stomp

Von Ehrics: Two Foot Stomp

Von Ehrics newest CD, Two Foot Stomp, is an up and down ride filled with Punkabilly drive and an authentically Texas flavor. Songs like the first single, "Lord I Pray" are new, refreshing, and fun while other like "Rock and Roll" fall a little flat in energy and creativity. The album is an overall success in authenticity, with a real feeling that you could stumble across the Von Ehrics playing around town in Denton, the funky college town music hub of North Texas where Two Foot Stomp was recorded. The album is also successful in screaming "if you think this is good, our live shows are 100 times better".  I am convinced, and definitely will be buying a ticket next time these boys roll through Colorado.

The Highlights:

"Lord I Pray", the album’s first single, is also it’s height of creativity, combining gospel, thrashy rock guitar, and a hyperactive drum set. “Lord I Pray” is soulful and cynical at the same time. The single is a satirical reflection on consumerism, but avoids a “preachy” feel for a rather funny one as lead singer Robert Jason Vandergrift prays for material good while being back up by a full gospel choir.

"Down the Road Tonight" also shines on the album. The song is reminiscent of REM's "It's the End of the World as We Know It". That is, if the whole world existed in Texas. You could probably take the lyrics and make them into a scavenger hunt in downtown Austin. Overall it’s super fun.

"Goodbye/The Ride" is a fun, biting little break up song. Vandergrift sings in sweet and slow ballad voice, which we soon learn is totally ironic:

"It's a beautiful night,
the stars are all bright
I've got the moon on my left
and my girl on my right
things are changing tonight
she can kiss my ass goodbye"

then the speedy drummer kicks and one gets a feel of how the guys really feel. I always love a fun break up song.

The guitar lines are a great highlight throughout the album. Just listening to the things Gabe Aguilar (drums) and Clayton Mills (guitar) make up is one of the best parts of the album.

The Not-so-Great:

"Rock and Roll" is a halfhearted cry for what else, rock and roll. I'm not really that convinced, based on this song that the band believes in the spirit of rock ‘n’ roll. The Von Ehrics take lyrics that belong in a song like Joan Jett’s “I Love Rock N Roll” and play them with the enthusiasm of Neil Young's “Hey Hey, My My”.

It sounds like the guys wanted a Beastie Boys' "You Got to Fight for Your Right to Party”, but were just kind of tired or hung over or something that day.

"Downtown" is another one of the tunes that is missing the party soul. Maybe the song is much better live, at the actual party. Though the song is low energy, guitarist Clayton Mills picks it up with an exciting solo.

"Texas" (When I Die) is the albums only successful anthem, but it really gets the job done.  It's not a call to rock out or party hard, as the boys attempted in other songs, but an anthem for Texas; the state that encompasses of both of the previous. "Texas" succeeds where some of the other attempts on the album failed in my opinion because Texas is very unique to the Von Ehrics. You can hear conviction in their voice as they sing "when I die, let me go to Texas".

“Texas” is the true call of Two Foot Stomp , and really ties the album together as its last track. Two Foot Stomp is a call to this: party, rebel, dance around, stomp your feet, and do it all in Texas.  I am totally in support of it!

Family Dog's "Chet Helms Tribal Stomp" Release party Nov 7th

Chet Helms Tribal Stomp- for the Grateful Web

At long last after 2 years of editing and mixing 2b1 Multimedia Inc. is proud to announce the release of the "Chet Helms Tribal Stomp". The package consists of four DVD's and two CD's from the October 2005 concert in Golden Gate Park. Many have called it "the event of the century". The collection centers on the life of "Chet Helms" his influence on the 60's and the "Family Dog."

 

What: The Family Dog's "Chet Helms Tribal Stomp" Memorial concert, sneak preview screening party, Pot Luck.

 

When: November 7th, 7pm to 12pm.

 

Where: 2b1 Multimedia Inc. 3075 17th Street, SF (cross street Folsom)

 

Admission: Free (Open to the Public)

 

Box Set Highlights: 4 DVD's and 2 CD's covering 29 bands, 50 interviews (including people who worked at the family dog), Poster &  Photo Gallery (the family dog), history & liner notes, HD 5 camera video, digitally mastered video and audio, outtakes and much more.  Featuring: Paul Kantner and friends, Blue Cheer, Country Joe, Barry "The Fish" Melton, Lydia Pense, Vince Welnick, David LaFlamme, Canned Heat, Members of Steve Miller's band with Squid Vicious, Nick Gravenites, Annie Sampson, Zero, Quicksilver Gold, Narada Michael Walden, Wavy Gravy, The Charlatans, Terry Haggerty, Jerry Miller, Dan Hicks and the Hot Licks, Rowan Brothers, Ramblin' Jack Elliott, Roy Rogers, Natural Act, Jeff Blackburn, James Gurley, Faith Petrice, Roy Blumenfeld, Stephen Gaskin, Michael McClure, Wavy Gravy.

