sound

JEFF DAVIS BAND Tonight At Cornelia Street Café

Jeff Davis is known as the “propulsive force" behind a host New York mainstays, including bassist Michael Bates, multireedist Oscar Noriega, pianists Jesse Stacken and Landon Knoblock. On his debut album, We Sleep Outside, Jeff Davis showcases his command of a deeply focused and distinctly improvisational style. Davis guides his band just to the edge of chaos while at the same time exercising focus and restraint. Davis’ band has been working together since 2006, and features some of New York’s great improvisers, including Oscar Noriega, Kirk Knuffke, Jon Goldberger, and Eivind Opsvik. Together, the group blurs the line between composition and improvisation, with equal focus on collective improvisation and the individual soloist. It is just this approach that results in a sound both minimalist in construction and intensely complex in approach.

CORNELIA STREET |  CAFÉ 29 Cornelia Street, NYC, New York | 212-989-9319
between West 4th and Bleecker Sts, Greenwich Village
1 Subway to Sheridan Square; A, C, E, B, D, V, F to West 4th St.

Big Gigantic to Release New Album Sept. 1

STS9's boutique record label, 1320 Records, proudly presents A Place Behind the Moon, the new full-length studio release from BIG GIGANTIC (September 1, 2010 / 1320 Records).

A Place Behind The Moon explores a unique mixture of electronic and acoustic styles, clearly defining the vision that brainchild and saxophonist/producer, Dominic Lalli, and drummer, Jeremy Salken both conceived and mastered. This sophomore effort is the strongest statement to date by Big Gigantic and it effortlessly combines saxophone and syncopated drum rhythms with intoxicating, intertwining electronic undertones, truly bringing a unique sound to the evolving, electronic genre.  A Place Behind The Moon demonstrates how Big Gigantic successfully delves deep into the future of electronic music, while staying in touch with their own musical roots, to ultimately create a history all their own.

Get a sneak peak of the single, Limelight, in this video.

A Place Behind the Moon Tracklist:
1. Looking Back

2. Sky High

3. Lucid Dreams

4. Limelight

5. Solitude

6. Step Up

7. Driftin

8. High And Rising

9. Shine

10. Cloud Nine

11. Breaking Point

***

12. A Place Behind The Moon (bonus track feat. STS9)

After spending recent months in the studio sharpening the sounds of APBTM, the two-man sound machine of Big Gigantic continue to magnify their reach and reputation with a future that shows no signs of slowing down as they hit the road this Fall for dates with STS9, Alex B, and Ana Sia, including headlining shows from the Mid-West to the South.

Big Gigantic Upcoming Tour Dates:

September 1            Zydeco - Birmingham, AL

September 2            Bourbon Street - Auburn, AL

September 3            Live Wire Music Hall - Savannah, GA

September 4            Big & Hearty Festival - Gainesville, FL

September 11          Red Rocks Amphitheater - Morrison, CO w/ STS9, Ghostland Observatory

September 15          Miramar Theatre - Milwaukee, WI

September 16          The Majestic - Madison, WI

September 17          The Cabooze - Minneapolis, MN

September 18          The Venue - Fargo, ND

September 23          Cosmic Charlie's - Lexington, KY

September 24          Tall Tree Lake Festival - Goreville, IL

September 25          Zanzabar - Louisville, KY

October 19               Soul Kitchen - Mobile, AL w/ Alex B

October 20               Varsity Theater - Baton Rouge, LA w/ Alex B

October 21               Trees - Dallas, TX w/ Alex B

October 22               The Parish - Austin, TX w/ Alex B

October 23               Last Concert Cafe - Houston, TX w/ Alex B

October 27               Bourbon Theater - Lincoln, NE w/ Alex B

October 28               Granada Theater - Lawrence, KS w/ Alex B

October 29               2720 - St, Louis, MO w/ Alex B

October 31               George's Majestic - Fayetteville, AR

November 2             Proud Larry's - Oxford, MS w/ Ana Sia

November 3             Exit  / In - Nashville, TN w/ Ana Sia

November 4             New Earth - Athens, GA w/ Ana Sia

For more information please visit www.biggigantic.net and www.1320records.com.

