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DeVotchKa at Boulder Theater | 10.29.11

97.3 KBCO & Z2 Entertainment are proud to present DeVotchKa at the Boulder Theater for the annual Halloween show on Saturday, October 29th, 2011. Tickets go on sale Friday, July 22nd for $42.00 General Admission.

With the release of the band's fifth album, "100 Lovers" (Anti- Records, 2011), the band headed back to the romantic influences of the Arizona desert with producer Craig Schumacher (Calexico, Neko Case) to create a compendium of short stories inspired by the varied moments the band experienced since the release of A Mad & Faithful Telling.

Like many bands, DeVotchKa spent their early years traveling the highways and byways searching for gigs and a musical direction. As time went on, the band began to foster important musical collaborations with the unequivocal Calexico and the seminal gypsy punks Gogol Bordello.

The band from Denver has now headlined large venues and performed at practically every major music festival, from Coachella to Lollapalooza. After years of toiling in obscurity, the band was selling out shows from the Fillmore in San Francisco to First Avenue in Minneapolis, with breakout performances at Bumbershoot and Austin City Limits Music Festival. The love spread to Europe and each year, DeVotchKa plays a number of European and American festivals, including Glastonbury and a return to Bonnaroo.

"100 Lovers" is the album DeVotchKa had always wanted to make. "How it Ends" was recorded and mixed in only nine days. On "A Mad and Faithful Telling,” the band had more time and conducted complex arrangements and experimental recording techniques. For "100 Lovers", DeVotchKa spent over a year defining their sound, taking multiple trips to the desert studio to craft twelve new recordings. The final product is the bands strongest album to date, filled with songs fans will love, songs to draw in new listeners, and exciting numbers that fit nicely into their rousing live sets. With the new album, DeVotchKa have achieved success carving their own singular sound out of the worlds of rock, opera, theater, dance, and film.

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DeVotchKa

Boulder Theater

Saturday, October 29th

Doors:  8:00 pm

Show Time:  9:00 pm

Jantsen, Devin Martin @ Boulder Theater

We’re bringing the best dubstep Colorado has to offer.  Jantsen is no stranger when it comes to electronic music. This Colorado native has been fully immersed into the dance music scene for over 12 years with his passion later blossoming into DJing and producing. Over the years Jantsen has established a strong presence in the scene through his eclectic sound, being influenced by many genres such as jazz, blues, funk, rock, hip hop, and many other kinds of world music he brings a style that is creative, unique, and is continuously evolving. Devin Martin and his hometown of Orlando's weather have one thing in common right now: They're on fire. His unique mix of electro-house and dubstep has recently culminated in 3 tracks in the Beatport top 100. In addition, this is Devin Martin's debut Colorado performance, so he's definitely got some surprises in store.

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More Info / Buy Tickets

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Jantsen, Devin Martin
Rainbow Wheel of Death, Coult 45
July 16, 2011, 8:30 pm

Sheryl Crow @ Boulder Roots & Blues Summit

For Sheryl Crow, the title of her seventh album isn?t just a location; it's a state of mind. "I grew up in a small town 100 miles from Memphis, and that informed not only my musical taste, but how I look at life," she says. "The drive to Memphis is all farmland, and everyone is community-oriented, God-fearing people, connected to the earth. The music that came out of that part of the world is a part of who I am, and it's the biggest inspiration for what I do and why I do it."

So for the Kennett, Missouri native, calling the disc 100 Miles From Memphis is a statement of purpose, both musical and emotional. It also marks a long-awaited return by the nine-time Grammy winner to the sounds that first drew her to making music.

The results evoke a time when soul and passion filled the radio waves, when the sweat and joy of a recording session could be captured forever on wax. Sometimes the musical references?Al Green, Sly and the Family Stone, Stevie Wonder?are made apparent, but the album?s eleven songs are characterized more by capturing a classic spirit than by imitating any specific style.

Crow explains that the way 100 Miles From Memphis was recorded is crucial to its slinky grooves and rolling rhythms. Produced by Doyle Bramhall II and Justin Stanley ("I knew they could get that old soul feeling with authenticity," she says), and cut mostly live with a regular crew of musicians, the album presented a new set of challenges for her as a singer and a songwriter.

With the musical direction already established, the album's messages crystallized in one night at Crow's farm, outside of Nashville. "Having a three year old, you don't get too much quiet time," she says, "but I sat up one night, and I worked all night long and came up with the better part of five lyrics."

