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Bela Fleck & The Flecktones 2011 & 2012 Tour

Bela Fleck and The Flecktones have announced more dates for 2011 as well as a bunch of tour dates in 2012.   Check out their extensive tour dates below.

Béla Fleck is often considered the premiere banjo player in the world. A New York City native (named after composer Béla Bartok), he picked up the banjo at age 15 after being awed by the bluegrass playing of Flatt & Scruggs. He began experimenting with playing bebop on the banjo in high school. In 1982, he joined the progressive bluegrass band New Grass Revival, where he made a name for himself in the country-bluegrass world. At the same time he was releasing a series of solo albums for Rounder Records.

In 1989 he formed the Flecktones. They made their self-titled debut recording in 1990 by playing a "blu-bop" mix of jazz and bluegrass and soon became a commercially successful, critically-acclaimed and award-winning band. (Fleck--the only musician to be nominated for Grammys in jazz, bluegrass, pop, country, spoken word, Christian, composition and world music categories-- also recorded solo releases including 1994’s Tales from the Acoustic Planet and last year’s The Bluegrass Sessions--Tales from the Acoustic Planet Volume 2.)

Béla, commenting on the Flecktones’ "raging eclecticism" in the May 2000 issue of Down Beat: "The more diverse the audience there is, the better. If you’ve got people who would normally be jazz fans sitting in the same room with people who love bluegrass, some funk fans who love Victor, some Deadheads, it turns into this roomful of happy people who are all real different."

Béla began the new decade by inking a deal with Sony Music that will result in five recordings for the label: two albums for Sony Classical and three albums for Columbia Records: a solo outing for the jazz division of the imprint and two releases by his celebrated category-defying band the Flecktones.

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Tour Dates:

08.26.11         Windsor, CT      Summerwind
08.27.11         Portland, ME      State Theater
08.28.11         NY, NY US     Govenor's Island
09.01.11        Pittsburgh, PA Trib Total Media Amphitheater
09.02.11         Binghamton, NY      Binghamton University
09.03.11         High Mount, NY      Belleayre Music Festival
09.04.11         Orkney Springs, VA      Shenandoah Valley Music Festival

10.09.11        Shakori Hills Music Festival  Hope, NC
10.11.11        House of Blues    New Orleans, LA
10.12.11        House of Blues        Houston, TX
10.13.11        Paramount Theater, Austin, TX
10.14.11        AT&T Performing Arts Center, Dallas, TX
10.15.11        YonderFest, Ozark, AR
10.16.11        The Tennessean,  Knoxville, TN
10.18.11        Lyric Theater, Stuart, FL
10.19.11        Culture Room, Ft. Lauderdale, FL
10.20.11        Jannus Live, St. Petersburg, FL
10.21.11        House of Blues, Lake Buena Vista, FL
10.22.11        MagnoliaFest, Live Oak, FL
10.23.11        Blumenthal Performing Arts Center, Charlotte, NC

11.2.11        Foothill PAC  Oneonta, NY
11.3.11        Center for the Arts Mainstage, Buffalo, NY
11.4.11        Storer Auditorium, Syracuse, NY
11.5.11        Helen M. Hosmer Hall  , Potsdam, NY
11.6.11        Hart Theatre - The Egg, Albany, NY
11.7.11        The Music Center, Strathmore, MD
11.9.11        McCarter Theater, Princeton, NJ
11.10.11        Calvin Theater, Northampton, MA
11.11.11        Zeiterion Performing Arts Center, New Bedford, MA
11.12.11        Staller Center, Stony Brook, NY
11.13.11        Stone Mountain Arts Center , Brownfield, ME
11.16.11        Town Hall, New York, NY
11.17.11        Keswick Theater, Glenside, PA
11.18.11        Sanders Theatre, Cambridge, MA
11.19.11        Paramount Theater, Rutland, VT
11.20.11        Capitol Center for the Arts, Concord, NH

