such as Roy Eldridge, Papa Jo Jones and Vic Dickenson. He spent 1982-1983 with the Benny Goodman sextet and went on to play with Buddy Tate, Al Grey, Ruby Braff and many others.

In 1988 he started playing with the Milt Jackson Quartet; Milt recorded Mike's compositions and arrangements and selected him as the band's musical director. In the fall of 1992, Mike was chosen to be part of a group of top young musicians (Ryan Kisor, Joshua Redman, Jesse Davis, Christian McBride, and Lewis Nash) for the Phillip Morris Superband World Tour. Around this time, Mike toured with the Newport All-Stars in lineups that also featured Harry "Sweets" Edison and Clark Terry. Mike has been playing and recording with Benny Golson since 1997. He has also been leading trios which have included Ron Carter, Jimmy Cobb, Billy Hart, Pete LaRoca and Louis Hayes.

Along with his many recordings as a sideman, he has five CDs on Criss Cross Jazz and three on Double Time Records, featuring music artists such as Tom Harrell, Gary Smulyan, Dennis Irwin, Kenny Washington, Steve Nelson, Peter Bernstein, Peter Washington, Mickey Roker, Eric Alexander, Jim Rotondi, and Joe Farnsworth. Mike is the co-author of Jim Snidero's Jazz Conception for Piano and Piano Comping books, on Advance Music. In 2002 Mike joined the faculty at the Juilliard School of Music. He has won praise not only from critics but from master musicians: the late Oscar Peterson picked him as one of his favorite pianists.

Friday, December 3, 2010

Harlem in the Himalayas
Sean Smith Trio
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
For tickets: RMA Box Office or call 212-620-5000 ext. 344

Bassist and composer Sean Smith has been part of the international jazz scene for more than 20 years. He has appeared in many of the major jazz rooms and concert halls all over the world. He has toured extensively in North and South America, throughout Europe and the Mediterranean, and as far away as Russia, Turkey, Morocco, and Japan.

In addition to leading his own quartet, Sean has been a member of the Jacky Terrasson Trio since 2000. His work with Jacky Terrasson and Emmanuel Pahud on the EMI/Blue Note recording Into The Blue was recently nominated for a 2003 Grammy Award. Sean has performed with many jazz superstars including Gerry Mulligan, Phil Woods, Benny Carter, Flip Phillips, Clark Terry, Johnny Griffin, Lee Konitz, Art Farmer, and Tom Harrell. He has also been the accompanist of choice for such world-renowned vocalists as Peggy Lee, Rosemary Clooney, Mark Murphy, Jimmy Scott, and Andy Bey. Sean has also performed and recorded with up-and-coming vocalist Kate McGarry.

A Manhattan School of Music graduate, Sean is also a prolific composer whose works have been played and recorded by such artists as Phil Woods, Mark Murphy, Bill Charlap, Gene Bertoncini, Bill Mays, and Leon Parker. His Song For The Geese was recorded by Mark Murphy as the title track of Murphy’s RCA/BMG release, which was nominated for a Grammy Award in 1998. Sean received a Bistro Award for outstanding instrumentalist in 2007.

Sean’s first recording, Sean Smith Quartet Live! (on Chiaroscuro), featured some of his compositions and was received with outstanding reviews. Sean’s most recent recording, Poise (on Ambient), features new compositions performed by his working band.


Monday, December 6, 2010

Jazz for Curious Readers
Ed Berger, author of books on Benny Carter and George Duvivier
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Biographer and photographer Ed Berger is the Associate Director and Head of Research Services of the Institute of Jazz Studies at Rutgers University. He's a graduate of Indiana University and has a M.L.S. from Rutgers University. He is co-author of Benny Carter: A Life in American Music, Reminiscing in Tempo, and Basically Speaking: An Oral History of George Duvivier. He served as record producer and road manager for Benny Carter and will delight us this evening with anecdotes about two of the gentlemen of jazz who lit up the stages of jazz for decade upon decade with sophisticated artistry.


Tuesday, December 7, 2010

Jazz for Curious Listeners
Rhythm is Our Business: The Drummers
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Otis Brown III

Tonight the New Jersey native Otis Brown III will bring his joyful style to Jazz for Curious Listeners in a discussion about his favorite drummers.

Since his birth in Hackensack, NJ, Otis has traveled a path that has led to him being one of the most in demand, and well respected musicians today. Expressing an early interest in music, Otis began his musical studies at age 7; by age 12 he was playing lead alto saxophone in the school bands while playing the drums in the Baptist church.

After moving to Newark, N.J., he continued performing double duty in his school bands playing snare drum in marching band, and alto saxophone in the jazz and concert ensembles, all of which were directed by his father Otis Brown Jr. He decided to pursue his musical education in college at Delaware State University, where he met legendary trumpeter Donald Byrd, an encounter that changed his life. He spent countless hours under the wings of Dr. Byrd, who later suggested that Otis continue his studies in New York, the jazz capital. He was awarded a scholarship to attend the prestigious New School University.

Since his arrival in New York Otis has performed and toured with musicians the caliber of Herbie Hancock, Christian McBride, Eric Lewis, Ron Blake, Roy Hargrove, Frank Lacy, Jeremy Pelt, Don Braden, Marc Ribot, Adam Rodgers, Pete Malinverni, Tim Hagans, Conrad Herwig, John Hicks, Oliver Lake, Aaron Goldberg, Bob Mintzer, George Garzone, and many others.

