studio

Christopher Paul Stelling Reveals Strange Darkness

Brooklyn-based songwriter Christopher Paul Stelling unveiled a new live performance video for his song “The Museum vs. Jesus,” as well as a live cut of his captivating track, “Strange Darkness,” both of which premiered at Jonny Leather’s new site, Mecca Lecca. Although Stelling doesn’t have an official release out (yet), he’s been busy finishing up nearly 50 songs in anticipation of his 2011 debut- all while mesmerizing NYC audiences all summer.

Performing in the live setting is precisely where Stelling excels. As he puts it, “A recording, the way I make it, is the way I give a performance in a studio. I play to the room. I react to the environment live. At this point, I haven’t had the privilege of spending any serious amount of time in the studio. The recordings I have are all the result of one overnight recording session at a college upstate. I did 20 songs in 12-hour stretch. Recording is a privilege that costs money, and I’m broke. I look forward to trying someday, though.”

With a heartfelt voice, dynamic finger-picked guitar stylings, and a songwriting approach that combines folkloric, mythological, and religious imagery, Stelling has forged a style all his own, yet hauntingly familiar.

Check Out the Video Premiere of “The Museum vs. Jesus” HERE, and Download the New Song “Strange Darkness” HERE!

Upcoming Tour Dates

9/22 - NEW YORK, NY – Piano’s
9/25 - SOMERVILLE, MA - Bull McCabe's Pub
10/03 - BROOKLYN, NY - The Rock Shop
10/23 - NEW YORK, NY - Rockwood Music Hall (CMJ Showcase, 4pm)

White Rabbits Announce US Tour With Interpol

After spending the better part of two years on the road (including festival stops at Lollapallooza, Glastonbury (UK), Sasquatch, Monolith and tours with The Walkmen, Spoon, Richard Swift, The Cribs, White Denim and Tokyo Police Club) White Rabbits hunkered down in their Brooklyn practice space to set about re-envisioning the dark pop of their debut Fort Nightly, while adding new sounds and influences to achieve an original work.  The result is It’s Frightening, their second full-length album.

White Rabbits signed to TBD Records (US home to Radiohead/Other Lives/Hatcham Social) and erected a makeshift studio in their basement rehearsal space to demo new material.  Band members popped in and out over the course of several months lending ideas and personality to a new batch of songs that defy instant categorization. After enlisting tourmate, friend and songwriter Britt Daniel (Spoon) as producer, the pair began the process of exchanging demos between Brooklyn and Portland.  White Rabbits recorded It’s Frightening over the course of four weeks, only taking a break to play the Transmusicales Festival in Rennes, France.  The sessions were recorded by visionary engineer Nicholas Vernhes (Animal Collective, Deerhunter) at Rare Book Room in Brooklyn, NY.  Taking special care to recreate the unhinged nature of the original demos, the band utilized the wide range of tools in the analog-friendly studio to shape the personal spirit infused in the new tracks.  Upon the completion of tracking, White Rabbits traveled to Austin, TX to mix the record with studio wizard Mike McCarthy (Spoon, Trail Of Dead) using his exceptional ears to transform It’s Frightening into a uniquely rewarding headphone experience.

It’s Frightening plays like a classic reel of tape from start to finish. Opening with the visceral drums of “Percussion Gun,” it is clear that time-off from the road has served the band well.  The many highlights include the emotional centerpiece “Company I Keep,” the new sonic territory of “Lionesse” and the macabre lyrics of “Right Where They Left.”  Fans of Fort Nightly will find much to go weak in the knees over and new listeners are in for an awakening as White Rabbits flip the switch on an already impressive beginning. It’s Frightening is a journey into the playfully dark musings of Everyman.

The lineup : Stephen Patterson (vox/piano), Jamie Levinson (drums), Matthew Clark (drums, guitar), Alex Even (guitar), Gregory Roberts (guitar/vox). A U.S. tour will follow the May release of It’s Frightening

US Tour Dates With Interpol

10/18 - Fox Theater - Oakland, CA

10/21 - Soma - San Diego, CA

10/22 - The Joint - Las Vegas, NV

10/23 - Greek Theatre - Los Angeles, CA

10/25 - Ogden Theatre - Denver, CO

10/27 - The Palladium Ballroom - Dallas, TX

10/28 - Stubb's Waller Creek Ampitheatre - Austin, TX

10/29 - Verizon Wireless Theatre - Houston, TX

11/01 - The Tabernacle - Atlanta, GA

11/03 - Constitutional Hall - Washington, DC

11/04 - Tower Theatre- Upper Darby, PA

11/05 - United Palace - NY, NY

11/06 - United Palace - NY, NY

Big Gigantic to Release New Album Sept. 1

STS9's boutique record label, 1320 Records, proudly presents A Place Behind the Moon, the new full-length studio release from BIG GIGANTIC (September 1, 2010 / 1320 Records).

