sound

Buck Owens pre-Capitol 1950s recordings reissued on RockBeat

Buck Owens is synonymous with the Bakersfield sound of country music that also gave rise to the Maddox brothers and Rose, Tommy Collins, Ferlin Husky and in later years Merle Haggard.

Owens’ earliest recordings for independent labels in Southern California — ahead of his lucrative career on Capitol Records in the ’60s and ’70s — have been collected on Buck Owens — Bound for Bakersfield 1953-1956: The Complete Pre-Capitol Collection, scheduled for release on September 27 on RockBeat Records through e0ne Entertainment. The suggested retail price is $14.98.

The 24-song reissue opens with selections from his first known session in 1953 in Hollywood, which produced two singles (“Down on the Corner of Love” b/w “It Don’t Show on Me” and “The House Down the Block” b/w “Right After the Dance”) on Claude Caviness’ Pico Rivera-based Pep Records. It closes with a 1956 Bakersfield session that produced singles on Chesterfield Records and an album on La Brea Records. Included are previously unreleased alternate takes including an overdubbed version of “Hot Dog.”

Liner notes for Bound for Bakersfield were written by Rich Kienzle, a music historian with special expertise in West Coast country. RockBeat VP or A&R James Austin and Jim Shaw of Buck Owens’ Buckaroos compiled the collection.

According to Kienzle’s notes, “Buck Owens was 21 when he rolled into Bakersfield from Phoenix in May, 1951, a part-time musician and laborer who had his eye on a musical career. It would take some time. There were lessons to be learned and dues to be paid. But in the final analysis, the Buck of legend, of the raw honky-tonk vocals, catchy commercial tunes, twangy Fender Telecasters and churning, aggressive ‘freight train’ rhythms was forged in Bakersfield's honky tonks and recording studios there and in L.A. from 1951 to 1957.”

Owens is best known for his later Capitol Records hits like “Tiger by the Tail,” “Foolin’ Around” and “Act Naturally.” But his ’50s pre-Capitol recordings find him working in a honky tonk milieu (except for the rockabilly tracks such as the 1957 single “Hot Dog”). One can hear early flashes of the distinctive sound he'd perfect at Capitol, the sound that made him famous.

With his indie singles earning him both regional recognition and buzz from A&R departments at both Capitol and Columbia Records, Owens passed on New York’s Columbia (whose producer told Owens to “hold on” until he could come to the West Coast) in favor of Hollywood-based Capitol Records, which made him an offer on the spot. Owens was known to Capitol from his work on sessions by one of the originators of the Bakersfield sound, Tommy Collins. Buck’s own first Capitol session in 1957 aimed for a pop-rock audience, trying, as he later said, “to make the biggest hillbilly in Bakersfield into somethin’ he wasn’t.” In 1959, he was recorded as his true, honky-tonking self, with great success.

Kienzle notes, “Buck Owens was always known for his spot-on instincts. Clearly, his expectation that he’d have no recording career beyond Pep and the odd demo or two was a rare miscalculation. These raw, primal performances, blended with hundreds of hours onstage at the Blackboard (club in Bakersfield), were essentially part of a long rehearsal for the fame that came soon enough.”

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Track List:

1.            Blue Love (with Studio Chatter) (1953)
2.            Down on the Corner of Love (Alternate Take) (1953)
3.            Down on the Corner of Love (1953)
4.            It Don’t Show On Me (Alternate Take) (1953)
5.            It Don’t Show on Me (1953)
6.            The House Down the Block (Alternate take) (1953)
7.            The House Down the Block (1953)
8.            Right After the Dance (Alternate Take) (1953)
9.            Right After the Dance (1953)
10.         Hot Dog (1955)
11.         Hot Dog (Overdubbed Single) (1955)
12.         Rhythm & Booze
13.         There Goes My Love (Alternate Take) (1956)
14.         There Goes My Love (1956)
15.         Sweethearts in Heaven (Alternate Take) (1956)
16.         Sweethearts in Heaven (1956)
17.         Honeysuckle (1956)
18.         Country Girl (Leavin’ Dirty Tracks) (1956)
19.         You’re Fer Me (1956)
20.         Blue Love (1956)
21.         Please Don’t Take Her From Me (1956)
22.         Three Dimension Love (1956)
23.         Why Don’t My Mommy Wanna Stay with Daddy & Me? (1956)
24.         I’m Gonna Blow (1956)

