2008

Jazz Museum Events: Nov. 17-21, 2008

James McBride- for the Grateful Web

The National Jazz Museum in Harlem begins an exciting full week of public programming with a conversation between executive director Loren Schoenberg and best-selling author, saxophonist and composer James McBride for Jazz for Curious Readers, whose first novel was recently turned into a film by acclaimed director Spike Lee.
 
Thelonious Monk's musical style was singular, yet his ensembles embraced the voices of other titans in jazz music. Don't miss Jazz for Curious Listeners this week: the tenures of John Coltrane and Sonny Rollins, the standard-bearers of jazz tenor saxophone innovation post-1950s, with Thelonious Monk is the intriguing topic that Schoenberg will pursue.
 
Join us mid-week for an exploration of jazz legends at Jackie Robinson Park for Jazz in the Parks. We'll screen a series of short films in which you can see the legends for yourself. Details below.
 
Top jazz educator and percussionist Justin DiCioccio is the guest at Harlem Speaks this week. Guest interviewer Greg Thomas will investigate the state of jazz education through the vision and experience of DiCioccio, chair of the jazz department of the Manhattan School of music.
 
Expect an eclectic mix of sonic pleasure at Harlem in the Himalayas at the Rubin Museum of Art, as we close out the week with guitarist Bern Nix and bassist Francois Grillot.

Monday, November 17, 2008
Jazz for Curious Readers
James McBride
7:00 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE  

James McBride is an award-winning writer and composer. His critically acclaimed memoir, The Color of Water: A Black Man's Tribute to His White Mother, explores the author's struggle to understand his biracial identity and the experience of his white, Jewish mother, who moved to Harlem, married a black man, and raised 12 children. The Color of Water won the 1997 Anisfield-Wolf Book Award for Literary Excellence, was an ALA Notable Book of the Year, and spent more than two years on the bestseller list. Chosen by the New York Public Library as one of the 25 books of 1996 to remember, The Color of Water has sold more than 1.3 million copies in the United States alone and is now required reading at numerous colleges and high schools across the country. It has also been published in 16 languages and in more than 20 countries.

After the success of The Color of Water, McBride turned to fiction, albeit inspired by his family's history. "My initial aim was to write a novel about a group of black soldiers who liberate a concentration camp in Eastern Europe," McBride explains on his web site. "I read lots of books and spent a lot of time researching the subject but soon came to the realization that I'm not qualified to write about the holocaust. It's too much."  So, instead, he recalled the war stories of his uncle and cousin, who served in the all-black 92nd Infantry Division, and began researching World War II in Italy - particularly the clashes between Italian Partisans and the German army. Miracle at St Anna was published in 2002, and was recently turned into a major motion picture by acclaimed director Spike Lee, for which McBride also wrote the screenplay. His second novel, Song Yet Sung, was published in 2008.

McBride is a former staff writer for The Washington Post, People Magazine and The Boston Globe. His work has also appeared in Essence, Rolling Stone and The New York Times. Aside from his literary honors, McBride is the recipient of several awards for his work as a composer in musical theater, including the 1996 American Arts and Letters Richard Rodgers Award, the 1996 ASCAP Richard Rodgers Horizons Award, and the American Music Festival's 1993 Stephen Sondheim Award. He has written the score for several musicals, including the highly acclaimed, award-winning show "Bobos."

McBride, an accomplished saxophonist who has toured with renowned jazz singers and musicians, has written songs (music and lyrics) for Anita Baker, Grover Washington, Jr., Gary Burton, Silver Burdett Textbooks, and for the PBS television character "Barney." He is a graduate of New York City's public schools, studied composition at The Oberlin Conservatory of Music in Ohio, and received a Masters in journalism from Columbia University in New York at age 22. He also holds an Honorary Doctorate of Human Letters from Whitman College. He lives in Pennsylvania and is currently a Distinguished Writer-In-Residence at New York University.

Tuesday, November 18, 2008
Jazz for Curious Listeners
The World of Thelonious Monk: With Sonny Rollins and John Coltrane
7:00 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | Reservations: 212-348-8300 or register online

The pianist Eric Reed once said that "When you playing Monk's compositions, you're kind of playing Monk. His compositions and improvisations are completely integrated." Such is the nature of his compositions, so intertwined with his quirky, singular and ingenious style of playing and composing jazz.

The two foremost giants of jazz tenor saxophone in the 1950s, Sonny Rollins and John Coltrane, were a part of Monk's band at signal moments in the development of their styles and careers.  

This promises to be a night of swingin' revelation, so don't miss it.

Wednesday, November 19, 2008
Jazz in the Parks
Jazz legend shorts
7:00 - 9:00pm
Location: Jackie Robinson Recreation Center
(85 Bradhurst Avenue @ West 146th Street)
FREE | RSVP, please call (212) 408-0296 or email for more info: NYC Department of Parks

A selection of short films about Miles Davis, John Coltrane and Charlie Parker. Parker discovered Davis, and it was Davis who made John Coltrane into a musical icon. It's one thing to listen to their music, and another to see them play, live, in action. This is an unforgettable evening of rare film of three of America's greatest artists

Thursday, November 20, 2008
Harlem Speaks
Justin DiCioccio, Drummer/educator
6:30 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | Reservations: 212-348-8300

Justin DiCioccio is internationally recognized as one of the foremost jazz educators of our time. In January 2001, he was inducted into the Jazz Education Hall of Fame, which took place at the 28th Annual International Association of Jazz Educators (IAJE) conference in New York City. His keen insight into the teaching of conceptual and inventive ideas has earned him the title of "the musician's teacher." His performances, guest conducting appearances, adjudications, jazz and percussion clinics and workshops are numerous and widely recognized in the professional and educational fields.

Mr. DiCioccio was named assistant dean of Manhattan School of Music in June 2002, where he chairs the School's jazz department, a position that he has held since 1999. In addition, he has been a member of the School's jazz faculty since 1984, teaching percussion and coaching ensembles. Under his leadership, a complete restructuring of the jazz curriculum has taken place, which includes the creation of a new Jazz DMA program. His goal is to initiate and put into action the concept of the complete artist musician – performer, composer, and pedagogue – as well as the creation of working partnerships with public schools, community organizations, institutions and the music industry. He also directs international summer jazz programs in partnership with Manhattan School of Music that take place in Amsterdam, The Netherlands and at the Brevard Music Festival in North Carolina.

Mr. DiCioccio works actively in Manhattan School of Music's educational outreach program bringing jazz education to hundreds of New York City public school children. In addition, Mr. DiCioccio has initiated the creation of a jazz component to the School's already existing Preparatory Division, open to students ages 10 to 18, making Manhattan School of Music on of the few institutions in the country to offer jazz programs at the elementary, secondary, undergraduate and graduate levels.

