M¹Boom, World Saxophone Quartet at Birdland

Nearly three decades have passed since that glorious 1981 evening, when an audience of three thousand gathered in the cathedral of St. John the Divine to hear what Max Roach called a “Grand Collaboration”: a concert by M’Boom and the World Saxophone Quartet.  For those who were there and those who weren’t, this “Great Collaboration” is an eagerly anticipated sequel, an event that promises to get 2010 off to a roaring start. This time, the two legendary ensembles convene for a week at Birdland, January 19-23. Roach founded M’Boom in 1970, as the first ensemble consisting entirely of Western and non-Western percussion instruments, ranging from vibraphone, marimba, and tympani to steel drums, timbales, and glockenspiels. M’Boom, which has numbered as many as 10 players, now includes three of its founding member, Joe Chambers, Warren Smith, and Ray Mantilla, along with Eli Fountain, and Steve Barrios. The World Saxophone Quartet, founded in 1976, is the most celebrated saxophone ensemble in jazz history, and is made up of three founding members: David Murray, Hamiet Bluiett, and Oliver Lake, plus James Carter in the seat originally occupied by Julius Hemphill. These two ensembles fuse together with an almost mystical cohesion, intensity, and flat-out joy.

M’Boom was the brainchild of Max Roach, the late percussionist, visionary, and seminal figure of modern jazz. In 1970, Roach gathered notable drummers and percussionists to explore and compose for the myriad instruments in the percussion family and named the group “M’Boom.” M’Boom (pronounced ‘em-boom) has a double meaning: it is an onomatopoeia, or “sound word” that sounds like the object of description – boom, pow, crack, etc.; M’Boom is also the name of a secret order of drummers in northern Senegal. Beginning in September 1970, M’Boom learned every category and combination of percussion. After Max Roach’s death in 2007 and the death of three other members, Joe Chambers, Warren Smith, and Ray Mantilla vowed to carry on M’Boom’s vision.

Steve Berrios is considered by his peers to be one of the top Latin jazz drummers, and has recorded and toured with Mongo Santamaria, Randy Weston, Tito Puente, Paquito D’Rivera, Michael Brecker, Grover Washington Jr., Ray Barretto, Art Blakey and the Jazz Messengers, Hilton Ruiz, Leon Thomas, La Lupe, Miriam Makeba, Celia Cruz, Nancy Wilson, Kathleen Battle, and with his own group Son Bachéch. His second CD, “And Then Some,” recorded with Son Bachéche on Milestone Records, was nominated for a Grammy in 1996.

Joe Chambers has recorded more than 500 albums and CDs. He has performed and recorded with Miles Davis, Freddie Hubbard, Wayne Shorter, McCoy Tyner, Chick Corea, Sonny Rollins, Herbie Hancock, Dizzy Gillespie, Andrew Hill, and more. Chambers’ credits include Hubbard’s “Breaking Point,” Hutcherson’s “Components,” Shorter’s “Schizophrenia.” and “Etcetera,” Hill’s “Compulsion,” Tyner’s “Tender Moments,” Archie Shepp’s “New Thing at Newport,” Charles Mingus’ “Like a Bird,” Chick Corea’s “Tones for Joan’s Bones,” and others. Chambers’ compositions have been covered by Hutcherson, Hubbard and M’Boom; he has also contributed to soundtracks for several Spike Lee films, including “Mo’ Better Blues.” Chambers is the first Thomas S. Kenan Distinguished Professor of Jazz in the Department of Music at the University of North Carolina Wilmington.

Eli Fountain joined M’Boom in 1981. He has performed with Muhal Richard Abrams, the Temptations, Aretha, Franklin, and Geri Allen. His compositions include the percussion ballet “Play,” written for New York’s Complexions Dance Company.