A Place Behind The Moon explores a unique mixture of electronic and acoustic styles, clearly defining the vision that brainchild and saxophonist/producer, Dominic Lalli, and drummer, Jeremy Salken both conceived and mastered. This sophomore effort is the strongest statement to date by Big Gigantic and it effortlessly combines saxophone and syncopated drum rhythms with intoxicating, intertwining electronic undertones, truly bringing a unique sound to the evolving, electronic genre.  A Place Behind The Moon demonstrates how Big Gigantic successfully delves deep into the future of electronic music, while staying in touch with their own musical roots, to ultimately create a history all their own.

A Place Behing the Moon will be available for free download September 1st on www.1320records.com.  In addition, APBTM will also be available for purchase on iTunes, with purchased copies including higher quality mp3's, as well as a bonus track featuring a first-time studio collaboration with STS9.

Get a sneak peak of the single, Limelight, in this video http://vimeo.com/14011782.

A Place Behind the Moon Tracklist:
1. Looking Back

2. Sky High

3. Lucid Dreams

4. Limelight

5. Solitude

6. Step Up

7. Driftin

8. High And Rising

9. Shine

10. Cloud Nine

11. Breaking Point

***
12. A Place Behind The Moon (bonus track feat. STS9)

After spending recent months in the studio sharpening the sounds of APBTM, the two-man sound machine of Big Gigantic continue to magnify their reach and reputation with a future that shows no signs of slowing down as they hit the road this Fall for dates with STS9, Alex B, and Ana Sia, including headlining shows from the Mid-West to the South.

Big Gigantic Upcoming Tour Dates:
August 12                Irving Plaza - New York, NY w/ members of STS9

August 13                Higher Ground - Burlington, VT

August 14                Theater of Living Arts - Philadelphia, PA w/ members of STS9

August 19                Camp Barefoot - Bartow, WV

August 20                The Vibe - Chicago, IL w/ members of STS9

August 21                The Aragon - Chicago, IL

August 27                Riverjam Festival - Fort Smith, AR

August 28                Verizon Amphitheater - Alpharetta, GA w/ STS9, Big Boi, Disco Biscuits

September 1            Zydeco - Birmingham, AL

September 2            Bourbon Street - Auburn, AL

September 3            Live Wire Music Hall - Savannah, GA

September 4            Big & Hearty Festival - Gainesville, FL

September 11          Red Rocks Amphitheater - Morrison, CO w/ STS9, Ghostland Observatory

September 15          Miramar Theatre - Milwaukee, WI

September 16          The Majestic - Madison, WI

September 17          The Cabooze - Minneapolis, MN

September 18          The Venue - Fargo, ND

September 23          Cosmic Charlie's - Lexington, KY

September 24          Tall Tree Lake Festival - Goreville, IL

September 25          Zanzabar - Louisville, KY

October 19               Soul Kitchen - Mobile, AL w/ Alex B

October 20               Varsity Theater - Baton Rouge, LA w/ Alex B

October 21               Trees - Dallas, TX w/ Alex B

October 22               The Parish - Austin, TX w/ Alex B

October 23               Last Concert Cafe - Houston, TX w/ Alex B

October 27               Bourbon Theater - Lincoln, NE w/ Alex B

October 28               Granada Theater - Lawrence, KS w/ Alex B

October 29               2720 - St, Louis, MO w/ Alex B

October 31               George's Majestic - Fayetteville, AR

November 2             Proud Larry's - Oxford, MS w/ Ana Sia

November 3             Exit  / In - Nashville, TN w/ Ana Sia

November 4             New Earth - Athens, GA w/ Ana Sia

For more information please visit www.biggigantic.net and www.1320records.com.

Conceived in 2008, Big Gigantic found their niche and created a name for themselves in the electronic music scene by combining vibrant jazz melodies over pulsating dance beats to deliver an innovative, distinct sound that's all their own.  Big Gigantic made a profound impact on the scene as they began playing modest gigs around their home state of Colorado, almost instantaneously started to headline shows in clubs around the country and also, made a splash at major festivals, including Lightning in a Bottle, Wakarusa, ROTHBURY, and more. Consistent touring has given the band a chance to hone their musicianship as well as diversify and perfect their live performance. Big Gigantic showcases an amplified array of compositions that combine elements of a DJ and live band, leaving fans from coast to coast anticipating more.