Mr. DiCioccio serves as program director for Carnegie Hall Jazz Education and under his direction in January 2001, the Manhattan School of Music Jazz Orchestra performed at Carnegie Hall as part of its Family Concert Series. He also acts as a consultant to Wynton Marsalis and Jazz at Lincoln Center, with whom he also performs and gives clinics, as well as conductor of the Henry Mancini Summer Institute in Los Angeles, CA. He designed, developed and directed the internationally known and award-winning LaGuardia High School of the Arts jazz program, the first fully accredited secondary jazz program in the United States.

Mr. DiCioccio is the recipient of a citation for the major of New York for "Distinguished and Exceptional Service to Young Instrumentalists" and is currently active with the National Foundation for Advancement in the Arts, the Music for Youth Foundation and the National Foundation for Jazz Education. He is a three-time recipient of the Presidential Scholars teaching recognition award in the jazz field by the U.S. Department of Education. In May 1998, The Commission Project, in partnership with the New York City Board of Education, created the JD Award for Outstanding Service to Music in New York City Schools. The award, presented annually, recognizes and celebrates individuals who have made significant contributions to the world of music education and honored Mr. DiCioccio as its first honoree. In June 2003, Mr. DiCioccio received an Achievement Award from Downbeat magazine.

Friday, November 21, 2008
Harlem in the Himalayas
Bern Nix and Francois Grillot
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
Box Office: 212.620.5000 ext. 344

Bern Nix has played the guitar since the age of 11. Bern studied music and graduated with a degree in music education from the Berklee College of Music. Since 1985, he has led The Bern Nix Trio. Before leading his Trio, Bern performed and recorded with Ornette Coleman from 1975 to 1987 as an original member of the Prime Time Band. The Prime Time Band recorded six albums including Dancing in Your Head, Of Human Feelings and Body Meta and performed hundreds of concerts around the world. The Bern Nix Trios first recording, Alarms and Excursions (New World Records) was released in 1993, making many top ten critics lists. Bern has performed with artists such as, Ornette Coleman, John Zorn, Marc Ribot, Elliott Sharp, Jemeel Moondoc, Ronald Shannon Jackson, James Chance, Jayne Cortez and Kip Hanrahan. Hailed as one of the greatest jazz guitarists of our time, Bern was voted among the top ten jazz guitarists poll by Down Beat magazine. Most recently, Bern composed and recorded the score for the feature length documentary, A James Lord Portrait. Bern has a solo album coming out this fall on Tompkins Square Records.

Francois Grillot, born in Burgundy France, began studying trumpet, then guitar and electric bass. He recorded with Edition Speciale, on RCA, touring throughout France. Other credits include recordings with Mama Bea Teckelsk (RCA) and Serge Bringolf (Strave on Musea Records). Upon moving to New York he has been playing along side a number of notable musicians including Bill Bickford, Ken Hatfield, Adam Naussbaum, Harold Danko, and Mike Clarke. In 2001 his music took a turn with collaborators Matt Lavelle, Steve Swell, Daniel Carter, Matt Maneri, Roy Campbell, Mark Edwards, Jackson Krall, Lou Grassi, Jason Kwang, Robert Dick, Daniel Levin, William Hooker, Charles Burnham, Louie Belogenis, Bern Nix, Michael Marcus, Ken Filiano and a many others.

Pepper Announce 'Here Comes the Law Tour 2008'

Pepper- for the Grateful Web

PEPPER had an amazing time with Slightly Stoopid and legends Sly & Robbie on this summer's TAILGATE 2008 summer tour, playing massive sold-out shows throughout the land including Red Rocks in Colorado, Pacific Amphitheatre in Orange County, CA, The Greek Theatre in Berkeley, CA, Bank Of America Pavilion in Boston and Roseland Ballroom in New York City. The musical merriment continues as the Hawaiian-bred, Southern California-based veteran touring band supports the July release of their fifth album Pink Crustaceans And Good Vibrations with the announcement of their own headlining LAW Records "HERE COMES THE LAW TOUR 2008" for this fall plus extended tour dates in the U.K.

The first half of the tour happens October 9–31 and takes Kaleo Wassman (vocals/guitars), Bret Bollinger (bass/vocals) and Yesod Williams (drums) through 18 markets in the south and mid-west.  Next, PEPPER will join Less Than Jake for a tour of the United Kingdom during the month of November.  In January the trio will return to the road to complete the Pacific Northwest portion of the LAW Records tour (dates TBA).

Joining PEPPER on the 'HERE COMES THE LAW TOUR' are LAW Records label mates Passafire from Savannah, Georgia and The Supervillains from West Palm Beach, Florida.  After spending the last two years supporting Grow Yer Own with non-stop touring, the buzz for The Supervillains has been growing for their long awaited follow-up release MASSIVE. Set for release November 25 on Hawaii's own LAW Records, the label owned by longtime tour mates Pepper, MASSIVE aims to be as huge as its title. The record was the result of a six-week stay at Orlando's Fighting Records Studios with producer James Wisner and features guest appearances from Slightly Stoopid's Kyle MacDonald and ex-Inner Circle vocalist Kris Bentley. The most polished and definitive Supervillains' CD to date, it includes re-creations of the most classic Villain anthems, explosive new songs, two dub tracks and a must-hear cover of Billy Joel's "Movin' Out."

Passafire join the tour in support of their 2007 release Submersible which was produced alongside Steve Nall at Long Island Recording Studios in Lexington, Kentucky.   Their first self-titled release routinely receives spins on 99X, WNNX in Atlanta GA, WOCM 98.1FM Irie Radio in Ocean City MD, Sirius Radio Jam On, Roots On Sky.fm and on Reggae Redemption Radio in Wilmington NC. Tracks from their first release were also featured on the 2007 Jeep Hawaii Pro Windsurfing DVD distributed internationally by Sportshows TV Ltd.

In other PEPPER news, sadly their annual Kona Town Music Festival in Hawaii has been cancelled due to the environment as well as increasing fuel costs.   The very active volcano on the Big Island has been spewing out toxic sulfuric acid, causing respiratory problems for residents and more so for tourists who are not accustomed to it. The band apologizes and is working on getting out to the islands for a tour in the spring on their own.

 

About PEPPER:

PEPPER has amassed a large and loyal following through their non-stop touring since arriving in the Southern California after leaving Hawaii's Big Island 11 years ago.  The trio has sold over 400,000 records independently; their music has appeared in many movie, television and video game soundtracks; and they've had a couple of singles appear on the Billboard "Hot Modern Rock Tracks" chart. Their fifth studio album PINK CRUSTACEANS AND GOOD VIBRATIONS—released via their self-run label LAW Records, in association with Controlled Substance Sound Labs/MRI distribution—is filled with the band's trademark rock-funk-reggae hybrid grooves.  It was produced by Paul Leary of the Butthole Surfers - who also took to the boards on the band's fourth album No Shame - and engineered by Wyn Davis at Total Access Studio in Redondo Beach.