Ray Mantilla entered the international spotlight in 1960 with flutist Herbie Mann, and later embarked on a series of tours with Art Blakey and the Jazz Messengers. In 1977, Mantilla became the first North American Latin musician to play in Cuba since the Cuban Revolution. He has recorded on more than 200 albums. Some of his credits include Max Roach, Charles Mingus, Ray Barretto, Gato Barbieri, Sonny Stitt, Bobby Watson, Herbie Mann, Tito Puente, Cedar Walton, and Freddie Hubbard. In 2003, Mantilla signed with Savant Records and released “Man-Ti-Ya.” In 2007 he was voted best percussionist by the Jazz Journalist Association.  His latest CD is ‘Good Vibrations on the Sarvant label.

Warren I. Smith has performed extensively in the studio and on Broadway, recording and performing with Dionne Warwick, Nat King Cole, Harry Belafonte, and Aretha Franklin. He began teaching at Adelphi University in 1969 and at the State University of New York in Old Westbury from 1971-1996.

World Saxophone Quartet

The World Saxophone Quartet were founded in 1976 after the four original members accepted an offer by Ed Jordan, the chairman of the music department at Southern University in New Orleans, to conduct a series of clinics and performances with and without a local rhythm section. The enthusiastic audience response to the unaccompanied saxophones convinced the musicians to develop the concept, and in 1977, the band recorded their first album, the almost completely improvised effort “Point of No Return” on the Moers Music label. The WSQ places consistently in the top five groups in DownBeat’s annual Critic’s Poll, and in 1987 was voted “Best Jazz Group” in the Playboy Readers Poll. Cited as one of that year’s top ten jazz albums by Francis Davis of the Philadelphia Inquirer, their Nonesuch release “Dances and Ballads” “equals their previous best efforts,” according to DownBeat, and “contains several new pieces that may someday be considered among the Quartet’s classics.”

Hamiet Bluiett (baritone sax, alto clarinet) has performed with the Black Artists Group, the Gateway Symphony, Charles Mingus, Stevie Wonder, Marvin Gaye, and the American Jazz Orchestra, led by John Lewis.

James Carter (saxophones, flute, and bass clarinet), a multiple DownBeat poll winner, is the recipient of one of America’s highest cultural awards: the Dr. Alaine Locke Award, given annually to individuals who have provided exemplary service and leadership in the promotion of African American culture. Carter’s groups include a traditional quartet, electric group, organ trio, and the World Saxophone Quartet. His CDs include “The Real Quietstorm,” “Layin’ in the Cut,” “Chasin’ the Gypsy,” “Out of Nowhere,” and “Gold Sounds.”

Oliver Lake (alto sax, tenor sax, soprano sax, flute) received professional encouragement from trumpeter Lester Bowie. After teaching at the American Center for Artists and Students in Paris and studying at the Electronic Workshop, he moved to New York in 1976 and is currently leading his own highly stylized funk-reggae group Jump Up, as well as a jazz quartet. He is also a published poet.

David Murray (tenor sax, bass clarinet) has recorded as a leader with a trio, a quartet, an octet and a big band, with a style is rooted in, but not confined to, the work of John Coltrane, Ben Webster, R&D and Sonny Rollins.

M’Boom, World Saxophone Quartet 2010 tour

Tour dates
New York City: Birdland, 44th Street, Jan. 19-23, 2010
Milan, Italy: Feb. 14, 2010
Paris, France: Feb. 16, 2010
Hamburg, Germany: Feb. 18-19, 2010

Made In The UK Presents the TONY KOFI QUARTET

Tony Kofi is one of the UK’s outstanding saxophonists, 2008 Best Instrumentalist BBC Jazz Awards and MOBO nominee amongst his most recent recognition.  Since 2000 Tony Kofi Quartet have been performing together, inspired by the more visceral end of the hard bop of the 1960s.  His quartet moves through vibrant swing to reflective lyricism with a powerful rapport, bridging the heavyweight American tradition and European individuality.

kofiAs well as leading the quartet, Tony is the youngest, and only UK, member of the renowned World Saxophone Quartet with David Murray, Oliver Lake and Hamiet Bluiett  – touring with them again in 2009, along with tours of Europe with Abdullah Ibrahim, and Jamaaladeen Tacuma. Tony has played frontline with Branford Marsalis, Courtney Pine, Clifford Jarvis, Dr Lonnie Smith, Gary Crosby's Nu Troop, Jazz Jamaica All Stars, Afropeans, Queen Latifah, US-3, Salt 'n' Pepper, to name just a few.