He currently can be seen touring with the Thelonious Monk Institute’s Jazz in America initiative, Joe Lovano’s trio quartet and nonet, the Laurent Coq trio, the Franck Amsallem trio and quartet, the Steve Wilson quartet, the Oliver Lake Big Band, the Bob Stewart tuba project and several other musical configurations.


Saturday, December 11, 2010

Jazz at the Dwyer
Afro-Cuban Jazz Dance Night with Bobby Sanabria & Quarteto Aché
7:00 – 11:00pm
Location: The Dwyer Cultural Center
(258 St. Nicholas Avenue at W. 123rd Street)
$20 | More information: info@DwyerCC.org

Bobby Sanabria - drummer, percussionist, composer, arranger, recording artist, producer, filmmaker, conductor, educator, multi-cultural warrior and multiple Grammy nominee – has performed with a veritable Who's Who in the world of jazz and Latin music, as well as with his own critically acclaimed ensembles. His diverse recording and performing experience includes work with such legendary figures as Dizzy Gillespie, Tito Puente, Paquito D'Rivera, Charles McPherson, Mongo Santamaría, Ray Barretto, Marco Rizo, Arturo Sandoval, Roswell Rudd, Chico O'Farrill, Candido, Yomo Toro, Francisco Aguabella, Larry Harlow, Henry Threadgill, and the Godfather of Afro-Cuban Jazz, Mario Bauzá.

Bobby, the son of Puerto Rican parents, was born and raised in the "Fort Apache" section of New York City's South Bronx. Inspired and encouraged by maestro Tito Puente, another fellow New York-born Puerto Rican, Bobby "got serious" and attended Boston's Berklee College of Music from 1975 to 1979, obtaining a Bachelor of Music degree and receiving their prestigious Faculty Association Award for his work as an instrumentalist. Since his graduation, Bobby has become a leader in the Afro-Cuban, Brazilian and jazz fields as both a drummer and percussionist, and is recognized as one of the most articulate musician-scholars of la tradición living today.

He has been featured on numerous Grammy-nominated albums, including The Mambo Kings and other movie soundtracks, as well as numerous television and radio work. Mr. Sanabria was the drummer with the legendary “Father of the Afro-Cuban Jazz movement,” Mario Bauzá’s Afro-Cuban Jazz Orchestra. With them he recorded three CD’s (two of which were Grammy-nominated) which are considered to be definitive works of the Afro-Cuban big-band jazz tradition. Mr. Sanabria was also featured with the orchestra in two PBS documentaries about Bauzá and also appeared on the Bill Cosby show performing with the orchestra. He also appeared and performed prominently in a PBS documentary on the life of Mongo Santamaria and on camera in the CBS television movie, Rivkin: Bounty Hunter.

Bobby and his Quarteto Aché toured Armenia in June of 2007 being personally invited by the U.S. Embassy to represent the United States in a series of concerts. Headlining in the final event, The Cascade Jazz festival in Yerevan, Armenia’s capitol, the group received a thunderous ovation from the estimated 8,000 person audience which was broadcast throughout the country. In a pre-concert press conference when asked what jazz represented, Bobby simply stated, “Freedom.“ His group has the unique distinction and honor of being the first ensemble ever to perform Latino oriented jazz in this country and spread clave consciousness in a unique master class that he held at the Yerevan Conservatory. If this weren’t enough, the ensemble performed a private concert for Armenia’s Heads of State, and President Robert Khachaturian who stated that, “I simply love jazz! Its spirit of improvisation in a collective democracy is the inspiration for my vision for Armenia."

Tuesday, December 14, 2010

Jazz for Curious Listeners
Rhythm is Our Business: The Drummers
7:00 – 8:30pm
Location: Maysles Institute
343 Lenox Ave
New York, NY 10027
FREE | For more information: 212-348-8300
Kenny Washington

Jazz drummer and historian Kenny Washington is a repository of jazz music in story and in practice. He can tell you the history of jazz and jazz drumming, and then show you what he's talking about. Hailing from Staten Island, NY, Kenny began his career in the late '70s with Lee Konitz, and was a favorite of stalwart musicians such as Johnny Griffin, Betty Carter, and countless others. His record collection is the envy of jazz collectors, his moniker "the jazz maniac," was earned while doing deejay work on WBGO. Today, he can be found playing in the trio of pianist Bill Charlap as well as the ensemble led by legend Ahmad Jamal. And tonight he'll share the legacy of jazz drumming on film featuring Max Roach, Kenny Clarke, Ray McKinley, Papa Jo Jones, Sid Catlett, and many others, so don't miss this rare opportunity!

December 15, 2010

Jazz Is: Now!
Jonathan Batiste
7:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Join young pianist Jonathan Batiste as he performs and leads a discussion on jazz culture and its relevance in today's society. The Juilliard Jazz grad is one of the most exciting and sui generis artists on the jazz scene; rest assured that his point of view is too. Join the celebration in the midst of the discourse.

Thursday, December 16, 2010

Harlem Speaks
Greg Osby, Saxophonist     
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Saxophonist, composer, producer and educator Greg Osby has made an indelible mark on contemporary jazz as a leader of his own ensembles and as a guest artist with other acclaimed jazz groups for the past 20 years. Highly regarded for his insightful and innovative approach to composition and performance, Osby is a shining beacon among the current generation of jazz musicians. He has earned numerous awards and critical acclaim for his recorded works and passionate live performances.