Leon Russell, Fri Sept. 17 @ Boulder Theater

The ultimate rock & roll session man, Leon Russell's long and storied career includes collaborations with a virtual who's who of music icons spanning from Jerry Lee Lewis to Phil Spector to the Rolling Stones. A similar eclecticism and scope also surfaced in his solo work, which couched his charmingly gravelly voice in a rustic yet rich swamp pop fusion of country, blues and gospel. Born Claude Russell Bridges on April 2, 1942, in Lawton, OK, he began studying classical piano at age three, a decade later adopting the trumpet and forming his first band. At 14, Russell lied about his age to land a gig at a Tulsa nightclub, playing behind Ronnie Hawkins & the Hawks before touring in support of Jerry Lee Lewis. Two years later, he settled in Los Angeles, studying guitar under the legendary James Burton and appearing on sessions with Dorsey Burnette and Glen Campbell. As a member of Spector's renowned studio group, Russell played on many of the finest pop singles of the 1960s, also arranging classics like Ike & Tina Turner's monumental "River Deep, Mountain High"; other hits bearing his input include the Byrds' "Mr. Tambourine Man," Gary Lewis & the Playboys' "This Diamond Ring," and Herb Alpert's "A Taste of Honey."
In 1967, Russell built his own recording studio, teaming with guitarist Marc Benno to record the acclaimed Look Inside the Asylum Choir LP. While touring with Delaney & Bonnie, he scored his first songwriting hit with Joe Cocker's reading of "Delta Lady," and in 1970, upon founding his own Shelter Records imprint, he also organized Cocker's legendary Mad Dogs and Englishmen tour. After the subsequent tour film earned Russell his first real mainstream notoriety, he issued a self-titled solo LP, and in 1971 appeared at George Harrison's Concert for Bangladesh following sessions for B.B. King, Eric Clapton, and Bob Dylan. After touring with the Rolling Stones, Russell increasingly focused on his solo career, reaching the number two spot with 1972's Carny and scoring his first pop hit with the single "Tight Rope." While the success of 1973's three-LP set Leon Live further established his reputation as a top concert draw, response to the country inspired studio effort Hank Wilson's Back was considerably more lukewarm, as was the reception afforded to 1974's Stop All That Jazz. 1975's Will O' the Wisp, however, restored his commercial luster, thanks in large part to the lovely single "Lady Blue."
In June of 1975, Russell married singer Mary McCreary; the following year the couple collaborated on The Wedding Album, issued through his newly formed Paradise Records label. Also in 1976, the Russell-penned "This Masquerade" earned a Grammy Award for singer George Benson. He and McCreary reunited for 1977's Make Love to the Music, and upon completing the solo Americana, Russell teamed with Willie Nelson for 1979's Willie & Leon. He then spent the next two years touring with his bluegrass band, the New Grass Revival, issuing a live LP in 1981; although Paradise shut down later that year, the label was reactivated for 1984's Hank Wilson, Vol. II and Solid State. Russell spent the remainder of the decade largely outside of music and did not resurface until issuing the Bruce Hornsby produced Anything Can Happen in 1992. Hank Wilson, Vol. 3: Legend in My Time. Face in the Crowd appeared a year later.
21+ / Gold Circle: $51.00 / Reserved: $41.00 / GA: $30.00
On sale July 30
Tickets will be on sale through the Boulder Theater box office
Internet 24-7 at www.bouldertheater.com
Phone: During box office hours 303-786-7030

Tea Leaf Green, Oct. 14 @ the Fox Theatre

San Francisco-based band Tea Leaf Green got their start in the relationship formed between guitarist Josh Clark and drummer Scott Rager, who played in a high-school band together in Arcadia, CA. After graduation, Rager enrolled at San Francisco State College, where he met bassist Ben Chambers. When Clark moved to San Francisco, the three began playing together as a trio. Their first paying gig was attended by Trevor Garrod, a singer/songwriter and keyboard player who had moved to San Francisco looking for other musicians to play with. Garrod met the three others, and soon they were playing together as a quartet. They built a following in Northern California and self-released the albums Tea Leaf Green, Midnight on the Reservoir (2001), Live at Slim's, San Francisco CA (2003), Living in Between (2004), and Live at the Independent (2004).

They issued their first national release, Taught to Be Proud, in 2005 and within a year they were opening for Gov't Mule, Trey Anastasio, Dave Matthews Band and a host of other lauded musicians. In 2007, longtime bass player Ben Chambers left the band and was replaced by Reed Mathis, formerly of Jacob Fred Jazz Odyssey. Mathis's stylistic versatility on bass proved to be the perfect fit for the band. In 2008, Tea Leaf Green went on to re-release their first three studio albums as the triple-CD compilation entitled Seeds. Later that year the band followed up with their next studio album Raise Up the Tent.

In June 2010 Tea Leaf Green released Looking West, their first studio album in 2 years. The release is a compilation of road-tested, fan favorite songs that the band has never recorded in the studio. The album marks a new chapter for Tea Leaf Green and represents the artistic and individual growth of the band since their formation more than a decade ago.