In 2005 Tony Kofi Quartet released All is Know (Specific Jazz), arrangements of compositions by Thelonious Monk and performed Monk’s entire repertoire in marathon six-hour performances at London Jazz Festival in 2003 and 2005.  In 2008 they released their own compositions, The Silent Truth on Specific Jazz.




Tony Kofi (saxes), Jonathan Gee (piano), Ben Hazleton (acoustic bass) & Rod Youngs (drums)

Sunday, June 21st Sweet Rhythm, New York 8 & 10PM

double bill with Tim Garland’s Lighthouse Trio

Sweet Rhythm
88 Seventh Avenue South
New York, NY 10014

The Mamiko Taira Quartet at Drom NYC

ConnectForce Productions and Nippon Jazz NYC present an evening of jazz at Drom featuring New York based emerging Japanese Jazz Artists.  On May 9, Japanese vocalist, Mamiko Taira will be the featured artist performing along with Tadataka Unno on Piano, Joseph Lepore on bass, and Luca Santaniello on Drums.

Tickets can be purchased through the Drom website or at the box office, $10 in advance and $12 at the door. All the tickets purchased in advance are final and will-call pick up on the day of the event. There is no handling charge for web purchase.  Please visit www.dromnyc.com or visit directly to: http://tinyurl.com/mamiko09MAY-dromnyc

New York based Japanese jazz vocalist Mamiko Taira is known as a crowd pleaser to both audiences and musicians alike.  Some may recognize her from Jazzconnect Vocal Completion or as a member of the James McBride Group. McBride describes her as “the kind musicians love to play with and audiences love to appreciate… she is a standout..." And, according to her mentor Mark Murphy "she is a talent in the art of vocal jazz." With respect to jazz and vocal jazz tradition, she sings with power and grace.  She has performed at The Kitano New York, Sweet Rhythm, Dizzy's Club Coca Cola, Blue Note New York, Birdland and many other well-known live music venues.

Mamiko Taira


Tadataka Unno (pianist)


Joseph Lepore (bassist)


Luca Santaniello (drummer)


About Nippon Jazz NYC:

Nippon Jazz NYC is one of the largest community groups dedicated to events focused on cross-cultural friendship building between the US and Japan.  Nippon Jazz NYC has regular bi-weekly engagements at Blue Owl Cocktail Room featuring emerging Japanese jazz artists.

About ConnectForce Productions:

ConnectForce Productions is led by Adren Hart who specializes in producing events featuring culturally diverse talent.   With his passion for music and commitment to connecting people through culture and the arts he has introduced many talented Japanese artists to audiences here in New York City, and he now proudly presents Mamiko Taira Live at Drom.

About Drom NYC:

Drom is a multi-event venue with a restaurant and lounge. With high ceilings, earthy colors and comfortable seating, Drom aims to provide a warm, inviting, sophisticated and informal atmosphere to relax and enjoy its multi-cultural and varied programming. Located in the East Village (85 Avenue A, New York NY 10009).  For reservations, call 212-777-1157