3.1.12            University of Wisconsin, Madison, WI
3.2.12            North Shore Center for the Performing Arts, Skokie, IL
3.3.12            North Central College,  Naperville, IL
3.6.12            Sunset Center Theater, Carmel-by-the Sea, CA
3.7.12            Humboldt State University,  Arcata, CA
3.8.12            Warfield Theater,  San Francisco, CA
3.9.12            Orpheum Theater,   Los Angeles, CA
3.10.12        John Ascuaga's Nugget,  Sparks, NV
3.12.12        Smith Center for the Performing Arts,  Las Vegas, NV
3.13.12        Anthology,  San Diego, CA
3.21.12        Florida State University,  Tallahassee, FL
3.22.12        Savannah Music Festival,  Savannah, GA
3.24.12        University of Connecticut,  Storrs, CT
3.25.12        Berks Jazz festival,  Reading, PA
3.28.12        Missouri State University,  Springfield, MO
3.29.12        Sheldon Concert Hall,  St. Louis, MO
3.30.12        Butler University,  Indianapolis, IN
3.31.12        University of Northern Iowa,  Cedar Falls, IO
4.1.12            Holland Performing Arts Center,  Omaha, NE
4.3.12            University of Wyoming,  Laramie, WY
4.4.12            Lincoln Center,  Ft. Collins, CO
4.5.12            Wheeler Opera House,  Aspen, CO
4.6.12            Vilar Performing Arts Center,  Beaver Creek, CO
4.7.12            Boulder Theater,  Boulder, CO
4.12.12        Walton Arts Center,  Fayetteville, AR
4.13.12        Performing Arts Center,  Germantown, TN
4.14.12        Ryman Auditorium,  Nashville, TN
4.20.12        Miami University,  Oxford, OH
4.21.12        Clay Center,  Charleston, WVA
4.22.12        University of Richmond,  Richmond, VA
4.25.12        University of North Carolina,  Chapel Hill, NC
4.27.12        Merlefest,  Wilkesboro, NC
4.28.12        Brown Theater,  Louisville, KY

Ziggy Marley at Fox Theatre | 10.09.11

Z2 Entertainment is proud to present Ziggy Marley at the Fox Theatre on Sunday, October 9th.  Tickets will go on sale to the public on Friday, August 19th for $31.00 in advance and $33.50 day of show.

“This album is from my heart,” says Ziggy Marley of his second solo album, Love is My Religion (Tuff Gong Worldwide).  Embracing both the spiritual and emotional side of life, Ziggy has definitively come into his own as an artist.  The twelve-track album, released early July, showcases Ziggy’s tightly rolled talents as a songwriter (writing all cuts), musician (playing most of the instruments) and producer (shepherding all dozen tracks, with three co-produced by Grammy winner Ross Hogarth).  The only thing more joyful than making it, says Ziggy, is the anticipation of the global tour he expects to kick off this summer.

Written “all over the world,” Love Is My Religion expands upon the personal, social and political themes explored in Ziggy’s debut CD, Dragonfly. Its musical center is clearly reggae, peppered by African percussion and other flavors.  Opening with the subversively danceable “Into the Groove,” Ziggy delves into an upbeat meditation on finding one’s self.  On the title track, “Love is My Religion,” his message is one that “people need to hear,” a unifying devotion to love that “needs to be preached in churches and mosque and synagogues.”  The notion of overcoming stereotypes and superstition informs the slinky “Black Cat,” while the romantic “Make Some Music” finds a partner in the mid-tempo “A Lifetime.”

Friendship is one of the album’s recurring themes, whether as the core of monogamous love or the connective tissue of global brotherhood.  “Friend” and “On the Beach in Hawaii” each offer an ode to love.  In “Keep on Dreamin’,” Ziggy extends the idea into the spiritual world, reconnecting with his father through dreams.  The album’s most political song, “Be Free,” implores the listener to reject the manipulating power of fear.  Slavery and its continuing effects are explored on “Still the Storms,” which laments the crises in nations like Sudan, Rwanda and Sierra Leone by analogizing the path of hurricanes with the path of slave ships.  The album closes with the simple and the complex: an acoustic guitar version of “Love Is My Religion” and a bass-heavy, trip-hop mix of “Be Free.”

