rhythm

TG Sheppard and Wayne Mills Collaborate to Remake Sheppard's Hit "I Loved 'Em Everyone"

Wayne Mills and country legend, TG Sheppard head into Ocean Way Studios along with famed producer Denny Diante to remake Sheppard’s 1981 hit “I Loved ‘Em Everyone” which will be featured on Mills highly anticipated new album Long Hard Road under Diesel Records. Other musicians rounding out this all-star cast include Johnny Neel on the keyboard, formerly with the Allman Brothers, Chris Powell on drums, “Cowboy” Eddie Long, Jason "Rowdy" Cope, all with Jamey Johnson’s band, Mickey Raphael on harmonica, from Willie Nelson’s band, Gary Craig on bass and Luke Davis on guitar, both from Mill's band, and seasoned studio musicians Brent Mason and Steve Rutledge on lead and rhythm guitars.

“I came into the studio to record with Wayne because I believe in him. I hope our collaboration on this song is as good to Wayne as it was for me when I began my career,” says Sheppard when asked about remaking his hit “I Loved ‘Em Everyone.”

“Working with a country music legend like TG Sheppard is an incredible honor on both a personal and professional level,” says Mills. “I am humbled and grateful to have him on my record.  I am sure that all of our fans will enjoy the remake of ‘I Loved ‘Em Everyone,’” adds Mills.

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Wayne Mills Band

Wayne Mills will soon release his 7th studio album Long Hard Road where he worked with powerhouse producer Denny Diante under new Nashville record label, Diesel Records. Wayne, a native of Arab, AL, pushes the boundaries of contemporary country with tracks including “I Need the Country, Whiskey Bent and Jail Bound” and the title track “Long Hard Road” which chronicles the lonesome tale of a man making bad decisions and working through the consequences. With more than fifteen years of touring experience, Wayne has proved himself the consummate performer with a huge following in the Southeast while gaining influence in other markets. This singer/songwriter’s traditional country style blended with an edgy rock sound will please new and old country music fans alike with Long Hard Road. His music is the soundtrack to his life: leaving no stone unturned when it comes to lyrics and his life.

Announcing the latest Road Trips release | 4/6/82

It's hard to believe that a year like 1982, which included so many excellent shows, has only been represented once on an authorized Grateful Dead release. We're making that "wrong" a "right" with Road Trips Vol. 4 No. 4. This awesome three-disc set delivers an indisputably fine show from that underrated year: the complete Philly Spectrum 4/6/82 concert, with a heapin' helpin' of the 4/5/82 Spectrum show to round things out.

Philly fans always expected big things out of the boys when they came to town, so these Spectrum shows have a whole lot of zip to them. The rock-solid first set finds Bob and Jerry "on" from the get-go, singin' their hearts out on a wide range of mostly uptempo tunes, then blazing in to a funky and fiery second set before the Rhythm Devils take over for an ultimate duel. Charged with intensity, there's barely time to take a breather. All in all, it's a lively and powerful dose of Dead from one of the band's all-time favorite venues.

Needless to say, the sound is pristine, and mastered to HDCD specs. A colorful booklet with an essay and photos is part of the deal, too. But you already knew that.

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Tracklist

CD 1:
1. COLD RAIN AND SNOW>
2. PROMISED LAND
3. CANDYMAN
4. C.C. RIDER
5. BROWN-EYED WOMEN
6. MAMA TRIED>
7. MEXICALI BLUES
8. BIG RAILROAD BLUES
9. LOOKS LIKE RAIN
10. JACK-A-ROE
11. IT’S ALL OVER NOW
12. MIGHT AS WELL

CD 2:
1. SHAKEDOWN STREET>
2. LOST SAILOR>
3. SAINT OF CIRCUMSTANCE>
4. TERRAPIN STATION>
5. RHYTHM DEVILS>
6. SPACE

CD 3:
1. TRUCKIN’>
2. THE OTHER ONE>
3. MORNING DEW>
4. SUGAR MAGNOLIA
5. IT’S ALL OVER NOW, BABY BLUE
6. BERTHA
7. PLAYING IN THE BAND>
8. SHIP OF FOOLS>
9. PLAYING IN THE BAND

Panther Style "¡Emergencia!" + June 11th Chicago Record Release Show!

May 31, 2011 brings the highly anticipated debut release from Chicago rock band, Panther Style. The "¡Emergencia!" LP will be available on 180 gram vinyl, digital and CD formats, all including a cover of "Blind Eyes Open" by The Posies.

This project of heavy tasty pop was started by Chicago rock veterans Jeanne McClure, Al Rodis, Dan Lutger, & Melissa Koehl (Mary Tyler Morphine, Siderunners, Dyslexic Apaches, Reptoids) out of a mutual desire to make some beautifully catchy songs that rocked. Drawing influences from The Posies, Big Star, New Order, and U2, along with the seductive feel of in-your- face screaming tube amps and chest pounding bass from The Cult, Fugazi and Failure, their sound brings a refreshing blend of sweet melodies and thick distorted guitars all held together with an air-tight driving rhythm.

"¡Emergencia!" was recorded at B-Side Audio in Chicago with Neal Ostrovsky on a 16-track analog tape machine to capture the warm tones and genuine feel of the band's live sound. All of the music was recorded live with everyone in the same room. It was mastered with Bob Weston at Chicago Mastering Service. "Blind Eyes Open" was also released on the "Beautiful Escape" Posies cover compilation, by Burning Sky Records.