The Kitano Hotel presents the Beat Kaestli Quartet, May 20th

After returning from his 7th European tour and Festival in Mexico, internationally acclaimed vocalist Beat Kaestli presents his unmistakable blend of Jazz, classical and contemporary vibes at the Kitano Hotel, New York, backed by his stellar NY-Trio, featuring vocalists Aria Hendricks and Hilary Kole. His soon to be released CD “Far From Home - A Tribute to European Song” ( http://www.myspace.com/beatkaestli ) is already receiving praise from audiences everywhere. It’s dedicated to European composers, like Weill, Bizet, Purcell and Legrand and Jazz legend Jon Hendricks writes in his liner notes:  “Soulful, sensitive singing. I am impressed by Beat Kaestli’s CD and I look forward to hearing more!”. His sets will also include songs from his new French program.

beatBeat’s current CD “Happy, Sad and Satisfied” is still gaining acclaim in the US, Canada, Mexico and Europe, having received great reviews from a majority of the major Jazz publications, while radio stations and local papers have been supporting the tours and festivals with interviews, showcases and CD reviews. In the US, the CD was introduced on “Groove Boutique”, a nationally syndicated show on CD 101.9 Smooth Jazz, and Kaestli’s refreshing approach to standards remains a favorite on Jazz radio stations everywhere. Additionally, “Happy, Sad and Satisfied” has been receiving high praise from critics and audiences across the country and in Canada. It was named among the “Top 25 Best CDs of 2006” by Indie Music Magazine and received a “Best Male Jazz Vocal” nod from the Twirlie Awards. Also, Kaestli’s last NY performances at the Blue Note and the Jazz Standard were mentioned among the “Noteworthy Performances” in JazzImprov Magazine.

About Beat Kaestli:
Beat Kaestli is a vocalist, songwriter, arranger and producer residing in New York City. He moved to New York from his native home of Switzerland, where he was awarded a scholarship to the Manhattan School of Music (BM). In 2007 he received a scholarship from the Ella Fitzgerald Foundation and graduated in 2008 with a Masters Degree from the Aaron Copland School of Music (MA). While honing his craft alongside noteworthy Jazz performers, such as Jane Monheit, Jason Moran and Stefon Harris, he immersed himself in Manhattan’s fiercely competitive music scene, emerging as a seasoned performer. He now appears in clubs such as The Blue Note, Birdland, The Bitter End, The Jazz Standard, The Stone and Sweet Rhythm, performing with Jazz greats, like Esperanza Spalding, Clarence Penn, Joel Frahm and Billy Drummond. In 2005, Beat was the chosen vocalist for the Glenn Miller Orchestra, thrilling audiences in concert halls across the USA. Since the release of his acclaimed CD “Happy, Sad and Satisfied” in 2006 he is touring the world extensively with his own projects, showcasing his music in renowned clubs and at festivals across the US, Europe, Mexico and Canada.

Dimitri Vassilakis Quartet @ Onassis Cultural Center - NYC

Dimitri Vassilakis- for the Grateful Web

Greek saxophonist and composer Dimitrios Vassilakis was born in Athens and studied Chemical Engineering at the Athens University obtaining a Bachelor's Degree (6/1986). He then moved to London and studied saxophone, piano and composition at the London College of Music with the aid of the Onassis Foundation. He graduated with Honors with an additional Diploma in Classical Saxophone and won national UK competitions and the LCM Society prize. He continued his studies at the Royal Academy of Music (advanced studies in jazz saxophone and composition) gaining a scholarship from the British Council and was awarded the LRAM diploma in jazz teaching (6/1991. Dimitri's had three CDs from the UK based Candid label; "Secret Path", "Daedalus Project-Labyrinth", and "Parallel Lines."

Thursday, February 12, 2009 
Olympic Tower Atrium
645 Fifth Avenue - entrance on 52nd Street,
New York City

Charlie Hunter Quartet @ Boulder Theater

photos by Sam Holloway- for the Grateful Web

Charlie Hunter's going indie with his first self-release, Baboon Strength, in a career spanning 18 years, 14 albums, a dozen side projects and a zillion miles on the road performing live! Though he continues this tradition on Baboon Strength, the record is an absolute progression from his previous albums. The music has an electronic feel to it yet the tone is undeniably playful. Charlie Hunter continues to astound audiences with his prodigious and unique ability to play both guitar and bass lines simultaneously.