The Jam Stampede Remembers Ron “Pigpen” McKernan

The Jam Stampede remembers Pigpen and will do a healthy dose of Pigpen on the day of his birthday, September 8. Plenty of Dead tunes will abound and we do one more spin around the sun for Pig.

Starting a rock band was actually Ron McKernan's idea, and he was its first front man, delivering stinging harmonica, keyboards, and beautiful blues vocals in the early years of the Warlocks/Grateful Dead. Nicknamed "Pigpen" for his funky approach to life and sanitation, he was born into a family that was generally conventional, except for the fact that his (Caucasian) father was an R & B disc jockey. And that sound put Pig's life on the rails of the blues from the time he was 12. Liquor, Lightnin' Hopkins, the harmonica and some barbecue - it was an unusual life for a white kid from San Carlos, but it was Pig's life.

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Mexicali Live

Show Date: September 8, 2011

Tickets : $8.00 in advance

Doors: 6:00pm

Show: 8:00pm

Band website

201-833-0011

1409 Queen Anne Road

Teaneck, NJ 07666

Yonder Mountain String Band's NYE Celebration

97.3 KBCO is proud to present the Yonder Mountain String Band’s Colorado Countdown New Year’s Eve Celebration at the Boulder Theater Tuesday, December 27th, 2011 through Saturday, December 31st, 2011. Tickets will go on sale to the public on Wednesday, August 31st for $35.00 General Admission, $65.00 New Year’s Eve and $185.00 for the 5-Day Pass.

The Dang-It Bobbys Release New Album 'Big Trouble'

The Dang-it Bobbys, whose sound The New York Times described as “lovely riffs on bluegrass, country and folk music,” will release on September 20 its sophomore album, BIG TROUBLE, the follow-up to its 2009 debut, SOMETHING IN THE AIR. While many of the band’s riffs are lovely, there is much more: ingenious combinations of musical styles as well as smart, funny lyrics and a special energy that is downright contagious.

The Dang-It Bobbys will play the CD Release Show at 10 p.m. Saturday, September 24, at Rockwood Music Hall, 196 Allen St. in New York City. Complimentary Cover; information: 212.477.4155.

The Dang-it Bobbys, led by multi-instrumentalist Kris Bauman, explore what the word “Americana” truly means on the upcoming release, which features musicians from the New York City bluegrass, jazz, rock and country music scene, The band is a real melting pot of American music, showcasing the talents of blues/funk guitarist Luca Benedetti (ulu), jazz/classical violinist Alan Grubner (Henry Threadgill, Howard Levy), jazz bassist Chris Higgins (Pat Metheny), bluegrass mandolinist Dan Marcus (Norah Jones), and the 2001 RockyGrass Dobro champion, Todd Livingston (Earl Scruggs).
The Dang-it Bobbys’ unorthodox background is clearly evident on the autobiographical title track “Big Trouble,” a cautionary tale for would-be travelers to Mexico, juxtaposing a bluegrass style 4/4 and English lyrics with a traditional Mexican 3/4 feel and “gringo-ized” Spanish. On “Hey Guess What,” the cyclical form, heart-wrenching harmonica and mantric snare drum provide the backdrop to a mother’s attempt to come clean to her daughter. “Heading Out,” an unconventional ballad, showcases the band’s range of both intensity and tenderness.
The Dang-it Bobbys garner influence from all facets of American music, from bluegrass and country to jazz and blues. It is this flavorful stew of styles, coupled with the artistry of the adroit musicians featured on BIG TROUBLE, that give The Dang-it Bobbys an unquestionably American sound.
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Upcoming Performances:
September 24, Rockwood Music Hall, New York
October 2, 9, 16, 23, 30, Pete’s Candy Store, Brooklyn

