studio

SURPRISE ME MR. DAVIS | THAT MAN EATS MORNING FOR BREAKFAST

Surprise Me Mr. Davis just wrapped a ecstatically energized East Coast run capped off by two very special nights in New York City this past weekend! The band is supporting a new EP, That Man Eats Morning For Breakfast, and while plans are well under way to get back into the studio to record their first full length studio album, this EP, including "Sissyfuss," "Roses In Bottles" and "Joelle," is the place to start.

Pick up the CD direct from RPF | or at iTunes

Surprise Me Mr. Davis, a band that plays a handful of dates a year--schedules permitting in the worlds of Nathan Moore, The Slip and Marco Benevento--is taking on more significance these days. The schedule is busier in 2010 and if all goes as planned will continue to grow.

Upcoming dates are:

April 30 | Hi Ho Lounge | New Orleans
June 24 | Tractor Tavern | Seattle, WA (w/ Marco Benevento Trio)
June 25 | Doug Fir Lounge | Portland, OR (w/ Marco Benevento Trio)
June 26 | WOW Hall | Eugene, OR (w/ Marco Benevento Trio)
July 1 High Sierra | Quincy, CA
July 3 | High Sierra | Quincy, CA
July 6 | Cafe Du Nord | San Francisco, CA
July 7 | Moe's Alley | Santa Cruz, CA
August 19 | Fox Theater | Boulder, CO
August 20 | Three 20 South | Breckenridge, CO
August 21 | Newhoma Music Festival | Florissant, CO

1320 Records to Release John Hughes' RESET THE WAREHOUSE May 18th

STS9's boutique record label, 1320 Records, proudly presents Reset the Warehouse, the new studio release from John Hughes (May 18th, 2010 / 1320 Records).  A new recording studio, a new record label, and a new record allow John Hughes to step out from the familiar surroundings of Hefty Records, the label he founded in 1996, to strengthen his creative partnership with 1320 Records.

Though Hughes has collaborated with label-founders STS9 for years, this marks his first official release on 1320-an alliance long in the making, given both parties' shared mission of creating and supporting new music under artist-run labels.  Like Hefty, 1320 is an independent, musician-run collective that stresses cooperation between the artist and label.

According to Hughes, "Working with 1320 affords [him] the freedom to focus entirely on the music and the live performances in support of the record."

And, STS9 adds about Hefty, "few contemporary American labels have had as much influence on [the band]. We are extremely honored and excited to be apart of the 'Reset' release."

Hughes has recorded and released over a dozen albums under various aliases and groups like Slicker, Brood, Some Water and Sun, and Bill Ding, as well as under his own name.  His latest creation, Reset the Warehouse, represents the prime selections from a productive period of meticulous tracking and experimentation at his HFT Studio, located outside of Chicago.

Working with a team of veteran musicians and trusted collaborators, Hughes has assembled a cohesive union of styles and recording techniques, resulting in a record that explores uncharted directions while remaining rooted in sounds and beats that a listener may only describe as "classic."

As Hughes explains, "I wanted this recording to have a live, gritty sound, so I took it outside of the computer as much as I could. It was mixed through a board to tape, and the synths are all analog. Within the context of an electronic record, the live performances also help give it a warm, organic feel."

When it came time to edit and mix the tracks, Hughes looked to vibraphonist Rick Embach, who was involved in the sessions from the earliest stages, as well as his old friend Joshua Eustis of Telefon Tel Aviv.  Hughes brought his recording sessions to Eustis' studio in Chicago, and together they mixed the tracks thorough an analog mixing board and then to two-track tape, giving the album the finishing touches and appropriate analog "glue" it required.

Visit here to view the entire supporting cast of Reset the Warehouse.