Born of hippie parents, blah blah blah. Grew up poor, yadda yadda yadda. Eight-string guitar, whoopee shit. Sure, the eight-string thing is cool—if not a little demented—and the reason we all know who he is, but it only reflects Charlie Hunter the craftsman. But what's really most notable about Charlie Hunter is the force behind the craft; the drive that causes him to do the improbable; his raison de rock.

KUVO & Creative Music Works present
feat. Eric Kalb (Deep Banana Blackout, Greyboy All Stars) on drums, Eric Biondo (Antibalas) on trumpet, and "Cheme' Gastelum (Sharon Jones, Soulive) on baritone sax w/ guests

KUVO & Creative Music Works present
feat. Eric Kalb (Deep Banana Blackout, Greyboy All Stars) on drums, Eric Biondo (Antibalas) on trumpet, and "Cheme' Gastelum (Sharon Jones, Soulive) on baritone sax

February 28th at the Boulder Theater, 2032 14th Street Boulder, CO 80302 303.786.70

Mel Martin Quartet at The Kitano NYC November 14-15

photo by Ed Berger- for the Grateful Web

Mel Martin—composer, arranger, bandleader, saxophonist, flutist—is one of the most versatile and inventive musicians ever to emerge from the San Francisco Bay Area. In his long career, he's played a part in many of the innovative movements that have emerged from that creative community. He worked and recorded with a number of the progressive rock and Latin bands of the late '60s and early '70s, including the Loading Zone, Cold Blood, Azteca, and Boz Scaggs. In 1977 he founded the award-winning Listen, one of the first West Coast jazz-fusion bands. And he's currently artistic director of Bebop and Beyond, a group he formed in 1983, as well as leading The MEL MARTIN BAND and Big Band, the Tenor Conclave, and the Benny Carter All-Star Tribute Band.


Martin's latest CD, Just Friends by the Mel Martin/Benny Carter Quintet, was recorded live at Yoshi's Jazz Club in Oakland in April 1994 with Carter on alto saxophone, Martin on tenor saxophone and flute, Roger Kellaway on piano, bassist Jeff Chambers, and drummer Harold Jones. Its summer 2007 release coincides with Carter's centennial (August 8). Martin calls the disc "one of the best-sounding live recordings I've ever heard."


The musicianship on Just Friends is superb. Kellaway and Jones had played frequently with Carter, and Chambers and Martin have a long working relationship of their own, giving the ensemble an uncanny level of communication. As for Carter, "Benny's playing was fluid and exploratory," Martin says. "You never knew where he was going to go."

The set includes "Perdido," a tune associated with Duke Ellington; "People Time," a Carter composition with Mel on flute ("the best flute performance I've ever recorded," he says); "Elegy in Blue," composed by Carter upon the death of a close longtime friend; Martin's 3/4 original "Spritely," a feature for Mel and the trio; and the standards "Secret Love" and "Just Friends."


"The arrangements [on the new CD] were spontaneous," Martin says. "We would listen to each other, then make contributions to the ongoing conversation. That's how we'll play in the Benny Carter Tribute Band I'm putting together now with Roger [Kellaway], Andrew [Speight, alto saxophone], Robb [Fisher, bass], and Jeff [Marrs, drums]."


Mel Martin met Benny Carter at a Black Filmmakers Hall of Fame gathering in 1978. "I was in the pit orchestra," Martin recalls. "Benny spoke about his work scoring films and showed clips from Stormy Weather and other movies he worked on. At the end of the gig he said hello to every member of the band and shook everybody's hand, a typically gracious gesture.


"In 1986 I went to the Verona Jazz Festival with Bebop and Beyond. Benny and I got to hang out, and he stayed in touch." In 1989 Carter asked Martin to put together a big band for a weeklong gig at Kimball's East. "It was a five-sax, eight-brass and rhythm section group; we played Benny's compositions." After a second weeklong run at Kimball's in 1990, Carter asked Martin to join his big band for two tours of Japan.