What emerged was a set of songs that are unusually open and direct for someone often celebrated for the care and craft of her writing. "This music called for emotion, a place of sensuality and sexuality, and that's a little challenging for me," she says. "Sometimes it's easier for me to hide behind more intellectual lyrics. So it was a great stretching experience to show more vulnerability in my writing."

The songs on 100 Miles From Memphis display impressive range, in feeling and performance. First single "Summer Day" is a delightfully breezy slice of glory-days AM radio pop. "I wanted to experiment with writing something simple and positive," says Crow. "The feeling of a great, solid love, not just a new love, but something everlasting."

Crow, of course, first reached the spotlight as a back-up singer with Michael Jackson, and adds that "I Want You Back" was the first single she ever bought. "It wasn't a conscious choice to do an homage, but it wound up being a very bittersweet thing," she says. "Michael's death brought a lot of stuff back for me, so it was nice that we could include this."

For Sheryl Crow, 100 Miles From Memphis is the right album at the right moment. "My last record (2008's Detours) was pretty political, extremely personal, and more lyric-driven," she says, "so it seemed like a great time to do something soulful and sexy and more driven by the music." It took a lot of years, but with this set of songs, she finally made it back home.

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More Info / Buy Tickets

100 Years of Robert Johnson streets Tuesday, March 1

May 8th, 2011 marks the 100-year anniversary of blues legend Robert Johnson’s birthday. In celebration of the most influential bluesman that ever lived, the Big Head Blues Club – an ad-hoc collaboration featuring Big Head Todd and The Monsters and special guests Hubert Sumlin, Honeyboy Edwards, Cedric Burnside and Lightnin’ Malcolm – has been touring coast to coast playing the material of Johnson. The tour, which has been garnering rave reviews, wraps up on March 8, just after the studio album, titled 100 Years of Robert Johnson, hits the streets (March 1, 2011 - Ryko/Big Records).

100 Years of Robert Johnson is a stirring collection featuring 10 potent interpretations of some of the most vital and durable music of the past century. In addition to the above-mentioned artists, 100 Years of Robert Johnson includes performances by blues greats B.B. King and Charlie Musselwhite, as well as keeper of the blues flame Ruthie Foster. The album was recorded at the legendary Ardent Studios in Memphis, and produced by Grammy award winning blues producer Chris Goldsmith (Blind Boys of Alabama), 100 Years of Robert Johnson will be released in early 2011.

For Todd Park Mohr, who founded Big Head Todd and The Monsters with Rob Squires (bass) and Brian Nevin (drums) nearly a quarter-century ago, the project has served to re-introduce him to the iconic music of Johnson, whose songs provided many of the pioneering blues-rock bands—Led Zeppelin, the Rolling Stones, The Grateful Dead, Cream, Canned Heat, etc.—with some of their most popular material.


100 Years of Robert Johnson features several inspired takes on Johnson’s best known compositions. For Mohr and Goldsmith, the challenge in recording the tribute was to give new voice to Johnson’s music, to avoid copying the countless cover versions already extant. “In so many of the takes on Robert’s stuff, you don’t get the depth of emotion that’s in the lyrics and in Robert’s voice. That’s one thing that Chris and the band and my voice were able to bring to it. Chris had great ideas about how to represent the stuff, and all the musicians were just so good at what they did, the unique arrangements just came naturally.”

Robert Johnson’s story is the stuff of myth and legend alike, and his music has fascinated blues fans and musicians for more than seven decades. Born in Mississippi in 1911, Johnson recorded only 29 songs, all during the years 1936 and ’37. His unique guitar style and haunting vocal phrasing, and the evocative, often mysterious nature of his lyrics, made him a popular artist during his short time in the spotlight and has continued to intrigue since. A persistent tale that as a young man Johnson sold his soul to the Devil in order to become a more proficient musician has been attached to his biography since his untimely death at age 27—the alleged victim of a poisoning incident at the hands of the jealous husband of a woman with whom Johnson had been flirting.

A hundred years after the birth of its greatest artist, it looks like the blues itself is about to be reborn.