PEPPER's tour dates are as follows:

DATE                          CITY                                       VENUE

Thu      10/2                 Fresno, CA                         Big Fresno Fair

Sat      10/4                 Las Vegas, NV                      X-Fest

U.S. Tour w/ Passafire and The Supervillains

Wed    10/15                  Corpus Christi, TX                 House of Rock

Thu    10/16                  San Antonio, TX                    White Rabbit 

Fri    10/17                  Dallas, TX                         House of Blues

Sat    10/18                  Austin, TX                         Stubb's

Sun    10/19                  Houston, TX                        House of Blues

Mon    10/20                  St. Petersburg, FL                 Jannus Landing

Wed    10/22                  Orlando, FL                        House of Blues

Thu    10/23                  Myrtle Beach, SC                   House of Blues

Fri    10/24                  Carrboro, NC                       Cat's Cradle

Sat    10/25                  Towson, MD                         Recher Theatre

Sun    10/26                  New York, NY                       Fillmore

Tue    10/28                  Detroit, MI                        St. Andrew's Hall

Wed    10/29                  Columbus, OH                       Newport Music Hall

Thu    10/30                  Covington, KY                      Madison Theater

Fri    10/31                  Chicago, IL                        Metro

United Kingdom Tour w/ Less Than Jake and Beat Union

Sun     11/2                  Norwich                            UEA

Mon     11/3                  Northampton                        Roadmender

Tue     11/4                  Swansea                            Brangwyn Hall

Wed     11/5                  Exeter                             Great Hall

Thu     11/6                  Bristol                            Carling Academy

Sat     11/8                  Nottingham                         Rock City

Sun     11/9                  Birmingham                         Carling Academy

Mon     11/10                 Southampton                        Guildhall

Tue     11/11                 Oxford                             Carling Academy

Wed     11/12                 London                             Astoria

Sat     11/15                 Leeds                              Academy Leeds

Sun     11/16                 Manchester                         Manchester University

Mon     11/17                 Newcastle                          Northumbria University

Tue     11/18                 Aberdeen                           Moshulu

Wed     11/19                 Glasgow                            ABC

Jazz Museum Events: Oct. 14-17, 2008

Jonathan Batiste- for the Grateful Web

The National Jazz Museum in Harlem begins the week on Tuesday with an analysis and listening session on Jazz in Europe and Australia, and ends with a live performance by the exciting young jazz pianist and recent Juilliard Jazz program graduate Jonathan Batiste on Friday. Between those two events, join us on Thursday night, which brings WBGO and Sirius Satellite Radio jazz host Rhonda Hamilton to the Harlem School of the Arts (new series location) for a Harlem Speaks talk. For those in the tri-state New York area, come meet the person behind the voice you've heard all these years.
 
We invite you to attend as many of our events this week as you can, to enhance your grasp of the international influence of this music, join in conversation with a noted jazz host on the current scene, and experience a live trio of young musicians pointing the way toward its future.
                    
Tuesday, October 14, 2008

Jazz for Curious Listeners
Jazz Around the World: Europe and Australia
7:00 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | register online
Instructor: Loren Schoenberg
 
Jazz has been accorded a level of respect and admiration in Europe since the 1930s rivaling the reception to jazz found anywhere, including the U.S. That's why some black American jazz musicians became expatriates to Europe: they so appreciated the social acceptance of the music there as well as being treated with a human dignity all-too-rare because of racism at home. Saxophonists Don Byas, Dexter Gordon and Johnny Griffin are just three examples of musicians who found life in the Old World more amenable than in the New World.
 
What is it about the European understanding of the role of art in culture and society that led to an even higher appreciation of jazz there than in the native land of the music's origins? What European and Australian musicians have made a mark on jazz in the past? Of course, the beloved British jazz pianist George Shearing readily comes to mind, but who are the others? Even now there are musicians making a mark, such as Perth, Australian saxophonist Troy Roberts, a semi-finalist in the Thelonious Monk International Jazz Saxophone Competition.
 
Then there are those attempts to combine elements from the European concert tradition and American jazz, some more successful than others. These and related topics are fodder for exploration, especially if you bring some thoughts, questions and insights of your own.
 
This is Jazz for Curious Listeners, so we welcome your input. See you there.

Thursday, October 16, 2008

HARLEM SPEAKS
6:30pm
Rhonda Hamilton, jazz broadcaster, WBGO
Location:
Harlem School of the Arts
(645 St. Nicholas Avenue, off 141st street)
FREE | Reservations: 212-348-8300
 
Please note our new location this month.

Rhonda Hamilton, a native New Yorker, is the host and producer of a popular jazz program which airs weekdays, 10AM - 2PM, on WBGO/Jazz 88FM in Newark, NJ.
 
In 1976, Ms. Hamilton graduated from Boston University's School of Public Communication, receiving a B.S. in Broadcasting and Film. She also studied acting at the Actor's Studio in Boston. She began her career in radio in 1975 as a jazz announcer/producer at WBUR-FM in Boston. She later became the music director for WBUR. At WBZ-TV in Boston, she worked as a music reviewer and commentator on the public affairs program, "Mzizi Roots."

Returning to the New York/New Jersey metropolitan area in March 1979, Ms. Hamilton came to WBGO at the station's inception and has played a key role in making Jazz 88 one of the finest and most listened to jazz stations in the world. In 1979 and 1980, she won the New York Jazz Award for Best Jazz DJ "in appreciation of a major contribution to the cultural life of our region."
 
In 1995 she was recognized "for her achievements in the world of jazz" as the recipient of The Ladies in Jazz Award from Mayor Giuliani of New York and the Harlem Chamber of Commerce.

Ms. Hamiton's work has taken her to three continents. In 1984 she was invited to attend the first Senegalese Festival of Jazz and African Music. While in Dakar, Senegal, Ms. Hamilton was interviewed as a featured guest on a national TV news program. In 1985 she was invited to Europe by the Danish Tourist Board to document the Scandinavian jazz scene. After traveling to Brazil, Ms. Hamilton exposed the American public to various aspects of Brazilian culture - music, dance, film, food, religion, etc. - when she hosted a series of 36 programs called "Brazil/New York" which aired on WNYC-TV in 1985 and 1986.

In addition to her work at WBGO, Ms. Hamilton also does commercial and industrial voice-overs and is often called upon to host/narrate film, video and radio productions for such organizations as WNET-TV PBS/Channel 13 in New York, National Public Radio, Columbia Records and Japan Television NHK. She was the host of the nationally syndicated radio series "Big Apple Jazz", "American Women in Jazz" and "The Voices of Jazz," which she also co-produced.

Ms. Hamilton frequently hosts special music and cultural events in such historic places as the Apollo Theater, Carnegie Hall, Lincoln Center, the Beacon Theater and the Brooklyn Academy of Music. In 1993 she produced and moderated a Symposium on Women in Jazz for the Newark Jazz Festival and in 1996 she was a guest speaker on "Jazz and The Media" at the first annual Mary Lou Williams Women's Jazz Festival at the Kennedy Center in Washington, D.C.

Friday, October 17, 2008

HARLEM IN THE HIMALAYAS
7:00pm
Jonathan Batiste Trio
Location:
Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
Box Office: 212.620.5000 ext. 344
 
Jonathan Batiste, piano
Phil Kuehn, bass
Louis Hayes, drums

Jonathan Batiste was born in New Orleans, Louisiana in 1986. He was first introduced to music through his family's band, the Batiste Brothers Band, in which he played percussion at the age of 8, switching to the piano at age 11.  