"Except for a few tunes like 'Only Trust Your Heart,' 'Key Largo,' and 'Cow Cow Boogie,' Benny's music isn't that well known," Martin observes, "but it's up there with Ellington. He's one of the most underappreciated composers of the 20th century. When I got to know his compositions on that tour, I was astounded."


The arrangements Carter created for his music inspired Martin to apply for an NEA grant to record Carter's compositions. Mel Martin Plays Benny Carter (Enja, 1994) combined music recorded live at Yoshi's in 1994 with a studio session featuring pianist Kenny Barron, drummer Victor Lewis, and bassist Rufus Reid. Just Friends lets us hear more of what Carter and Martin played on those magical nights.


Mel Martin was born in Sacramento on June 7, 1942. Both parents were singers, and early piano and clarinet lessons led him to Benny Goodman and to Glen Church's Jazz Rhythm & Blues radio program. The big bands passing through town—Woody Herman, Duke Ellington, Count Basie—kept his interest high. "Seeing Benny Goodman made me want to play jazz," Mel recalls. "His sax man Budd Johnson had an incredible sound; he didn't need a mike to fill the hall. I had a small combo—clarinet, accordion, and drums. After gigs we played at Mel's drive-in for tips."


While still a teenager, Martin was fortunate enough to sit in with Wes Montgomery and his brothers. "Monk and Buddy Montgomery moved to Sacramento after the Mastersounds [their successful quartet with Richie Crabtree and Benny Barth] disbanded. They brought Wes out from back East, and drove around to gigs in a pink Caddy.

"I'd go listen when they played the Swinging Lantern or the Iron Sandal. I showed up one night with my flute, got up my nerve and asked if I could sit in. They were very encouraging. After the gig, Wes wrote out the changes to 'West Coast Blues' on a napkin I still have."


While majoring in music at San Francisco State in 1962, Martin met John Handy, a fellow undergraduate, and played in his Freedom Band. "[John] had played with Mingus and had his own records on Roulette. He was a big influence on me. We played demonstrations and colleges. There wasn't a lot of money involved, but we played stuff by Mingus and Handy."


Martin learned how to play bop with the musicians who hung out at Bop City, Soulville, the Jazz Workshop, Shelton's Blue Mirror, Jack's on Sutter, and later the Both/And. "The greats would go there after their gigs to hang with the local musicians, eat chicken and waffles, and play jazz," he recalls. "Clubs had jams from 2 to 6 a.m. and from 6 to 11 a.m. You could catch a gig on Friday, then go to a club and play all night, get some sleep and do it all over again on Saturday. Bop City and Soulville were my schools."


Starting in the late 1960s, Martin began a period of playing with progressive rock and Latin bands, among them the Loading Zone, Cold Blood, Azteca, and Boz Scaggs. In 1977 Martin formed Listen, an important part of the early West Coast jazz-fusion scene. "The Fourth Way, Jerry Hahn Brotherhood, and the John Handy Quintet were all based here," Martin points out. "Chick Corea was putting Return to Forever together, and Herbie Hancock started the Headhunters in San Francisco, so there's a rich lineage of fusion in the Bay Area."


Listen made three albums—two for the Inner City label, Listen Featuring Mel Martin (1977) and Growing (1978); and She Who Listens (1979) for the small Scottish label Move. Martin received a Musician of the Year award from the San Francisco chapter of NARAS (Grammy) in 1977 as well as a Bammy for Best Jazz Album of 1977 for Listen Featuring Mel Martin. Illustrious Listen alumni include steel pan player Andy Narell and drummer Terry Bozzio.