Conceived in 2008, Big Gigantic found their niche and created a name for themselves in the electronic music scene by combining vibrant jazz melodies over pulsating dance beats to deliver an innovative, distinct sound that's all their own.  Big Gigantic made a profound impact on the scene as they began playing modest gigs around their home state of Colorado, almost instantaneously started to headline shows in clubs around the country and also, made a splash at major festivals, including Lightning in a Bottle, Wakarusa, ROTHBURY, and more. Consistent touring has given the band a chance to hone their musicianship as well as diversify and perfect their live performance. Big Gigantic showcases an amplified array of compositions that combine elements of a DJ and live band, leaving fans from coast to coast anticipating more.

Energetic & Inspiring, Spiritual Rez is delivering the goods

This 6-piece roots-reggae, rock outfit is packing out clubs on a nightly basis and breaking out brand new material off of their newest release, The NexusSpiritual Rez is quickly becoming the talk of 2010.

Winners of the 2007 Boston Music Award for Best World Music Act and Alumni of the prestigious Berklee College of Music, the band provides a fresh blend of Reggae, Funk, Afrobeat and Rock to give one of the most energetic live shows around.

The band’s newest release, The Nexus, is a winning combination of the group’s positive songwriting, energy-filled live performances and their heavily inspired roots-reggae sound. “Alone Again”, showcases the group’s ability to create infectious grooves mixed with bright horn lines and searing guitar, all while giving a nod to the influences of an earlier, gentler, Wailers sound.  The powerful, “Rollin’ Dutches”, captures the band’s Ska-punk roots with tight changes and quick-lipped lyrics. The albums closing cut,  “More Than I Am”, brings everything all together.  The bands positive grasp on life shines through in Toft Willingham and Van Gordon Martin’s lyrics as the rest of the group holds it down.  The dueling patterns of guitar and horns are very tasteful and the ending crescendo reels in the listener, leaving them wanting more.

What really shines about The Nexus, is how the band’s lively stage performance and organic musicianship is captured in the studio.  The Sweat-inducing, body-shaking grooves that are created every night on tour, are recreated and mixed with expertise.  This allowed the band to formulate, The Nexus, into an emotion filled experience that really punctuates the being of Spiritual Rez.

There’s no stopping Spiritual Rez!  After years of touring the country, performing at prestigious events (Bear Creek Music Festival, Camp Bisco and The Lake Eden Arts Festival) and promoting an uplifting mix of music and attitude, the band has been fortunate to share the stage with many of their influences.  These include George Clinton and Parliament Funkadelic, Toots and The Maytals, Steel Pulse and Bernie Worrell (Funkadelic original member, Talking Heads), who has often been a featured member. These experiences have given Spiritual Rez the ability to hone their sound and songwriting, but also share their take on reggae and funk with some of the biggest innovators of those genres.

The Boston-based band has been described by Skipper’s Smokehouse (Tampa, FL) as having “the ferocious live energy and bombast of the Red Hot Chili Peppers and PFunk, to their own blending of chill island grooves with raucous urban tribal vibes.

Their live experience continues to leave a trail of worn-out dancers as Spiritual Rez is now recognized as a band with "a higher consciousness of respect and energy through music" and will continue to grow in the hearts of music fans across the globe.

Check out Spiritual Rez with special guest Bernie Worrell on Friday, September 17th, 2010 at The Paradise Rock Club & Lounge

Beats Antique Play DENVER At Ogden Theatre

Growing like wildfire under the canopy of live electonica and world roots music comes a masterful merge of modern technology, live instrumentation and seductive performance, built of brass bands and glitch, string quartets and dubstep: the musical trio Beats Antique.