In a few short years, these road warriors have built a strong following, consistently filling venues across the country and becoming a warmly received, go-to band on the festival circuit with stand-out performances at Bonnaroo, Wakarusa, 10K Lakes, and The Echo Project, among others. Sharing some of the style and substance of musical contemporaries My Morning Jacket, Wolfmother, and the Raconteurs, Tea Leaf Green conjures the spirit of bands like '70s Bob Dylan, Tom Petty, and The Grateful Dead, taking classic sounds and giving them a present-day polish. Tea Leaf Green reminds us at every turn just how alluring rock 'n' roll can be.

All Ages / GA  / $15.00 adv / $18.00 DOS

National Jazz Museum in Harlem 2010 July Schedule

The July 2010 National Jazz Museum in Harlem schedule puts particular focus on the visual side of the jazz genre, as we feature classic films in our Jazz for Curious Listeners series (inaugurating a new collaboration with The Maysles Institute), interview one of the premier jazz photographers in the nation, Frank Stewart, for our flagship Harlem Speaks public program, and screen a rare film of “The High Priestess of Soul,” Nina Simone.

Since jazz is music for the soul, we feed your ears too, as the NJMH All-Stars will perform at Marcus Garvey Park before the airing of the Nina Simone film as well as at the Studio Museum in Harlem (our new programmatic partners) for the first Jazz at the Studio event, where the shades of blue and the blues will be pursued in sound and aesthetic fury.

We’ll also play the music of pianist Mal Waldron at our monthly Saturday Panel, spend an evening with the genius of Duke Ellington, and have a conversation with legendary jazz record producer Michael Cuscuna for the second of two monthly Harlem Speaks events.

Every single event this month is FREE, so since money is no object, take the time to join our swinging festivities!

Monday, July 5, 2010

Jazz for Curious Readers
An Evening With Duke Ellington
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Known as a composer/arranger/bandleader, duke Ellington was also a gifted author, and his autobiography, Music Is My Mistress, affords as much of an insight into his personality as his music does. Join us as we read and discuss Ellington the author.

Tuesday, July 6, 2010
Jazz for Curious Listeners

Jazz on Film: The Sound of Jazz
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Perhaps the most iconic jazz film ever made, The Sound of Jazz brought together 32 leading musicians from the swing era, including Count Basie, Lester Young, Ben Webster, Billie Holiday, Jo Jones, and Coleman Hawkins; the Chicago style players of the same era, such as Henry "Red" Allen, Vic Dickenson, and Pee Wee Russell; and younger "modernist" musicians such as Gerry Mulligan, Thelonious Monk, and Jimmy Giuffre. These players played separately with their compatriots, but also joined to combine various styles in one group, such as Red Allen's group and the group backing Billie Holiday on "Fine and Mellow," one of the most poignant moments of jazz ever caught on film. The song brought back together Lester Young and Holiday; Young's blues solo is transcendent in its painful beauty and sophisticated simplicity.

Thursday, July 8, 2010

Harlem Speaks
Frank Stewart, Photographer
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Frank Stewart is a photographer whose image-making work rises to the level of fine art.

He was born in Nashville, Tennessee in 1949, and grew up in Memphis and Chicago. He attended the Art Institute of Chicago and received a BFA in photography from Cooper Union in New York. Stewart has had numerous solo and group shows at Cooper Union Gallery, Washington Project for the Arts, Studio Museum in Harlem, Schomburg Center for Research in Black Culture, the International Center of Photography, Museum of Contemporary Art in Los Angeles, and Corcoran Gallery in Washington, D.C.

Stewart was a member of the first team of North American journalists invited by the government of Cuba to photograph the Island in 1977; he was also invited by the Los Angeles Committee to photograph the 1984 Olympics. He has been granted two photographic fellowships from the National Endowment for the Arts, a New York Creative Artist Public Service Award, and a 2002 NFFA fellowship. He was honored as Artist-in-Residence at the Studio Museum in Harlem in 1975, at Kenkeleba House in 1987, and at the Light Work Gallery at Syracuse University in 1989. His photographs were published in Sweet Swing Blues on the Road (text by Wynton Marsalis; published by WW Norton) and Smokestack Lightning: Adventures in Barbecue Country. Most recently, his work was featured in Romare Bearden: Photographs by Frank Stewart (published by Pomegranate) and The Sweet Breath of Life: A Poetic Narrative of the African-American Family (Frank Stewart, ed., with text by Ntozake Shange and photographs by Kamoinge Inc.; published by Simon & Schuster).

Stewart currently serves as Senior Staff Photographer for Jazz at Lincoln Center. He is a member of Kamoinge, a New York-based collective of African-American photographers. In addition to showing examples of his excellent jazz photography, Stewart will share anecdotes about his world travels with Wynton Marsalis, as well as accounts of times spent with Romare Bearden and Albert Murray as a driver.