Soon after the formation of Panther Style, Dan and Melissa got hitched. Soon afterwards Dan and Jeanne jumped in to complete the rhythm section of Melissa's other established project, Reptoids. They brought a commanding presence to match Reptoids progression to a heavier sound and will be releasing the "Invasion" EP in the Summer of 2011.

You can learn more about Panther Style by visiting their website.

National Jazz Museum in Harlem Events, April 2011

The National Jazz Museum in Harlem cordially invites you to our April public programs, which we promise will warm your hearts as much as the weather of spring brings miles of smiles to your face.

Our bi-weekly discussion series first features flutist/saxophonist James Spaulding and then composer Maria Schneider, who will be premiering a large-scale works at Carnegie Hall in May. We continue in the spirit of celebration for our once-a-month Jazz for Curious Readers session, focusing on drummer Art Taylor's classic book of interviews, Notes and Tones.

For live performances, we direct you to The Rubin Museum's cherrywood-lined acoustic performance space, where Fred Hersch will play solo piano, and Scott Robinson will lead a quartet the likes of which you've never seen -  before for Harlem in the Himalayas. The Players Club is yet another beautiful setting for jazz players, which is why we point to this month's show by the National Jazz Museum in Harlem All Stars!

On the West Coast, at Stanford University, Executive Director Loren Schoenberg will lead a special class of Charles Mingus on film. And right here, at the Visitor's Center of the museum, we feature classes on the role of the rhythm section in jazz, from the 1930's to the 60's, in four Jazz for Curious Listeners sessions as well as our Saturday Panel, in which the Jonathan Batiste Trio will swing for you, and explain it at the same time.

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Friday, April 1, 2011

Harlem in the Himalayas

Fred Hersch, solo piano

7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door | 
For tickets: RMA Box Office or call 212-620-5000 ext. 344

Pianist and composer Fred Hersch has been called "one of the small handful of brilliant musicians of his generation" by Downbeat and has earned a place among the foremost jazz artists in the world today. From the late 70's onward as a sideman to jazz legends including Joe Henderson, Art Farmer and Stan Getz, he has solidified a reputation as a versatile master of jazz piano, as well as a relentlessly probing composer and conceptualist. His career as a performer has been greatly enhanced by his composing activities, a vital part of nearly all of his live concerts and recordings May of 2011 will see the premiere of My Coma Dreams for actor/singer, animation/multimedia and mixed ensemble. Hersch is considered to be the most prolific and widely-praised solo jazz pianist of his generation. Palmetto has just released Alone at the Vanguard which documents his second solo engagement at the legendary club.  An early review in All Music Guide calls it "a once-in-a-decade album that will stay with you long after the final track fades out."

Don't miss this opportunity!

Monday, April 4, 2011

Jazz for Curious Readers

Art Taylor: Notes and Tones, a celebration
7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Notes and Tones is one of the most controversial, honest, and insightful books ever written about jazz. As a black musician himself, Arthur Taylor asked his subjects hard questions about the role of black artists in a majority white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. Notes and Tones consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held with some of the most influential jazz musicians in jazz—including: Thelonious Monk, Erroll Garner, Elvin Jones, Nina Simone, Miles Davis, Dizzy Gillespie, and Dexter Gordon.

Arthur Taylor drummed with Coleman Hawkins, Bud Powell, Sonny Rollins, Charlie Parker, Miles Davis, John Coltrane, Thelonious Monk, and dozens of others. He was called ”one of the great drummers to come out of the fertile Harlem bebop scene” (New York Times) and ”one of the best bandleaders living or dead” (Village Voice). His band, Taylor’s Wailers, recorded several albums, and was based in New York City up until Taylor's death in 1995.

Tuesday, April 5, 2011

Jazz for Curious Listeners

It Don't Mean a Thing: Great Jazz Rhythm Sections

7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Count Basie's All American 4

The Count Basie Orchestra's All American rhythm section appropriately initiates our focus this month on great rhythm sections. Basie (piano), Walter Page (bass), Jo Jones (drums), and Freddie Green (guitar) together perfected what, after Louis Armstrong's style modeled it, became known as swing. From the mid-30's to early 40's, the Count Basie Orchestra popularized this feeling, contributing to the period of American history called the Swing Era. These four men blended into a "cohesive whole greater than the sum of its parts," as Loren Schoenberg, Executive Director of the National Jazz Museum in Harlem put it in The NPR Curious Listener's Guide to Jazz.

We invite you to swing on through to our Visitor's Center for this free event in which the sounds of Lester Young and the All American rhythm section will reign once again.

Thursday, April 7, 2011

Harlem Speaks

James Spaulding, flutist/saxophonist

6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

James Spaulding has established his reputation as a masterful soloist for ensemble performances, and for many years was among the busier sidemen for Blue Note Records. An exceptional saxophonist and flutist, he is one of the many fine artists to come out of the Indianapolis, Indiana area. James is a modernist, with solid roots in classical jazz; his saxophone style is an extension of the Charlie Parker influence, but his overall concept incorporates much of the broad jazz saxophone heritage.