The Reset the Warehouse track list is as follows:

1.  A Reflection of the Times

2.  Waukee Wallop

3.  Another One

4.  Reset The Warehouse

5.  Pterodactyl Piano Bar

6.  Little Dot in the Sky

7.  Done Everything

8.  Moan Pop Asheesh

9.  Witchfinger

10.  You Don't Love Me

11.  Wow, I Think I Love You

12.  Naphtha Jets

As his work in the studio continues to evolve, and interest in his music continues to soar, John Hughes takes to the road this summer with label mates STS9, in support of Reset the Warehouse.  Hughes will perform this August and September with STS9 at select events in NYC, Boston, Philadelphia, Chicago and at the infamous Red Rocks Amphitheatre in Colorado.

For more information on John Hughes and to see full tour date information please visit here.

THE 40th ANNIVERSARY of the Grateful Dead at HARPUR COLLEGE

1970's intense. T.C. leaves the band in late January. The band's 'busted down on Bourbon Street' on January 31st. In March they discover their manager, Mickey Hart's father Lenny, has been stealing them blind (they're already hugely in debt to the record company). Only the music is sane; they enter the studio in March and in three weeks record Workingman's Dead, fulfilling Garcia and Hunter's work of the past year. It comes out in June. They add a regular opening act, the New Riders of the Purple Sage (Garcia plays pedal steel in it), and their shows stretch ever longer. Late that month they cross Canada on the Festival Express. In September they have some spare time, and go back into the studio, producing another gem, American Beauty. In the fall they begin a long series of college concerts that will establish them (along with the two albums) in a long-term way as a touring band.

“Finally I have the quality I’ve been looking for on this famous date. There are so many outrageous things that stand out on this date, that I hesitate to list them all. There are a few places where the quality “garbles” of fades in & out, during the “Anthem” & “Viola Lee Blues”, but outside of this everything is excellent. In “Cold Rain & Snow”, Garcia tunes up several times & really gets into singing with gusto, like I’ve never heard this tune. There is a really nice riff from “Dark Star” that they do during the end of “Dancing in the Streets”. During the Acoustic Set, there is one point where Garcia & Weir lecture the noisy audience about being a more “respectable audience.”

Dick Latvala

--

THE 40th ANNIVERSARY of the Grateful Dead at HARPUR COLLEGE

May 2, 1970

The Zen Tricksters Will perform the entire show forty years to the day on May 2, 2010 at Brooklyn Bowl

Tickets: $5.00

Online ticketing

Venue phone: 718-963-3369

Doors: 7:00pm | Show: 8:00pm

Brooklyn Bowl Website

1320 Records & Elm and Oak Release Alex B's MOMENTS Today

Flagged as one to watch in URB Magazine's "Top 100," today Alex B announces the release of his full-length debut studio album, Moments, co-released by his own Elm and Oak as well as 1320 Records (April 6, 2010).

Those familiar with Alex B already know that he tends to take a layered approach to everything, especially his music. The tracks on Moments are intricately crafted with immense care and attention to detail -- a careful mix of analog and digital sounds elevated by imaginative samples and the insight of a classically trained musician. The result is a blend of timeless warmth and future beats that is as easily adaptable to introspective time with one's headphones as it is to group mania on a mobbed dance floor.

In regards to Alex B's first single, "You and I Both Know" XLR8R raved that "within two minutes [the listener is] treated to a tweaked soul loop, delayed vocal stabs, sporadic percussive elements, and swirling synth arpeggiations wrapped around a descending bass melody."

Check out "You and I Both Know"

Moments Tracklist:

1. At Channel One

2. Pad 5

3. Hot Chop

4. You and I Both Know

5. Nothing is Always Something

6. Kick Drones - Feat: Sunk1

7. Talk it Out

8. Clicking Away

9. Getting to Know You - Feat: Getting to know you: Lila D'mone

10. Show Me

11. Drip Splatter - Feat: Count Bass D

12. Waste

13. Hide Extension

14. Impressions

15. Standing On Me

16. Seriously Again?!?!

17. Timing Correct

With his work in the studio complete, and interest in his music at an all time high, Alex B plans to tour extensively following the release of Moments.