BLUES AT THE CROSSROADS: THE ROBERT JOHNSON CENTENNIAL CONCERTS tour featuring Big Head Todd and The Monsters and special guests David “Honeyboy” Edwards, Hubert Sumlin and Cedric Burnside & Lightnin’ Malcolm is as follows:

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Jan. 28 San Francisco, CA Regency Ballroom
Jan. 29 Costa Mesa, CA Orange County Performing Arts Center
Jan. 30 San Diego, CA (2 shows) Anthology
Jan. 31 Santa Barbara, CA Campbell Hall / UCSB
Feb. 04 Austin, TX Paramount Theatre
Feb. 05 Dallas, TX Lakewood Theatre
Feb. 10 Ann Arbor, MI Hill Auditorium / U of M
Feb. 11 Chicago, IL Orchestra Hall
Feb. 12 Kansas City, MO Uptown Theatre
Feb. 13 Meridian, MS Riley Center / MSU
Feb. 16 Chapel Hill, NC Memorial Hall / UNC Chapel Hill
Feb. 17 New Bethesda, MD The Music Center at Strathmore
Feb. 18 Boston, MA Berklee School of Music
Feb. 24 Ridgefield, CT Ridgefield Playhouse
Feb. 25 Princeton, NJ McCarter Theatre
Feb. 26 Blue Bell, PA Montgomery County Community College
Feb. 27 New Bedford, MA Zeiterion Theater
March 4 Milwaukee, WI Potowatomi Casino

March 5 Omaha, NE Holland Performing Arts Center

March 6 Minneapolis, MN Orchestra Hall

March 8 Urbana, IL Krannert Center – Tyrone Festival Theatre

Celebrating "100 Years of Robert Johnson" -Streets 3/1/11

How do you throw a 100th birthday bash for the most influential bluesman that ever lived? If you’re Big Head Todd and The Monsters, you gather some of the greatest living blues musicians and record 100 Years of Robert Johnson (March 1, 2011 - Ryko/Big Records), a stirring new tribute album featuring 10 potent interpretations of some of the most vital and durable music of the past century.

Big Head Blues Club, as the ad hoc ensemble is calling itself, features, in addition to the Colorado-based quartet—guitarist and vocalist Todd Park Mohr, bassist Rob Squires, drummer Brian Nevin and keyboardist Jeremy Lawton—special guests, blues legends B.B. King, Hubert Sumlin, Honeyboy Edwards and Charlie Musselwhite, as well as keepers of the blues flame Ruthie Foster, Cedric Burnside and Lightnin’ Malcolm.

Recorded at the legendary Ardent Studios in Memphis, and produced by Grammy award winning blues producer Chris Goldsmith (Blind Boys of Alabama), 100 Years of Robert Johnson will be released in early 2011, and supported by a national tour (“Blues at the Crossroads: The Robert Johnson Centennial Concerts”) featuring many of the participants in the sessions. A complete list of the tour dates is included below.

For Todd Park Mohr, who founded Big Head Todd and The Monsters with Squires and Nevin nearly a quarter-century ago, the project has served to re-introduce him to the iconic music of Johnson, whose songs provided many of the pioneering blues-rock bands—Led Zeppelin, the Rolling Stones, The Grateful Dead, Cream, Canned Heat, etc.—with some of their most popular material.

100 Years of Robert Johnson features several inspired takes on Johnson’s best known compositions. For Mohr and Goldsmith, the challenge in recording the tribute was to give new voice to Johnson’s music, to avoid copying the countless cover versions already extant. “In so many of the takes on Robert’s stuff, you don’t get the depth of emotion that’s in the lyrics and in Robert’s voice. That’s one thing that Chris and the band and my voice were able to bring to it. Chris had great ideas about how to represent the stuff, and all the musicians were just so good at what they did, the unique arrangements just came naturally.”

Robert Johnson’s story is the stuff of myth and legend alike, and his music has fascinated blues fans and musicians for more than seven decades. Born in Mississippi in 1911, Johnson recorded only 29 songs, all during the years 1936 and ’37. His unique guitar style and haunting vocal phrasing, and the evocative, often mysterious nature of his lyrics, made him a popular artist during his short time in the spotlight and has continued to intrigue since. A persistent tale that, as a young man, Johnson sold his soul to the Devil in order to become a more proficient musician has been attached to his biography since his untimely death at age 27—the alleged victim of a poisoning incident at the hands of the jealous husband of a woman with whom Johnson had been flirting.

A hundred years after the birth of its greatest artist, it looks like the blues itself is about to be reborn.