Spaulding's musical training started early, as he came from a musical family in his place of birth Indiana (his father was a professional musician who played the guitar and led his own big band, traveling throughout the country). Jamesbegan playing a bugle when he was in grade school. He later took up the trumpet and saxophone on his own, and while in high school studied clarinet. He made his professional debut playing around Indianapolis with an R&B group.

From 1954 to 1957, Spaulding was in the army playing in service bands. When he was discharged, he settled in Chicago where he performed in clubs leading his own group, and had a stay with the Sun Ra Orchestra. He also furthered his flute studies there at the Chicago Cosmopolitan School of Music. In 1962, he arrived in New York City, and subsequently was associated with notables such as Freddie Hubbard, Bobby Hutcherson, Max Roach and the Ellington Orchestra.

In 1975, he received a bachelor's degree in music from Livingston College in New Jerseywhere he taught flute as an adjunct professor. James' daughters, Gina and Yvonne Spaulding were on the cover of his very first recording: The Legacy of Duke Ellington, recorded in 1975. Mr. Spaulding's range of performance experiences extends nationally and internationally, from the concert stage to jazz clubs to colleges and street fairs. His original music, a suite entitled "A Song of Courage," was performed by him with full orchestra and choir at the Voorhees Chapel at the RutgersUniversitycampus from funds awarded him by the National Endowment for the Arts. He has been recorded on over 100 recordings.

Sunday, April 10, 2011

Special Event: Mingus on Film with Loren Schoenberg

Sunday, April 10, 2011 | 2:00pm
Cantor Arts Center, Stanford University | FREE

Loren Schoenberg, Director of the National Jazz Museum in Harlem, concludes the Remember Mingus series with an afternoon of rare film footage, live concert clips, and lively discussion about Charles Mingus’ music, life and legacy.

Tuesday, April 12, 2011

Jazz for Curious Listeners

It Don't Mean a Thing: Great Jazz Rhythm Sections

7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Duke Jordan/Tommy Potter/Max Roach

After Charlie "Bird" Parker and Dizzy Gillespie parted ways on the bandstand, Bird formed a quintet featuring Miles Davis and Jordan (piano), Potter (bass) and Roach (drums). Although they maintained the swing of their forebears as heard in last week's class, the way they dealt with accents and tempo transformed to perform the style that became known as bebop. Join us to hear the sonic transformation that revolutionized jazz.

Wednesday, April 13, 2011

Jazz at the Players

Melba Joyce and The National Jazz Museum in Harlem All Stars 7:00pm

Location: The Players

(16 Gramercy Park S. | get directions)
$20 | Reservations: reservations@theplayersnyc.org or 212-475-6116

If you've never been to the elegant setting of The Players, we urge you to reserve a seat asap, because the down-home swing of the National Jazz Museum in Harlem All Stars will make you tap your feet with glee, most happily, and swing your troubles away.

Melba Joyce was born in Dallas, Texas where she grew up under the warm and instructive musical influence of her mother and grand-parents.  Her father, Melvin Moore, a prominent vocalist with the jazz and swing bands of his era (including Dizzy Gillespie, with whom he toured and recorded )was also one of Melba's influences. After her family moved to Los Angeles, Melba was immediately noticed by musicians and soon found herself opening for such renowned artists as Miles Davis, Freddy Hubbard and Smokey Robinson & the Miracles.

Melba tirelessly toured the war-torn fields of Vietnam to entertain the troops at the height of that horrid conflict, an experience that raised her social conscience to new heights.  When Melba returned, she was appointed panelist for the Congressional Black Caucus of Women in Jazz Forum. She produced the first Women in Jazz Festival at Harlem's Schomburg Center for Black Culture; and became a principal in the Day of the Child Series for UNICEF.  With funding from the National Endowment for the Arts, Ms. Joyce produced Jazz For Special People, a musical education series for the handicapped.

In 2008, The Central Park Conservancy presented Melba with a very special recognition through the City of New York for creating and producing The First Women's Jazz Festival. The program, held in Harlem at the park's Dana House, featured  Kunle Abodunde reading of a chapter from his unreleased book.  During Melba's tour assignment in Nigeria as a Jazz Ambassador, Abodunde  attended her performance and being deeply impressed included a chapter in the book describing what he felt about the evening.

Her long and impressive career has spanned three decades in the company of and sharing top billing with such giants of the music world as Louis Armstrong, Sarah Vaughn, Louis Jordan, Lionel Hampton, Tony Bennett, Joe Williams, Marvin Gaye, Smokey Robinson and so many others.

Friday, April 15, 2011

Harlem in the Himalayas

Scott Robinson Quartet

7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door | 
For tickets: RMA Box Office or call 212-620-5000 ext. 344

Scott Robinson, bass saxophone
JD Parran, basssaxophone
Vinny Golia, bass saxophone
Warren Smith, drums, percussion

A respected performer in all areas of jazz, from traditional to avant-garde, Scott Robinson brings audiences an unusual pairing of three bass saxophones with percussion for this raucous and soulful concert—his encore performance at the Rubin Museum. The recipient of numerous awards and fellowships, Robinson, who is known for his work on unusual and obscure styles of saxophones, has been the winner of a number ofDown Beat Critics Polls and Jazz Journalists Association awards in recent years.