By the age of 16 years old, Jonathan could be seen performing with some of New Orleans' most outstanding and respected musicians, including the New Orleans Jazz Orchestra, Wynton Marsalis, Irvin Mayfield, Nicholas Payton, Alvin Batiste, Cyril Neville, Donald Harrison, Troy "Trombone Shorty" Andrews at venues such as New Orleans' Snug Harbor, Tipitinas, Funky Butt as well as the New Orleans Jazz and Heritage Festival where he debuted his band in 2005. By the age of 17, he released his first CD as a leader entitled "Times in New Orleans." Also that year, Jonathan was selected through a nationwide search to be a member of the 2004 Gibson/Baldwin Grammy High School Jazz Ensembles in which he performed, in trio format, at the Grammy week of events as well as the Grammy pre-telecast and post celebration in Los Angeles.

In 2004, Jonathan graduated from St. Augustine High School and the New Orleans Center for Creative Arts (NOCCA) under the tutelage of Alvin Batiste, Michael Pellera, and others. NOCCA is a high-level fine arts conservatory that has produced alumni such as Wynton Marsalis, Branford Marsalis, Harry Connick Jr., Terrence Blanchard and many more. Jonathan auditioned at The Juilliard School for the 2004-2005 school year and was accepted. He graduated from Juilliard in 2008. Since his arrival to New York he has been performing regularly around the city with his trio. His most recent release entitled "Live In New York: At The Rubin Museum Of Art" features the talents of his trio (Phillip Kuehn and Joe Saylor), as well as his skills as a pianist and composer in a live acoustic setting.

He recently was awarded the "Movado Future Legend" award in jazz and has been playing around the world with his trio from Portugal to New York. He joined his fellow Juilliard piano colleague Aaron Diehl and one of his key influences, Marcus Roberts, on stage at Jazz at Lincoln Center's Allen Room for a solo piano recital titled, "Ragtime, Stride and Stomp."

Join us as Jonathan returns to the Rubin for what promises to be another evening of memorable music.

Jazz Museum Events: Sept. 23-26, 2008

Chico Hamilton- for the Grateful Web

The season change, summer becoming fall, doesn't apply to the programming of the National Jazz Museum in Harlem since you can depend on something hot and fresh each week.
 
Take our Tuesday Jazz for Curious Listeners class for instance. Wynton Marsalis's Blue Interlude recording was the first long composition by the most influential jazz musician of his generation. Come discover what makes Marsalis a special composer of the jazz idiom and how this recording foreshadowed his future works.
 
Two elder statesman of the music will parlay a discussion on Thursday for Harlem Speaks: Dr. Billy Taylor, of whom the museum just spent a month of classes, will come back to the Visitor's Center to interview Chico Hamilton, still going strong after 60 years at the trap drums.
 
Then for a unique twist on jazz music, see David Ornette Cherry's Ensemble for Improvisers at the Rubin Museum of Art on Friday for Harlem in the Himalayas. Come be a part of history in the making.

Tuesday, September 23, 2008
Jazz for Curious Listeners
What Makes it Tick? Five Classic Albums
7:00 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | Reservations: 212-348-8300 or register online

Wynton Marsalis: Blue Interlude
"Blue Interlude" is an ambitious work centered on two mythic lovers, and it beautifully executes Wynton Marsalis' stated fundamentals of jazz: a communal conception of improvising, vocal effects on instruments, swinging rhythms, blues, and a sense of mystery and even melancholy. There are echoes of Duke Ellington and Charles Mingus, yet on this, his first extended composition on record, he establishes his own compositional stamp.

If you've listened to this recording before, or even if you haven't at all, rest assured that you'll hear Marsalis' "mastery of making four horns sound as full and as varied in timbre as a big band," says Loren Schoenberg in The NPR Curious Listener's Guide to Jazz.

Thursday, September 25, 2008
Harlem Speaks
Chico Hamilton, Drummer; Interviewer: Dr. Billy Taylor
6:30 – 8:30pm
Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | Reservations: 212-348-8300

Legendary jazz drummer and bandleader Chico Hamilton, born September 21st, 1921 in Los Angeles, had a fast track musical education in a band with his schoolmates Charles Mingus, Illinois Jacquet, Ernie Royal, Dexter Gordon, Buddy Collette and Jack Kelso. Engagements with Lionel Hampton, Slim & Slam, T-Bone Walker, Lester Young, Count Basie, Duke Ellington, Charlie Barnett, Billy Eckstine, Nat King Cole, Sammy Davis Jr., Billie Holiday, Gerry Mulligan and six years with Lena Horne established this young West Coast prodigy as a jazz drummer on the rise, before striking out on his own as a bandleader in 1955.

Chico's impact upon jazz includes the introduction of two unique and distinct sounds: first in 1955 with his Original Quintet which combined the sounds of his drums, the bass of Carson Smith, the guitar of Jim Hall, the cello of Fred Katz, and the flute of Buddy Collette; and the second in 1962 with his own drums, the bass of Albert Stinson, the guitar of Gabor Szabo, the tenor sax of Charles Lloyd, and the trombone of George Bohanon.

In 1997, Chico received the New School University Jazz & Contemporary Music Programs Beacons in Jazz Award in recognition for his "significant contribution to the evolution of Jazz". In 2002, Chico was awarded the WLIU-FM Radio Lifetime Achievement Award. At the IAJE in NYC January 2004, Hamilton was awarded a NEA Jazz Master Fellowship, presented to him by Roy Haynes. In December 2006, Congress confirmed the President's nomination of Chico to the Presidents Council on the Arts. And in 2007, Chico received a Living Legacy Jazz Award as part of The Kennedy Centers Jazz in Our Time Festival, as well as receiving a Doctor of Fine Arts from The New School.

Dynamic as ever at the age of 86, Chico Hamilton has a resume that includes scores for film, original compositions, commercial jingles, 50 + albums as a leader, and countless international tours.

Friday, September 26, 2008
Harlem in the Himalayas
David Ornette Cherry with The Ensemble for Improvisors
7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
Box Office: 212.620.5000 ext. 344

David Ornette Cherry grew up in Watts, California. This Watts young man, son of Don Cherry, later won the 2003 ASCAP- Chamber Music America Award for adventurous Programming of Contemporary Music. He is inspired by themes of silence and nature versus technology.

The pulses and melodies that arise from his jazz, classical, African, world music background, and from playing with some of the great jazz artists of our times, speak about our human experiences through the language of sound. He listens with an open heart and fresh mind to his collaborators and the world around him in a way that makes his compositions not only music, but a way of life a positive form of energy, and a way to connect. His current group is titled Ensemble for Improvisors, the latest iteration of which you can hear tonight.