After two decades as the driving creative force behind The Melody Makers – a triple Grammy winning act, Ziggy released his debut solo album in 2003, Dragonfly, which featured such guest artists as Flea and John Frusciante (Red Hot Chili Peppers), Mike Einziger and DJ Kilmore (Incubus).  He has contributed to a variety of soundtracks including 50 First Dates and Shark’s Tale, in which he delved into acting for the first time, playing the character of Bernie, the Jamaican jellyfish.

In addition to his musical skills, Ziggy founded U.R.G.E. (Unlimited Resources Giving Enlightenment), a non-profit organization that benefits a wide range of charitable children’s causes in Jamaica, Ethiopia and other developing nations.  More recently he has thrown his support behind the Youth AIDS campaign.

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Ziggy Marley

Fox Theatre

Sunday, October 9th

Doors: 7:00 pm

Show Time: 8:00 pm

Colin Stetson 2011 Fall Tour + Video Release

To say Colin Stetson has come into his own in 2011 would be an understatement. February 2011 saw the release of Colin's highly acclaimed solo album New History Warfare Vol. 2: Judges, broadly received as a sonic, conceptual, compositional and technical tour de force. Thanks to his trajectory as a session and guest player with a diverse crop of iconoclastic pop/rock practitioners ­– Tom Waits, Laurie Anderson, TV On The Radio, Arcade Fire – as well as his own tenure in bands like Sway Machinery and Bell Orchestre, Stetson was poised to bridge the gap between contemporary rock and more rarified currents of avant jazz. With the Judges album, he did just that, garnering high praise from the both the jazz and pop/rock worlds.

Colin's astounding physical engagement with his instruments (chiefly bass and alto saxophones) produces emotionally rich and polyphonic compositions that transcend expectations of what solo horn playing can sound like. Stetson is equally at home in the avant jazz tradition of players who have pushed the boundaries of the instrument through circular breathing, embouchure, etc. (i.e. Evan Parker, Mats Gustafsson) and at the nexus of noise/drone/minimalist music that encompasses genres like dark metal, post-rock and contemporary electronics (i.e. Tim Hecker, Ben Frost – both of whom have mixed or remixed Stetson recordings).

Stetson's non-stop gigging at SXSW 2011 (on the NPR, Pitchfork and Pop Montreal stages) led to hundreds of dropped jaws and just as many superlatives about the man's mind-altering, heart-rending music: how it defies both genre boundaries and the physical boundaries of what one person can sonically generate in live performance with a single acoustic instrument, without recourse to looping pedals or other effects.

Through the 30-odd solo performances delivered in the wake of the Judges release in spring 2011, Colin continued delving into new compositions and especially more long-form trance/transcendental explorations. Having premiered a couple of these new songs at a small art gallery show in Montreal in May 2011, we were duly blown away (along with everyone else in the room) and encouraged Colin to record them while still in their raw, stamina-testing glory. He agreed and brought in good friend (and now Grammy-winning engineer) Mark Lawson (Arcade Fire, Islands) to help capture the performances in Stetson's own basement rehearsal/studio space.

The two pieces on this new EP both clock in at 10 minutes and are documented in direct fashion, using a handful of mic positions and, as usual, no looping or overdubbing of any sort. They are brilliant single-take performances that showcase Stetson's love for minimalism, a subtle pop sensibility, and a mesmerising, mantric, time-warping technical ability.

Those Who Didn't Run EP is an amazing addition to what will no doubt be an expanding Colin Stetson discography in coming years; a wonderfully-realized portrait of Colin's solo playing before he embarks on a year's worth of touring as part of Bon Iver's live band.