Tuesday, July 13, 2010
Jazz for Curious Listeners

Jazz on Film: The Last of the Blue Devils
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Kansas City in the 1930s was a wild, wide-open place. Under political boss Tom Pendergast, the booze flowed freely, prostitution and gambling flourished, and the Depression pretty much passed the city by, making it an ideal spawning ground for some great music. Pianist-bandleader Count Basie, saxophone immortals Lester Young and Charlie Parker, and blues belters Big Joe Turner and Jimmy Rushing were all working there, along with a host of lesser-known but nonetheless formidable musicians, and they all played the blues, Kansas City style.


Director Bruce Ricker's 90-minute The Last of the Blue Devils chronicles the 1979 reunion of many of these legendary players, combining interviews, vintage film footage, photos, and some inimitably swinging performances by Basie, Turner, pianist Jay McShann, and many others to create an intimate, good-natured portrait of what one old-timer calls the "cool, relaxed sound" of the city. The camaraderie among these men, all of whom are colorful raconteurs, is palpable. But it's the music, surely, that's the main attraction; performances include some familiar tunes, like Turner's "Shake, Rattle & Roll" and a Basie big band version of "Night Train" (featuring tenor saxophonist Jimmy Forrest, the tune's composer) that's as greasy as the local barbecue. The Last of the Blue Devils is an absolute delight not to be missed!

Wednesday, July 14, 2010
Special Event
Film: Nina Simone Great Performances: College Concerts and Interviews
(Andy Stroud, USA, 60 mins.)
Music: The National Jazz Museum All-Stars
7:30-9:30pm
Location: Marcus Garvey Park (Lawn A located on the Madison Avenue side of the park between 122nd and 124th Streets)

A rare film of a radical artist in performance and in interviews, where she shares her views on race relations, and the role artists play in culture and society.
Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), better known by her stage name Nina Simone, was an American singer, songwriter, pianist, arranger, and civil rights activist. Although she disliked being categorized, Simone is arguably most associated with her performance of jazz music. Simone originally aspired to become a classical pianist, but her work covers an eclectic variety of musical styles that include classical music, jazz, the blues, soul, folk, R&B, gospel, and pop music. Her vocal style is characterized by intense passion, a loose vibrato, and a slightly androgynous timbre, in part due to her unusually low vocal range which veered between the alto and tenor ranges (occasionally even reaching baritone lows). Also known as The High Priestess of Soul, she paid great attention to the musical expression of emotions. Within one album or concert she could fluctuate between exuberant happiness and tragic melancholy.

Nina Simone recorded over 40 live and studio albums, the greatest body of her work being released between 1958 (when she made her debut with Little Girl Blue and 1974. Songs she is best known for include "My Baby Just Cares for Me", "I Put a Spell on You", "Four Women", "I Loves You Porgy", "Feeling Good", "Don't Let Me Be Misunderstood", "Sinnerman", "To Be Young, Gifted and Black", "Mississippi Goddam", "Ain't Got No, I Got Life" and "I Want a Little Sugar in My Bowl". Many of her songs are featured on motion picture soundtracks, as well as in video games, commercials and TV series.

This event is brought to you by the Maysles Cinema, Target ® and The National Jazz Museum of Harlem
Sunday, July 18, 2010

Jazz at The Studio
BLUE: A Shade of Difference
2:00 – 4:00pm
Location: The Studio Museum in Harlem
(144 West 125th Street)
FREE | For more information: 212-348-8300

Season Opener/Target Arts & Wonder Weekend Celebration

In this the kick-off performance of a new series, The NJMH All-Stars contemplate the color, the mood and art works that deal with the concept of blue and the blues. Blues, of course, are fundamental to jazz. But blues is way more than a simple, folk musical form. Many think the blues symbolize sadness and melancholy only; but blues music encompasses a full range of human emotion as a counter to what writer Albert Murray called “the blues as such.” Experiencing the variety of feelings evoked by Miles Davis’s recording, Kind of Blue, the best-selling jazz recording of all time, demonstrates this effect . . . as will today’s concert at the Studio Museum in Harlem.

Tuesday, July 20, 2010

Jazz for Curious Listeners
Jazz on Film: Sound—John Cage and Rahsaan Roland Kirk PLUS!
7:00 – 8:30pm
Location: The Maysles Institute
(343 Malcolm X Blvd / Lenox Ave (Between 127th and 128th Streets))
FREE | For more information: 212-348-8300
Tuesday, July 27, 2010

*Note tonight's special location.