David Ornette Cherry studied music composition at Bishop College in Dallas and began concentrating on "world music" at California Institute of the Arts. He spent challenging summers attending the Creative Music Studio at Woodstock, New York. These summer experiences gave him the space to compose and create music with Trilok Gurtu, Olatunji, Jai Deva, and Foday Musa Suso and to explore the relationship of jazz and music from other cultures. While jazz remains both the root and sustenance of his sound, he often incorporates the sounds of the world in what he calls "multi-kulti" music. Acoustic piano, electronic keyboards, melodica, wood flute and douss'n gouni are his instruments.

He sees himself crossing borders drawing from the past - building a passageway to jazz of the future. David states, "The music never stopped. Jazz is dynamic. It is a continuum that expands and takes from the players and composers so they can add their little something to the art. It's not about JUST referencing the past. It's about keeping the momentum going like a ball that keeps rolling along."

David Ornette Cherry's future plans include: "Creating a musical intensity which invigorates and sets trends in jazz of the future, passing the torch to take the music beyond...to become another color in the ever-expanding sound spectrum."

Jazz Museum Events: Sept. 15-19, 2008

Benny Goodman- for the Grateful Web

The National Jazz Museum in Harlem takes pride in presenting free discussions and educational classes, plus live performances, all which so clearly demonstrate the vibrant legacy of jazz not just in America's past, but in contemporary society. And we're proud to honor Harlem's own on Monday: Jazz for Curious Readers features a talk with local jazz journalist Ron Scott, who pens a weekly jazz column in the Amsterdam News.

On Tuesday, the museum's executive director Loren Schoenberg will elucidate the lasting value of Benny Goodman's 1938 concert at Carnegie Hall for Jazz for Curious Listeners. And not only does Schoenberg know this recording through deep study and countless listening sessions; as a young man, Schoenberg worked with Goodman directly, so expect insights that only he can bring.

And for those to whom talk is not quite enough to satisfy artistic hunger, come feast at Harlem in the Himalayas hosted at the Rubin Museum of Art and, as the drummer Cindy Blackman fronts a fiery quartet on Friday.

Monday, September 15, 2008

Jazz for Curious Readers

Ron Scott, Jazz Journalist

6:30 – 8:00pm

Location: NJMIH Visitors Center

(104 E. 126th Street, Suite 2C)

Reservations: 212-348-8300 or register online

Ron Scott currently writes a weekly column "Jazz Notes" for the Amsterdam News, and is a regular contributor of reviews and features for the monthly publications Jazz Improv and Network Journal.  He also wrote monthly reviews for the Jazz Heritage Society Catalogues, and contributes pieces to the online publication jazzhouse.org

He is the senior editor for the book Forever Harlem, (Starlight Press L.L.C., 2006), a pictorial history of Harlem from 1896-2006. Most recently he was writer and editor for the Community Works exhibit "Harlem is… Music," exhibited at the Lincoln Center Library for the Performing Arts and the Museum of the City of New York  

As a freelance writer Scott's byline has appeared in a variety of publications including the New York Times, Vogue, the NY Daily News, Time Out New York, Johnson Publications and ABC Radio. Scott also spent time as a theater and restaurant critic.

He is a member of the Jazz Journalists Association, New York Association of Black Journalists (NYABJ), and National Writers Union Local 1981. He is a graduate of Florida A&M University, and New York University's Graduate School of Social Work.

He's served as a publicity consultant on feature films and television specials working with such celebrities as Bill Cosby, Richard Pryor Harry Belafonte and two-time Grammy winner and jazz legend Roy Haynes. On the hip-hop tip Ron has worked on projects with Ice T., Chuck D. and Ice Cube. He's coordinated press conferences for Reverend Jesse Jackson, and R&B Grammy winner Al Green and Patti LaBelle.

Scott has received numerous awards including the D. Parke Gibson Award for distinguished achievement in Public Relations. He has lectured at the City University of New York, Howard University and shared his expertise on music and journalism panels throughout the United States.

Tuesday, September 16, 2008

Jazz for Curious Listeners

What Makes it Tick? Five Classic Albums

7:00 – 8:30pm

Location: NJMIH Visitors Center

(104 E. 126th Street, Suite 2C)

FREE | Reservations: 212-348-8300 or register online

Benny Goodman: 1938 Carnegie Hall Concert

Amongst celebrated dates that exist in popular or fine art music, January 16, 1938 denotes the day the Benny Goodman Orchestra played the rarified environs of New York's Carnegie Hall - previously designated as the dignified home of classical music. Initially conceived as a publicity stunt to enhance Goodman's increasing popularity, this was the very first time a jazz ensemble had ever played this venue and despite initial coolness towards the event, the sell-out performance left no doubt that swing dance bands provided the latest craze which could no longer be ignored.

"As an ensemble, the players brought a new kind of perfection and swing to their interpretations of the classic arrangements by Fletcher Henderson, Edgar Sampson, and Jimmy Mundy," wrote tonight's instructor and National Jazz Museum in Harlem Executive Director Loren Schoenberg in his book, The NPR Curious Listener's Guide to Jazz.

You'll hear the truth of these words by way of a crystal-clear recording of this date so crucial not only to jazz, but to American social history too.

Friday, September 19, 2008

Harlem in the Himalayas

Cindy Blackman, Drummer

7:00pm

Location: Rubin Museum of Art

(150 West 17th Street)

$18 in advance | $20 at door |

Box Office: 212.620.5000 ext. 344

JD Allen, tenor sax

Carlton Holmes, piano

George Mitchell, bass

Cindy Blackman, drums

Born in Ohio and raised in Connecticut, Cindy began her musical career as a New York street performer. She spent three semesters at Berklee College of Music in Boston, Massachusetts and also studied with legendary teacher Alan Dawson.

Cindy moved to New York City in the 80's and since that time, she has been seen and heard by millions of people all over the world performing with her own group and during her 11 year stint with retro funk rocker Lenny Kravitz, since 1993.

In 1998, Cindy released her first drumming instructional video entitled, Multiplicity. Cindy was touted as "one of the hottest drummers in the business, by the Star-Gazette and is regarded as one of the top drummers in the world. She is a solid, dependable drummer who can easily move from straight-ahead jazz to rock to funk and back again.

She's upheld the backbeat and created texture for artists as varied as: Jackie McLean, Joe Henderson, Don Pullen, Hugh Masekela, Pharaoh Sanders, Sam Rivers, Cassandra Wilson, Angela Bofill, Bill Laswell, Buckethead. In early 2000, Cindy released her acclaimed solo album Works on Canvas, and yet another solo album, Someday, in 2004.

Jazz Museum Events: August 26-29, 2008

Dr. Billy Taylor- for the Grateful Web

Tuesday, August 26, 2008

JAZZ FOR CURIOUS LISTENERS
7:00pm
A Celebration of Dr. Billy Taylor

Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | register online

Instructors: Loren Schoenberg & Christian McBride

This week come greet and meet Dr. Billy Taylor in person.

