contemporary

Colin Stetson 2011 Fall Tour + Video Release

To say Colin Stetson has come into his own in 2011 would be an understatement. February 2011 saw the release of Colin's highly acclaimed solo album New History Warfare Vol. 2: Judges, broadly received as a sonic, conceptual, compositional and technical tour de force. Thanks to his trajectory as a session and guest player with a diverse crop of iconoclastic pop/rock practitioners ­– Tom Waits, Laurie Anderson, TV On The Radio, Arcade Fire – as well as his own tenure in bands like Sway Machinery and Bell Orchestre, Stetson was poised to bridge the gap between contemporary rock and more rarified currents of avant jazz. With the Judges album, he did just that, garnering high praise from the both the jazz and pop/rock worlds.

Colin's astounding physical engagement with his instruments (chiefly bass and alto saxophones) produces emotionally rich and polyphonic compositions that transcend expectations of what solo horn playing can sound like. Stetson is equally at home in the avant jazz tradition of players who have pushed the boundaries of the instrument through circular breathing, embouchure, etc. (i.e. Evan Parker, Mats Gustafsson) and at the nexus of noise/drone/minimalist music that encompasses genres like dark metal, post-rock and contemporary electronics (i.e. Tim Hecker, Ben Frost – both of whom have mixed or remixed Stetson recordings).

Stetson's non-stop gigging at SXSW 2011 (on the NPR, Pitchfork and Pop Montreal stages) led to hundreds of dropped jaws and just as many superlatives about the man's mind-altering, heart-rending music: how it defies both genre boundaries and the physical boundaries of what one person can sonically generate in live performance with a single acoustic instrument, without recourse to looping pedals or other effects.

Through the 30-odd solo performances delivered in the wake of the Judges release in spring 2011, Colin continued delving into new compositions and especially more long-form trance/transcendental explorations. Having premiered a couple of these new songs at a small art gallery show in Montreal in May 2011, we were duly blown away (along with everyone else in the room) and encouraged Colin to record them while still in their raw, stamina-testing glory. He agreed and brought in good friend (and now Grammy-winning engineer) Mark Lawson (Arcade Fire, Islands) to help capture the performances in Stetson's own basement rehearsal/studio space.

The two pieces on this new EP both clock in at 10 minutes and are documented in direct fashion, using a handful of mic positions and, as usual, no looping or overdubbing of any sort. They are brilliant single-take performances that showcase Stetson's love for minimalism, a subtle pop sensibility, and a mesmerising, mantric, time-warping technical ability.

Those Who Didn't Run EP is an amazing addition to what will no doubt be an expanding Colin Stetson discography in coming years; a wonderfully-realized portrait of Colin's solo playing before he embarks on a year's worth of touring as part of Bon Iver's live band.

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Tour Dates

8/12 - 92Y Tribeca - New York, NY *
8/23 - Wadsworth Atheneum Museum of Art - Hartford, CT *
8/24 - Delilah's - Ithaca, NY
8/25 - Casbah Lounge - Hamilton, CA
8/26 - The Drake Hotel - Toronto, ON
8/27 - Zaphod Beeblebrox - Ottawa, CA
8/28 - Le Cercle - Quebec, CA
9/2 - Il Motore - Montreal, QC *
10/1 - ATP Festival - Asbury Park, NJ
10/3 - Burlington City Arts Center - Burlington, VT

*8.12 – w/Callers
*8.23 – 8.28 – w/Emily Wells
*9.2 – w/Rebecca Foon

Zach Deputy Celebrates Another Day

On his upcoming release Another Day, soul-singer and guitarist Zach Deputy-- with the help of Grammy-winning producer Scott Jacoby-- taps into the spirit of Al Green, Taj Mahal and Stevie Wonder, creating a soulful rhythm and blues album rich with ballads and mid-tempo songs. The record will appeal to fans of contemporary artists like Jack Johnson and Amos Lee, while retaining a classic sound and feel. Full of hope and anticipation of the promise of another day, a new day, it is a pivotal point in the career of a touring musician heretofore known as a master of live looping and a staple in the grass-roots club and festival circuit.