Dressy Bessy To Release 'Holler And Stomp' on 9/30/08

Dressy Bessy- for the Grateful Web

After their critically acclaimed last album, Electrified, Dressy Bessy will release its highly anticipated new album, Holler And Stomp, on September 30th, 2008 via Transdreamer Records. Combining uber-indie sensibilities mixed with bombastic style, the band remains inspirational, hook-laden and upbeat. 13 songs will have you dancing and singing in seconds.

"Personal, as well as impersonal experiences over the past few years have helped inspire my urge to HOLLER and STOMP!" – Tammy Ealom

Driven by vocalist Tammy Ealom and guitarist John Hill (who also moonlights in Apples In Stereo), along with groove-meisters Rob Greene on bass and Craig Gilbert on drums – Dressy Bessy bring a sense of style and uniqueness to the rock world. A full tour will commence in September.

Dressy Bessy are about power-pop chords, a dancing rhythm section and the compelling vocals of Tammy Ealom. Her witty lyrics hug the addictive melodies with true style. Backed by guitarist John Hill, whose guitar work helped propel Apples In Stereo to the forefront of the indie rock world and the thundering rhythm section of bassist Rob Greene and drummer Craig Gilbert - Dressy Bessy have the true spirit of underground rock.

Following extensive touring behind their last album, Electrified, Dressy Bessy needed some well deserved time off. For Tammy this meant getting down to writing a new batch of songs. Tammy's always been a self-proclaimed "melody first" sort of gal and wanted to try her hand at a "beats first" approach, sitting down at a drum kit knocking out groovy beats one drum at a time.

Tammy demoed the songs for HOLLER and STOMP at home. After about a year of recording she and the band realized that the songs had taken on the organic grass roots sound that Dressy Bessy was originally built upon and decided that these recordings, with proper mixing, additional guitars, bass, drums & lead vocals, would be the actual album tracks.

The band first met Trent Bell (The Flaming Lips) in 2003 while touring with the Starlight Mints, and had talked briefly about having him mix a record. Once they decided to go with the home recordings for this album, it was obvious that Trent should mix it ... and the rest is history!

The results are obvious with infectious and danceable grooves that dominate the album. Every song leads into the next with a driving authority – it's almost impossible not to move and shake it to these songs.

"Lyrically this album defines MY world. Personal, as well as impersonal experiences over the past few years have helped inspire my urge to HOLLER and STOMP! all over yo' ass! Listen up high!" ~! Tammy Ealom

 

The Live Experience…

Dressy Bessy are no ordinary band, nor are their fans ordinary. The atmosphere is a non-stop party and the music is relentless. Their compelling live show has left them with loyal and fanatical fans around the world. This band refuses to compromise and continues to push the envelope towards blissful entertainment.

"We rock our hearts out! We try to inspire as much dancing as possible," comments Ealom.

During their shows, with the lights flashing and the music pounding, people lose themselves in the Dressy Bessy experience. All this is standard fare for a band whose unscripted performances make for an unpredictable and euphoric atmosphere. "We'll rock the socks off anyone with an hour to spare. Both the band and the fans walk away sweaty and happy," says Tammy.
 
History...

Dressy Bessy have enjoyed great success in their hometown of Denver, where the band lives and plays.

"I decided to pick up the guitar in '96 when John Hill loaned me his four track while he was out touring with The Apples In Stereo, and soon I discovered I had a knack for writing songs and the rest is history," says Ealom.

In 1999, Dressy Bessy released Pink Heart, Yellow Moons, which was highly acclaimed and hailed as "virtually perfect and by far, the catchiest indie-pop record of 1999," by The Stranger. Continuing their run of indie-pop ecstacy, 2002's Sound Go Round, saw the band continue to develop its sound. In the spring of 2003, the band released a collection of rarities called Little Music. Later that year, their self-titled release, Dressy Bessy, expanded the band's base into bona fide indie rockstar status. Dressy Bessy has had numerous songs on soundtracks such as The Powerpuff Girls on the Cartoon Network and But I'm A Cheerleader. In 2005, Electrified shed some serious groove-tunes and caught people's attention when the album was highly praised by.