Since the group’s inception from the eclectic underground of San Francisco’s performance art scene, Beats Antique has been notorious for making it nearly impossible to sit still. They meld their mediums as attentively as they fuse the cultures that inspire their sound. All self produced and composed, the trio creates a unique collage: an animalistic, raw musical event that blurs the lines between the provocative, the spiritual, and the artistic, while still maintaining an allegiance to the muses of class and beauty.

The journey that led to Beats Antique today was a winding and twisted path from the west coast to the ancient trade routes of the silk  road. In this modern incarnation, the musical alliance of producers David Satori and Tommy Cappel is inspired and emphasized by their collaborative partnership with world-renowned belly dance performer and music producer Zoe Jakes.

David Satori and Tommy Cappel both trained classically before venturing to locations such as Bali, West Africa, Serbia and beyond. With extensive backgrounds in multicultural music production, and the passports to prove it, Satori and Cappel command the spectrum of live and digital instrumentation, born from Hip Hop and old school jazz.

Zoe Jakes adds a third dimension as the multi –cultural and –disciplinary dance counterpart to Beats Antique’s sound. Jakes has worked with 2 major dance troupes, Miles Copeland’s Bellydance Superstars and Rachel Brice’s Indigo Belly Dance Company, a student of ballet and contemporary techniques. Jake’s additional history with Cappel in the Extra Action Marching Band and the Yard Dogs Road Show grants some insight into the caliber of performance that is Beats Antique’s standard.

All of this sets the scene for Beats Antique’s overtly ambitious stage show, a sensory overload conquest of the festival circuit’s most riotous events, such as Lollapalooza, Austin City Limits festival, and Outside Lands, as well as a catalog of proper tours that include Bassnectar and a recent run with Les Claypool of PRIMUS in early 2010. According to Satori, the trio is excited by their ability to create a huge sound from their relatively small setup. “It gives us this whole new world of musical opportunities that we’re just starting to scratch the surface of.”

In a prolific 3 years since Beats Antique emerged, the group has released 2 albums and a pair of EPs, with a third album, Blind Threshold, on the way. Notable features of the new release include vaporous violins and Danny Elfman-esque dementia; glitchy, laser-guided harmonica provided by Blues Traveler frontman John Popper; and 2 very different vocal tracks that range between restless pop hooks and vibrant Eastern European dance loops. All wrapped into an intricate collection of heavy beats and sub bass.

Beats Antique is best imagined as an innovative creature built from the cumulative heritage of the world’s music chasing its tail. However vivid that image, when a marching band groove crashes into bluesy folk chords only to be accompanied by electronic beats and Middle Eastern melodies, you’ll still be surprised

US TOUR:

8/21 - Stephentown, NY - Bella Terra Music Festival
8/28 - Eugene, OR - McDonald Theatre
9/10 - Clarks Grove, MN - Harvestfest - Harmony Park
9/11 - Minot, ME - 1st Annual Dankfest
9/17 - Laytonville, CA - Earthdance
9/18 - Denver, CO - Ogden Theatre
9/24 - Seattle, WA - Decibel Festival @ Motor
9/25 - Arcata, CA - Aracata Theatre
9/28 - Fargo, ND - The Aquarium
9/30 - Madison, WI - Majestic Live
10/1 - Milwaukee, WI - Miramar Theatre
10/2 - Chicago, IL - Abbey Pub
10/3 - Grand Rapids, MI - The Intersection
10/6 - New Orleans, LA - Republic
10/9 - Austin, TX - Austin City Limits
10/11 - Mobile, AL - Alabama Music Box
10/12 - Birmingham, AL - Zydeco
10/13 - Nashville, TN - Exit/In
10/14 - Asheville, NC - TBD
10/15 - Charleston, SC - The Pour House
10/16 - Athens, GA - New Earth Music Hall
10/17 - Atlanta, GA - Masquerade - Hell Room
10/22 - Allston, MA - Harpers Ferry
11/11 - Vancouver, BC - Biltmore Cabaret
11/12 - Edmonton, AB - The Pawn Shop
11/13 - Calgary, AB - Royal Canadian Legion