An appropriately titled album, Another Day is truly an album in the classic sense— a collection of songs that come from the same time and place, inspired by the same muse. Reflective and introspective, it provides a glimpse at the soul of an artist and the depth of a songwriter. As a boy, the music of Zach Deputy's Puerto Rican, Cruzan and Irish heritage was cooked up in the South Carolina heat. The Calypso rhythms and folk songs of St. Croix competed with the R&B / soul of pioneers like James Brown and Ray Charles for space on the family stereo. As Zach honed his craft, a unique hybrid of these influences emerged, ultimately creating the signature Zach Deputy sound-- what he calls "Island-infused, Drum 'n' Bass, Gospel-Ninja-Soul" that has made him a hot up-and-coming artist. However, this is the one-man-band sweaty dance party side of the coin. That same gumbo of influences has the humid, sultry, quieter side, too. This is the side of the slow dances... the bodies pressed close together and the quiet voices whispering in each other’s' ears. Another Day is a warm, mellow album, one that is perfect for after hour soirees... and if Zach Deputy is about sunshine,Another Day is about sunsets.

Best described as soulful rhythm and blues, Another Day features 11 original tracks produced with Grammy award winning Scott Jacoby over just 5 days in Mission Sound Recording in Brooklyn, NY. To handle the ever-present Latin, Caribbean and African elements in Zach Deputy's backbeat and place them in the contemporary soul / pop format of the songs, Jacoby tapped Graham Hawthorne (Aretha Franklin, Harry Belafonte, Paul Simon, David Byrne) for the drum kit. Bassist Al Carty came into the studio after having played four church gigs that day. Despite the list of artists he has recorded or toured with (Lou Reed, De La Soul, Carrie Underwood, Gavin DeGraw), the church gigs alone proved that Jacoby was on the mark with this choice for the low end. Zach Deputy is, after all, a soul singer whose music is underpinned by Gospel as much as by any other musical idiom. Equally at home in the Gospel tradition, pianist / organist Will Buthod (Jay-Z, Fat Joe, Alicia Keys, The Harlem Gospel Choir) completed the studio trio that fleshed out Zach's vision for the recording-- a vision made real by Jacoby's pitch perfect choice of accompanists. These four accomplished professionals met for the first time on the first day of recording and worked as if they were old friends with a common purpose.

Another Day will hit the streets on September 27th following four shows in two days at the Rockwood Music Hall in New York City. The event will kick off a full-scale national tour with dates booked throughout the country. For ticketing and performance information check out www.zachdeputy.com.

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ON TOUR:

8/5/2011              Camp Creek Festival - Oxford, Maine
8/6/2011              Naukabout Festival -  East Falmouth, Cape Cod,  Massachusetts
8/9/2011              Songs at Mirror Lake Music Series - Lake Placid, New York
8/10/2011            The Westcott Theater - Syracuse, New York
8/11/2011            Southpaw - Brooklyn, New York
8/12/2011            Ocean Mist- South Kingstown, Rhode Island
8/13/2011            The Royal Family Affair at Stratton Mountain - West Wardsboro, Vermont
8/13/2011            Club Helsinki - Hudson, New York
8/16/2011            Divan Orange - Montreal, Quebec
8/17/2011            Kirkland Arts Center - Clinton, New York
8/18/2011            Bella Terra Festival at Gardner's Field -  Stephentown, New York
8/19/2011            Trenton Social Courtyard - Trenton, New Jersey
8/20/2011            Camp Barefoot - Bartow, West Virginia
8/21/2011            Great Bay Music Festival- Dover, New Hampshire
8/24/2011            The Otter House- Fredericksburg, Virginia
8/25/2011            The Jewish Mother- Virginia Beach, Virginia
8/26/2011            Outer Banks Brewing Station - Kill Devil Hills; North Carolina
8/27/2011            Blarney Stone's Pub and Music Hall- Myrtle Beach, South Carolina
8/29/2011            Big Bamboo Cafe - Hilton Head, South Carolina
9/8/2011              8 x 10 - Baltimore, Maryland
9/9/2011              Appalachian Brewing Company - Harrisburg, Pennsylvania
9/13/2011            Rockwood Music Hall (Stage 2) - New York, New York
9/14/2011            Rockwood Music Hall (Stage 2) - New York, New York
9/15/2011            The Met Cafe at Hope Artiste Village - Pawtucket, Rhode Island
9/16/2011            Wormtown Music Festival-Camp Kee Wanee - Greenfield, Massachusetts
9/17/2011            Wormtown Music Festival-Camp Kee Wanee - Greenfield,  Massachusetts
9/21/2011            Bayou Bill's - Valdosta, Georgia
9/22/2011            Blackwater Music Festival at Spirit of the Suwanee Music Park - Live Oak, Florida
9/23/2011            Skipper's Smokehouse - Tampa, Florida
9/24/2011            Culture Room - Fort Lauderdale, Florida
9/25/2011            Beachside Tavern - New Smyrna Beach, Florida
9/28/2011            Handlebar - Pensacola, Florida
9/29/2011           New Earth Music Hall - Athens, Georgia
9/30/2011           Matilda's Art Gallery and Music Venue - Alpharetta, Georgia
10/1/2011           The Emerald Lounge - Asheville, North Carolina
10/6/2011           Gnat's Landing - Statesboro, Georgia
10/11/2011         Woodlands Tavern - Columbus, Ohio
10/12/2011         The Castle Theatre - Bloomington, Illinois
10/13/2011         Red Sky Lounge - Mankato, Minnesota
10/14/2011         Cabooze - Minneapolis, Minnesota
10/15/2011         The Aquarium - Fargo, North Dakota
10/18/2011         The Zebra Cocktail Lounge - Bozeman, Montana
10/19/2011         Top Hat Lounge - Missoula, Montana
10/20/2011         Tractor Tavern - Seattle, Washington
10/21/2011         Berbati's Pan -  Portland, Oregon
10/22/2011         Humboldt Brews - Arcata, California
10/25/2011         Lost on Main - Chico, California
10/26/2011         The Mint - Los Angeles, California
10/27/2011         Winstons - San Diego, California
10/28/2011         Marilyn's on K - Sacramento, California
10/29/2011         The Independent - San Francisco, California
10/30/2011         The Underground - Reno, Nevada
12/30/2011         TheBond-Fire Art and Music Festival - Groveland, Florida

Greg Osby & Daniel Bennett at the Triad (NYC)


On Saturday, June 25th, the acclaimed Triad Theatre in Manhattan presents a special double bill concert, featuring contemporary jazz saxophonist Greg Osby and experimental "Folk-Jazz" saxophonist Daniel Bennett. Legendary contemporary saxophonist Greg Osby and innovative "Folk Jazz" saxophonist Daniel Bennett team up for a double bill performance at the Triad Theatre!  The New York Times declares, "Greg Osby has a keen, focused tone on alto saxophone and a hummingbird's phrasing, an equilibrium of hover and flutter."  The Boston Globe raves,"the Daniel Bennett Group plays a mix of jazz, folk, and trance."

The Triad Theatre has hosted performances by entertainers like Slash, Joan Osborne, Lisa Loeb, Paula Cole, Susan Lucci, Buddy Miles, Ravi Coltrane, Debbie Gibson, David Crosby, George Benson, Max Weinberg, John Entwistle, Tracey Morgan, Kathie Lee Gifford, Matthew Broderick, Rachel Dratch, and Steve Gutenberg. The Triad was the original home for Off-Broadway hits like "Forever Plaid," "Forbidden Broadway," and "Secrets Every Smart Traveler Should Know."

The Triad is located at 158 West 72nd Street on Manhattan's upper west side. Visit www.triadnyc.com for more information.  All advance tickets must be purchased at www.brownpapertickets.com/event/177563


Sarah Jarosz To Release "Follow Me Down" on May 17th

What Sarah Jarosz’s acclaimed debut, Song Up In Her Head, suggests, Follow Me Down—due out May 17, 2011 on Sugar Hill Records—confirms: she is constitutionally incapable of getting stuck in a rut. Her approach to acoustic music is expansive and vital; she sees no need to choose between old-timey and modern material; between picking, singing and writing; between experimenting and reviving tradition. She does all of it, and pushes it all further, on her new album.