Alex B Tour Dates:

April 22 Fox Theatre - Boulder, CO w/ Madlib

April 28 Airliner - Low End Theory - Los Angeles, CA (Moments CD Release Party)

April 29 Mighty - San Francisco, CA

April 30 The Loft - Minneapolis, MN

May 1 Cervantes Ballroom - Denver, CO

May 5 Big Orbit's Soundlab - Buffalo, NY

May 6 Top Hat - Missoula, MT

May 7 2720 - St. Louis, MO

May 15 Kinetic Playground - Chicago, IL

May 20 The Pour House - Charleston, SC

May 21 Canal Club - Richmond, VA

May 22 5 Spot - Atlanta, GA

Krishna Das Kicks Off US Tour TODAY

Called the “Chant Master of American Yoga” by the New York Times, Krishna Das has recently released Heart As Wide As The World, his first studio album in ten years, this month. The album is a collaboration with David Nichtern (“Midnight at the Oasis”) who produced and played guitar. Jerry Marotta (Hall & Oates, Peter Gabriel) on drums, percussion.  As well as, world musicians Steve Gorn on bansuri flute and Benjy Wertheimer on esraj, amongst an array of other instruments.

Layering traditional Hindu kirtan with instantly accessible melodies and modern instrumentation, Krishna Das has been called yoga’s “rock star.”  With a remarkably soulful voice that touches the deepest chord in even the most casual listener, Krishna Das – known to friends, family, and fans as simply KD – has taken the call-and-response chanting out of yoga centers and into concert halls, becoming a worldwide icon and the best-selling chant artist of all time, with over 300,000 records sold.  His first studio recording in a decade, “HEART AS WIDE AS THE WORLD” invests KD’s magnetic chanting with an electrifying rock ‘n’ roll sensibility informed by a lifetime of experience and musical love.

Krishna Das has been recording his popular and much-loved albums of kirtan since 1996. Having made numerous pilgrimages to India throughout his career and meeting teachers of many spiritual traditions, Krishna Das follows the path of Bhakti yoga – the yoga of devotion – and brings a lifetime of spirituality into his music. Over the years, his collaborators in the studio have included Rick Rubin on Door of Faith, Sting on Pilgrim Heart and Mike D in a 50-person kirtan choir on Breath of the Heart, also produced by Rubin.

Krishna Das has toured extensively through North America, Europe, Asia, Australia and South America, and counts Madonna and Mike D of the Beastie Boys amongst his fans. Krishna Das will be touring this spring with Deva Premal & Miten, dubbed “The Johnny and June Carter Cash of chant” by Yoga Journal . Together they are creating an extraordinary series of concerts across the US, highlighting the newfound popularity of kirtan and mantra chanting. These musicians, who have enjoyed a worldwide grassroots success the past decade, are each celebrating the release of new albums with their first co-headlined tour.

Krishna Das LIVE with Dava Premal & Miten:
03/24    Seattle - Moore Theatre 
03/25    Portland - Crystal Ballroom
03/27  Los Angeles - Wilshire Ebell
03/28   San Francisco - Warfield Theater
03/30    Phoenix - Mesa Arts Center
03/31    Tucson - Rialto Theatre
04/01     Santa Fe - Lensic Theatre
04/03     Denver  - Paramount Theatre
04/05     Dallas - Unity Church
04/07     Atlanta - Variety playhouse
04/08   Washington, DC - Bethesda Theatre
04/09     Philadelphia - Keswick Theatre
04/12  Chicago North Shore Center for the Performing Arts
04/14    Boston - Somerville Theater
04/15    New York - Webster Hall

Surprise Me Mr. Davis Announce EP & Tour Dates

The often elusive American rock and roll band SURPRISE ME MR. DAVIS, comprised by members Nathan Moore, Brad and Andrew Barr, Marc Friedman and Marco Benevento, have announced an April 13 release for their long-awaited EP, THAT MAN EATS MORNING FOR BREAKFAST. On the same day, the band will commence their first shows of 2010 with a five date Northeast run that begins in Boston, stops in Providence and Albany, and concludes with back to back nights in Brooklyn and New York City. Later in the month, they'll play two late night shows during the New Orleans Jazz & Heritage Festival.  SMMD also plans three dates in the Northwest at the end of June before heading to California for two sets at High Sierra Music Festival.