Tuesday, April 19, 2011

Jazz for Curious Listeners

It Don't Mean a Thing: Great Jazz Rhythm Sections

7:00 – 8:30pm

Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Red Garland/Paul Chambers/Philly Joe Jones

Miles Davis was a key member of the Charlie Parker Quintet, whose rhythm section was the focus of last week's class. This week we'll hear how Davis and other giants came into their own with the solid yet flexible support of one of the most grooving and soulful rhythm sections in the history of the idiom. The mid-50’s classics we'll listen to tonight are never old, but hearing them could make you feel younger. Don't miss it!

Thursday, April 21, 2011

Harlem Speaks

Maria Schneider, Composer

6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, and beyond categorization.” She and her orchestra became widely known starting in 1994 when they released their debut recording, Evanescence. With that recording, Schneider began to develop a highly personal way of writing for her 17-member collective, tailoring her compositions to distinctly highlight the unique voices of the group. Subsequently, the Maria Schneider Orchestra has performed at festivals and concert halls worldwide. She has received numerous commissions and guest conducting invites, working with more than 85 groups from over 30 countries spanning Europe, South America, Australia, Asia and North America.

Schneider’s music blurs the lines between genres, and as a result, her long list of commissioners has become quite varied. They include the Norrbotten Big Band and Danish Radio Orchestra with Toots Thielemans and Ivan Lins, the Metropole Orchestra in the Netherlands (several works), Orchestra National de Jazz (Recapitulation), Carnegie Hall Jazz Orchestra (El Viento), Monterey Jazz Festival (Scenes from Childhood, Willow Lake), The American Dance Festival (for dance company, Pilobolus–Dissolution), University of Miami Concert Jazz Band (Three Romances), Jazz at Lincoln Center (Buleria, Soleá y Rumba), Los Angeles Philharmonic Association (Aires de Lando), Peter Sellars’ New Crowned Hope Festival (Vienna’s Mozart Festival–Cerulean Skies), Kronos Quartet (String Quartet No. 1) and the Saint Paul Chamber Orchestra with soprano, Dawn Upshaw (Carlos Drummond de Andrade Stories), a work that will receive its New York premiere at Carnegie Hall, May 13th, 2011, conducted by Schneider.

Schneider’s most recent work (premiering June 12th, 2011), co-commissioned by the Ojai Festival, The Australian Chamber Orchestra and Cal Performances, will blur boundaries further as it features the Australian Chamber Orchestra, Dawn Upshaw, and two musicians long associated with Schneider’s own orchestra: pianist Frank Kimbrough, and multi-instrumentalist Scott Robinson. For this work, she is incorporating poems by poet Laureate and Pulitzer Prize winner Ted Kooser, from his book ”Winter Morning Walks.”

Schneider continues to be a pioneer in funding her projects. She recently composed two works for her own orchestra with the involvement of commissioners, not from arts organizations, but directly from her ArtistShare® fan base. "Concert in the Garden" and her orchestra’s latest album, "Sky Blue" (on which Cerulean Skies was recorded) were both named “Jazz Album of the Year” by the Jazz Journalists Association and the DOWNBEAT Critics Poll.

Saturday, April 23, 2011

Saturday Panels

The Beat Goes On: The Jonathan Batiste Trio Demonstrates What The Rhythm Section does

12:00 – 4:00pm

Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

This Saturday panel is a perfect complement to and extension of our Jazz for Curious Listener's focus on great rhythm sections. Jonathan Batiste’s Trio will demonstrate how the piano comps, the bass walks and the drums ride the cymbals, yes, but that's only the start. You'll witness, live, how the bass and drums lock-in together creating the basis for the swing; how the trio ebbs and flows and communicates non-verbally to create musical magic. Not only should this class not be missed, it's also a chance to introduce jazz music to those curious about it, but haven't heard it up close and personal enough yet to connect with it. Do them and yourself a favor!

Tuesday, April 26, 2011

Jazz for Curious Listeners

It Don't Mean a Thing: Great Jazz Rhythm Sections

7:00 – 8:30pm

Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

 McCoy Tyner/Jimmy Garrison/Elvin Jones

We started in the 30's with the rhythm section fronted by Count Basie, then moved to the 40's with a foundational group of three, and thereafter transitioned to the 50's. For our last session of this month's Great Jazz Rhythm Sections theme, we land on the doorstep of a classic 60's rhythm section that supported the Great John Coltrane. McCoy's percussive style, with Garrison's booming bass, and Jones' polyrhythmic fire combined to change the course of the music yet again.

Jake Hertzog New CD + Miles Café Appearances

Jake Hertzog, one of the most original and exciting young guitarists on the scene, will be returning to the studio next month to record his third album. At 24 years old, Jake has already released two critically acclaimed fusion albums, toured the country as bandleader for Nickelodeon pop-stars Nat and Alex Wolff, and currently writes a jazz column for Guitar Player Magazine entitled “Hey Jazz Guy”.  He was also the youngest ever winner of the Montreux Jazz Festival Jazz Guitar Competition in 2006 and has performed and taught worldwide.

The upcoming record, a follow up to last year’s Patterns, will feature Jake’s all-star rhythm section, Victor Jones and Harvie S.  Harvie will also be taking on a new role in addition to bassist on this latest project as producer. “I am thrilled to be producing Jake Hertzog's upcoming CD- Jake is a serious and original artist who is becoming a major voice in contemporary music. I have been a part of his music from his first project as bassist and musical colleague --so this project holds special meaning for me.” Said Harvie, in regards to the upcoming collaboration.  In addition to hundreds of records on which Harvie has played bass, his production credits include Michael Brecker, Phil Woods, Chris Potter, Bob Mintzer, and Mike Stern.