"We live in a world where upbeat pop, groove, and rock & roll reign supreme. We are just determined to never let anything slow our momentum.  We're always pushing forward, what else is there to do...hopefully in the end, the world will be better place. But you can always find us, just follow the trail of smiles." says Ealom.

Fans will be all smiles as Dressy Bessy release their most accomplished and infectious effort, HOLLER and STOMP.

PONDEROSA STOMP: NEW ORLEANS' ROOTS, R&B & ROCK FEST

Ponderosa tickets on sale 2/10/07- for the Grateful Web

Tickets go on sale this Saturday, February 10th for the 6th Annual Ponderosa Stomp, the world's only music festival with cult rocker Roky Erickson, master arranger Wardell Quezergue, soul songwriter supreme Dan Penn, rockabilly wild man Dale Hawkins, R&B soprano Little Jimmy Scott, and dozens more rarely seen – and seldom heard – American music legends in its line-up.

A marathon eight hours-plus music festival that celebrates and pays tribute to the unsung heroes of rock 'n' roll, rhythm & blues, and other forms of American roots music, the Ponderosa Stomp will rock two stages, the Big Room and the Parish, at New Orleans' House of Blues from 5:30 p.m. to 2 a.m. on Wednesday, May 2, 2007.

"The audience won't even know what hit them," promises Dr. Ike Padnos , executive director of the Mystic Knights of the Mau-Mau, the 501c3 organization that's producing the 6th Annual Ponderosa Stomp, which also features Texas Tornado co-founder Augie Meyers, Stax sessions guitarist Skip Pitts, Gulf Coast guitar empress Barbara Lynn, Mardi Gras king Al "Carnival Time" Johnson, Excello harp master Lazy Lester, keyboardist extraordinaire Willie Tee, tremendous trumpeter/famed New Orleans bandleader Dave Bartholomew, President of Soul Rockie Charles, hillbilly bopper Jay Chevalier, tough Texas shouter Roy Head, and rockabilly wailer Joe Clay.

Also appearing at the 6th Annual Ponderosa Stomp: Motown guitar slinger Dennis Coffey, hill country bluesman Kenny Brown, chitlin' circuit showman Bobby Rush, "Mr. Big Stuff" singer Jean Knight, piano man Henry Gray, six-string demolition expert Eddie Kirkland, rockabilly drummer Matt Lucas, Memphis sessions genius Bobby Emmons, swamp pop singer Grace (Dale & Grace) Broussard, New Orleans heartbreaker Tony Owens, Muscle Shoals veteran Ralph "Soul" Jackson, and backing bands Lil Buck Sinegal and the Top Cats with special guest Stanley "Buckwheat" Dural, Deke Dickerson & the Eccofonics, and the New Orleans Rhythm and Blues Revue.

The efforts of the Mystic Knights of the Mau-Mau go well beyond the Ponderosa Stomp: Since the non-profit's inception in 2000, the Mystic Knights have considered it their mission to rediscover and celebrate America's overlooked musical pioneers and re-educate the community about their impact on music. Through past partnerships with the Rock and Roll Hall of Fame, Sun Studios, The Stax Museum of American Soul Music, The New Orleans Musicians Clinic, and The New Orleans Musicians Hurricane Relief Fund, the 501c3 group has helped resurrect the careers of several legendary musicians, including Jody Williams, Howard Tate, and Barbara Lynn.

The Mystic Knights of the Mau-Mau also produces various events throughout the year, including showcases at Austin's South By Southwest Music Festival (SXSW) and New Orleans' own Voodoo Music Experience, one-off concerts in New Orleans and Memphis, and The Ogden Museum of Southern Arts' monthly After Hours music series.

"The Ponderosa Stomp has become a national treasure made of national treasures.  They've shone the spotlight in the shadows and found that yesterday's musical starts are just as intriguing, exhilarating, and as powerful as ever.  Through the fans it draws, the Stomp has developed and united a community. It's culturally rewarding, artistically gratifying, and a whole lot of fun," says Robert Gordon, Memphis-based filmmaker and author of It Came from Memphis and Can't Be Satisfied: The Life and Times of Muddy Waters.

Tickets for the 6th Annual Ponderosa Stomp are available through Ticketmaster beginning Saturday, February 10th. For more information, visit www.ponderosastomp.com.