THAT MAN EATS MORNING FOR BREAKFAST, also known to fans as the "demo sessions," took a circuitous route from seed to market. Nathan Moore explains: "I was on my way with Marc Friedman to Montreal where we were going to record in Brad and Andrew Barr's new studio. Unfortunately, I got turned away at the border. We soon found ourselves back in Burlington, Vermont drinking in a bar. Brett Hughes, a local musician there, was like 'just come into my barn studio and do it.' So Brad and Andrew came down this way and we ended up recording there all week at Brett's house. We got all these tracks done and then we went back into another studio and tried to work them up even bigger, but we started to feel that we were exceeding our initial ideas by trying to make them too big. In the end we reverted back to the original demos. They had the raw spirit and energy we were trying to capture. So now it is finally seeing the light of day."

The seven song EP will be available at all major digital retailers, including iTunes, Amazon and Emusic, while a limited edition CD release will be sold exclusively at the band's shows and through their website.

The track listing for THAT MAN EATS MORNING FOR BREAKFAST is:

1. Roses In Bottles
2. Sissyfuss
3. One Sick Knave
4. I'm No Good At All
5. Emily Green
6. Joelle
7. Home Away From Home

Upcoming tour dates are:

April 13 | Club Passim | Boston, MA
April 14 | Red Square | Albany, NY
April 15 |
Firehouse 13 | Providence, RI
April 16 | Union Hall | Brooklyn, NY
April 17 | Mercury Lounge | New York, NY*
April 24 | Tipitina's French Quarter | New Orleans, LA**
April 30 | Hi Ho Lounge | New Orleans, LA
June 24 | Tractor Tavern | Seattle, WA***
June 25 | Doug Fir Lounge | Portland, OR***
June 26 | Axe & Fiddle | Cottage Grove, OR***
July 1 | High Sierra Music Festival | Quincy, CA
July 4 | High Sierra Music Festival | Quincy, CA
July 6 | Cafe Du Nord | San Francisco, CA
July 7 | Moe's Alley | Santa Cruz, CA

*w/ Yellowbirds
**w/ The Slip & Marco Benevento Trio
***w/ Marco Benevento Trio

Performing Artist Jill King To Release New Album RAIN ON FIRE

Songstress Jill King releases on April 6 a new studio album, RAIN ON FIRE (Foundher Records), which the artist describes as life-changing for its renewal of her passion for music and for life and as a gift for listeners who might need a similar lift upward.

The new CD is a collection of heartfelt and thought-provoking love songs and ballads written and co-written by King that mesh blues, pop, R&B, country and jazz into her solid folk-rock sound, elevated by her stunning vocals and the slide and steel guitar vibe of Australian Michael Flanders, who produced the album with King.

It includes “Beautiful World,” “California” and “I’ll Keep Loving You” — three songs that reflect King’s life journey through joy and sorrow — as well as “Mark on Me,” which features a spoken-word intro and outro by Steven Johnson, the grandson of blues legend Robert Johnson, and the sensual “Undertow,” which was featured in the February 26 episode of the Web soap “Venice The Series.”

King and Flanders were joined in the studio by an array of respected musicians and friends including Congress House Studios’ Mark Hallman on bass, drums, loops, percussion, B3 and piano as well as Brady Blade (drums, percussion), Victor Broden (bass), Jason Millhouse (fat guitars), Bruce Holloway (guitar), Phil Madeira (piano, accordion, B3), Savannah Jo Lack (violin, string arrangement & performance), Rob Mackay (strings, tenor ukulele), Denise Locke (keyboards), Alex Torrez and Ben Flanders (percussion), and Thom Flora, Doug Stokes and Nels Andrews (background vocals) and a gospel choir made up of Marsha Hancock, Alana Griffith, Christina Taddonio.

A special-edition version of the CD includes a fascinating book by King that intricately details the impetus behind each of the songs, an essay on the making of the album and documentary photography by Nashville-based artist Whitney Jones.