Born and reared in St. Louis, Greg Osby began his professional music career in 1975, after three years of private studies on clarinet, flute and alto saxophone. Coming from a vibrant and musical city, Osby showed an early interest in the performing arts and spent his years in secondary school with a heavy involvement in Blues and Jazz groups. In 1978 Osby furthered his musical education at Howard University (Washington, D.C.) where he majored in Jazz Studies. He continued his studies at the Berklee College of Music (Boston, MA) from 1980 to 1983.

Upon relocating to New York in early 1983, Osby quickly established himself as a notable and in demand sideman for artists as varied as Herbie Hancock, Dizzy Gillespie, Jack DeJohnette, Andrew Hill, Muhal Richard Abrams, Jim Hall and Jaki Byard as well as with many ethnic and new music ensembles in the New York area.

In 1985 Osby was invited to to join Jack DeJohnette's innovative group, "Special Edition". It was as a member of this ensemble Osby was able to fine tune the more challenging aspects of his conception in an open ended, no holds barred musical situation. Says Osby, "My musical thinking for performance and composition advanced by light years as Jack was open to my input and was very encouraging in pushing me to to maintain a steady flow of experimentation. It marked a major turning point in my development as an artist."

In 1987, Osby signed his first recording deal with a new German label, JMT (Jazz Music Today). With this situation, he felt that he was finally able to document life as he saw it through music. He had free creative reign to do whatever he liked. He recorded four CD titles for that label. Osby signed with Blue Note Records in 1990 and recorded fifteen outstanding recordings for that label as a leader. In 2008, Osby launched his own label, "Inner Circle Music", which serves as a platform for many of today's brightest artists. From the pulse of the streets and the language of a generation, Osby has sketched numerous musical essays set to a contemporary score using the improvisational nature of Jazz as the connecting thread.

On "9 Levels," his latest recording on Inner Circle Music, Osby presents his wares in a sextet format and is joined by special guests, Nir Felder, guitar; Adam Birnbaum, piano; Joseph Lepore, bass; Hamir Atwal, drums; and a welcome newcomer to the international jazz scene, vocalist Sara Serpa.

Saturday, December 18, 2010

Saturday Panels
Jazz is a Drum
12:00 - 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
LIVE MUSIC/FILM + MORE

Today's Saturday panel is a retrospective of a century of jazz drumming, including rare films, panels and live music. If you are curious about the role of the drum in jazz, or simply love the swinging groove and powerful solos of jazz drummers as they lockstep with the walking or funking bass and the comping piano, come on through and bring some other friends who'll appreciate that move.

Tuesday, December 21, 2010

Jazz for Curious Listeners
Rhythm is Our Business: The Drummers
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300
Adam Nussbaum

Adam Nussbaum grew up in Norwalk, Connecticut and started to play drums at age 12 after studying piano for 5 years, also playing bass and saxophone as a teenager.

The multi-instrumentalist moved to New York City in 1975 to attend The Davis Center for Performing Arts at City College. While there he began working with Albert Dailey, Monty Waters, Joe Lee Wilson, Sheila Jordan and he played with Sonny Rollins in 1977 in Milwaukee. In 1978 he joined Dave Liebman's quintet and did his first European tour with John Scofield. During the early eighties he continued working with John Scofield in a celebrated trio with Steve Swallow. In 1983 he become a member of Gil Evans Orchestra and played with Stan Getz as well. He later joined Eliane Elias/Randy Brecker Quartet, Gary Burton, and Toots Thielemans. In 1987 he began touring with the Michael Brecker Quintet. In 1988 they recorded the Grammy winning "Don't Try This At Home" During 1992 he was part of the Carla Bley Big Band and that same year John Abercrombie hired him to complete his organ trio.

Since then he has kept active in a wide variety of groups. Among them a recently formed quartet 'BANN' with Seamus Blake, Jay Anderson & Oz Noy, A co-op quartet "NUTTREE" with Abercrombie, Jerry Bergonzi & Gary Versace, The James Moody Quartet, 'We Three' w/ Dave Liebman & Steve Swallow, Eliane Elias Trio, 'Playing in Traffic' w/ Steve Swallow & Ohad Talmor and also busy maintaining an active freelance schedule. Adam has taught as an Adjunct professor at New York University, the New School and State University of New York at Purchase. He also does clinics and master classes around the world.

And today, free, you can have your own master class with a master of jazz drumming.

CORNELIA STREET CAFÉ OCTOBER MUSIC

Here is a list of all upcoming Cornelia Street Cafe upcoming shows for the month of October 2010.  The Cornelia Street Cafe is located between West 4th and Bleecker Sts, Greenwich Village
1 Subway to Sheridan Square; A, C, E, B, D, V, F to West 4th St.