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Tour Dates

8/12 - 92Y Tribeca - New York, NY *
8/23 - Wadsworth Atheneum Museum of Art - Hartford, CT *
8/24 - Delilah's - Ithaca, NY
8/25 - Casbah Lounge - Hamilton, CA
8/26 - The Drake Hotel - Toronto, ON
8/27 - Zaphod Beeblebrox - Ottawa, CA
8/28 - Le Cercle - Quebec, CA
9/2 - Il Motore - Montreal, QC *
10/1 - ATP Festival - Asbury Park, NJ
10/3 - Burlington City Arts Center - Burlington, VT

*8.12 – w/Callers
*8.23 – 8.28 – w/Emily Wells
*9.2 – w/Rebecca Foon

BLACK FRANCIS Announces July Acoustic Tour

Black Francis will be doing a special set of solo acoustic shows this July. Mr. Francis will be performing a very unique and memorable selection of songs from his twenty year career.

Black Francis is an American singer, songwriter and guitarist. He is best known as the frontman of the influential alternative rock band Pixies, with whom he performs under the stage name Black Francis. Following the band's breakup in 1993, he embarked on a solo career under the name Frank Black. After releasing two albums with 4AD, he left the label and formed a backing band, Frank Black and the Catholics. He reformed the Pixies in 2004 and continues to release solo records and tour as a solo artist, having re-adopted his current stage name in 2007.

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BLACK FRANCIS US Acoustic Tour Dates

7/12 - Neurolux - Boise, ID

7/15 - The State Room - Salt Lake City, UT

7/18 - Knuckleheads - Kansas City, KS

7/19 - The Old Rock House - St Louis, MO

7/20 - Radio Radio - Indianapolis, IN

7/21 - Outland Live - Columbus, OH

7/22 - Club Cafe - Pittsburgh, PA

7/24 - Le Poisson Rouge - New York City, NY

7/28 - Beachcomber - Wellfleet, MA

Colin Stetson Named In NPR's Best Of 2011

Colin Stetson is a horn player of uncommon strength, skill and genre-defying creativity. He composes and performs otherworldly songs that combine a mastery of circular breathing technique with percussive valve-work and reed vocalisations, making a polyphonic solo music that combines influences as diverse as Bach, early metal, American pre-war Gospel, and the explorations of Jimi Hendrix, Peter Brotzman and Albert Ayler.
New History Warfare Vol. 2: Judges is Stetson's second solo record and his first for Constellation.  Colin has been making his mark as a staggering solo performer for several years now, in front of audiences small and large, from intimate jazz and experimental music venues to big stages, whether opening for Arcade Fire or The National, or playing at jazz and new music festivals like Moers and London Jazz. His talents have been widely recognised and employed by artists as diverse as Tom Waits, Laurie Anderson, TV On The Radio and Bon Iver.  Colin also plays in Belle Orchestre and Sway Machinery.
The music on New History Warfare Vol. 2: Judges was captured entirely live in single takes at Montréal's Hotel2Tango studio, with no overdubs or looping, using over 20 mics positioned close and far throughout the live room. Guest vocals by Laurie Anderson and Shara Worden (My Brightest Diamond) are the only exceptions to this rule, along with one brief french horn that was multi-tracked.
The Judges sessions were co-produced by Stetson and Shahzad Ismaily and engineered by Efrim Menuck at the Hotel2Tango, then taken to Greenhouse StudiosBen Frost.
The result is a highly original, experimental, euphoric record that fires on all levels: a document of an astoundingly strong and gifted player; a compositional tour-de-force; and a studio production bursting with intensity and inventiveness.
New History Warfare Vol. 2: Judges features cover art by Tracy Maurice and will be issued on CD in custom 100% recycled paperboard gatefold jacket and on 180gLP with a limited edition screenprinted poster contained in the first pressing. The album will also be available digitally.