Zach Deputy Celebrates Another Day

On his upcoming release Another Day, soul-singer and guitarist Zach Deputy-- with the help of Grammy-winning producer Scott Jacoby-- taps into the spirit of Al Green, Taj Mahal and Stevie Wonder, creating a soulful rhythm and blues album rich with ballads and mid-tempo songs. The record will appeal to fans of contemporary artists like Jack Johnson and Amos Lee, while retaining a classic sound and feel. Full of hope and anticipation of the promise of another day, a new day, it is a pivotal point in the career of a touring musician heretofore known as a master of live looping and a staple in the grass-roots club and festival circuit.

An appropriately titled album, Another Day is truly an album in the classic sense— a collection of songs that come from the same time and place, inspired by the same muse. Reflective and introspective, it provides a glimpse at the soul of an artist and the depth of a songwriter. As a boy, the music of Zach Deputy's Puerto Rican, Cruzan and Irish heritage was cooked up in the South Carolina heat. The Calypso rhythms and folk songs of St. Croix competed with the R&B / soul of pioneers like James Brown and Ray Charles for space on the family stereo. As Zach honed his craft, a unique hybrid of these influences emerged, ultimately creating the signature Zach Deputy sound-- what he calls "Island-infused, Drum 'n' Bass, Gospel-Ninja-Soul" that has made him a hot up-and-coming artist. However, this is the one-man-band sweaty dance party side of the coin. That same gumbo of influences has the humid, sultry, quieter side, too. This is the side of the slow dances... the bodies pressed close together and the quiet voices whispering in each other’s' ears. Another Day is a warm, mellow album, one that is perfect for after hour soirees... and if Zach Deputy is about sunshine,Another Day is about sunsets.

Best described as soulful rhythm and blues, Another Day features 11 original tracks produced with Grammy award winning Scott Jacoby over just 5 days in Mission Sound Recording in Brooklyn, NY. To handle the ever-present Latin, Caribbean and African elements in Zach Deputy's backbeat and place them in the contemporary soul / pop format of the songs, Jacoby tapped Graham Hawthorne (Aretha Franklin, Harry Belafonte, Paul Simon, David Byrne) for the drum kit. Bassist Al Carty came into the studio after having played four church gigs that day. Despite the list of artists he has recorded or toured with (Lou Reed, De La Soul, Carrie Underwood, Gavin DeGraw), the church gigs alone proved that Jacoby was on the mark with this choice for the low end. Zach Deputy is, after all, a soul singer whose music is underpinned by Gospel as much as by any other musical idiom. Equally at home in the Gospel tradition, pianist / organist Will Buthod (Jay-Z, Fat Joe, Alicia Keys, The Harlem Gospel Choir) completed the studio trio that fleshed out Zach's vision for the recording-- a vision made real by Jacoby's pitch perfect choice of accompanists. These four accomplished professionals met for the first time on the first day of recording and worked as if they were old friends with a common purpose.

Another Day will hit the streets on September 27th following four shows in two days at the Rockwood Music Hall in New York City. The event will kick off a full-scale national tour with dates booked throughout the country. For ticketing and performance information check out www.zachdeputy.com.

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ON TOUR:

8/5/2011              Camp Creek Festival - Oxford, Maine
8/6/2011              Naukabout Festival -  East Falmouth, Cape Cod,  Massachusetts
8/9/2011              Songs at Mirror Lake Music Series - Lake Placid, New York
8/10/2011            The Westcott Theater - Syracuse, New York
8/11/2011            Southpaw - Brooklyn, New York
8/12/2011            Ocean Mist- South Kingstown, Rhode Island
8/13/2011            The Royal Family Affair at Stratton Mountain - West Wardsboro, Vermont
8/13/2011            Club Helsinki - Hudson, New York
8/16/2011            Divan Orange - Montreal, Quebec
8/17/2011            Kirkland Arts Center - Clinton, New York
8/18/2011            Bella Terra Festival at Gardner's Field -  Stephentown, New York
8/19/2011            Trenton Social Courtyard - Trenton, New Jersey
8/20/2011            Camp Barefoot - Bartow, West Virginia
8/21/2011            Great Bay Music Festival- Dover, New Hampshire
8/24/2011            The Otter House- Fredericksburg, Virginia
8/25/2011            The Jewish Mother- Virginia Beach, Virginia
8/26/2011            Outer Banks Brewing Station - Kill Devil Hills; North Carolina
8/27/2011            Blarney Stone's Pub and Music Hall- Myrtle Beach, South Carolina
8/29/2011            Big Bamboo Cafe - Hilton Head, South Carolina
9/8/2011              8 x 10 - Baltimore, Maryland
9/9/2011              Appalachian Brewing Company - Harrisburg, Pennsylvania
9/13/2011            Rockwood Music Hall (Stage 2) - New York, New York
9/14/2011            Rockwood Music Hall (Stage 2) - New York, New York
9/15/2011            The Met Cafe at Hope Artiste Village - Pawtucket, Rhode Island
9/16/2011            Wormtown Music Festival-Camp Kee Wanee - Greenfield, Massachusetts
9/17/2011            Wormtown Music Festival-Camp Kee Wanee - Greenfield,  Massachusetts
9/21/2011            Bayou Bill's - Valdosta, Georgia
9/22/2011            Blackwater Music Festival at Spirit of the Suwanee Music Park - Live Oak, Florida
9/23/2011            Skipper's Smokehouse - Tampa, Florida
9/24/2011            Culture Room - Fort Lauderdale, Florida
9/25/2011            Beachside Tavern - New Smyrna Beach, Florida
9/28/2011            Handlebar - Pensacola, Florida
9/29/2011           New Earth Music Hall - Athens, Georgia
9/30/2011           Matilda's Art Gallery and Music Venue - Alpharetta, Georgia
10/1/2011           The Emerald Lounge - Asheville, North Carolina
10/6/2011           Gnat's Landing - Statesboro, Georgia
10/11/2011         Woodlands Tavern - Columbus, Ohio
10/12/2011         The Castle Theatre - Bloomington, Illinois
10/13/2011         Red Sky Lounge - Mankato, Minnesota
10/14/2011         Cabooze - Minneapolis, Minnesota
10/15/2011         The Aquarium - Fargo, North Dakota
10/18/2011         The Zebra Cocktail Lounge - Bozeman, Montana
10/19/2011         Top Hat Lounge - Missoula, Montana
10/20/2011         Tractor Tavern - Seattle, Washington
10/21/2011         Berbati's Pan -  Portland, Oregon
10/22/2011         Humboldt Brews - Arcata, California
10/25/2011         Lost on Main - Chico, California
10/26/2011         The Mint - Los Angeles, California
10/27/2011         Winstons - San Diego, California
10/28/2011         Marilyn's on K - Sacramento, California
10/29/2011         The Independent - San Francisco, California
10/30/2011         The Underground - Reno, Nevada
12/30/2011         TheBond-Fire Art and Music Festival - Groveland, Florida

Rubblebucket 2011 Summer/Fall U.S. Tour!

Brooklyn-based art-pop band Rubblebucket is heading out on an expansive summer/fall tour. Hitting New York, Los Angeles, SF, Chicago, Philadelphia, Boston, Portland, Atlanta and a series of other cities, the eight-piece art pop group is happy to take their infectious, genre spanning music out on the road.

In honor of the new tour, Rubblebucket is happy to announce Paste Magazine’s premiere of the band’s latest single, “Came Out of a Lady.” Listen to the track HERE. Writing on the site, Paste noted that “As one of the LP’s standouts, “Came Out of a Lady’s” hilarious lyrics perfectly showcase Traver’s buttery vocals, while allowing for the group’s soulful instrumentation to highlight the song’s silly tone.” In conjunction, the band has also premiered their latest video for their “L’homme” with Consequence of Sound this morning. Watch the video HERE and read CoS’ premiere HERE.