The Black Ryder Announce Tour Dates With The Cult

Straight from the land of OZ, The Black Ryder are set to release their full length Buy The Ticket, Take The Ride on September 21st via Mexican Summer. Harping a comforting 90's sound of rhinestone drone, this amazing record is a true trip from start to finish and will be released digitally, on CD, and vinyl.
Previously released only in Australia in 2009, Buy The Ticket, Take The Ride is chock full of brooding vocals and dark mysterious paths on a pitch black open road. Complimented with comfort by a tambourine beat of dreams, singer Aimee Nash's voice is a soothing romp, effortlessly partnered with guitarist Scott Van Ryper. TBR is a carefully thought out process of melody, sound, texture, time, space, dynamics, mood, and effect. Says Nash "It is a labor of love that is carefully constructed with particular emphasis on melody, harmony, and placement. This makes more sense to me than trying to draw comparisons or categorizing ourselves into any one genre or style of music." Standouts like "All That We See" and "Gone without Feeling"  are psychedelic markers of calm on this strong debut.
Whilst this collection of recorded works was all done by the band themselves, The Black Ryder has had the great pleasure of working with Peter Hayes & Leah Shapiro of Black Rebel Motorcycle Club, and Graham Bonnar (ex-Swervedriver). The band made their live debut on the B.R.M.C Australian tour (January 2008) and have since opened for The Raveonettes, The Brian Jonestown Massacre & The Charlatans.

TOUR DATES
(More TBA)
Sept 14 - 4th + B - San Diego
Sept 16 - Palm - Las Vegas
Sept 19 - Warfield Theatre - San Francisco
Sept 21 - Showbox Sodo - Seattle
Sept 22 - The Knitting Factory - Spokane
Sept 24 - Salt Air Pavilion - Salt Lake City
Sept 25 - Ogden Theatre - Denver

Here We Go Magic To Headline Bowery Ballroom

Here We Go Magic is a five-piece band made up of members Luke Temple, Kristina Lieberson, Michael Bloch, Jennifer Turner, and Peter Hale. Several of them had collaborated consistently in years prior, but the five finally came together with a single unified vision in early 2009, buoyed by the release of the self-titled Here We Go Magic album (Western Vinyl).

The band's creative momentum since has been unwavering. Together they have developed a broad array of musical material and honed an explosive live sound all their own. They spent much of 2009 on successive North American and European tours with bands such Department of Eagles, Grizzly Bear, and the Walkmen, before retreating to a house near East Branch, NY to record their second full length LP.

Pigeons, out now on Secretly Canadian, was recorded to analog tape in the livingroom of a rented house in upstate New York. It represents a full-on collaborative work by a band with an uncanny musical chemistry. The album is produced by bassist Jen Turner and features thick full band arrangements by all members of Here We Go Magic. As they were immersed together in a very reactive and spontaneous creative process, most of the arrangements and textural treatments were born at the same moment as the songs themselves. Songwriter Luke Temple's evocative melodies and lyrics are thus complimented and fleshed out in completely organic ways.  Taken as a whole, Pigeons is a unique and fascinating journey from start to finish, rooted in driving repetitive rhythms, swathed in a celestial haze, and maintaining a consistent and comfortable expressive breath throughout.

First and foremost a live band by nature, Here We Go Magic will be touring almost without stop through the remainder of 2010. They have been invited to play many of the world's leading festivals, including Glastonbury, Bonnaroo, Primavera Sound and Pitchfork Festival.