Lindsey Buckingham announces sixth solo album

Legendary guitarist, singer/songwriter, Grammy winner, producer and Rock and Roll Hall of Fame member Lindsey Buckingham will release his sixth solo album, Seeds We Sow, on September 6, 2011.  This album is Buckingham’s first self-release, in which he took a true DIY approach, not only writing and performing every song on the record but producing and mixing them as well. Buckingham also announced a 31-city North American tour in support of the album which kicks off on September 9 in Nevada and continues through October 25 in Napa, CA (full routing below).  Tickets go on sale in select cities beginning June 16, check your local venue for ticket purchase and on-sale info.

Speaking on Seeds We Sow, Buckingham says, “This might be the best work I’ve ever done. I think it’s an excellent representation of what I do. It shows a certain maturity and musicianship and I just feel like I have a lot of tools in my musical vocabulary from which to draw that are again the product of the choices I’ve made. It’s on my own terms. This is very much from the inside out and I hope I never stop doing that.”

From the album’s first single “In Our Own Time,” to the soft melodic pop/rock tinge of “End of Time” and the album’s most rocking track, “One Take,” to the touching “When She Comes Down” and the almost lullaby-esque hushed tones of the gorgeous closing number, “She Smiles Sweetly,” the album showcases Buckingham’s full arsenal of skills.  Just as his guitar style on Seeds We Sow is more mature and refined, so too are his lyrics, with one of the standout tracks being the hook-laden “Illumination.” “I think the lyrics over the years have actually gotten better because they’ve gotten a little, I don’t want to say obscure, but more poetic in the way they’re created,” he says, adding, “It’s a mysterious process even to me.”

ABOUT LINDSEY BUCKINGHAM
Palo Alto, CA native Lindsey Buckingham is best known for his work as guitarist, male vocalist and songwriter for Fleetwood Mac, a band that has sold more than 100 million albums worldwide, won countless awards, sold out venues around the world, and helped define the sound of rock for the last three decades. Buckingham was the predominant musical force behind such Mac albums as Rumours and the innovative Tusk, and has created a critically acclaimed body of solo work that yielded the hits, “Trouble,” “Go Insane,” and “Holiday Road.” After moving to Los Angeles in 1973 with then girlfriend Stevie Nicks, the two were signed to Polydor Records and released the now cult favorite Buckingham Nicks album.  The two joined Fleetwood Mac on New Year’s Eve of 1974 and the band’s self-titled album was released in 1975.  The album was a hit, however, it did not compare to the success of 1977’s Rumors, led by the Buckingham-written single “Go Your Own Way,” which has gone on to become one of the best selling albums of all time (even re-appearing on the Billboard Top 40 in 2011 after the “Glee” episode paid tribute to the album). 1979’s critically acclaimed double-album, Tusk, famously cost the band over a million dollars to record and was followed by 1982’s Mirage and 1987’s Tango in the Night, also huge commercial successes for the band.  Buckingham’s first solo album, 1981’s Law and Order, produced the hit single “Trouble.” Buckingham’s subsequent solo albums, 1984’s Go Insane, 1992’s Out of the Cradle, 2006’s Under the Skin and 2008’s Live at the Bass Performance Hall and Gift of Screws have all earned critical acclaim.  He was recently honored with ASCAP’s Golden Note Award, and has also received The Les Paul Award.  For more information please log on to www.lindseybuckingham.com.
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“SEEDS WE SOW” TOUR DATES:
Fri.-Sat., Sept. 9-10 RENO, NV Nugget Casino
Mon., Sept. 12 BOISE, ID Egyptian Theatre
Tues., Sept. 13   SALT LAKE CITY, UT The Depot
Wed., Sept. 14  DENVER, CO University of Denver  Gates Hall
Fri., Sept. 16  MINNEAPOLIS, MN Pantages Theatre
Sat., Sept. 17  MILWAUKEE, WI The Pabst Theater
Sun., Sept. 18  CHICAGO, IL Vic Theater
Tues., Sept. 20  PITTSBURGH, PA Carnegie Music Hall
Thurs., Sept. 22  PHILADELPHIA, PA Keswick Theatre
Fri., Sept. 23  WESTHAMPTON BEACH, NY Westhampton Beach Performing Arts Ctr.
Sat., Sept. 24  RIDGEFIELD, CT Ridgefield Playhouse
Sun., Sept. 25  BOSTON, MA Wilbur Theatre
Tues., Sept. 27 NEW YORK, NYThe Town Hall
Thurs., Sept. 29  MORRISTOWN, NJ Mayo Performing Arts Center
Fri., Sept. 30  BALTIMORE, MD Goucher College       
Sat., Oct. 1  DURHAM, NC Carolina Theatre of Durham
Mpn., Oct.  3  JACKSONVILLE, FL Florida Theatre
Tues., Oct. 4  FORT PIERCE, FL Sunrise Theatre
Wed., Oct. 5  CLEARWATER, FL Capitol Theatre
Fri., Oct. 7 ATLANTA, GA Symphony Hall
Sun., Oct. 9 HOUSTON, TX Verizon Wireless Theatre
Wed., Oct. 12  PHOENIX, AZ Celebrity Theatre
Thurs., Oct. 13   LOS ANGELES, CA Royce Hall
Fri., Oct. 14  LAS VEGAS, NV Aliente Resort
Sat., Oct. 15  PALM DESERT (PALM SPRINGS), CA McCallum Theater
Mon., Oct. 17 ANAHEIM, CA Grove of Anaheim
Tues., Oct. 18  TURLOCK, CA Turlock Community Theatre
Wed., Oct. 19   SAN FRANCISCO, CA The Regency Center
Sat., Oct. 22  VANCOUVER, BC The Ctr. in Vancouver for Performing Arts
Sun., Oct. 23  SEATTLE, WA Little Creek Casino Resort        
Tues., Oct. 25  NAPA, CA Uptown Theater