OCTOBER Music Schedule:

Fri  Oct 01
9:00PM & 10:30PM     MIKE BAGGETTA QUARTET
(Mike Baggetta, guitar; Jason Rigby, tenor saxophone; Eivind Opsvik, bass; George Schuller, drums)
Cover $10   http://www.mikebaggetta.com

Sat  Oct 02
6:00PM     VINCE BELL
$15 "cover" includes a drink
http://www.vincebell.com/

Sat  Oct 02
9:00PM & 10:30PM  MICHAEL ADKINS QUINTET
(Michael Adkins, tenor saxophone; Russ Lossing, piano; Todd Neufeld, guitar; John Hébert, bass; Billy Mintz, drums)
Cover $10   http://www.myspace.com/infotation

Sun  Oct 03
8:30PM     BILL WARE'S VIBE QUARTET
(Bill Ware, electric vibraphone; Matt King, piano; Carlo De Rosa, bass; Jaime Aff, drums)
Cover $10

Mon  Oct 04
8:30PM     AMRAM & CO
(David Amram, piano, french horn, flutes, composition & surprises; Kevin Twigg, drums, glockenspiel; John de Witt, bass; Adam Amram, percussion; John Ventimiglia, actor)
Cover $10   http://www.davidamram.com

Tue  Oct 05
6:00PM     SHAKESPEARE HIP HOP
(Devon Glover)
The Sonnet Man Band is an exciting new New York City band fusing Shakespeare's Sonnet's to Hip Hop. You'll hear Shakespeare like you never heard him before as sensational young rap artist, Devon Glover, brings you to your feet. Not to be missed.
Robin Hirsch, Minister of Culture.  Cover $10

Tue  Oct 05
8:30PM     BLUE TUESDAYS:DOUG WAMBLE
(Doug Wamble, guitar, vocals)
Julie Hardy, Host.  Cover $10   http://www.dougwamble.com

Wed  Oct 06
8:30PM   ARUN RAMAMURTHY WITH AKSHAY ANANTAPADMANABHAN
(ARUN RAMAMURTHY, violin; AKSHAY ANANTAPADMANABHAN, mridangam; ROOPA MAHADEVAN, vocals; MITHUN RADHAKRISHNA, mandolin)
Cover $10   http://www.arunramamurthy.com

Thu  Oct 07
8:30PM     JESSE STACKEN TRIO
(Jesse Stacken, piano; Eivind Opsvik, bass; Jeff Davis, drums)
Cover $10   http://www.jessestacken.com

Fri  Oct 08
9:00PM & 10:30PM     REZ ABBASI ACOUSTIC QUARTET (RAAQ) CD RELEASE
(Rez Abbasi, acoustic guitar; Bill Ware, vibraphone; Stephan Crump, bass; Eric McPherson, drums)
Cover $10   http:// www.reztone.com

Sat  Oct 09
9:00PM & 10:30PM     REZ ABBASI ACOUSTIC QUARTET (RAAQ) CD RELEASE
(Rez Abbasi, acoustic guitar; Bill Ware, vibraphone; Stephan Crump, bass; Eric McPherson, drums)
Cover $10   http://www.reztone.com

Sun  Oct 10
8:30PM    ANDREW RATHBUN CD RELEASE EVENT FOR THE IDEA OF NORTH
(Andrew Rathbun, saxophones; Taylor Haskins, trumpet; Nate Radley, guitar; Frank Carlberg, piano, electric piano; Jay Anderson, bass; Ted Poor, drums)
Cover $10   http://www.andrewrathbun.com

Tue  Oct 12
8:30PM     LOREN STILLMAN AND BAD TOUCH
(Loren Stillman, alto saxophone, composition; Nate Radley, guitar; Gary Versace, organ; Ted Poor, drums)
Cover $10   http://www.lorenstillman.com

Wed  Oct 13
8:30PM     BECCA STEVENS PRESENTS:ALAN HAMPTON'S PARTS AND PIECES
(Alan Hampton, vocals; Jason Moran, piano; Gretchen Parlato, vocals; Dana Stephens, saxophone)
Cover $10   http://www.alanhampton.com

Thu  Oct 14
6:00PM     GHOSTS IN THE OCEAN
(Carol Lipnik; Matt Kanelos; Frank Tedesso, singer/ songwriter/ poet)
Songs To Celebrate The End Of The World
With special guest Frank Tedesso
Carol Lipnik (of Spookarama) and Matt Kanelos (of The Smooth Maria), each accomplished singer/ songwriters in their own right, have formed an exciting side project called Ghosts In The Ocean.
$10 charge includes a drink
Cover $10   http://www.myspace.com/ghostsintheocean

Thu  Oct 14
8:30PM     JOHN O'GALLAGHER TRIO FEATURING BEN MONDER AND DAN WEISS
(John O'Gallagher, alto saxophone, compositions; Ben Monder, guitar; Dan Weiss, drums)
Cover $10   http://www.johnogallagher.com

Fri  Oct 15
9:00PM & 10:30PM     JUERGEN FRIEDRICH, JOHN HÉBERT, TONY MORENO, WITH SPECIAL GUEST:BEN MONDER
(Juergen Friedrich, piano; John Hébert, bass; Tony Moreno, drums; Ben Monder, guitar)
Cover $10   http://www.pirouetrecords.com

Sat  Oct 16
9:00PM & 10:30PM     JUERGEN FRIEDRICH, JOHN HÉBERT, TONY MORENO, WITH SPECIAL GUEST:LOREN STILLMAN
(Juergen Friedrich, piano; John Hébert, bass; Tony Moreno, drums; Loren Stillman, alto saxophone)
Cover $10   http://www.pirouetrecords.com

Sun  Oct 17
8:30PM     JANE IRA BLOOM TRIO
(Jane Ira Bloom, soprano sax & live electronics; Mark Helias, bass; Bobby Previte, drums)
Cover $10   http://www.janeirabloom.com