Jake will be bringing his trio into one of New York’s most impressive recording studios, The Magic Shop, that has hosted artists such as The Rolling Stones, Coldplay, Norah Jones and Arcade Fire.  “It’s the perfect place for the synthesis of jazz and indie rock”, says Hertzog. “That’s what this record will be all about, continuing more deeply in the direction of the last two albums.”  The Jake Hertzog Trio will be in the studio next month and the record will be released in late spring.

Performing with the venerated rhythm section of Harvie S (bass) and Victor Jones (drums) the Jake Hertzog Trio bends genres with their exhilarating live performances. This is an event not to miss, as the band prepares for their third studio album.

Jake Hertzog Trio with Harvie S (bass) and Victor Jones (drums)

The Miles Café Jazz Club
212 E. 52nd St. 3Fl.
(b/t 2nd & 3rd Ave.)
New York, NY 10022

Friday, Feb. 4th - 7:30pm

Friday, Mar. 4th - 7:30pm

Afor-Zep & 56 Hope Road @ the Fox Theatre

Z2 Entertainment is proud to present Afro-Zep & 56 Hope Road at the Fox Theatre on Friday, February 11th.

AfroZep is a collective of Chicago musicians that assemble a few times a year to tour- performing a set of all Led Zeppelin tunes but re-done in the style of Afrobeat and Afropop. Some tunes are straight mash-ups of Fela Kuti and Zeppelin; others are Zep tunes but set to original grooves based off the music of artists such as Tinariwen, Thomas Mapfumo and Franco; and others are stripped down arrangements with tons of added traditional African drumming, like their take on 'When the Levee Breaks' which incorporates a rhythm of Malinke decent, called Soli. Arrangements such as this show how the roots of Plant and Page's songwriting can be traced even further back to the roots of blues music itself. The members of AfroZep have toured and recorded with various artists, such as: Chicago Afrobeat Project, 56 Hope Road, Starrunner, 1000 Vertical Feet, the Motet, Seneke West African Drum and Dance Ensemble, among many other of gospel, big band, jazz, rock and drumming ensembles based out of Chicago. Due to the rigorous schedules of its performers, the Afro-Zep is not a full time project and the band only tours a few times a year.  With their first tour taking place in Nov 2009 the band has already traveled to Illinois, Wisconsin, Michigan, Missouri, Kansas and Colorado.

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56 Hope Road is a band bonded like a family, and as a result, their music has an unmistakable honesty and openness. Uncanny, intuitive communication creates an easy interplay on stage, making even the most layered tunes sound effortless. They allow the joy of spontaneous creativity to color their song-based arrangements - neither losing their musical center, nor restricting its growth. The music is acoustic funk at its finest with sounds reminiscent of G-Love and Special Sauce, Richie Havens, MMW, Grateful Dead, Paul Simon and Gomez. This Chicago-based “acoustic funk explosion” is known for clever songwriting, lush vocal harmonies and one of the tightest rhythm sections on the scene. Formed in 1999, 56 Hope Road is made up of vocalist/guitarist Dave Hamilton, drummer Greg Fundis, upright bassist Chad Sanders, saxophonist Casey Fitzpatrick, and often augmented by vocalist Anne Katzfey, and percussionist Matt Katzfey.

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Tickets are on sale at Fox Theatre Box Office. Call (303) 443-3399 for tickets by phone.

Tickets are also available through our website @ www.foxtheatre.com.

$7 adv / $9 dos

Tickets On Sale – Friday January 21st!

String Cheese Incident Launches Archival Series

Today, The String Cheese Incident releases the first installment of their brand new live archival series, Rhythm of the Road, which will highlight the band’s most celebrated concerts with re-mastered limited edition releases. Titled Rhythm of the Road: Volume 1, Incident in Atlanta – 11.17.00, this first offering on the historic show’s ten-year anniversary.

2000 was a big year for SCI as they became a true touring force, settling into larger venues for the first time, including Red Rocks in Colorado, The Warfield in San Francisco, and New Orleans’ Saenger Theatre. The band finished off a long East Coast fall tour with three nights in Athens and Atlanta, GA, and it’s the middle night on 11.17.00 that fans still talk about as one of the best in the band’s career. With special guest Tony Furtado on banjo for several songs and featuring covers of Led Zeppelin, Talking Heads, John Coltrane, Peter Rowan, and Peter Gabriel, as well as bluegrass standards and a host of SCI originals, this show is the perfect way to kick off The String Cheese Incident’s archival series “Rhythm of the Road.”

Incident in Atlanta features the entire 11.17.00 performance, lovingly remastered from the original 24-bit multi-track master tapes and made available on CD, download (MP3, FLAC) and, an SCI first, 24-bit FLAC download. It will be released on November 9th in stores, through SCI Merchandise, and www.LiveCheese.com.