The Milk Carton Kids On Tour Now!

Their songs disguise the youth of the members of the band. Befittingly, so do the old guitars they play and old clothing they wear. But to be sure, The Milk Carton Kids have something new to present: harmonies & minimalist instrumentation which are a clear reference to times passed, but with an eye intently on the future; a perspective on coming-of-age in the eye of a present-day storm; and the chronicling of an American struggle for simplicity, at least musically. To present it they use two guitars and two voices, they labor over the arrangements, they record themselves live, and they release their music on their own label, and for free.

A performance by The Milk Carton Kids is a quiet and intricate affair. Kenneth Pattengale & Joey Ryan have enjoyed intently listening audiences across the country and abroad in their respective solo careers, but an even greater sense of urgency and demand of attention is palpable now that they’ve come together as The Milk Carton Kids. Their songs are written together, but you won’t know there is more than one author.  Their history together spans only one short year, but you won’t know that either. They stand close together when they play, facing each other and using microphones instead of plugging their guitars in. And if they looked more alike, they’d fool you that they were brothers.

As solo artists they have 10 releases between them. As a band their career is off to an auspicious start. Starting from a highly regarded position among their peers, they’ve opened for the art-piano-pop critical darling Vienna Teng, Grammy nominated friend and fan Sara Bareilles, and now will take to the entire U.S. and Canada this summer supporting one of the consummate songwriters of their generation, Joe Purdy. Despite the decision to stick to acoustic guitars in their own show, both Ryan and Pattengale are multi-instrumentalists and will also comprise Purdy’s backing band, joining him on bass, pedal steel guitar, piano, and harmonies.

Their first collaborative release, RETROSPECT, is a live album due out March 15th, 2011, that represents the culmination of the past year of live performance. A collection of songs from each of their solo careers, written separately but reinterpreted and performed as the duo now called The Milk Carton Kids, RETROSPECT will be released under the name “Kenneth Pattengale & Joey Ryan”.

The first official release of The Milk Carton Kids, entitled PROLOGUE, is comprised of original songs written by the duo for this project. It is slated for release later in 2011, on their own Milk Carton Records.