If you have never seen Dick Fontaine’s groundbreaking film paring John Cage and Rahsaan Roland Kirk, run, don’t walk, to this screening. In addtionl, we’ll be showing examples of experimental film and experimental jazz including shorts by Shirley Clark and Rudy Burckhardt and a reception with Manny Kircheimer's Stations of the Elevated playing.

Tuesday, July 27, 2010

Jazz for Curious Listeners
Jazz on Film—Thelonious Monk: Straight No Chaser
7:00 – 8:30pm
Location: The Maysles Institute
(343 Malcolm X Blvd / Lenox Ave [between 127th and 128th Streets])
FREE | For more information: 212-348-8300

*Note tonight's special location.

Filmmaker Bruce Ricker couldn't believe his luck: Michael and Christian Blackwood's extensive 1968 footage of the groundbreaking modern jazz pianist and composer Thelonious Monk, including the only footage of the very private Monk off stage, turned out to be in excellent condition. The reels were, in Ricker's words, "just sitting there like the Dead Sea Scrolls of jazz." Ricker, as co-producer, joins director and fellow producer Charlotte Zwerin, executive producer Clint Eastwood and others to bring these scrolls to astonishing life. Their Thelonious Monk: Straight No Chaser combines the Blackwood's rare footage of Monk in studio on tour and behind the scenes with new interviews, archival photos and more to create a landmark aural and visual treat released 20 years after the original footage was shot.

Here are the tunes you’ll hear tonight, in order of appearance: Evidence; Rhythm-a-ning; On the Bean; Round Midnight; Well, You Needn't; Bright Mississippi; Blue Monk; Trinkle, Tinkle; Rhythm-a-ning; Ugly Beauty; Ask Me Now; Just a Gigolo; Crepuscule with Nellie; I Should Care; We See; Osaka T.; Evidence; Epistrophy, Don't Blame Me; Ruby, My Dear; I Mean You; Lulu's Back in Town; Off Minor; Pannonica; Boo Boo's Birthday; Misterioso; Monk's Mood; Sweetheart of All My Dreams; and Round Midnight.

Need we say more? See you at the Maysles Institute!


Thursday, July 29, 2010

Harlem Speaks
Michael Cuscuna, Record Producer
6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Michael Cuscuna is a discographer, writer and record producer par excellence.
He played drums, saxophone and flute during his teenage years, but wasn’t professional material. So, instead, he turned his attention to radio and recordings. He had a jazz show on WXPN and worked for ESP-Disk in the late 1960s, while also writing for Jazz & Pop Magazine, Rolling Stone and Down Beat. After stints at WMMR in Philadelphia and WABC-FM (now WPLJ) in New York as a progressive rock DJ, he took a position as a producer with Atlantic Records in the 1970s, recording Buddy Guy, Dave Brubeck and the Art Ensemble of Chicago. He also produced albums by Bonnie Raitt (Give It Up), Martin Mull, Luther Allison and Chris Smither. He also produced for ABC (doing reissues of Impulse! albums), Arista, Muse, Freedom, Elektra and Novus. From 1975 to 1981 he went through the Blue Note archives and recovered many unissued sessions which are now prized.

Along with Charlie Lourie, he founded Mosaic Records in 1983 specializing in jazz reissue box sets, with almost 200 releases as of 2009. Artists surveyed include highly visible masters like Thelonious Monk, Miles Davis, and Nat “King” Cole, and lesser known artists such as Tina Brooks and Ike Quebec. Cuscuna has won three Grammy Awards for his releases. Since 1984, Cuscuna has been a special consultant, producer, and reissue director of Blue Note Records.

Saturday, July 31, 2010

Saturday Panels The World of Mal Waldron 12:00 – 4:00pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

A pianist with a brooding, rhythmic, introverted style, Mal Waldron's playing was flexible enough to fit into both hard bop and freer settings. Influenced by Thelonious Monk's use of space, Waldron had his own distinctive chord voicings nearly from the start. Early on, Waldron played jazz on alto and classical music on piano, but he switched permanently to jazz piano while at Queens College. He freelanced around New York in the early '50s with Ike Quebec (for whom he made his recording debut), Big Nick Nicholas, and a variety of R&B-ish groups. Waldron frequently worked with Charles Mingus from 1954-1956 and was Billie Holiday's regular accompanist during her last two years (1957-1959). Often hired by Prestige to supervise recording sessions, Waldron contributed many originals (including "Soul Eyes," which became a standard) and basic arrangements that prevented spontaneous dates from becoming overly loose jam sessions.