“I definitely could have just made a record that was similar to the last one—pretty rootsy,” reflects Jarosz. “That would have been a representation of a side of me. But I have all these new sounds and ideas and I just didn’t want to hold back on this one.”

A lot has changed in the two years since the world outside the festival-going bluegrass and old-time music communities—home to many longtime Jarosz fans—was introduced to the young singer/songwriter/instrumentalist. Her music caught on quickly with audiences across the age spectrum. There have been GRAMMY and Americana Music Award nominations, a trio of Austin Music Awards, invitations to perform on “Austin City Limits” and “A Prairie Home Companion” and appearances at Bonnaroo, Newport and Telluride—and lots of digital downloading, a rarity for a roots act.

The most important difference is that Jarosz cannot be called a kid anymore. She’ll turn twenty within a week of Follow’s release. Instead of going straight to work as a full-time musician, as many before her have done, she left her hometown of Wimberley, TX—30 miles outside of Austin—and headed to Boston’s New England Conservatory to study contemporary improvisation on an elite scholarship.

“I wanted something to push me out of my comfort zone,” Jarosz says. “I wanted to be playing things that I might not normally play.” And she has had plenty of opportunities to do just that, from Jewish and world music ensembles at school to wildly unpredictable live jams with Punch Brothers and Mumford & Sons. That keen, open-minded attitude speaks volumes about her maturity.

Like her first album, Jarosz co-produced Follow Me Down with Gary Paczosa (Alison Krauss, John Prine, Chris Thile). Only this time, they had a college course schedule and high profile gigs to work around. They did a session with Punch Brothers in New York, another in Boston with her talented young trio mates Alex Hargreaves and Nathaniel Smith and several in Nashville with some of the acoustic world’s finest pickers and singers, including Bela Fleck, Jerry Douglas, Stuart Duncan, Viktor Krauss, Dan Tyminski, Shawn Colvin and Darrell Scott.

Jarosz’s growth can be felt throughout the resulting eleven tracks. The grooves are more adventurous, for starters on the first single “Come Around”.  She comments, “I know for some purists out there, it’s like, ‘Why do you have to have drums?’ For me, it’s like, ‘Why not?’” And she has explored alternative ways of using her already-strong voice (see her Radiohead cover “The Tourist” and Radiohead-inspired original “My Muse”; Bob Dylan’s folk hymn “Ring Them Bells” is the album’s other cover).

There’s no missing the breadth in Jarosz’s songwriting. She is just as comfortable penning the tragic old-timey “Annabelle Lee” - an adaptation of Edgar Allan Poe’s final poem, or a modernized Appalachian ode to secret love like “Run Away” as she is cultivating contemporary singer-songwriter introspection in a song like “Here Nor There”. But her playing—be it on mandolin, octave mandolin, clawhammer banjo or acoustic guitar—never takes a back seat. She started “Peace”—one of two instrumentals on the new album—when she was twelve, and finished it at college. And it is that hunger to let her music keep growing—along with her formidable abilities—that make Jarosz so exciting to watch.

Wanda Jackson to play LP release show at ACM@UCO

The Academy of Contemporary Music at the University of Central Oklahoma will kick off the 2011 spring semester Jan 28 when Queen of Rockabilly Wanda Jackson comes to the Performance Lab for a free, release week concert celebrating her new Jack White-produced album, 'The Party Ain't Over' (out Jan 25).

It's been an unforgettable 2010 for ACM@UCO. The school hosted master classes and exclusive mentoring sessions with top artists, including Jackson Browne, the Mountain Goats and Local Natives. Many of the artists also performed concerts at the school's brand new music venue, The Performance Lab, which offers students hands-on experience in the world of live music booking, promotion, and production. Additionally, this semester's Industry Link seminar connected students with key industry figures, including high-profile managers and staff from Pitchfork, Sesac, and more.