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Tour Dates:

May 5 – Doug Fir – Portland, OR
May 6 – Crocodile Cafe – Seattle, WA
May 7 – The Rio Theater – Vancouver, BC
May 9 – Neurolux - Boise, ID
May  10 – State Room – Salt Lake City, UT
May 12 – Bluebird Theater – Denver, CO
May 14 – Bottleneck – Lawrence, KS
May 15 – Vaudeville Mews – Des Moines, IA
May 16 – Varsity Theater – Minneapolis, MN
May 17 – Turner Hall - Milwaukee, WI
May 18 – Lincoln Hall – Chicago, IL
May 19 – Off Broadway – St. Louis, MO
June 8 – Mercy Lounge – Nashville, TN
June 9 – WorkPlay – Birmingham, AL
June 10 – The Loft – Atlanta, GA
June 11 – Grey Edge – Asheville, NC
June 12 – Cat’s Cradle – Carborro,  NC
June 14 – Ram’s Head – Annapolis, MD
June 15 – World Cafe Live – Philadelphia, PA
June 16 – Highline Ballroom – New York City, NY
June 17 – Stage One – Fairfield, CT
June 20 – Iron Horse – Northampton, MA
June 21 – Brighton Music Hall – Allston, MA
June 22 – Narrows Center for the Arts – Fall River, MA
June 23 – Higher Ground – Burlington, VT
June 25 – Petit Campus – Montreal, QC
June 26 - Horseshoe Tavern – Toronto, ONT
June 27 – Rex Theater – Pittsburg, PA
June 28 – Beachland Ballroom – Cleveland, OH
June 30 – Westscott Theater – Syracuse, NY

On tour with Joe Purdy

Colin Stetson Releases Live Video On Pitchfork

Colin Stetson is a horn player of uncommon strength, skill and genre-defying creativity. He composes and performs otherworldly songs that combine a mastery of circular breathing technique with percussive valve-work and reed vocalisations, making a polyphonic solo music that combines influences as diverse as Bach, early metal, American pre-war Gospel, and the explorations of Jimi Hendrix, Peter Brotzman and Albert Ayler.
New History Warfare Vol. 2: Judges is Stetson's second solo record and his first for Constellation.  Colin has been making his mark as a staggering solo performer for several years now, in front of audiences small and large, from intimate jazz and experimental music venues to big stages, whether opening for Arcade Fire or The National, or playing at jazz and new music festivals like Moers and London Jazz. His talents have been widely recognised and employed by artists as diverse as Tom Waits, Laurie Anderson, TV On The Radio and Bon Iver.  Colin also plays in Belle Orchestre and Sway Machinery.
The music on New History Warfare Vol. 2: Judges was captured entirely live in single takes at Montréal's Hotel2Tango studio, with no overdubs or looping, using over 20 mics positioned close and far throughout the live room. Guest vocals by Laurie Anderson and Shara Worden (My Brightest Diamond) are the only exceptions to this rule, along with one brief french horn that was multi-tracked.
The Judges sessions were co-produced by Stetson and Shahzad Ismaily and engineered by Efrim Menuck at the Hotel2Tango, then taken to Greenhouse StudiosBen Frost.
The result is a highly original, experimental, euphoric record that fires on all levels: a document of an astoundingly strong and gifted player; a compositional tour-de-force; and a studio production bursting with intensity and inventiveness.

New History Warfare Vol. 2: Judges features cover art by Tracy Maurice and will be issued on CD in custom 100% recycled paperboard gatefold jacket and on 180gLP with a limited edition screenprinted poster contained in the first pressing. The album will also be available digitally.

Eddie Vedder Announces June/July Solo Tour

In support of his forthcoming solo album, Ukulele Songs, Eddie Vedder will embark on a month-long U.S. solo tour in June and July. Vedder's tour kicks off on June 15th at Providence's Performing Arts Center and wraps up on July 15th at Seattle's Benaroya Hall (full tour dates follow).