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The complete list of “Blues at the Crossroads: The Robert Johnson Centennial Concerts” tour stops is as follows:

Jan. 28 San Francisco, CA Regency Ballroom

Jan. 29 Costa Mesa, CA Orange County Performing Arts Center

Jan. 30 San Diego, CA (2 shows) Anthology

Jan. 31 Santa Barbara, CA Campbell Hall / UCSB

Feb. 04 Austin, TX Paramount Theatre

Feb. 05 Dallas, TX Lakewood Theatre

Feb. 10 Ann Arbor, MI Hill Auditorium / U of M

Feb. 11 Chicago, IL Orchestra Hall

Feb. 12 Kansas City, MO Uptown Theatre

Feb. 13 Meridian, MS Riley Center / MSU

Feb. 16 Chapel Hill, NC Memorial Hall / UNC Chapel Hill

Feb. 17 North Bethesda, MD The Music Center at Strathmore

Feb. 18 Boston, MA Berklee School of Music

Feb. 24 Ridgefield, CT Ridgefield Playhouse

Feb. 25 Princeton, NJ McCarter Theatre

Feb. 26 Blue Bell, PA Montgomery County Community College

Feb. 27 New Bedford, MA Zeiterion Theater

March 4 Milwaukee, WI Potowatomi Casino

March 5 Omaha, NE Holland Performing Arts Center

March 6 Minneapolis, MN Orchestra Hall

March 8 Urbana, IL Krannert Center – Tyrone Festival Theatre

Legendary Blues Collaboration to Celebrate 100 Years of Robert Johnson

How do you throw a 100th birthday bash for the most influential bluesman that ever lived? If you’re Big Head Todd and The Monsters, you gather some of the greatest living blues musicians and record 100 Years of Robert Johnson (February 1, 2011 - Ryko/Big Records), a stirring new tribute album featuring 10 potent interpretations of some of the most vital and durable music of the past century.

Big Head Blues Club, as the ad hoc ensemble is calling itself, features, in addition to the Colorado-based quartet—guitarist and vocalist Todd Park Mohr, bassist Rob Squires, drummer Brian Nevins and keyboardist Jeremy Lawton—special guests, blues legends B.B. King, Hubert Sumlin, Honeyboy Edwards and Charlie Musselwhite, as well as keepers of the blues flame Ruthie Foster, Cedric Burnside and Lightnin’ Malcolm.

Recorded at the legendary Ardent Studios in Memphis, and produced by Grammy award winning blues producer Chris Goldsmith (Blind Boys of Alabama), 100 Years of Robert Johnson will be released in early 2011, and supported by a national tour (“Blues at the Crossroads: The Robert Johnson Centennial Concerts”) featuring many of the participants in the sessions. A complete list of the tour dates is included below.

For Todd Park Mohr, who founded Big Head Todd and The Monsters with Squires and Nevins nearly a quarter-century ago, the project has served to re-introduce him to the iconic music of Johnson, whose songs provided many of the pioneering blues-rock bands—Led Zeppelin, the Rolling Stones, The Grateful Dead, Cream, Canned Heat, etc.—with some of their most popular material.

100 Years of Robert Johnson features several inspired takes on Johnson’s best known compositions. For Mohr and Goldsmith, the challenge in recording the tribute was to give new voice to Johnson’s music, to avoid copying the countless cover versions already extant. “In so many of the takes on Robert’s stuff, you don’t get the depth of emotion that’s in the lyrics and in Robert’s voice. That’s one thing that Chris and the band and my voice were able to bring to it. Chris had great ideas about how to represent the stuff, and all the musicians were just so good at what they did, the unique arrangements just came naturally.”

Robert Johnson’s story is the stuff of myth and legend alike, and his music has fascinated blues fans and musicians for more than seven decades. Born in Mississippi in 1911, Johnson recorded only 29 songs, all during the years 1936 and ’37. His unique guitar style and haunting vocal phrasing, and the evocative, often mysterious nature of his lyrics, made him a popular artist during his short time in the spotlight and has continued to intrigue since. A persistent tale that, as a young man, Johnson sold his soul to the Devil in order to become a more proficient musician has been attached to his biography since his untimely death at age 27—the alleged victim of a poisoning incident at the hands of the jealous husband of a woman with whom Johnson had been flirting.

A hundred years after the birth of its greatest artist, it looks like the blues itself is about to be reborn.