US Tour Dates
10/13 - New York, NY - Bowery Ballroom
10/16 - Phoenix - Toronto, ON #
10/18 - Town Ballroom - Buffalo, NY #
10/19 - Beachland Ballroom - Cleveland, OH #
10/20 - The Crofoot - Pontiac, MI #
10/21 - Vic Theatre - Chicago, IL #
10/23 - First Avenue - Minneapolis, MN #
10/25 - The Waiting Room - Omaha, NE #
10/27 - Urban Lounge - Salt Lake City, UT #
10/30 - Vogue Theatre - Vancouver, BC #
10/31 - Doug Fir Lounge - Portland, OR
11/02 - Crystal Bay Crown Club Room - Crystal Bay, NV #
11/03 - The Fillmore - San Francisco, CA #
11/06 - Belly Up Tavern - Solana Beach, CA #
11/08 - Orpheum Theatre - Flagstaff, AZ #
11/09 - Sunshine Theater - Albuquerque, NM #
11/10 - Academy of Contemporary Music - Oklahoma City, OK #
11/11 - Palladium Ballroom - Dallas, TX #
11/13 - Warehouse Live Ballroom - Houston, TX

Beats Antique To Release New LP Blind Threshold

Growing like wildfire under the canopy of live electonica and world roots music comes a masterful merge of modern technology, live instrumentation and seductive performance, built of brass bands and glitch, string quartets and dubstep: the musical trio Beats Antique.

Since the group’s inception from the eclectic underground of San Francsico’s performance art scene, Beats Antique has been notorious for making it nearly impossible to sit still. They meld their mediums as attentively as they fuse the cultures that inspire their sound. All self produced and composed, the trio creates a unique collage: an animalistic, raw musical event that blurs the lines between the provocative, the spiritual, and the artistic, while still maintaining an allegiance to the muses of class and beauty.

The journey that led to Beats Antique today was a winding and twisted path from the west coast to the ancient trade routes of the silk  road. In this modern incarnation, the musical alliance of producers David Satori and Tommy Cappel is inspired and emphasized by their collaborative partnership with world-renowned belly dance performer and music producer Zoe Jakes.

David Satori and Tommy Cappel both trained classically before venturing to locations such as Bali, West Africa, Serbia and beyond. With extensive backgrounds in multicultural music production, and the passports to prove it, Satori and Cappel command the spectrum of live and digital instrumentation, born from Hip Hop and old school jazz.

Zoe Jakes adds a third dimension as the multi –cultural and –disciplinary dance counterpart to Beats Antique’s sound. Jakes has worked with 2  major dance troupes, Miles Copeland’s Bellydance Superstars and Rachel Brice’s Indigo Belly Dance Company, a student of ballet and contemporary techniques. Jake’s additional history with Cappel in the Extra Action Marching Band and the Yard Dogs Road Show grants some insight into the caliber of performance that is Beats Antique’s standard.

All of this sets the scene for Beats Antique’s overtly ambitious stage show, a sensory overload conquest of the festival circuit’s most riotous events, such as Lollapalooza, Austin City Limits festival, and Outside Lands, as well as a catalog of proper tours that include Bassnectar and a recent run with Les Claypool of PRIMUS in early 2010. According to Satori, the trio is excited by their ability to create a huge sound from their relatively small setup. “It gives us this whole new world of musical opportunities that we’re just starting to scratch the surface of.”

In a prolific 3 years since Beats Antique emerged, the group has released 2 albums and a pair of EPs, with a third album, Blind Threshold, on the way. Notable features of the new release include vaporous violins and Danny Elfman-esque dementia; glitchy, laser-guided harmonica provided by Blues Traveler frontman John Popper; and 2 very different vocal tracks that range between restless pop hooks and vibrant Eastern European dance loops. All wrapped into an intricate collection of heavy beats and sub bass.

Beats Antique is best imagined as an innovative creature built from the cumulative heritage of the world’s music chasing its tail. However vivid that image, when a marching band groove crashes into bluesy folk chords only to be accompanied by electronic beats and Middle Eastern melodies, you’ll still be surprised.