Special guest Glen Hansard (The Swell Season, The Frames) will join Vedder on the road. Tickets for all shows go on sale Friday, April 1st. A pre-sale for active members of Pearl Jam's Ten Club takes place Tuesday, March 29th and Wednesday, March 30th. (For full details on this pre-sale, visit www.pearljam.com).

Vedder's solo album, Ukulele Songs, will be released on Tuesday, May 31st through Pearl Jam's Monkeywrench Records. Ukulele Songs is a collection of original songs and covers performed by Vedder on ukulele. The first single from the album, "Longing to Belong," is available now digitally.

Also released on May 31st is Water on the Road, a live-concert DVD directed by Brendan Canty of Fugazi and Christoph Green featuring performances from Vedder's August 16th and 17th 2008 solo tour engagements at Washington, D.C.'s Warner Theatre. The DVD features a live performance of "You're True" from Ukulele Songs as well as a mix of Pearl Jam catalog, covers and songs from Vedder's critically acclaimed, award-winning solo record, Into The Wild.

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Eddie Vedder June/July U.S. Tour Dates:

Date            City                            Venue
June 15 Providence, RI          Providence Performing Arts Center (PAC)
June 16 Boston, MA              The Wang Theatre
June 18 Hartford, CT            The Bushnell Center for the Performing Arts
June 21 New York, NY            Beacon Theatre
June 22 New York, NY            Beacon Theatre
June 25 Philadelphia, PA        Tower Theatre
June 26 Detroit, MI             Fox Theatre
June 28 Chicago, IL             The Chicago Theatre
July 1  St. Louis, MO           Fox Theatre
July 2  Minneapolis, MN      Orpheum Theatre
July 5  San Diego, CA           Copley Symphony Hall
July 6  Long Beach, CA     Terrace Theater
July 8  Los Angeles, CA    The Wiltern
July 9  Santa Barbara, CA       Santa Barbara Bowl
July 11 Oakland, CA             The Paramount Theatre
July 14 Portland, OR            Arlene Schnitzer Concert Hall
July 15 Seattle, WA             Benaroya Hall

Eddie Vedder Album "Ukulele Songs" Released 5/31

Eddie Vedder will release a solo album, Ukulele Songs, on Tuesday, May 31st (May 30th internationally) through Pearl Jam's Monkeywrench Records. Ukulele Songs is a collection of original songs and covers performed by Vedder on ukulele. The first single from the album, "Longing to Belong," will be available for sale through digital retailers on Tuesday, March 22nd (March 21st internationally).

Also released on May 31st is Water on the Road, a live-concert DVD directed by Brendan Canty of Fugazi and Christoph Green featuring performances from Vedder’s August 16 and 17, 2008 solo tour engagements at Washington, D.C.'s Warner Theatre. The DVD features a live performance of "You're True" from Ukulele Songs as well as a mix of Pearl Jam catalog, covers and songs from Vedder’s critically acclaimed, award-winning solo record, Into The Wild.

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Ukulele Songs Album Tracklisting:

1. Can't Keep

2. Sleeping by Myself

3. Without You

4. More Than You Know

5. Goodbye

6. Broken Heart

7. Satellite

8. Longing to Belong

9. Hey Fahkah

10. You're True

11. Light Today

12. Sleepless Nights (featuring Glen Hansard)

13. Once in Awhile

14. Waving Palms

15. Tonight You Belong to Me (featuring Cat Power)

16. Dream a Little Dream

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Water on the Road Live Concert DVD Tracklisting:

1. The Canyon

2. Sometimes

3. Trouble

4. Around the Bend

5. Girl From the North Country

6. Guaranteed

7. Setting Forth

8. Far Behind

9. No Ceiling

10. Rise

11. Golden State

12. Society

13. Forever Young

14. Ed Piano (Instrumental)

15. I’m Open

16. Man of the Hour

17. Driftin’

18. No More

19. You’re True

20. Ukulele Interlude (Instrumental)

21. Unthought Known

22.  Arc

23.  Hard Sun

24.  The Canyon (reprise)