2011 has been a breakout year for Rubblebucket. Releasing Omega La La this summer, Rubblebucket has earned praise from across the spectrum, with critics at Paste MagazineBlurt, Stereogum, and more hailing the band as one of most promising up-and-coming bands in the U.S. Some critics have even gone as far as labeling the band’s upbeat, multifaceted sound “Yes Wave,” in opposition to the nihilistic, late-70s New York genre. Recorded last year at Plantain/DFA Studios with Producer Eric Broucek (LCD Soundsystem, Cut Copy, Hercules and Love Affair) at the helm, Omega La la is the Brooklyn eight piece’s most adventurous record yet, with the band dipping into everything from the dancey indie-pop arrangements to Fela-Kuti inspired afro-beat stomps.

For Rubblebucket, it’s been a long journey to make Omega La La. Led by the musical couple of bandleader/trumpeter Alex Toth and frontwoman Kalmia Traver, Rubblebucket has spent the last four years building a reputation as a band that blurs the lines between psychedelic indie rock, upbeat dance, and radiant, left-field arrangements. In 2009, Rubblebucket released a self-titled album that turned heads. SPIN hailed the band as a "must-hear artist from the CMJ Festival” in 2009 and the band won that year’s Boston Music Award for Live Act of the Year.  The band then relocated to Brooklyn and released the Triangular Daises EP in 2010. A stylistic precursor to Omega La La, the Triangular Daises EP was hailed by The Wall Street Journal, NYLON, Paste, and a host of others.

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Rubblebucket Summer/Fall Tour Dates:
08/13: Burlington, VT @ Grand Point North
08/18: Stephentown, NY @ Bella Terra
08/19: Brooklyn, NY  @ Brooklyn Bowl * 
08/20: Sheldon, VT @ Liberate Festival
09/03: Chicago, IL @ North Coast Festival
09/04: Mohawk, NY @ Moe.Down
09/10: Peru, NY @ Backwoods Pondfest
09/30: Boston, MA @ Paradise Rock Club
10/01: Syracuse, NY @ The Westcott Theater
10/05: Philadelphia, PA @ The Blockley
10/06: Baltimore, MD @ Sound Stage
10/08: Roseland, VA @ The Festy
10/10: Lexington, KY @ Cosmic Charlie's
10/13: Urbana, IL @ The Canopy Club
10/14: Chicago, IL @ Double Door
10/15: Grand Rapids, MI @ Founders
10/16: Milwaukee, WI @ Turner Hall Ballroom
10/17: Iowa City, IA @ Gabe's Oasis
10/18: St. Louis, MO @ The Old Rock House **
10/21: Denver, CO @ Cervantes' Other Side
10/23: Aspen, CO @ Belly Up
10/25: Salt Lake City - UT @ Kilby Court
10/27: Seattle, WA @ Crocodile, Cafe
10/29: Portland, OR @ Mississippi Studios
11/02: San Francisco, CA @ TBA
11/04: Los Angeles, CA @ TBA
11/05: San Diego, CA @ Soda Bar
11/06: Flagstaff, AZ @ Green Room
11/08: Austin TX @ Beauty Bar
11/10: Mobile, AL @ Alabama Music Box
11/11: Live Oak, FL @ Bear Creek Music & Arts Fest
11/12: Atlanta, GA @ Drunken Unicorn

* Janka Nabay & Diamond Doves support
** Trombone Shorty co-headline

Chad Stokes of State Radio at the Fox Theatre

Z2 Entertainment is proud to present Chadwick Stokes at the Fox Theatre on Tuesday, September 20th.  Tickets go on sale Friday, June 24th for $17.00.

It takes a certain type of musician to hop freight trains and barrel across the vastness of North America with his brother and cousin.  Especially for an artist who, just years before, sold out Madison Square Garden for three consecutive nights. CHAD “CHADWICK” STOKES is anything but a typical rock star. So, there was the singer-guitarist for bands Dispatch and State Radio, wading across a river to escape the chasing railroad bulls and hanging in the different down and out jungles with other traveling folks. And in the end, after the three had finally reached the West Coast and were laying face down in the dirt at gunpoint care of the NSA, he says it was all well worth it.