He mostly led his own groups after Holiday's death, although he was part of the Eric Dolphy-Booker Little Quintet that was recorded extensively at the Five Spot in 1961, and also worked with Abbey Lincoln for a short stint. He wrote three film scores before moving permanently to Europe in 1965, settling in Munich in 1967. Waldron, who occasionally returned to the U.S. for visits, was a major force in the European jazz world. His album Free at Last was the first released by ECM, and his Black Glory was the fourth Enja album. Waldron, who frequently teamed up with Steve Lacy (often as a duet), kept quite busy up through the '90s, featuring a style that evolved but was certainly traceable to his earliest record dates. Among the many labels that have documented his music have been Prestige, New Jazz, Bethlehem, Impulse, Musica, Affinity, ECM, Futura, Nippon Phonogram, Enja, Freedom, Black Lion, Horo, Teichiku, Hat Art, Palo Alto, Eastwind, Baybridge, Paddle Wheel, Muse, Free Lance, Soul Note, Plainisphere, and Timeless. In September of 2002, Waldron was diagnosed with cancer. Remaining optimistic, he continued to tour until he passed away on December 2 in Brussels, Belgium at the age of 76.

Big Head Todd and The Monsters announce New Album and Summer Tour

Big Head Todd and The Monsters release their brand new studio album, Rocksteady, on July 20 on Big Records. In support of Rocksteady, Big Head Todd and The Monsters hit the road for a sprawling summer tour, including a recent big play at Colorado’s Red Rocks Amphitheatre, where they celebrated the 20th anniversary of Midnight Radio by performing the album in its entirety.

For Rocksteady, Big Head Todd and The Monsters’ eighth studio album, the band draws on a surprising body of influences. The album cuts across a broad swath of stylistic terrain including R&B, reggae and even punk rock. Throughout, the collection’s 11 tracks are funky, lilting, and melodic - all the qualities that have become signature to the band's sound during their 25 years of making music.

“It’s a soul/Caribbean record that rocks,” frontman Todd Park Mohr says. “We almost went out of our way to take all the rock out of it, but it really rocks. It’s the very first album we’ve ever done that’s cohesive. It makes a difference, in terms of this album standing out from our other albums.”

Look for Big Head Todd and The Monsters on tour this summer in support of Rocksteady.

Complete list of tour dates is as follows:

Friday, June 11 Higher Ground South Burlington VT
Saturday, June 12 Port City Music Hall Portland ME
Friday, July 9 - Saturday, July 10 Belly Up Aspen Aspen CO
Friday, July 16 XPoNential Music Festival Camden NJ
Thursday, July 22 Crystal Ballroom Portland OR
Friday, July 23 Moore Theatre Seattle WA
Saturday, July 24 Pavilion Park Liberty Lake WA
Sunday, July 25 Spud Drive In Driggs ID
Thursday, July 29 The Fillmore San Francisco CA
Friday, July 30 House of Blues - Sunset Strip West Hollywood CA
Saturday, July 31 Red Rock Resort North Las Vegas NV
Friday, August 6 Wisconsin Valley Fair Wausau WI
Saturday, August 7 Ravinia Festival Highland Park IL
Friday, August 20 Preservation Plaza Arnolds Park IA
Saturday, August 21 Fall Park Festival Grounds Sioux Falls SD
Thursday, August 26 Minnesota State Fair St. Paul MN
Friday, August 27 Crossroads Kansas City MO
Saturday, August 28 Southern Brewers Festival Chattanooga TN
Saturday, April 16 Paramount Theatre and Visual Arts Center St. Cloud MN

Karl Denson's Tiny Universe at the Fox Theatre

Like a Super Nova burning bright in the night sky comes Karl Denson’s Tiny Universe.  Based out of San Diego, KDTU began its journey in 1998 after bandleader Karl Denson decided to change gears five years after he’d help create The Greyboy Allstars. GBA had proven themselves as the ultimate party band, spreading their “West Coast Boogaloo” style all over the world, making “Jazz” a dance term once again. Karl set out to take this formula to the next level by putting more emphasis on vocals and adding some funk, r&b and hip hop elements. It turned out to be a winning combination which set KDTU on the top of the heap in the touring world from 1999 through 2005. In 2005 Karl decided to get back to his roots and work in a smaller jazzier setting.  During 2006 and 2007 Karl led KD3, a trio configuration featuring Sax, Organ and Drums. This led to the 2007 release of KD3’s  “Lunar Orbit”, an album which was a great critical success. In 2008, Karl rejoined his former boss Lenny Kravitz and spent the year country hopping through Europe and North America. In 2009 Karl went back into the studio and conjured up what is being hailed as the most soulful KDTU adventure yet, “Brother’s Keeper” which was released Sept 15th, 2009.