Tue  Oct 19
8:30PM     BLUE TUESDAYS:AMANDA BAISINGER
(Amanda Baisinger, vocals; John Shannon, guitar; Pete Rende, piano, accordion; Garth Stevenson, bass; Dan Mintzer, drums)
Julie Hardy, Host.  Cover $10   http://www.myspace.com/amandabaisinger

Wed  Oct 20
8:30PM     RIBS AND BRISKET REVUE
(Paul Shapiro, sax, clarinet, vocals; Cilla Owens, vocals; Glenn Turner, vocals; Dan Rosengard, piano; Booker King, bass; Mo Roberts, drums)
Cover $10   http://www.paulshapiromusic.com

Thu  Oct 21
8:30PM     MARK HELIAS TRIO
(Mark Helias, bass; Ellery Eskelin, tenor saxophone; Ches Smith, drums)
Cover $10   http://www.markhelias.com

Fri  Oct 22
9:00PM & 10:30PM     BEN WALTZER QUINTET
(Ben Waltzer, piano; Bill McHenry, tenor saxophone; Robin Eubanks, trumpet; tba, bass; tba, drums)
Cover $10 http://benwaltzer.com/

Sat  Oct 23
9:00PM & 10:30PM     BEN WALTZER QUINTET
(Ben Waltzer, piano; Bill McHenry, tenor saxophone; Robin Eubanks, trumpet; tba, bass; tba, drums)
Cover $10 http://benwaltzer.com/

Sun  Oct 24
8:30PM     JACOB GARCHIK TRIO
(Jacob Garchik, trombone, compositions; Jacob Sacks, piano; Dan Weiss, drums)
Cover $10   http://www.jacobgarchik.com

Mon  Oct 25
8:30PM     21ST CENTURY SCHIZOID MUSIC PRESENTS:THE BATTERIES DUO
Gareth Flowers, trumpeter of the acclaimed International Contemporary Ensemble (ICE) presents two sets this evening. The first is for a trumpet and piano duo, featuring the pianist Steve Beck and the cornet solos of Herbert L. Clarke, a turn of the (20th) century composer, the second set is with The Batteries Duo, an electro-acoustic trumpet and laptop duo with Josh Frank.
Cover $10   http://www.thegflo.com

Tue  Oct 26
8:30PM     TRIO PBD
(Ratzo B. Harris, bass; Denman Maroney, piano; Bob Meyer, drums)
Cover $10   http://www.ratzobharris.com

Wed  Oct 27
8:30PM     MIKE + RUTHY'S FOLK CITY, (JAY UNGAR & MOLLY MASON FAMILY BAND)
(Jay Ungar, violin, mandolin; Molly Mason, guitar, piano; Ruthy Ungar, violin, guitar; Mike Merenda, banjo, percussion)
Cover $20   http://www.jayandmolly.com

Thu  Oct 28
8:30PM     BOB STEWART QUARTET
(Bob Stewart, tuba; Jerome Harris, guitar; Matt Wilson, drums; Curtis Stewart, violin)
Cover $10   http://www.bobstewartuba.com

Fri  Oct 29
9:00PM & 10:30PM     BOB STEWART QUARTET
(Bob Stewart, tuba; Jerome Harris, guitar; Matt Wilson, drums; Curtis Stewart, viola)
Cover $10   http://www.bobstewartuba.com

Sat  Oct 30
9:00PM & 10:30PM     BILL MCHENRY QUARTET
(Bill McHenry, tenor saxophone; Andrew D Angelo, alto saxophone; Ben Street, bass; RJ Miller, drums)
Cover $10 http://www.billmchenry.com/

Sun  Oct 31
8:30PM     SAM SADIGURSKY/JEREMY UDDEN
(Sam Sadigursky, saxophone; Jeremy Udden, saxophone; Linda Oh, bass; Jeff Hirshfield, drums)
Cover $10   http://www.samsadigursky.com

RUE 57 RESTAURANT LAUNCHES JAZZ SERIES

Rue 57, New York’s only brasserie-sushi bar will begin offering live music on Thursday evenings in their downstairs Salon beginning June 17 from 8pm - 11:30pm. For reservations and info, call (212) 307-5656.

The weekly series will feature some of New York’s finest musicians many of international renown. Kicking off the series will be saxophonist Grant Stewart, a hard-swinging tenor saxophonist steeped in the jazz tradition, on June 17. Also featured in the series will be veteran players Frank Wess and George Garzone.

“Excellent food, drink and entertainment from great artists, at great value at one of New York City’s finest eateries - who could ask for more?" asked Charles Carlini, entertainment coordinator for the weekly music series.

Diners will find jazz a sweet addition to this bustling bistro serving superb versions of French classics as well as Sushi.

Music Calendar

June 17 - Grant Stewart Quartet
June 24 - George Garzone Quartet featuring Joe Cohn
July 1 - George Garzone Quartet featuring Joe Cohn
July 8 - Harry Allen/Joe Cohn Quartet
July 15 - Vanessa Trouble Quartet
July 22 - Sarah Hayes Quartet featuring Joe Colianni
July 29 - Jerry Weldon Quartet featuring Joe Cohn

Lots of roots and jazz history at Jazz Middelheim 2010

This year the 29th edition of Jazz Middelheim takes place from August 12th through August 15th in Park Den Brandt in Antwerp, Belgium. There are names like Wayne Shorter Quartet, Hank Jones Trio, Ahmad Jamal, McCoy Tyner Trio feat. Joe Lovano, Dave Holland Flamenco Project and Toots Thielemans. The festival line up is nearly complete.