King will put together a band for extensive touring behind the album that includes shows through August across the Southeast and California and Texas.

Born and raised in deep-South Arab, Ala., King was singing solos in church at 3 and was playing guitar and writing songs by age 10, when she made her first record at a local studio. Being surrounded by heaven-and-hell ideologies and later her brother’s death from cancer have influenced her life, her songwriting and her sound: a mix of genres, moods and messages.

White Rabbits Announce US Tour With Here We Go Magic

After spending the better part of two years on the road (including festival stops at Lollapallooza, Glastonbury (UK), Sasquatch, Monolith and tours with The Walkmen, Spoon, Richard Swift, The Cribs, White Denim and Tokyo Police Club). White Rabbits hunkered down in their Brooklyn practice space to set about re-envisioning the dark pop of their debut Fort Nightly, while adding new sounds and influences to achieve an original work.  The result is It’s Frightening, their second full-length album.

White Rabbits signed to TBD Records (US home to Radiohead/Other Lives/Hatcham Social) and erected a makeshift studio in their basement rehearsal space to demo new material.  Band members popped in and out over the course of several months lending ideas and personality to a new batch of songs that defy instant categorization. After enlisting tourmate, friend and songwriter Britt Daniel (Spoon) as producer, the pair began the process of exchanging demos between Brooklyn and Portland.  White Rabbits recorded It’s Frightening over the course of four weeks, only taking a break to play the Transmusicales Festival in Rennes, France.  The sessions were recorded by visionary engineer Nicholas Vernhes (Animal Collective, Deerhunter) at Rare Book Room in Brooklyn, NY.  Taking special care to recreate the unhinged nature of the original demos, the band utilized the wide range of tools in the analog-friendly studio to shape the personal spirit infused in the new tracks.  Upon the completion of tracking, White Rabbits traveled to Austin, TX to mix the record with studio wizard Mike McCarthy (Spoon, Trail Of Dead) using his exceptional ears to transform It’s Frightening into a uniquely rewarding headphone experience.

It’s Frightening plays like a classic reel of tape from start to finish. Opening with the visceral drums of “Percussion Gun,” it is clear that time-off from the road has served the band well.  The many highlights include the emotional centerpiece “Company I Keep,” the new sonic territory of “Lionesse” and the macabre lyrics of “Right Where They Left.”  Fans of Fort Nightly will find much to go weak in the knees over and new listeners are in for an awakening as White Rabbits flip the switch on an already impressive beginning. It’s Frightening is a journey into the playfully dark musings of Everyman.

The lineup: Stephen Patterson (vox/piano), Jamie Levinson (drums), Matthew Clark (drums, guitar), Alex Even (guitar), Gregory Roberts (guitar/vox). A U.S. tour will follow the May release of It’s Frightening.

White Rabbits Tour Dates
4/05: Jefferson Theater, Charlottesville, VA*
4/06: Grey Eagle, Asheville, NC*
4/07: Local 506, Chapel Hill, NC
4/08: The Earl, Atlanta, GA
4/09: The Social, Orlando, FL*
4/10: Jax Live, Jacksonville, FL*
4/11: Club Downunder,  Tallahassee, FL*
4/13: Walters on Washington, Houston, TX*
4/14: The Independent, Austin, TX*
4/16: The Clubhouse, Phoenix, AZ*
4/17: Coachella Festival, Indio, CA
4/20: Urban Lounge, Salt Lake, UT*
4/21: Fox Theater, Boulder
4/23: Sandstone Amphitheater w/ Flaming Lips / Dead Weather / Minus the Bear, Kansas City, KS
4/24: High Noon Saloon, Madison, WI*
4/25: Metro, Chicago, IL*
4/26: Radio Radio, Indianapolis, IN*
4/27: Lee's Palace, Toronto, ON*
4/28: Petit Campus, Montreal*
5/01: Paradise Rock Club, Boston, MA*