Last week instructor Greg Thomas continued the month-long tribute to Dr. Taylor with a focus on trio configurations throughout his career, from the 50s 'til this century. Tempos ballad to brisk, and styles from straight-ahead swing to spiritual solemnity to dance-groove funk to a classically-tinged composition featuring his trio with a symphony orchestra, were appreciated by the attendees at the National Jazz Museum in Harlem's Visitors Center.

Dr. Taylor is one of the few musicians extant tutored by Art Tatum, and who, as house pianist at Birdland, can recount his days playing and recording with Charlie Parker, Dizzy Gillespie, Ben Webster, Coleman Hawkins and other standard bearers of jazz innovation. So expect the living jazz master to share wisdom in his inimitably warm style of conversation...with Loren Schoenberg and Christian McBride.

 

Thursday, August 28, 2008

Harlem Speaks
6:30 – 8:30pm                                            Eddie Bert Trombonist

Location: NJMIH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE

Trombonist Eddie Bert's career spans nearly seven decades of jazz, from big bands to bebop and beyond. In addition to being a jazz musician who's played with one and all, he's been a regular in Broadway show bands, and a first call studio player. Yet no matter what the musical setting, Eddie has always played his uniquely personal, warm and melodic style of jazz.

When renowned jazz leaders needed a dependable, original trombonist for a significant recording or event in the second half of the twentieth century, they turned to Eddie Bert. In fact, his resume reads like a Who's Who of modern Jazz, including musical relationships with Thelonious Monk, Charles Mingus, Coleman Hawkins, Woody Herman, Stan Kenton, Machito, Tito Puente, Benny Goodman, Thad Jones and Mel Lewis.

There's a reason Eddie Bert has played with the jazz masters - he's a truly gifted musician, a trombonist who has easily traversed eras and genres, from bop to swing, Mingus to Hampton, and Kenton to Herman. Eddie straddled the racial divide as well. He played in one of the first integrated big bands, Charlie Barnet's 1943 aggregation, which included Howard McGhee, Buddy DeFranco and Oscar Pettiford.

In addition to being one of the most dependable players in jazz history, always in demand because of his sight-reading skills and his ability to lend a passionate and individual approach to all music, Eddie is a soloist and arranger with a distinctive musical voice. In 1955, when he stopped playing only to sleep, he won Metronome's Musician of the Year award. He followed that with a top rated album of the same name for Savoy. He has led a number of other recordings during his distinguished career, featuring such sidemen as Duke Jordan, Joe Morello, Hank Jones and Kenny Clarke.

Yet during Eddie's teenage years, 52nd Street was a hotbed of musical activity. At fifteen, he began frequenting "The Street," where musicians of all generations played and gathered nightly. Being too young to get into the clubs at night, Eddie hung around during the afternoon when he knew the bands would be rehearsing.

Fast-forwarding several decades, in the 1990s Eddie started working with drummer T.S. Monk's group. "We did a European tour in 1997 and an album that featured a lot of Thelonious' new material that T. S. had found around the house. He hired me because I had played with his father-if you hang around long enough, you find that you have played with everyone's father!"

Now in his eighth decade, Eddie Bert is still playing the trombone, still traveling, and still married to Mollie, his wife of 60+ years. With three daughters and four grandchildren, he enjoys spending time with his family and, when not playing, also likes photography.

Friday, August 29, 2008

Harlem in the Himalayas
7:00pm                                   Theo Croker Quartet featuring Marcus Belgrave

Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door |
Box Office: 212.620.5000 ext. 344
 
Marcus Belgrave, trumpet
Theo Croker, trumpet
Joe Sanders, bass
Sullivan Fortner, piano
Kassa Overall, drums
 
Trumpeter Theo Croker, Doc Cheatham's grandson, has been featured all summer at Harlem in the Himalayas. This last performance promises to be hot, with Croker locking horns in antagonistic cooperation with elder trumpet legend Marcus Belgrave.
 
Trumpeter, composer, arranger, educator, recording artist, and producer Marcus Belgrave was born in Chester, Pennsylvania June 12 1936.
 
He began playing the trumpet at age six and professionally at age twelve.  Mr. Belgrave describes himself as "born into bebop."  An early inspiration and mentor was Clifford Brown.  At age eighteen, Marcus earned his initial reputation joining the Ray Charles Orchestra.  His solo on Alexander's Ragtime Band from the album The Genius of Ray Charles put him on the map. He toured for five years and is heard on such Charles hits as  Night Time is the Right Time, What'd I Say, You are My Sunshine, Margie, Ruby and Stella by Starlight.
 
In the early 60's he worked and recorded in the bands of leading innovators of post-bop modern jazz: Max Roach, Charles Mingus and Eric Dolphy. In 1963 Marcus settled in Detroit, becoming one of the prominent studio musicians with Motown Records.  He is heard on many Motown hit recordings including Dancing in the Street, The Way You Do the Things You Do, and My Girl. His distinguished career as a player includes performances with legendary stars from both the pop music and jazz world: Ella Fitzgerald, Bud Powell, Tony Bennett, Aretha Franklin, Sammy Davis Jr., Wynton Marsalis, Lena Horn, Liza Minnelli, Doc Cheatham, Sarah Vaughn, Dizzy Gillespie, Billy Eckstein, Gene Krupa (with whom he recorded) and many others.
 
As an original member, starting in 1988, he toured with the Lincoln Center Jazz Orchestra, appearing on national television and recording for CBS/Sony. Marcus Belgrave's own recordings began in 1974 with the release of his self-produced album Gemini II, showcasing a collective of Detroit jazz artists, which he led. This record was the first to garner the attention of the international jazz press, about new "cutting edge" jazz activity emanating from that famous music city. Belgrave's recordings from the 1980's and '90's include the critically acclaimed Detroit Piano Legacy with Tommy Flanagan and Geri Allen and Working Together, Marcus' collaboration with composer/drummer Lawrence Williams. Recording more traditional jazz material in this period, Marcus co-led on albums with several of the last surviving "pioneers" of the pre-bebop era including saxophonist Franz Jackson (Live at Windsor Jazz Festival III) and pianist Art Hodes (Hot 'n Cool Blues). Critical accolades for these releases are cited in The Biographical Encyclopedia of Jazz, The Rolling Stone Guide to Jazz and Blues on CD, other jazz reference books, and major news publications.
 
Since 2001 Marcus Belgrave has led his Tribute to Louis Armstrong octet, appearing in thirty states, Canada and Puerto Rico and playing Armstrong's music in pops programs with the Detroit Symphony and other US orchestras.

As a soloist, Marcus continues to travel the US for appearances at jazz festivals, night clubs and concert hall performances. In January 2006 he was featured on three concerts at Jazz at Lincoln Center's presentation Detroit: Motor City Jazz, later broadcast on National Public Radio.

Mr. Belgrave is internationally known for his dedication to educational endeavors. He is founder of Detroit's Jazz Development Workshop and co-founder of the Jazz Studies Program at the Detroit Metro Arts Complex (recognized with grants from federal and state levels). He was also an original faculty member with the Oakland University Jazz Studies Program and in 2003 became the first Chair of Jazz Education and Programming for the Detroit Symphony Orchestra. Beneficiaries of his musical tutelage include leading names of today's jazz scene: pianist Geri Allen, bassist Robert Hurst, saxophonist Kenny Garrett, violinist Regina Carter and bassist Rodney Whitaker. The past five years Marcus has served as Professor of Jazz Trumpet at Oberlin University in Ohio.
 