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Track List for Rhythm of the Road: Volume 1, Incident in Atlanta – 11.17.00 is as follows:

Set 1: Smile, Joyful Sound > Orange Blossom Special*, Barstool, Pygmy Pony,
Missing Me > Ramble On

Set 2: Outside And Inside, Impressions > Glory Chords Jam > Midnight
Moonlight*, This Must Be the Place (Naive Melody) > Miss Brown's Teahouse,
Wake Up, Black Clouds*

Encore: The Old Home Place*, Shenandoah Breakdown*, Shakin' the Tree*

* featuring Tony Furtado on banjo and guitar

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This year, after a three-year hiatus from the touring circuit, The String Cheese Incident played just a few select shows that sold out in minutes. By all accounts, the epic performers were well worth the long wait. Refreshed and inspired and still making music on their own terms, SCI seems to be once again reinventing the music industry model. Stay tuned for announcement of the band’s highly anticipated 2011 plans.

Rhythm Devils ft. Mickey Hart and Bill Kreutzmann announce Part Two of Summer Tour

Just as summer moves in to full swing and the Rhythm Devils pack up to hit the road, the band announces a hefty number of new dates for late summer. The Rhythm Devils – Bill Kreutzmann and Mickey Hart, the polyrhythmic engine that drove the Grateful Dead for nearly three decades – will make stops throughout the Midwest and Northeast covering some of the territory they’ll miss when out west for their earlier summer shows.

Joining Hart and Kreutzmann in the Rhythm Devils for part two of the tour will be Nigerian talking drum master Sikiru Adepoju, returning from the last RD tour in 2006, Back Door Slam’s Davy Knowles (guitar, vocals) and Andy Hess (bass). The Mother Hips' Tim Bluhm (guitar, vocals) extends his first run as a Devil.

The Rhythm Devils name has its origins in the late ’70s. As Hart explains, “I remember Jerry looking at Bill and I one time. He shook his head and just said, ‘You guys are Rhythm Devils.’”

But the 2010 incarnation of the Rhythm Devils is guaranteed to be unlike anything that’s come before—the dynamic mix of the musicians’ individual but complementary styles and approaches is sure to lead to some serious sparks. “The music is quite different,” says Kreutzmann. “It’s real groove-based. It has lots of percussion and electronics. It’s very danceable. It’s gonna be quite a mix up there.”

“It’s a great combination,” says Hart. “You have the deep trance music from Nigeria and West Africa that Sikiru brings to us and there’s Davy who at any moment just might rip the sky apart with his guitar and Andy Hess is a real gem of a bass player. We’re also excited to have Tim Bluhm, who will bring his ferocious California guitar style and beautiful vocals to the mix.”

While both Hart and Kreutzmann promise that the music will be percussion-driven, another factor contributing to the Rhythm Devils’ special mojo is the troupe’s repertoire: Not only will they be reconstituting some familiar Grateful Dead tunes in their unique way, but the Devils will also be performing numerous tunes written exclusively for them by Robert Hunter, the legendary songwriter whose collaborations with the late Jerry Garcia provided the Dead with their most beloved and durable material.

“Robert Hunter is a major force in all of this. He has written his heart out in these new songs,” says Hart. “There will also be enormous, exciting electronic sections of pulsing, throbbing, beautiful zones. There are places and sounds still unknown and unborn that we will no doubt visit.”

Kreutzmann and Hart have been inextricably entwined as partners since they first met in 1967, two years after the formation of the Grateful Dead with Kreutzmann the sole drummer. On that first night, they literally “played the city,” walking around San Francisco with drumsticks banging on everything in sight. Hart joined them immediately and except for a brief hiatus in the ’70s, the pair remained with the Dead until 1995, when Garcia’s death signaled the end of an era. Since then, Kreutzmann and Hart have continued to make music both together (most recently in The Dead) and apart, but they both agree that a special chemistry takes place when their percussive minds are in sync.

“When we get together and we’re in the groove it’s a tractor beam,” says Hart. “Anyone around that will be drawn in. But we always thought of the Grateful Dead, and anything that we did together, as a work in progress. This too is a work in progress and that’s the best thing you could say. We’re looking to the future with this kind of music. In the Grateful Dead we created a body of work that we’ll not leave behind. But we also have an identity as the Rhythm Devils, and that’s who we’ll be.”

Summer Tour 2010 Leg One, with Keller Williams:

Friday, July 16 Arcata Theatre Arcata CA
Saturday, July 17 String Summit North Plains OR
Sunday, July 18 Britt Festival Jacksonville OR
Thursday, July 22 Ogden Theatre Denver CO
Friday, July 23 Steamboat Springs Concert Series Steamboat Springs CO
Saturday, July 24 Spud Drive In Driggs ID
Sunday, July 25 Red Butte Garden Salt Lake City UT
Tuesday, July 27 Orpheum Theatre Flagstaff AZ
Wednesday, July 28 Rialto Theatre Tucson AZ
Thursday, July 29 Soundwave San Diego CA
Saturday, July 31 Gathering of the Vibes Bridgeport CT

Summer Tour 2010 Leg Two, with Tim Bluhm
:

Saturday, August 21 Hoxeyville Festival Cadillac MI
Sunday, August 22 House of Blues - Chicago Chicago IL
Monday, August 23 Cedar Cultural Center Minneapolis MN
Tuesday, August 24 Pabst Theatre Milwaukee WI
Thursday, August 26 Carnegie Music Hall of Homestead Munhall PA
Friday, August 27 The Sherman Theatre Stroudsburg PA
Saturday, August 28 The Music Hall Theater Tarrytown NY
Wednesday, September 1 B.B. King Blues Club & Grill New York NY
Thursday, September 2 Northern Lights Clifton Park NY
Friday, September 3 Showcase Live Foxboro MA
Saturday, September 4 Hampton Beach Casino Room Hampton Beach NH
Monday, September 6 Nelson Ledges Quarry Park Garrettsville OH
Wednesday, September 8 The Stage Theatre State College PA
Thursday, September 9 Water Street Music Hall Rochester NY
Friday, September 10 The Bears Den @ Seneca Niagra Niagara Falls NY
Saturday, September 11 Higher Ground Ballroom South Burlington VT
Tuesday, January 4 - Sunday, January 9 Jam Cruise 9 Fort Lauderdale FL
Sunday, January 9 Revolution Hall Fort Lauderdale FL

Rhythm Devils ft. Mickey Hart and Bill Kreutzmann announce Summer Tour

For nearly three decades they were the two-headed, eight-limbed, polyrhythmic engine that drove the Grateful Dead. Now, Bill Kreutzmann and Mickey Hart are the Rhythm Devils, and when the veteran percussionists take to the road this summer, even the most Deadicated of fans will be in for some big surprises. “The music is quite different,” says Kreutzmann. “It’s real groove-based. It has lots of percussion and electronics. It’s very danceable. It’s gonna be quite a mix up there.”  Hart says, “This music will take you to a very special place, I think. It’s like a super friendly rhythm snake that has wrapped itself around the world a few times and now it’s coming our way. It’s electric; it’s got rhythm, has words and flies. It’s the Rhythm Devils.”

Joining Hart and Kreutzmann in the Rhythm Devils for this tour will be Nigerian talking drum master Sikiru Adepoju, returning from the last RD tour in 2006, Back Door Slam’s Davy Knowles (guitar, vocals) and Andy Hess (bass). Plus one-man-band Keller Williams (guitar, vocals) makes his first run as a Devil, joining the band on select dates, as does The Mother Hips' Tim Bluhm (guitar, vocals).

The Rhythm Devils name has its origins in the late ’70s. As Hart explains, “I remember Jerry looking at Bill and I one time. He shook his head and just said, ‘You guys are Rhythm Devils.’”

But the 2010 incarnation of the Rhythm Devils is guaranteed to be unlike anything that’s come before—the dynamic mix of the musicians’ individual but complementary styles and approaches is sure to lead to some serious sparks. “It’s a great combination,” says Hart. “You have the deep trance music from Nigeria and West Africa that Sikiru brings to us and there’s Davy who at any moment just might rip the sky apart with his guitar and Andy Hess is a real gem of a bass player. Joining us for the first part of the tour is the 'one man band' Keller Williams and on the second part of our tour is Tim Bluhm, who will bring his ferocious California guitar style and beautiful vocals to the mix.”

While both Hart and Kreutzmann promise that the music will be percussion-driven, another factor contributing to the Rhythm Devils’ special mojo is the troupe’s repertoire: Not only will they be reconstituting some familiar Grateful Dead tunes in their unique way, but the Devils will also be performing numerous tunes written exclusively for them by Robert Hunter, the legendary songwriter whose collaborations with the late Jerry Garcia provided the Dead with their most beloved and durable material.

“Robert Hunter is a major force in all of this. He has written his heart out in these new songs,” says Hart. “There will also be enormous, exciting electronic sections of pulsing, throbbing, beautiful zones. There are places and sounds still unknown and unborn that we will no doubt visit.”

Kreutzmann and Hart have been inextricably entwined as partners since they first met in 1967, two years after the formation of the Grateful Dead with Kreutzmann the sole drummer. On that first night, they literally “played the city,” walking around San Francisco with drumsticks banging on everything in sight. Hart joined them immediately and except for a brief hiatus in the ’70s, the pair remained with the Dead until 1995, when Garcia’s death signaled the end of an era. Since then, Kreutzmann and Hart have continued to make music both together (most recently in The Dead) and apart, but they both agree that a special chemistry takes place when their percussive minds are in sync.

“When we get together and we’re in the groove it’s a tractor beam,” says Hart. “Anyone around that will be drawn in. But we always thought of the Grateful Dead, and anything that we did together, as a work in progress. This too is a work in progress and that’s the best thing you could say. We’re looking to the future with this kind of music. In the Grateful Dead we created a body of work that we’ll not leave behind. But we also have an identity as the Rhythm Devils, and that’s who we’ll be.”

When they’re not working together as the Rhythm Devils, both Hart and Kreutzmann are involved in other projects. Kreutzmann plans to release a new album later this year with his other band, 7 Walkers, which features singer-songwriter Papa Mali (who has also been collaborating with Hunter on new material), multi-instrumentalist Matt Hubbard, and George Porter Jr. on bass.

Among Hart’s recent endeavors is the tentatively titled Rhythms of the Universe, a project of enormous scope. Hart is currently working with leading scientists to capture raw light waves from Space and then transform those light waves into sound waves. Hart then uses those sounds to compose Universal music. Hart's goal is nothing less than exploring what the universe really sounds like, from the Big Bang to the galaxies, to the stars and planets and beyond.