100 Years of Robert Johnson Track List:

1. Come On In My Kitchen (w. Charlie Musselwhite)
2. Ramblin' On My Mind
3. When You Got A Good Friend (w. Hubert Sumlin on guitar and Ruthie Foster)
4. Cross Road Blues (w. B.B. King)
5. Preachin' Blues
6. Kind Hearted Woman (w. Ruthie Foster)
7. If I Had Possession Over Judgement Day
8. Last Fair Deal Gone Done (w. Charlie Musselwhite)
9. All My Love Is Love In Vain (Todd solo vocal and acoustic guitar)
10. Sweet Home Chicago (just Honeyboy and Musselwhite)

Cedric Burnside plays drums on “If I Had Possession Over Judgement Day” and “Preachin Blues,” and acoustic guitar on “Ramblin On My Mind”

Lightin’ Malcolm plays electric guitar on “Ramblin on my Mind,” “Gotta Good Friend,” and “If I Had Possession Over Judgement Day” and plays acoustic guitar on “Preachin Blues” and “Kind Hearted Woman”

BLUES AT THE CROSSROADS: THE ROBERT JOHNSON CENTENNIAL CONCERTS tour featuring Big Head Todd and The Monsters and special guests David “Honeyboy” Edwards, Hubert Sumlin and Cedric Burnside & Lightnin’ Malcolm is as follows:

Jan. 28 San Francisco, CA Regency Ballroom

Jan. 29 Costa Mesa, CA Orange County Performing Arts Center

Jan. 30 San Diego, CA (2 shows) Anthology

Jan. 31 Santa Barbara, CA Campbell Hall / UCSB

Feb. 04 Austin, TX Paramount Theatre

Feb. 05 Dallas, TX Lakewood Theatre

Feb. 10 Ann Arbor, MI Hill Auditorium / U of M

Feb. 11 Chicago, IL Orchestra Hall

Feb. 12 Kansas City, MO Uptown Theatre

Feb. 13 Meridian, MS Riley Center / MSU

Feb. 16 Chapel Hill, NC Memorial Hall / UNC Chapel Hill

Feb. 17 New Bethesda, MD The Music Center at Strathmore

Feb. 18 Boston, MA Berklee School of Music

Feb. 24 Ridgefield, CT Ridgefield Playhouse

Feb. 25 Princeton, NJ McCarter Theatre

Feb. 26 Blue Bell, PA Montgomery County Community College

Feb. 27 New Bedford, MA Zeiterion Theater

March 4 Milwaukee, WI Potowatomi Casino

March 5 Omaha, NE Holland Performing Arts Center

March 6 Minneapolis, MN Orchestra Hall

March 8 Urbana, IL Krannert Center – Tyrone Festival Theatre

Help Make Earth Day About Overpopulation

Overpopulation is at the root of all environmental problems, but you wouldn't know it from listening to most environmental groups. The topic is rarely discussed, even though unsustainable human population growth is eating up wildlife habitat, polluting water, overfishing the oceans, and driving species extinct.

Overpopulation is the most important -- and most ignored -- environmental problem on the planet. Help us change that by donating to our Earth Day Overpopulation Fund.

Building on the spectacular success of our Valentine's Day launch of the Endangered Species Condom project, we will distribute a quarter of a million funny, edgy, conversation-provoking Endangered Species Condoms in all 50 states this Earth Day, April 22. With your help, it will be one of the biggest overpopulation campaigns in U.S. history.

Our six condom packages have beautiful drawings of endangered species and funny sayings like "Wear with care, save the polar bear" on the outside. Inside, they explain how species are being crowded off the planet by an ever-growing human population, and what people can do about it.

The packages are designed to get people talking about overpopulation. And boy, do they work. We tested them on Valentine's Day, expecting 100 volunteer distributors to come forward. An astounding 5,000 people volunteered taking all 100,000 condoms in just a couple of days!

As planned, the media ate it up. We generated funny but deadly serious conversations about overpopulation and the extinction crisis in hundreds of newspapers including The New York Times, L.A. Times, Miami Herald, and Boston Globe. More than 300,000 blogs and Web sites covered the issue.

Please help us ramp up the campaign now with a generous gift to our Earth Day Overpopulation Fund. It's the perfect opportunity to reach hundreds of thousands of people at Earth Day events across the country. We need to raise $50,000 in the next week to make it happen. With $50,000, our staff can produce and distribute a quarter-million Endangered Species Condoms on Earth Day and double our overpopulation activist network.

It is imperative that we break the wall of silence around overpopulation. If we don't, all the environmental progress we make will be overwhelmed by the sheer mass of people pushing into the last wildlife habitats, eating the last fish, and damming the last wild rivers.

I hope you'll commit now to support this critical, creative project and help us distribute a quarter of a million condoms for Earth Day 2010.