In recognition of his outstanding artistry, vision, and life-long achievement in jazz education, Marcus Belgrave is the recipient of numerous honors including the Arts Midwest Jazz Master Award, the Michigan Governor's Arts Award, and the Louis Armstrong Award.

THE DELERIUM D-TOUR 2008 NORTH AMERICAN TOUR

DELERIUM- for the Grateful Web

Electronic music pioneers DELERIUM have announced the D-Tour 2008 North American Tour, which kicks off in Vancouver September 11 and ends in Atlanta October 4.  This marks the first major tour for front man Bill Leeb and Delerium in five years. Fans can expect guest vocalists from past Delerium albums to make special appearances, including Sixpence None The Richer's Leigh Nash and chanteuse Kristy Thirsk. Up and coming fellow Nettwerk artists Elsiane and Morgan Page will support the entire 16-date run.

Delerium has also been spending time in the studio working on their next project, an acoustic session that will be comprised of past hit singles as well as two new tracks. Since the release of their Nettwerk debut album Semantic Spaces in 1995, Delerium have gone on to sell over a million albums in North America alone, and are also known for a string of successful singles, including the worldwide dance smash "Silence" (featuring the talents of superstar Sarah McLachlan), which sold over 300,000 copies in the UK. Other hits have included "After All," "Innocente (Falling In Love)," "Underwater" and "Heaven's Earth."

Montreal's Elsiane - Elsieanne Caplette and Stephane Sotto - joins the bill in support of their debut album Hybrid (August 5), which CBC Radio 3 called "mind blowing."  Los Angeles-based electro house producer Morgan Page rounds out the bill with his up-tempo grooves that continue to top the Billboard Club play charts. The track "Longest Road" from his album Elevate (March 2008) was his first original chart-topper, making it all the way to #2 on the Billboard Hot Club Play Chart, sandwiched between megawatts Madonna and Michael Jackson.

Full tour dates as follows:

Date                City                              Venue

Sep 11            Vancouver                 Commodore Ballroom

Sep 12            Portland                     Wonder Ballroom

Sep 13            Seattle                        Showbox

Sep 15            San Francisco           Slim's

Sep 16            San Diego                  House of Blues

Sep 17             Los Angeles              El Rey Theatre

Sep 18             Anaheim                     House of Blues

Sep 21             Denver                       Gothic

Sep 24             Minneapolis               Myth

Sep 25             Milwaukee                  The Rave

Sep 26             Detroit                        Royal Oak Music Hall

Sep 27             Toronto                      Guvernment

Sep 28             Montreal                     Club Soda

Sep 30             NYC                             BB Kings

Oct 1                Washington                9:30 Club

Oct 4                Atlanta                         The Loft

Jethro Tull @ Red Rocks Photos - (8.12.2008)

Ian Anderson - photos by Mike Moran- for the Grateful Web

Ian Anderson and Jethro Tull played Red Rocks last night, the same venue where riots broke out at a Tull show back in 1971.  Ian briefly discussed the incident, which can be seen here.   Check back soon for Grateful Web's interview with none other than Ian himself!  Here are pictures from last night's Jethro Tull show as well as video clips.  We hope you enjoy the photos and video snippets.  Thanks to Anne for setting Grateful Web up with passes for the show.

 

Enjoy,

The Grateful Web

Creedence Clearwater LPs Reissued on Sept 30th, 2008

Creedence Clearwater- for the Grateful Web

The first six albums by Rock 'n' Roll Hall of Fame inductees Creedence Clearwater Revival will be reissued by Fantasy Records (a unit of Concord Music Group) on September 30, 2008 as six individual expanded-edition CDs. The set marks the legendary band's 40th anniversary. The albums — Creedence Clearwater Revival, Bayou Country, Green River, Willy & the Poor Boys, Cosmo's Factory and Pendulum, all originally released from 1968-70 —have been digitally remastered and contain an array of rarities: B-sides, unreleased studio and live material, even a summit between the band and Booker T & the MGs. The reissues will be presented in Digi-Paks that faithfully recreate each original album package in meticulous detail. All feature liner notes by world-class rock music journalists such as Robert Christgau, Ben Fong-Torres, Dave Marsh, Joel Selvin and Ed Ward.
 
These albums feature the original band from El Cerrito, California: John Fogerty (chief songwriter, vocalist and guitarist), Tom Fogerty (guitar), Stu Cook (bass) and Doug Clifford (drums). The four cut their teeth as a Tommy Fogerty & the Blue Velvets and later as the Golliwogs. Then, in 1967, after John's stint in the military, they reunited as Creedence Clearwater Revival and found their own groove, inspired by the music of their youth. "Although they sounded like no other band," Fong-Torres notes, "They redefined rock and roll. They showed, in the most entertaining way possible, how the music could embrace — and was, in fact, founded on — elements of R&B and the blues, country, folk, and jazz, as well as a world of other musical forms. Creedence were pioneers in the fusion of rock and country. They were roots before 'roots' took hold as a music genre."

A quick look at the individual reissues:
 
Creedence Clearwater Revival [Expanded Reissue]: This album included CCR's first smash hit, the Dale Hawkins song "Suzie Q," plus the classic cover of Screaming Jay Hawkins' "I Put a Spell on You." The reissue contains four bonus tracks: "Call it Pretending" (the B-side of the band's first single), the band's first recording of a cover of Bo Diddley's "Before You Accuse Me" (later re-recorded for Cosmo's Factory), a live version of "Ninety-Nine and a Half" recorded at the Fillmore Auditorium in 1969, and a full-length live version of "Suzie Q." Almost famous former Rolling Stone editor Ben Fong-Torres wrote the notes.
 
Bayou Country [Expanded Reissue]: Creedence Clearwater's second album was chock full of hits and much-played album tracks: "Proud Mary," "Born on the Bayou," the Little Richard cover "Good Golly Miss Molly," the seven-minute "Graveyard Train" and the eight-minute "Keep on Choogling." The reissue also contains a longer alternate take of the album track "Bootleg," live versions of "Born on the Bayou" and "Proud Mary," and a psychedelic blues jam recorded live by San Francisco's seminal KSAN-FM called "Crazy Otto." Annotator was San Francisco Chronicle pop music editor Joel Selvin.
 
Green River [Expanded Reissue]: Green River contained the hits and notable album tracks "Green River," "Bad Moon Rising" and "Lodi" plus a cover of Ray Charles' blues standard "Night Time is the Right Time." Bonus material includes "Broken Spoke Shuffle," the instrumental track to a song John Fogerty never finished, another unfinished track called "Glory Be," plus three live tracks: "Bad Moon Rising" from the 1971 Berlin concert, "Green River/Suzie Q" from the 1971 Stockholm show, and "Lodi," recorded in Hamburg. Liner notes by the esteemed critic Dave Marsh.
 