The festival opens on Thursday 12 August with Facing East, the Coltrane project of José James and Jef Neve. Pianists Hank Jones and McCoy Tyner both perform with their own trios and McCoy Tyner brings in Joe Lovano as his special guest.

On Friday 13 August the main act is none other than Wayne Shorter and his quartet. Ahmad Jamal and the Jeroen Van Herzeele Quartet take to the stage earlier in the evening.

Saturday 14 August has the godfather of the festival Toots Thielemans scheduled. A young band from the Antwerp Conservatory, Le Pragmatisme du Barman feat. Peter Evans, kicks off and other music earlier in the day features  Aka Moon + Baba Sissoko & Black Experience.

On Sunday 15 August, the final  day of the festival, the latest programme additions include Chucho Valdés with his Afro Cuban Messengers and Dave Holland & Pepe Habichuela Flamenco Quintet feat. Josemi Carmona. Chris Joris Experience opens this final day of the festival.

Teddy Charles Quartet at KItano | NYC

Teddy Charles is considered to be one of the great jazz vibraphonists and composers of all time, playing with such jazz legends as Charles Mingus, Charlie Parker and Miles Davis. As a student at Julliard in the mid 40s, he haunted New York's jazz clubs, occasionally sitting in with the bands on vibes or piano. His break came unexpectedly one night when he was asked to sit in on piano with Coleman Hawkin's band for the overdue Thelonious Monk. Soon after, Charles began to appear regularly with the top jazz groups of the day, Artie Shaw, Benny Goodman, Buddy De Franco, playing alongside and writing for such jazz stars as Coltrane, Parker, Max Roach and Miles Davis. Recently appeared with Max Roach, David Amram, Lee Konitz. In the early 1950s he began leading his own groups, composing, producing and recording original works such as No More Nights, Blues Become Elektra and Word from Bird.

TEDDY CHARLES QUARTET

FRI. & SAT. APRIL 23 & 24 SETS 8:00 PM & 10:00 PM

THE KITANO | NEW YORK
66 Park Avenue @ 38th St.
RESERVATIONS - 212-885-7119
VISIT OUR TWEETS AT: http://twitter.com/kitanonewyork
http://kitano.com/ email: jazz@kitano.com

Eddie Palmieri/Brian Lynch Jazz Quartet

Musical sparks will be flying at the famed Iridium jazz club March 12-14 as Afro-Caribbean musical legend and nine time Grammy winner Eddie Palmieri joins renowned trumpeter (and Grammy Award winner) Brian Lynch for the the Eddie Palmieri/Brian Lynch Jazz Quartet. In an unprecedented jazz small group setting for “The Sun Of Latin Music” Palmieri, the Quartet is the latest manifestation of the 20 year + musical relationship between Lynch and Palmieri in Palmieri’s groups (including his acclaimed Afro-Caribbean Jazz Octet) and their collaboration for their Grammy Award winning CD “The Brian Lynch/Eddie Palmieri Project: Simpático”. The Quartet will be performing selections from “Simpático”, recasting classic Palmieri compositions on a jazz tip, and debuting brand new numbers from Lynch, Palmieri, and other members of the quartet. Two of the most accomplished musicians around today, bassist (of Mingus Big Band & Workshop fame) Boris Kozlov and Grammy nominated drummer/composer Dafnis Prieto, round out the quartet. Don’t miss out on musical history in the making!

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Eddie Palmieri, known for his charismatic power and bold innovative drive, has a musical career that spans over 50 years as a bandleader of Salsa and Latin Jazz orchestras. A true powerhouse of brilliance, known for his astute arranging skills and historic compositions, Mr. Palmieri has shown that time is infinite with respect to his repertoire as he continues to thrill audiences throughout the world with his legendary style. With a discography that includes 36 titles, Mr. Palmieri has been awarded nine Grammy Awards, from 1975’s “The Sun of Latin Music” (the first Grammy awarded in the Latin field), through “Palo Pa ' Rumba” (1984), “Obra Maestra/Masterpiece” in collaboration with Tito Puente (2000) to “Listen Here!” (2005) and 2006’s “Simpático”, a collaborative effort with trumpet master Brian Lynch. Palmieri’s myriad honors for his life’s work in music and culture include the Eubie Blake Award, Yale University’s Chubb Fellowship (an award usually reserved for international heads of state), the Alice Tully African Heritage Award, and induction into both the Bronx Walk of Fame and the Chicago Walk of Fame. In 2002, he received the National Black Sports and Entertainment Lifetime Achievement Award. Other inductees with him were Roberto Clemente, Count Basie, Max Roach, Billie Holiday and Dinah Washington. At the 1998 Heineken Jazz Festival in San Juan, Puerto Rico, the Berklee College of Music paid tribute to his contributions as a bandleader in bestowing on him an honorary doctorate. In 1988, the Smithsonian Institute recorded two of Palmieri's performances for their catalog of the National Museum of American History in Washington, D.C a rare public honor. "Caliente," a radio show hosted by Mr. Palmieri on National Public Radio, has been a tremendous success, being picked up by more than 160 radio stations nationwide.