US TOUR

8/18 - Las Vegas, NV - Wasted Space
8/20 - Sheldon, VT - Liberate Music And Arts Festival
8/21 - Stephentown, NY - Bella Terra Music Festival
8/28 - Eugene, OR - McDonald Theatre
9/10 - Clarks Grove, MN - Harvestfest - Harmony Park
9/11 - Minot, ME - 1st Annual Dankfest
9/17 - Laytonville, CA - Earthdance
9/18 - Denver, CO - Ogden Theatre
9/24 - Seattle, WA - Decibel Festival @ Motor
9/25 - Arcata, CA - Aracata Theatre
9/28 - Fargo, ND - The Aquarium
9/30 - Madison, WI - Majestic Live
10/1 - Milwaukee, WI - Miramar Theatre
10/2 - Chicago, IL - Abbey Pub
10/3 - Grand Rapids, MI - The Intersection
10/6 - New Orleans, LA - Republic
10/9 - Austin, TX - Austin City Limits
10/11 - Mobile, AL - Alabama Music Box
10/12 - Birmingham, AL - Zydeco
10/13 - Nashville, TN - Exit/In
10/14 - Asheville, NC - TBD
10/15 - Charleston, SC - The Pour House
10/16 - Athens, GA - New Earth Music Hall
10/17 - Atlanta, GA - Masquerade - Hell Room
10/22 - Allston, MA - Harpers Ferry
11/11 - Vancouver, BC - Biltmore Cabaret
11/12 - Edmonton, AB - The Pawn Shop
11/13 - Calgary, AB - Royal Canadian Legion 11/14 - Winnipeg, MB - Crescent Wood United Church

Big Gigantic to Release New Album Sept. 1

STS9's boutique record label, 1320 Records, proudly presents A Place Behind the Moon, the new full-length studio release from BIG GIGANTIC (September 1, 2010 / 1320 Records).

A Place Behind The Moon explores a unique mixture of electronic and acoustic styles, clearly defining the vision that brainchild and saxophonist/producer, Dominic Lalli, and drummer, Jeremy Salken both conceived and mastered. This sophomore effort is the strongest statement to date by Big Gigantic and it effortlessly combines saxophone and syncopated drum rhythms with intoxicating, intertwining electronic undertones, truly bringing a unique sound to the evolving, electronic genre.  A Place Behind The Moon demonstrates how Big Gigantic successfully delves deep into the future of electronic music, while staying in touch with their own musical roots, to ultimately create a history all their own.

A Place Behing the Moon will be available for free download September 1st on www.1320records.com.  In addition, APBTM will also be available for purchase on iTunes, with purchased copies including higher quality mp3's, as well as a bonus track featuring a first-time studio collaboration with STS9.

Get a sneak peak of the single, Limelight, in this video http://vimeo.com/14011782.

A Place Behind the Moon Tracklist:
1. Looking Back

2. Sky High

3. Lucid Dreams

4. Limelight

5. Solitude

6. Step Up

7. Driftin

8. High And Rising

9. Shine

10. Cloud Nine

11. Breaking Point

***
12. A Place Behind The Moon (bonus track feat. STS9)

After spending recent months in the studio sharpening the sounds of APBTM, the two-man sound machine of Big Gigantic continue to magnify their reach and reputation with a future that shows no signs of slowing down as they hit the road this Fall for dates with STS9, Alex B, and Ana Sia, including headlining shows from the Mid-West to the South.