Willy & the Poor Boys [Expanded Reissue]: Willy came out in 1969, when, as annotator Ed Ward writes, "a period when Creedence, surely the most anomalous band in the San Francisco explosion of the late '60s, was also proving its most commercial seller of them all." The album contains the anthemic "Fortunate Son" along with "Down on the Corner" and a cover of the traditional folk song "The Midnight Special." Bonus tracks include live versions of "Fortunate Son" and "It Came Out of the Sky," plus an unreleased studio version of "Down on the Corner" recorded with Booker T & the MGs for a TV special at the band's Berkeley rehearsal hall. The song features John Fogerty trading licks with guitar hero Steve Cropper.
 
Cosmo's Factory [Expanded Reissue]: Cosmo's Factory was the fourth and biggest of the string of five Top 10 albums Creedence Clearwater Revival released in 1969 and 1970. Included were "Travelin' Band," "Lookin' Out My Back Door," "Who'll Stop the Rain," "Run Through the Jungle" and covers from Marvin Gaye (CCR's signature take on "I Heard it Through the Grapevine"), Bo Diddley, Roy Orbison and Arthur "Big Boy" Crudup. Bonus material includes a bare bones, horns-free remake of "Travelin' Band," a live version of "Up Around the Bend" from the 1971 European tour, plus an unreleased version of "Born on the Bayou" emanating from the CCR/Booker T & the MGs summit which took place in 1970 at Cosmo's Factory studio. Notes were penned by Robert Christgau.
 
Pendulum [Expanded Reissue]: Creedence by this time was the top-selling rock band in the world, coming off seven consecutive Top 10 hits. The album contained the hits "Have You Ever Seen the Rain," "Hey Tonight" and "Molina." Bonus tracks include a live "Hey Tonight" plus "45 Revolutions Per Minute (Parts 1 & 2), the rarest of CCR collectibles, which was packaged in a plain white sleeve alluding to the Beatles' White Album.  Produced under the spell of the Fab Four's "Revolution No. 9," the tape montage tries to impart the elusive Creedence humor with the help of Bay Area DJ Tom Campbell. Joel Selvin wrote the liner notes.

The 2008 Capitol Hill Block Party

Devotchka will play the Main Stage- for the Grateful Web

The 2008 Capitol Hill Block Party takes over Seattle's South Capitol Hill neighborhood July 25-26 with its best lineup yet. The Capitol Hill Block Party is an annual music festival that draws upon and showcases the best indie and underground rock in the US, with a special focus on its Northwest artists. Launched 11 years ago, the Block Party has evolved into one of Seattle's most anticipated outdoor music festivals. With over 50 bands on 4 stages, great food, and plenty of cheap beer, this is one of the best parties of the summer.

John Richards - KEXP Morning Show Host exclaims, "The Block Party has become the place that people go to discover any band worth discovering in Seattle.  With an added push towards better up and coming and some established alternative and independent bands in the mix, it's truly a great experience for anyone who attends.  It's also has become the one event that really brings the Seattle music industry together, albeit in the VIP section and somewhat intoxicated."

We have partnered with KEXP to broadcast selected live performances from several bands throughout the weekend. John Richards and Cheryl Waters and other KEXP DJ's will also be broadcasting their shows like from the festival Friday and Saturday day and night. And The crazies at The Stranger will also be filming and posting clips at their awesome music blog. http://lineout.thestranger.com

Partial proceeds from The Block Party benefit two excellent non-profits: Home Alive, which encourages violence prevention, and The Vera Project, a youth run all ages venue and recording studio in Seattle. 

The Block Party continues to be one of the least expensive festivals in the country, with tickets only $18 in advance and a 2 day pass for only $34.

 FRIDAY July 25

 KING COBRA STAGE
  
 4:00-4:30 Black Whales 
 5:00-5:30 The Pharmacy 
 6:00-6:45 Truckasaurus 
 7:15-8:00 Airborn Toxic Event 
 8:30-9:15 Champagne Champagne 
 9:45-10:30 Pleasure Boaters 
 11:00-11:45 The Heavy Hearts 
 12:15-1:00 Lesbian  

 VERA STAGE

 4:00-4:45 Talbot Tagora 
 5:15-6:00 Abe Vigoda 
 6:30-7:15 Mika Miko 
 7:45-8:30 PWRFL POWER 
 9:00-9:45 Say Hi 
 10:15-11:15 Natalie Portmans Shaved Head 

 NEUMOS STAGE

 4:00-4:30 Black Eyes And Neck Ties   
 5:00-5:45 Head Like a Kite   
 6:15-7:00 Past Lives    
 7:45-8:30 The Emergency   
 9:00-10:00 The Dodo's   
 10:30-11:30 Jay Reatard   
 11:30-3:00am SING SING AFTER PARTIES FEAT:  
 PASE ROCK, PAUL DEVRO, & PRETTY TITTY!
  
 MAIN STAGE

 4:30-5:15 Common Market   
 5:30-6:15 U.S.E   
 6:30-7:15 Menomena   
 7:45-8:45 Girl Talk   
 9:15-10:15 Les Savy Fav   
 10:45-Midnight Vampire Weekend   

 Saturday July 26th
     
 KING COBRA STAGE

 2:00-2:30 Angelo Spencer   
 3:00-3:30 New Faces   
 4:00-4:30 The Whore Moans   
 5:00-5:30 The Loved Ones   
 6:00-6:45 Sleepy Eyes Of Death 
 7:15-8:00 Voyager One   
 8:30-9:15 Valella Valella    
 9:45-10:30 Feral Children   
 11:00-11:45 Book Of Black Earth 
 12:15-1:00 Zeke

 VERA STAGE

 2:00-2:30 TBA 
 3:00-3:45 LP & BB 
 4:15-4:45 The Physics 
 5:15-6:00 Man Plus

 6:30-7:15 Black Elk 
 7:45-8:30 Akimbo 
 9:00-9:45 Grand Ole Party 
 10:15-11:15 Schoolyard Heroes

 NEUMOS STAGE

 2:00-2:30 Kristen Ward   
 3:00-3:30 The Hands   
 4:00-4:45 Darker My Love   
 5:15-6:00 The Builders and The Butchers   
 6:30-7:15 Jaguar Love   
 7:45-8:30 Throw Me the Statue   
 9:00-10:00 Steed Lord   
 10:30-11:30 Super Secret Special Guests! 
 11:30-3:00am SING SING AFTER PARTIES FEAT: 
   CHROMEO DJ Set, FOURCOLORZACK, & PRETTY TITTY!
    
 MAIN STAGE

 2:00-2:45 Kay Kay And His Weathered Underground 
 3:15-4:00 Cave Singers   
 4:30-5:30 Kimya Dawson   
 6:00-7:00 Fleet Foxes   
 7:30-8:30 Chromeo   
 9:00-10:00 The Hold Steady   
 10:30-Midnight Devotchka