“I had ridden the trains a little bit in the past for a day or two but I had never done it for weeks at a time,” Stokes says. “I discovered an America that I knew was out there but had limited experience with.  There's all kinds of people out on the rails:  people simply trying to get from point A to B, people running from whatever they left behind, people with nowhere else to go.  You get to see a part of America that only the trains go through -- remote stretches without any sign of mankind."  It was out on these long isolated stretches and in the inner city train yards that Stokes found the inspiration for his solo debut, titled SIMMERKANE II.

At a time when the term Indie-rock refers more to a guitar sound then doing anything truly independent, Stokes is an artist who has genuinely lived the credo. Unassisted by a major label, his band Dispatch arose from the college circuit to become an international musical phenomenon. With only a celebrated live show and a series of self-released albums the band was not only able to sell out Madison Square Garden several times but attract 110,000+ fans to a Boston concert.

While riding the rails, Stokes made a designated stop so his band, State Radio, could play an anti-war concert at the Denver Coliseum with Rage Against The Machine.  It is a DIY social consciousness that Stokes came to early in life - growing up as a pacifist, working in Zimbabwe after high school and eventually co-founding the Elias Fund, the Dispatch Foundation, and now Calling All Crows.  In 2008, Stokes was honored as Humanitarian of the Year at the Boston Music Awards.

Simmerkane II, a proper follow-up to the State Radio EP (Simmerkane I), is a marked evolution in the musician-songwriter’s creative journey. Produced by John Dragonetti (of The Submarines), the album features background vocals from Carly Simon, Matt Embree (Rx Bandits), The White Buffalo, Blake Hazard (The Submarines), and Sierra Leone's Refugee All Stars. The sound is an engaging mix of Americana, country, folk and rock in the service of some undeniably evocative lyrics. The songs tell a loose narrative of travel, love and loss, like some re-imagined rock-n-roll odyssey.

Simmerkane II is an ambitious album about discovery, loss and moving on. What begun as a journey across an unseen America becomes a moving musical tribute to the resilience of the human heart. “The album was initially inspired by the freight train trip with my brother and that vast underworld that exists out there,” Stokes explains. “But then it’s also about growing up on the farm and losing loved ones; a young man learning about life.” In his spare time, Stokes can still be found hopping trains with his beloved travel companion, Lefty.

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Chadwick Stokes of State Radio & Dispatch

Fox Theatre

Tuesday, September 20th

Doors:  8:30 pm

Show Time:  9:00 pm

Paper Bird w/ Dovekins at the Boulder Theater

97.3 KBCO & Westword are proud to present Paper Bird with Dovekins at the Boulder Theater on Thursday, September 8th, 2011.  Tickets go on sale Friday, June 24th for $14 General Admission tickets.

Paper Bird’s backbone is their songwriting, musicianship and a general allergy to all limitations and trends. With seven members and no leader, this band is pulled in every direction imaginable, but thanks to their unique instrumentation they are able to merge their spontaneous creativity into one, solid sound.

The members of the band- Sarah Anderson, vocals and trumpet; sisters Esmé and Genny Patterson, vocals; Tyler Archuletta, trombone; Paul DeHaven, guitar; Caleb Summeril, banjo; Macon Terry, upright bass – bring a Folk, Americana sound that pays homage to the American Bandstand of the 1950’s, with a hint of Roaring 20’s flare. But don’t be thrown off by their old-timey sound, Paper Bird maintains the Indie rock image and resonance of the current age with a progressive and complex style that keeps them on the forefront of the music scene. The band’s inception came a few years ago in Breckenridge, Colorado where they met for the first time. The members were busking in the streets where they earned a couple hundred dollars, bought some beers and dinner and decided to form a band. Shortly after they went into the studio and recorded their first self-released album Anything Nameless and Joymaking (2007), which has been a top selling record in local retail stores since its release.