*with Here We Go Magic

Post Furthur NYC show with Licorice

Licorice will be playing a post-Furthur show at the Sullivan Hall in New York City on February 23rd.  Their first set will start at 1AM and go into the night.   If you're looking for a fun post-Furthur show, here's your chance. Go check them out.

about Licorice:

On the heels of the release of their first studio EP, the critically acclaimed A Million Grains of Sand, Licorice's current momentum is exponential. They perform as a dynamic live force with David Lott (guitar, vocals), Matt Epstein (bass) and Josh Bloom (drums, vocals) at the core. The Brooklyn based rock outfit has displayed their musical chops on the world famous stages of The Blue Note, Knitting Factory, Brooklyn Academy of Music and other festivals and settings. They've shared the stage with legends and contemporaries, including: Larry Coryell, Roy Hargrove, Mike Dillon, and DJ Logic. Their songwriting, an amalgam of Americana, Blues, Jazz, and Rock, is the key vehicle to their original sound as a group, as they prove there are no musical boundaries. Together, they conquer complex originals, covers, jazz standards, and fusion 'episodes', on top of barn-burning rockers, anthems, and ballads - all with power, pocket and ease, with a cohesive and delicate touch. While they plan their next studio venture check them out live or online!

Krishna Das releases New Album, Tour Dates

Called the “Chant Master of American Yoga” by the New York Times, Krishna Das will release Heart As Wide As The World, his first studio album in ten years, on March 2nd. The album is a collaboration with David Nichtern (“Midnight at the Oasis”) who produced and played guitar. Jerry Marotta (Hall & Oates, Peter Gabriel) on drums, percussion.  As well as, world musicians Steve Gorn on bansuri flute and Benjy Wertheimer on esraj, amongst an array of other instruments.

Layering traditional Hindu kirtan with instantly accessible melodies and modern instrumentation, Krishna Das has been called yoga’s “rock star.”  With a remarkably soulful voice that touches the deepest chord in even the most casual listener, Krishna Das – known to friends, family, and fans as simply KD – has taken the call-and-response chanting out of yoga centers and into concert halls, becoming a worldwide icon and the best-selling chant artist of all time, with over 300,000 records sold.  His first studio recording in a decade, “HEART AS WIDE AS THE WORLD” invests KD’s magnetic chanting with an electrifying rock ‘n’ roll sensibility informed by a lifetime of experience and musical love.

Krishna Das has been recording his popular and much-loved albums of kirtan since 1996. Having made numerous pilgrimages to India throughout his career and meeting teachers of many spiritual traditions, Krishna Das follows the path of Bhakti yoga – the yoga of devotion – and brings a lifetime of spirituality into his music. Over the years, his collaborators in the studio have included Rick Rubin on Door of Faith, Sting on Pilgrim Heart and Mike D in a 50-person kirtan choir on Breath of the Heart, also produced by Rubin.


Krishna Das has toured extensively through North America, Europe, Asia, Australia and South America, and counts Madonna and Mike D of the Beastie Boys amongst his fans. Krishna Das will be touring this spring with Deva Premal & Miten, dubbed “The Johnny and June Carter Cash of chant” by Yoga Journal . Together they are creating an extraordinary series of concerts across the US, highlighting the newfound popularity of kirtan and mantra chanting. These musicians, who have enjoyed a worldwide grassroots success the past decade, are each celebrating the release of new albums with their first co-headlined tour.

Krishna Das LIVE with Dava Premal & Miten:
03/24    Seattle - Moore Theatre
03/25    Portland - Crystal Ballroom
03/27  Los Angeles - Wilshire Ebell
03/28   San Francisco - Warfield Theater
03/30    Phoenix - Mesa Arts Center
03/31    Tucson - Rialto Theatre
04/01     Santa Fe - Lensic Theatre
04/03     Denver  - Paramount Theatre
04/05     Dallas - Unity Church
04/07     Atlanta - Variety playhouse
04/09     Philadelphia - Keswick Theatre
04/12  Chicago North Shore Center for the Performing Arts
04/14    Boston - Somerville Theater
04/15    New York - Webster Hall