Born in Spanish Harlem in 1936, Eddie began piano studies at an early age, as did his celebrated older brother, the late Salsa legend and pianist, Charlie Palmieri. Possessed by a desire to play the drums, Palmieri joined his uncle's orchestra at age 13, where he played timbales.  Says Palmieri, "By 15, it was good-bye timbales and back to the piano until this day. I'm a frustrated percussionist, so I take it out on the piano." He began his professional career as a pianist in the early '50s, and subsequently spent a year with the Tito Rodriguez Orchestra before forming his own band, the legendary "La Perfecta" in 1961. With an infectious sound, Palmieri's band soon joined the ranks of Machito, Tito Rodriguez and other major Latin orchestras of the day. His unconventional style would once again surprise critics and his fans with the 1970 release entitled Harlem River Drive.  This recording was the first to really merge black and Latin styles (and musicians), resulting in a free-form sound encompassing elements of salsa, funk, soul and jazz. Further to this proclivity for creating and performing in funk Latin style, in 1997 he was invited to record by Little Louie Vega in "Nuyorican Soul," a release which has been a huge hit with dancers and dj's in the house music genre.

Palmieri's influences include not only his older brother Charlie but also Jesus Lopez, Lili Martinez and other Cuban players of the 1940s; jazz luminaries Art Tatum, Bobby Timmons, Bill Evans, Horace Silver, Bud Powell and McCoy Tyner.  Says Palmieri, "In Cuba, there was a development and crystallization of rhythmical patterns that have excited people for years.  Cuban music provides the fundamental from which I never move.  Whatever has to be built must be built from there.  It's a cross-cultural effect that makes magnificent music."

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Brian Lynch
A respected insider within both the hardcore straight ahead and Latin Jazz communities, 2007 Grammy Award Winner Brian Lynch is as comfortable negotiating the complexities of clave with Afro-Caribbean pioneer Eddie Palmieri as he is swinging through advanced harmony with bebop maestro Phil Woods. A honored graduate of two of the jazz world’s most distinguished academies, Art Blakey and the Jazz Messengers and the Horace Silver Quintet, he has been a valued collaborator with jazz artists such as Benny Golson, Toshiko Akiyoshi, and Charles McPherson; Latin music icons as diverse as Hector LaVoe and Lila Downs; and pop luminaries such as Prince. As a bandleader and recording artist he has released a series of critically acclaimed CDs featuring his distinctive composing and arranging, and toured the world with various ensembles reflecting the wide sweep of his music. He currently is on the faculty at New York University as well as conducting clinics and workshops at prestigious institutions of learning the world over. His talents have been recognized by top placing in the Downbeat Critics and Readers Polls; highly rated reviews for his work in Downbeat, Jazziz and Jazz Times; 2005 and 2007 Grammy award nominations, and grants from the National Endowment for the Arts, Chamber Music America, and Meet The Composer.

Born September 12, 1956 in Urbana, Illinois, Lynch grew up in Milwaukee, Wisconsin where he apprenticed on a high level with such local residents as pianist Buddy Montgomery and organist Melvin Rhyne. In San Diego (1980-81) he gained further valuable experience in the group of alto master Charles McPherson. In 1981, Lynch moved to New York, and soon linked up with the Horace Silver Quintet (1982-1985) and the Toshiko Akiyoshi Jazz Orchestra (1982-1988). Simultaneously, he played and recorded on the Latin scene with salsa bandleader Angel Canales (1982-83) and the legendary cantante Hector LaVoe (1983-87). He began his association with Eddie Palmieri in 1987, and at the end of 1988 joined what turned out to be the final edition of Art Blakey and the Jazz Messengers. He began his tenure with Phil Woods in 1992.

In 1986, Lynch recorded his first album as a leader, Peer Pressure, for Criss-Cross. There followed Back Room Blues and At The Main Event [Criss Cross], In Process [Ken], Keep Your Circle Small [Sharp Nine], and a string of sideman dates with Art Blakey and Phil Woods. On each, Lynch documented his fiery, coherent tonal personality. He also made a name for himself as a composer, through numerous songs that play with and stretch harmony while never losing melodic essence and rhythmic thrust. A 1997 recording called Spheres of Influence [Sharp Nine], which earned a 4-1/2 star Downbeat rating, was Lynch's first project to reflect the panoramic range of interests that influence his working life as a musician. During these years he documented cross-cultural investigations with Eddie Palmieri's seminal Afro-Caribbean Jazz Octet on Palmieri’s Palmas, Arete and Vortex [Nonesuch and RMM]. As the ‘90s progressed, he steadily refined his concept, eventually collaborating with Palmieri as an arranger, co-composer and musical director. In a rare gesture, Palmieri took advantage of Lynch's pen on the recent albums La Perfecta II and Ritmo Caliente [Concord Picante]. The synchronistic nature of their relationship continued in 2006-7 with a series of duo and trio concert performances, the debut of the Eddie Palmieri / Brian Lynch Jazz Quartet in Japan, and Palmieri’s culminating (and Grammy winning) collaboration with Lynch on his ambitious recording project Simpático for ArtistShare.