Big Gigantic Upcoming Tour Dates:
August 12                Irving Plaza - New York, NY w/ members of STS9

August 13                Higher Ground - Burlington, VT

August 14                Theater of Living Arts - Philadelphia, PA w/ members of STS9

August 19                Camp Barefoot - Bartow, WV

August 20                The Vibe - Chicago, IL w/ members of STS9

August 21                The Aragon - Chicago, IL

August 27                Riverjam Festival - Fort Smith, AR

August 28                Verizon Amphitheater - Alpharetta, GA w/ STS9, Big Boi, Disco Biscuits

September 1            Zydeco - Birmingham, AL

September 2            Bourbon Street - Auburn, AL

September 3            Live Wire Music Hall - Savannah, GA

September 4            Big & Hearty Festival - Gainesville, FL

September 11          Red Rocks Amphitheater - Morrison, CO w/ STS9, Ghostland Observatory

September 15          Miramar Theatre - Milwaukee, WI

September 16          The Majestic - Madison, WI

September 17          The Cabooze - Minneapolis, MN

September 18          The Venue - Fargo, ND

September 23          Cosmic Charlie's - Lexington, KY

September 24          Tall Tree Lake Festival - Goreville, IL

September 25          Zanzabar - Louisville, KY

October 19               Soul Kitchen - Mobile, AL w/ Alex B

October 20               Varsity Theater - Baton Rouge, LA w/ Alex B

October 21               Trees - Dallas, TX w/ Alex B

October 22               The Parish - Austin, TX w/ Alex B

October 23               Last Concert Cafe - Houston, TX w/ Alex B

October 27               Bourbon Theater - Lincoln, NE w/ Alex B

October 28               Granada Theater - Lawrence, KS w/ Alex B

October 29               2720 - St, Louis, MO w/ Alex B

October 31               George's Majestic - Fayetteville, AR

November 2             Proud Larry's - Oxford, MS w/ Ana Sia

November 3             Exit  / In - Nashville, TN w/ Ana Sia

November 4             New Earth - Athens, GA w/ Ana Sia

For more information please visit www.biggigantic.net and www.1320records.com.

Conceived in 2008, Big Gigantic found their niche and created a name for themselves in the electronic music scene by combining vibrant jazz melodies over pulsating dance beats to deliver an innovative, distinct sound that's all their own.  Big Gigantic made a profound impact on the scene as they began playing modest gigs around their home state of Colorado, almost instantaneously started to headline shows in clubs around the country and also, made a splash at major festivals, including Lightning in a Bottle, Wakarusa, ROTHBURY, and more. Consistent touring has given the band a chance to hone their musicianship as well as diversify and perfect their live performance. Big Gigantic showcases an amplified array of compositions that combine elements of a DJ and live band, leaving fans from coast to coast anticipating more.

EOTO, MiMOSA and MartyParty Unite for 11 Day Tour

The west coast is about to experience its first bass driven earthquake as three of the nation's top live electro, dubstep and glitch and producers join together for their first combined tour. The 11-day circuit will kick off this September in San Diego and will make its way up the coast featuring electronica artists EOTO, MiMOSA and MartyParty. Listeners can expect to be transported into another space and time with the sound and fury of the most respected dance music produced live on the scene today.

Electronica music does not have humble roots. Since its inception, the driving beats have moved bodies with a tribal-like abandon; inspiring colorful dance parties with almost a trance-like effect. New technologies have given birth to entire genres of musical sub-cultures - though none have seen such significant growth as the DubStep and Glitch categories are experiencing today. Built on unusual time signatures, clipped segments of samples and occasional vocals the genre favors dark, experimental themes laced with break beats and heavy bass.

Embracing cutting edge techniques combined with live on the spot looping, EOTO is pioneering a whole new approach to this emerging genre of dance music. The duo creates samples in real time by playing; cutting and mixing every sound live before the audience. Using nothing pre-recorded they blend an array of live instruments including vocals, keyboards, bass, guitar, hand drums and a full drum kit as they twist and loop each sound into music that would easily suit a soundtrack for a sci-fi movie. With leagues of sold-out theater performances in 2009 and a seemingly endless tour, EOTO fine-tunes their approach and skill with each and every show, leaving the next performance more unique then the last.