Since its creation, The Academy of Contemporary Music at the University of Central Oklahoma has generated worldwide buzz with its innovative, groundbreaking approach to music education - the first of its kind in the United States. The school, which grants a two-year associate's degree in music performance and production, is the U.S. branch of Britain's groundbreaking Academy of Contemporary Music, based in Guildford, England.

Jonny Blu Tonight At The Iridium

Unique among his contemporaries, Blu composes, writes and co-produces all his original music. His CD releases “In Just That Kind Of A Mood” and his recent digital release “In A Groove” display his unique ability to write fun, contemporary music that still maintains the essence of the Sinatra Era classics. He has been touring extensively on the west coast of the US for the past few years and his music is featured on several nationally syndicated Adult Contemporary and Jazz radio and internet radio stations nationwide and internationally. In 2008, Jonny’s debut album was released in Eastern Europe by Universal Music, his music has been featured on several Swing and Jazz Compilation CDs and his songs In Just That Kind of a Mood and Ooh-Wee were featured multiple times on CBS’s Young and the Restless. His new album, Taboo (a co-production with Peer Music) is due out in the fall of 2009 featuring some classic Latin Standards like Taboo, Babaloo, and Sabor A Mi.

If you enjoy artists like Harry Connick Jr., Michael Bublé, Norah Jones, Jamie Cullum and the like, you will surely fall in love with the music of Jonny Blu.  For more info on Jonny and his music please visit him on the web at: www.jonnyblumusic.com.

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IRIDIUM
1650 BROADWAY (CORNER OF 51ST)
NEW YORK, NY 10023
RESERVATIONS: 212-582-2121
HTTP://WWW.IRIDIUMJAZZCLUB.COM/
SETS AT 8:00 & 10:00PM

Jazz & Sounds Festival | Gent, Belgium

Beginning in 2010, Gent Jazz Festival, De Bijloke Music Centre, Vooruit Arts Centre, University College Ghent - Faculty of Music and the University College Ghent - Faculty of Fine Arts (KASK) will work together in the annual initiative, the Jazz & Sounds Festival. This new festival will focus on the versatility of contemporary music. The first edition takes place from March 22 - 28, 2010.

Improvisation and creation are important mainstays of the Jazz & Sounds Festival combining the interaction from and to jazz, contemporary, classical, alternative rock, electronic music, improvised music, non-western music and more. The festival offers not a linear but an organic whole of concerts each day, where several concerts and performances can coincide. Visitors will have to make choices within the programme or will be guided by the surprise of the moment.

The festival starts March 22 in the University College Ghent – Faculty of Music with Impressions of a Blue Kind, a prestigious project spotlighting students from the faculties of music of Ghent, Tilburg and Maastricht. The next day, March 23, a presentation by Eddy Van Oosthuyse is planned in the University College Ghent – Faculty of Music with soloists from the Brussels Philharmonic showcasing the role of contemporary clarinet in chamber music.

From then on the Jazz & Sounds Festival moves to Arts Centre Vooruit March 25 and 26. The first day starts with a documentary about Han Bennink. The same day Jazz & Sounds delivers a jazz and literature project by trio Ben Sluijs/Jules Deelder/Remco Campert and concerts featuring saxophone player Colin Stetson and the duo of Erik Truffaz/Malcolm Braff. The festival concludes this first day by presenting Hairy Bones with among others Peter Brötzmann and Toshinoro Kondo.

Friday March 26 in Arts Centre Vooruit finds the duo Eric Thielemans/Josse De Pauw in performance, double bass player Joëlle Léandre and the premiere of Flat Earth Society’s new venture with John Watts. Elliott Sharp’s Carbon concludes the Jazz & Sounds Festival in Arts Centre Vooruit.

March 27 and 28 the festival is hosted by Music Centre De Bijloke. Saturday starts with Cage Aria by Françoise Vanhecke. Afterwards, visitors can choose between a documentary on Charlie Haden and a creation by Sophie Allour and Jozef Dumoulin together with drummer Dré Pallemaerts. This project was crafted especially for the Jazz & Sounds Festival in collaboration with the Tourcoing Jazz Festival.