But for both Kreutzmann and Hart, it’s the upcoming Rhythm Devils tour that’s got them most excited. “It’s part of my lifelong partnership, my 40-year rhythmic experience, with Bill Kreutzmann,” says Hart. “It’s time for Bill and me to get together and explore new rhythms and take it to the next level. We share a unique rhythm and we’ve got some great guys with us who we’re going to explore what it sounds like on this planet…star date; 2010.”

Rhythm Devils current tour schedule is as follows:

Friday, July 16 Arcata Theatre Arcata CA with Keller Williams
Saturday, July 17 String Summit North Plains OR with Keller Williams
Sunday, July 18 Britt Festival Jacksonville OR with Keller Williams
Thursday, July 22 Ogden Theatre Denver CO with Keller Williams
Friday, July 23 Steamboat Springs Concert Series Steamboat Springs CO with Keller Williams
Saturday, July 24 Spud Drive In Driggs ID with Keller Williams
Sunday, July 25 Red Butte Garden Salt Lake City UT with Keller Williams
Tuesday, July 27 Orpheum Theatre Flagstaff AZ with Keller Williams
Wednesday, July 28 Rialto Theatre Tucson AZ with Keller Williams
Thursday, July 29 Soundwave San Diego CA with Keller Williams
Saturday, July 31 Gathering of the Vibes Bridgeport CT with Keller Williams
Tuesday, January 4 - Sunday, January 9 Jam Cruise 9 Fort Lauderdale FL with Tim Bluhm
Sunday, January 9 Revolution Fort Lauderdale FL with Tim Bluhm
Part two of the summer tour still to be announced.

Keller Williams releases brand new album, Thief, today

Today, Keller Williams releases his first-ever all-covers collection, amusingly titled Thief. Recorded with the Keels—husband and wife duo Larry and Jenny Keel—Thief includes songs originally written and recorded by as wildly diverse an assemblage as anyone’s ever likely to dream up.

Thief offers up Keller-versions of songs by an [almost] unthinkable collection of artists: from Amy Winehouse (“Rehab”) to the Grateful Dead (“Mountains of the Moon”), the Butthole Surfers (“Pepper”) to Kris Kristofferson (“Don’t Cuss That Fiddle,” which opens the album, and “The Year 2003 Minus 25,” which closes the album). The set is filled out with tunes by Ryan Adams, the Presidents of the United States of America, the Raconteurs, Patterson Hood, Danny Barnes, Cracker, the Yonder Mountain String Band and Marcy Playground. All over the place, indeed, but that’s the way Williams likes it. And in his hands it all makes sense—like everything he’s ever touched, whether from his own pen or someone else’s, it all becomes Keller Williams' music.

Those who purchase Keller’s new album, Thief, at Keller’s Official Merch Store by August 31, 2010, will be automatically entered into The “Keller and The Keels On Your Couch” sweepstakes. The contest offers a chance to win a 90 minute private acoustic performance by Keller and The Keels in the winner’s living room for them and up to 49 of their friends.

Keller is on tour this summer - at solo shows, with The Keels, and even for a run of gigs as vocalist/guitarist in The Rhythm Devils, the project by Grateful Dead drummer Bill Kreutzmann and his partner percussionist Mickey Hart.

Keller’s complete list of currently confirmed tour dates is as follows:

Tuesday, May 25 "City of Fredericksburg" Riverboat Fredericksburg VA CD Release Party!
Friday, May 28 Bella Madre Music Festival Geneva MN
Saturday, May 29 Summercamp Chillicothe IL
Sunday, May 30 Delfest Cumberland MD Keller Williams and Friends featuring Jeff Austin and Keith Moseley
Thursday, June 17 Telluride Bluegrass Festival Telluride CO with The Keels
Thursday, June 17 Sheridan Opera House Telluride CO with The Keels
Saturday, June 19 Clearwater Festival - Croton Point Park Westchester NY
Friday, June 25 Buffalo Place Rocks The Harbor Buffalo NY supporting moe.
Friday, July 2 Nateva Music & Arts Festival - Oxford Fairgrounds Oxford ME
Sunday, July 4 Gratefulfest - Nelson Ledges Garrettsville OH Keller Williams solo and with The Keels
Friday, July 9 Aberdeen Music Festival Aberdeen SD
Sunday, July 11 All Good Music Festival Masontown WV
Saturday, July 17 YMSB String Summit North Plains OR RHYTHM DEVILS
Sunday, July 18 Britt Festival Jacksonville OR RHYTHM DEVILS
Thursday, July 22 Ogden Theatre Denver CO RHYTHM DEVILS
Friday, July 23 Steamboat Springs Concert Series Steamboat Springs CO RHYTHM DEVILS
Saturday, July 24 The Spud Drive In Driggs ID RHYTHM DEVILS
Sunday, July 25 Red Butte Garden Salt Lake City UT RHYTHM DEVILS
Saturday, July 31 Gathering of the Vibes Bridgeport CT RHYTHM DEVILS
Friday, August 13 Grand Targhee Bluegrass Festival Alta WY with The Keels
Saturday, August 14 Mile High Music and Arts Festival Denver CO
Saturday, August 21 Hoxeyville Festival Cadillac MI
Friday, August 27 Music on the Mountain Top At The Old Fairgrounds Boone NC
Thursday, September 2 Bottle & Cork Dewey Beach DE