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Boris Kozlov
Born in Moscow in 1967, Boris Kozlov started playing piano at the Evening Music School and going on to play tuba and trumpet in the public school band. He then went on to join the State Musical College on electric bass and it is there that he picked up acoustic bass, graduating in 1987 with a Diploma of Honour. In 1989 -1991 he studied at the State Academy of Music while touring USSR, Europe and USA with various jazz groups including his own. Winning many awards for his playing, Boris has performed and recorded with some of the top musicians in the jazz field including saxophonists Bobby Watson, Bob Berg, Benny Golson, James Moody, Ronnie Cuber, Lew Tabackin, John Stubblefield, Jay Collins, Jorge Sylvester, Ravi Coltrane: Trumpeters Dizzy Reese, Phillip Harper, Brian Lynch, Alex Sipiagin; pianists Andy La Verne, David Kikoski, Walter Bishop Jr., Michel Petrucciani, Stanley Cowell, Toshiko Akiyoshi; vibraphonists Terry Gibbs, Joe Locke; guitarist Mark Whitfield; drummers Tommy Campbell, Victor Jones, Jimmy Cobb, Marlon Simon: clarinetist Buddy De Franco; violinist John Blake; vocalists Jay Mc Govern, Urszula Dudziak; trombonist/vocalist Frank Lacy’s Experience, as well as funk jazz bands NHJ and his own BEA ,1992-94 Headliner of Texas International Jazz Festival. Since 1995 he has also been present on the NY recording scene working with various pop-music projects. In 1998 he started performing with the Mingus Big Band.

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Dafnis Prieto
His arrival in the U.S. has been compared by to that of an asteroid hitting New York. Indeed, within a short period of time Dafnis Prieto's revolutionary drumming techniques had a powerful impact on both the Latin and jazz music scene, locally and internationally. Having studied at the school of Fine Arts in Santa Clara, Cuba as a youngster and later at the National School of Music in Havana, Prieto obtained a thorough classical education while broadening his knowledge of Afro-Cuban music, jazz and world music outside of the academy. He first toured Europe with pianists Carlos Maza and Ramon Valle and the groundbreaking group “Columna B.” A resident of New York since 1999, he has already played in bands led by Henry Threadgill, Steve Coleman, Eddie Palmieri, Chico and Arturo O'Farrill, Dave Samuels & The Caribbean Jazz Project, Jane Bunnett, D.D. Jackson, Brian Lynch, Edward Simon, Michel Camilo, Chucho Valdez, Claudia Acuña, Roy Hargrove, Don Byron, and Andrew Hill, among others. He has performed at many national and international music festivals as a sideman and bandleader.

As a composer, he has created music for dance, film, chamber ensembles, and most notably for his own bands, ranging from duets to his “Small Big Band” and including the distinctively different groups featured on his two acclaimed recordings as a leader, “About The Monks,” and “Absolute Quintet.” A new CD, entitled “Taking the Soul for a Walk” and featuring a sextet, will be released in May 2008. He has received new works commissions, grants, and fellowships from Chamber Music America, Jazz at Lincoln Center, East Carolina University, and Meet the Composer. Various awards include “Up & Coming Musician of the Year” by the Jazz Journalists Association in 2006, a Grammy Award Nomination for ”Absolute Quintet” as Best Latin Jazz Album, and a Latin Grammy Nomination for “Best New Artist” in 2007. Also a gifted educator, Prieto has conducted numerous master classes, clinics, and workshops. Since 2005, he has been a member of the NYU Music Faculty.

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IRIDIUM
1650 BROADWAY (CORNER OF 51ST)
NEW YORK, NY 10023
RESERVATIONS: 212-582-2121
HTTP://WWW.IRIDIUMJAZZCLUB.COM/
SETS  AT 8:00 & 10:00PM

The Iridium Is Pleased To Present:

MARCH 12-14 EDDIE PALMIERI/BRIAN LYNCH JAZZ QUARTET
Eddie Palmieri – piano, Brian Lynch – trumpet, Boris Kozlov – bass, Dafnis Prieto – drums

PRAANG Bounces Back Into Denver For 2 Nights

The highly improvised quartet known as PRAANG featuring the all-star cast of Steve Kimock, Michael Travis, Jason Hann and Jamie Janover is scheduled to perform at Quixote's (formerly Owsleys) on Jan. 29 and Jan 30th.

PRAANG was born in December of 2006, due to the most unusual circumstances. Thanks to the legendary blizzards in Denver, which closed local airports for consecutive days, and left Steve Kimock stranded in town with 2 nights of music booked and no band in sight. Out of the blue, four unlikely musicians came together for the first time to recover a near snowed out show with no notice, no plan and no rehearsal. It's no surprise the 600 person venue came close to sell-out that weekend with word of mouth buzz alone - the caliber of musicians performing on a single stage was unthinkable at the time. Today, PRAANG is still purely experimental, instrumental and continues to play rare intimate performances, rain, snow or shine.

Known for a highly improvised performance, PRAANG is the strange combination of live electronic music, dub step and house music coupled with ethereal Hammered Dulcimer and the soaring, often psychedelic, voice of a guitar. The quartet, much like the experimental jazz bands of the past, performs with no form or known songs in their repertoire. Instead, the musicians pick themes or great storylines as their subject of improvisation. One member might say "tsunami" as they explode into an epic jam that tosses and turns like the great waves of the sea -- or a "tribal march", with a strong focus on drums, may come out of their explorations. It's as fun of a project to watch as it is to dance to.

January 29 & 30, 2010
Praang feat. Steve Kimock, Michael Travis, Jason Hann and Jamie Janover
Quixote's (formerly Owsley's)
2151 Lawrence St
Denver, CO 80205
Set: 10:00 PM
17+ Tickets: $20/ $22