Later that day on the programme, there is Dutch cello player Ernst Reijseger, Spectra with work by Mantovani and Alexandros Markeas, a project by El Negocito Records and Foundation Logos, Fred Van Hove together with Barry Guy and Wilbert de Joode, and a presentation by the students of the University College Ghent – Faculty of Music on Julius Eastman conducted by Alexandros Markeas. Ending this festival day is an improvisation workshop by Joëlle Léandre with students of the University College Ghent – Faculty of Music and Miroslav Vitous with his Remembering Weather Report.

Sunday March 28, is the last day of Jazz & Sounds and it starts with a concert by Ellery Eskelin and his group. Following this, the students of the University College Ghent, Faculty of Music play John Cage’s Songbooks and attendees can view a documentary on photographer Leonard Herman. Continuing the programme  on  this last day, there is trombone player Wolter Wierbos, a project by El Negocito Records in collaboration with Foundation Logos, and the duo of Ben Sluijs/Tom Van Bauwel exploring the writings of Paul Van Ostaijen. Nadar, Arsis4, Peter Jacquemyn and Jan Pillaert will interpret work by Daan Janssens and Stefan Prins.  Music by Rik De Geyter performing clarinet artistry for Stockhausen’s ‘Little Harlequin’ will be also be presented. Enescu re-Imagined by Lucian Ban & John Hébert is the closing act for the first edition of the Jazz & Sounds Festival. Pianist  Lucian Ban revised the musical legacy of Romanian composer George Enesco and created a bold contemporary jazz composition. Ban gathered an impressive group of musicians from the New York jazz scene around him for this project: among others featured are John Hébert, Nasheet Waits, Tony Malaby, Mat Maneri and Ralph Alessi.

On March 22 the University College Ghent – Faculty of Music organises an Open Lab on artistic research in Music Centre De Bijloke. March 26, a panel discussion on the same subject is organised in the Bijloke. Both activities are free and were organised in collaboration with IPEM-UGent, Foundation Logos and Ghent University Association.

Students and teachers of the University College Ghent – Faculty of Fine Arts (KASK) will participate as well in this first edition. Different departments of the faculty helped to create a visual festival identity and installations which serve as communicative machines were created. The Media Art Department confronts visitors to the festival with installations in which sounds, rhythm and timbre call the tune.

Dylan Wins First Grammy in Contemporary Folk/Americana

dylanOn Sunday night Bob Dylan won the first GRAMMY Award in the genre of Contemporary Folk/Americana, with his album, Modern Times (Columbia).

Other nominees for Best Contemporary Folk/Americana Album (vocal or instrumental) were Solo Acoustic Vol. 1 by Jackson Browne (Inside Recordings), Black Cadillac by Rosanne Cash (Capitol), Workbench Songs by Guy Clark (Dualtone Music Group) and All The Roadrunning by Mark Knopfler and Emmylou Harris (Warner Bros./Nonesuch).

"Bob Dylan set the stage for the current Americana genre as a folk pioneer in the 60s. His GRAMMY win for Modern Times as Best Contemporary Folk/Americana Album is just another example of his continuing vitality as an artist," said Americana Music Association President Tamara Saviano. "We're excited to celebrate Dylan as Americana's first GRAMMY win."

Americana is American roots music based on the traditions of country with influences ranging from hillbilly and R&B to folk and bluegrass and blues. The radio format developed during the 1990s to counter the highly polished mainstream music sound of the decade. Dylan's Modern Times spent six weeks at #1 on the national Americana/R&R chart.

Best Contemporary Folk/Americana Album was among the awards that were presented Sunday night during the 49th GRAMMY Awards. The GRAMMY Awards honor recordings in 108 categories across 31 fields, from rap to classical.

The Americana Music Association is a professional trade organization that provides a forum for the advocacy of Americana music and promotes public awareness of the genre to support the creative and economic viability of professionals in the field. Upcoming is its 8th Annual Americana Music Conference Oct. 31-Nov. 3, 2007 in Nashville.