Thursday June 24, 9:00pm
KARL DENSON'S TINY UNIVERSE
--
All Ages / GA / $15 ADV weekend on-sale (June 4 - 6) / $20 ADV & DOS

Tickets on sale June 4 at the Fox Theatre box office | Internet 24-7 at www.foxtheater.com | Phone: During box office hours: 303.443.3399

Melissa Ferrick at the Fox Theatre

Singer/songwriter Melissa Ferrick emerged in 1994 as part of a group of new female alternative singer/songwriters, much in the vein of Liz Phair. Raised in Ipswich, MA, she began singing in coffeehouses after dropping out of college and eventually wound up in Boston. Her major breakthrough arrived one night when she replaced Morrisey's opening act less than an hour before showtime. Ferrick's performance impressed Morrisey, who invited her to open for him during the rest of the tour. The tour earned her a small cult following, as well as a contract with Atlantic Records.

She released her debut album, Massive Blur, in 1994 to good reviews; the critical reception for her stripped-down second album, Willing to Wait, earned even stronger acclaim. Even so, Atlantic dropped her in 1995, prompting Ferrick to go indie by signing with W.A.R.?, a Colorado-based company. She remained with W.A.R.? over the course of several albums -- including Everything I Need, Freedom the concert recording +1 before taking a lesson from fellow songwriter Ani DiFranco and forming her own label, Right On. Capturing her enigmatic stage persona, Ferrick issued Skinnier, Faster, Live at the B.P.C. in early 2001 and followed its release with a studio album named Valentine Heartache.

Releasing albums on her own label proved to be a welcome change of pace, and Ferrick spent the decade issuing a string of studio records and live releases. She also toured regularly, often logging as many as 150 shows per year. After releasing her 14th album, Goodbye Youth, in 2008, Ferrick shifted her focus to the artists who inspired her, resulting in the release of a covers album, Enough About Me, in 2010.

Friday June 18, 9:00pm
MELISSA FERRICK
--

Tickets on sale now at the Fox Theatre box office

Internet 24-7 at www.foxtheater.com

Phone: During box office hours: 303.443.3399

Marty Stuart Pays Tribute to Traditional Country Music with New Album

RAMMY-winner and American music icon Marty Stuart is set to release a traditional country album GHOST TRAIN (THE STUDIO B SESSIONS) on August 24, 2010. With his 14th studio album, Stuart steadily continues to lead the charge in preserving the roots, culture and history of traditional country music.

“What inspires me now, is traditional country music,” says Stuart.  “It’s the music I most cherish, the culture in which I was raised.  It’s the bedrock upon which the empire of country music is built, the empowering force that provides this genre with lasting credibility.  It’s beyond trends and it’s timeless.  With all that being said, I found traditional country music to be on the verge of extinction.  It’s too precious to let slip away. I wanted to attempt to write a new chapter.”
That new chapter is GHOST TRAIN (THE STUDIO B SESSIONS) which includes such unmitigated country staples as the male-female duet (the gorgeous, heartfelt "I Run to You," written and sung with Connie Smith), the chugging, bluesy—and spooky— fellow Mississippian Jimmie Rodgers-like train song "Ghost Train Four-Oh-Ten," steel guitar driven, hardcore heartbreak ballads such as "A World Without You," and "Drifting Apart,” and a no-flinching directness is front and center in the premiere of “Hangman,” a pointed, harrowing tale of an executioner's job and life that Stuart co-wrote with Johnny Cash just four days before the Man in Black passed away.
As the album title denotes, GHOST TRAIN  (THE STUDIO B SESSIONS) was recorded in the legendary RCA Studio B in Nashville, where Stuart participated in his first-ever recording session at the age of 13 playing mandolin in Lester Flatt’s band.
“Studio B has a profound pedigree; it’s where so much of American music’s legacy was forged, certainly country music’s,” says Stuart.   “And sonically, this is a room that welcomes music.  It seemed to me that in order to authentically stage a brand new traditional country music record we should bring it back to the scene of the crime.”
GHOST TRAIN (THE STUDIO B SESSIONS) TRACK LIST:
  1. Branded
    (written by Marty Stuart)
  2. Country Boy Rock & Roll
    (written by Don Reno)
  3. Drifting Apart
    (written by Marty Stuart)
  4. Bridge Washed Out
    (written by Warner Mack)
  5. A World Without You
    (written by Marty Stuart and Connie Smith)
  6. Hummingbyrd
    (written by Marty Stuart)
  7. Hangman
    (written by Marty Stuart and Johnny Cash)
  8. Ghost Train Four-Oh-Ten
    (written by Marty Stuart)
  9. Hard Working Man
    (written by Marty Stuart)
  10. I Run To You
    (written by Marty Stuart and Connie Smith)
  11. Crazy Arms
    (written by Ralph E. Mooney and Charles P. Seals)
  12. Porter Wagoner’s Grave
    (written by Marty Stuart)
  13. Little Heartbreaker
    (written by Marty Stuart and Ralph E. Mooney)
  14. Mississippi Railroad Blues
    (written by Marty Stuart)