Martin has been artistic director of the group Bebop and Beyond since 1983. Eddie Marshall, John Handy, George Cables, Ed Kelly, and Warren Gale have passed through its ranks. The band's discography includes Bebop and Beyond (Concord, 1984); Bebop and Beyond Plays Thelonious Monk (Blue Moon, 1990); Bebop and Beyond Plays Dizzy Gillespie (Blue Moon, 1991), with special guest Dizzy Gillespie; and Friends and Mentors: Bebop and Beyond Plays the Music of Mel Martin (Quixotic, 2000).


Mel Martin has received five National Endowment for the Arts grants—a Compositional Grant in 1976, and subsequent funding to preserve the music of Dizzy Gillespie, Thelonious Monk, and Benny Carter for the recordings Bebop and Beyond Plays Thelonious Monk, Bebop and Beyond Plays Dizzy Gillespie, Mel Martin Plays Benny Carter,and the brand-new Just Friends. He has been honored by the San Francisco Jewish Museum as part of their Jewish Presence in Jazz Series. Other projects include the Tenor Conclave, currently on hiatus, a sextet with Tim Armacost, Rob Roth, Mark Levine, Robb Fisher, and Akira Tana, focusing on the repertoire of great saxophonists of the past, particularly Joe Henderson; and the Mel Martin All-Star Big Band, which plays new arrangements of standards as well as the music of Count Basie, Duke Ellington, Benny Carter, Jimmy Heath, and Mel Martin.


As performer, composer-arranger, and multi-instrumentalist (soprano, alto, and tenor saxophones; flute and alto flute; clarinet and bass clarinet), Martin has contributed to the CBS television series The Twilight Zone and the films Rumblefish, Invasion of the Body Snatchers, The Warriors, and Street Music. Martin has assembled (and performed in) big bands for McCoy Tyner and Dizzy Gillespie, and played with the Freddie Hubbard Quintet and Charlie Haden's Liberation Orchestra.


Martin, who taught at the Stanford Jazz Workshop at Stanford University from 1984 to 1995, is a highly respected national clinician. He has produced the Bebop and Beyond Advanced Jazz Workshops for the Marin Jewish Community Center, and conducts workshops at his studio in Novato and in the Marin County public schools. "I feed my students classics from the jazz repertoire and discover some of the young talents that will take the music into the future.


"I've always loved music," Martin adds, "from jazz to rock to classical, and I've been blessed to be able to make a living at it." After six decades of playing, Mel Martin is still exploring the limitless possibilities of musical expression with the same enthusiasm he felt when he first picked up a clarinet as a boy.


66 Park Avenue, NY, NY 10016 (212)885-7000 ( 800)548-2666
Shows at 8 & 10PM $25 cover, $15 minimum.
Mel Martin - saxophones & flute
Taylor Eigsti - piano
Steve Laspina  - bass
Steve Johns  - drums

ELECTION NIGHT JAZZ -The Shaynee Rainbolt Quartet

Shaynee Rainbolt- for the Grateful Web

Swingin' Jazz for the Bipartisan-Curious

The Shaynee Rainbolt Quartet

Shaynee Rainbolt, Vocals
Barry Levitt, Piano
Tom Hubbard, Bass
Ray Marchica, Drums

Special Guests Include:

Great American Songbook composer/lyricist Ervin Drake ('Perdido','I Believe",'It Was a Very Good Year','Good Morning Heartache')

MAC and Bistro Award Winning Vocalist: Terese Genecco

MTV, Here TV, and host of the Acclaimed NYC variety/comedy show 'On The Rocks,' Comedian: Danny Leary

1650 BROADWAY (Corner of 51st)
NEW YORK, NY 10023
RESERVATIONS: 212-582-2121
Sets At 8:30 & 10:30PM

Tuesday, November 4th, 2008

Peter Rowan & The Tony Rice Quartet | Jaqua Concert Hall

Cozy would be an understatement.  The air was stifling on Saturday night in Eugene, OR's Jaqua Concert Hall at The John G. Shedd Institute for the Arts.  But the music was cool and refreshing.