The seven-piece Americana Folk band is boasted by three female lead singers and backed by outstandingly talented musicians, continually capture the hearts of new and old listeners. They were recently featured on NPR’s All Things Considered due their rare and beautiful approach to music. They were voted in the Top 10 Best Underground Bands by Denver Post two years in a row. In the last year they have played Red Rocks Amphitheater to over 8000 people and have shared the stage with Devotchka, These United States, Grace Potter & the Nocturnals, Brett Dennen, and Big Head Todd & the Monsters. Their haunting and authentic sound is a refreshing and breath taking experience.

The female vocals create a soulful, dynamic harmony that accentuates each singer, while giving the illusion of a single voice. The trombone, banjo, and guitar elevate the music to a higher level while the skilled notes of the bass reflect the harmonies. Each style bounces off the other, while each note appreciates the other. They make audiences feel love, excitement, and passion. A show not to be missed, a band that must be heard: Paper Bird is one of a kind.

Also, appearing is Dovekins who is made up of six goonish characters that are fun-loving and appreciate a good time.  Their shows have a range of instruments including stand-up bass, accordion, clarinet, piano, mandolin, trombone, banjo, tuba, spoons and washboard.  A psychedelic hoe-down may ensue.

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Paper Bird w/ Dovekins

& Spirits Of The Red City and The Claptet

Boulder Theater

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Thursday, September 8th, 2011

Doors:  7:00 pm

Show Time:  7:30 pm

Wagons' 'Rumble, Shake & Tumble' is twisted country-rock from Oz

While the title Rumble, Shake & Tumble goes a long way in describing Wagons’ unruly yet easy-to-like roots-rock sound, all you really have to do is listen to the disc’s opening lines.

Dr. Michael White's "Adventures in New Orleans Jazz, Part 1" Out 6/21

Basin Street Records is pleased to announce the June 21, 2011 release of Dr. Michael White’s Adventures in New Orleans Jazz, Part 1 (Part 2 will be released in early 2012).  This is the fifth release of Dr. Michael White’s on the Basin Street Records label following A Song for George Lewis, Jazz from the Soul of New Orleans, Dancing in the Sky, and Blue Crescent.

Adventures in New Orleans Jazz is an exciting journey of sound which blends traditional jazz with influences and songs from diverse sources, like Africa, the Caribbean and popular music from the 1960s and 70s.  This idea of converting tunes from other genres into the New Orleans jazz language goes back to early pioneers like Jelly Roll Morton, Sidney Bechet and Louis Armstrong – who all contributed their own unique variations of the style.

White has recorded 10 projects under his own name and has participated on over 40 recordings including the latest projects of Eric Clapton, Paul Simon, and Marianne Faithful.

Dr. Michael White is a leading figure in traditional New Orleans Jazz and one of only a few to creatively carry on the rich clarinet sound and style of that city.  He is a descendant of several first generation jazz musicians, including clarinetist Willie Joseph and reedman Earl Fouche.  He studied clarinet with noted band director Edwin Hampton and was a member of the esteemed St. Augustine High School Marching 100 and Symphonic Band.  In line with New Orleans tradition, White began his jazz career by playing for several years in local brass bands for social club parades and jazz funerals.

Among the numerous awards and honors White has received are the French Chevalier of Arts and Letters and the National Endowment for the Arts’ National Heritage Fellowship Award. In 2010 he was named Louisiana Humanist of the Year by the Louisiana Endowment for the Humanities, and he also won the Offbeat Magazine Best of the Beat Award as Clarinetist of the Year, and Gambit Magazine’s Big Easy Entertainment Award for Traditional Jazz Artist of the Year.

Basin Street Records is a New Orleans based label that is currently the only label with 3 projects on the Billboard Jazz Chart (printing 5/21/11 #10-Rebirth Brass Band’s Rebirth of New Orleans, #11 Irvin Mayfield’s A Love Letter to New Orleans & #16 Kermit Ruffins’ Happy Talk.

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Download “West African Strut” HERE