Mimosa has made a distinct mark on the west coast sound in the past two years and has become one of the top west coast exports. This young producer's energy whilst performing is magnetic; the word has spread fast and Mimosa has recently shared the stage with the likes Benga, Skream, Rusko, Datsik, Glitch Mob, Pretty Lights, Bassnectar and Flying Lotus, playing shows across the US and festivals like Coachella, Symbiosis Gathering, Burning Man and Decibel Festival. Fans know Mimosa as someone who brings a good-time energy that is as fierce as it is friendly, taking them on journeys through urban chaos and ecstasy.

Since 2007 MartyParty has produced sets of original music that range from melodic instrumental hip hop to bassline oriented dubstep. MartyParty has started a movement back towards the power of the melody and the harmony in electronic composition. Song writing has always been Marty's passion instead of the typical beat style dj production. The music is a hybrid of electronic music and hip hop that together form a totally new flavor of urban beat with the hypnotic elements of electronic music and hard-hitting bass. The MartyParty live performance is an intense journey that pulls together the MartyParty songs overlaid with urban samples triggered live. The result is a true "crunky" and "hyphy" experience like no other.

Together the artists will bring earth shattering bass and driving beats to select west coast venues this fall. For more information about the artists check out: EOTO, MiMOSA and MartyParty

For more information about EOTO check out the MySpace

ON TOUR NOW

Sep 21 Moe's Alley - Santa Cruz, CA Find Tickets
Sep 22 Belly Up Tavern - Solana Beach, CA
Sep 23 Music Box - Los Angeles, CA
Sep 24 103 Harriet - San Francisco, CA
Sep 25 Wurk - Reno, NV
Sep 26 Blu Nightclub - South Lake Tahoe, NV
Sep 28 McNear's Mystic Theatre - Petaluma, CA
Sep 29 Arcata Theatre - Arcata, CA
Sep 30 Wow Hall - Eugene, OR
Oct 1 Wonder Ballroom - Portland, Oregon
Oct 2 Neumos Crystal Ball Reading Room - Seattle, WA

Cochemea Gastelum | The Electric Sound of Johnny Arrow

Cochemea Gastelum is one of New York City's most in-demand horn players, a touring member of Sharon Jones & The Dap-Kings and a recurring saxophonist in the original band for the Broadway musical, Fela! The Brooklyn-based multi-reedist has performed and/or recorded with a diverse group of artists, including Paul Simon, The Budos Band, The Roots, Public Enemy and Amy Winehouse. Now, at long last, this key figure of New York City's underground Afro-beat and new soul community will release his highly anticipated debut album, The Electric Sound Of Johnny Arrow. The ten-track effort, co-produced by Adam Dorn (aka Mocean Worker), is a collection of instrumentals that span the global rhythmic horizon from afro-centric jazz to keyed down low rider jams over which Gastelum peels back the layers of his story through his horn.

Gastelum calls upon a myriad of influences--ranging from the effects laden excursions of Eddie Harris' electric saxophone to the percussion-driven orchestrations of War to the winding horn dimensions of Mulatu Astatke--allowing them to inspire, but never overshadow, his work. He writes concisely, creating songs that leap from the speakers, while sounding at once past, present and future on key tracks like "Carlito," "Arrow’s Theme" and "Impala ‘73."

"The Electric Sound of Johnny Arrow is about the end of one journey and the beginning of another," explains Gastelum. "It's about staying true to the inner voice, respecting the ancestors and those who pioneered before us."

The idea for Johnny Arrow first came to Gastelum in a dream he had that related back to his Native American roots. It was upon this vision that the complete concept for the album was formed. With that as a guide, Gastelum not only paid tribute to his elders, but also embraced the very pioneering spirit with which they fearlessly forged new trails.

With the release of The Electric Sound Of Johnny Arrow (available July 20 via MOWO! Inc.), Cochemea Gastelum steps out front and center, reaching from the past into to the future, while remaining in the ever present now.