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Rex Grants, Musical Caravan Events and The World As It Could Be

August began with our 2nd 3-day Institute on The World As It Could Be curriculum, presented in collaboration with the University of San Francisco. A filled class of 25 avidly took in the presented material to lea rn about the Universal Declaration of Human Rights (UDHR) and experience applying music, visual arts,  spoken word, performance arts and movement to express their personal connection to human rights issues.  The photo here shows the class members rehearsing for their culminating presentation.  The video of the culminating presentation helps demonstrate the intensely moving experience of working with the curriculum.  We are excited to know that the work done August 2-3 is now being applied in classrooms and communities in the Bay Area, as well as Milwaukee, WI!

On August 10th, we were privileged to experience a very special night of story telling by Bob Weir, Carolyn Garcia, John Perry Barlow, and Mickey Hart about Rex and other reflections, led by Bill Walton, and held at Bob's new TRI Studios. We'll soon have the video of the evening available.

As to Rex Musical Caravan events, the SF Giants made August 9th another great tribute to Jerry Garcia and the Grateful Dead, and once again generously included the Rex Foundation as a recipient of charitable proceeds.   Adding to this already positive energy is the enthusiastic support reflected in the following upcoming Caravan events:

  • Be part of the special project by Fan Mosaics, LLC, where 2,500 Jerry Garcia fans have the opportunity to include their photos in an officially licensed mosaic print of the Grateful Dead legend based on the noted photo taken by world-famous photographer Herb Greene. Here are the participation details.
  • Blair Babcock and the Blurry Pickers are donating half the proceeds of the download sales of their song "Fairlee Well" to Rex. Click here to read Blair Babcock's story about the song and hear "Fairlee Well."
  • On Saturday, September 10th, the Kind Buds once again perform in support of Rex at the Iron Horse Music Hall in Northhampton, MA, as described in more detail here.
  • The Donna Jean Godchaux Band with Jeff Mattson of Dark Star Orchestra, along with Particle, headline the Third Annual Pink Moon Music and Arts Festival September 15-18, 2011 in Rock Camp WV.  We were very pleased to learn that the impetus to support local area schools came from the Rex Jam at the All Good Festival. Check out the details of the festival and how Rex is generously supported.
  • Ann Arbor's own Macpodz are heading East and hopping on board the Rex Musical Caravan with a concert at the Brooklyn Bowl September 27. Here are the details.

Thanks to contributors like you who donate $5 or more, initiate Caravan events, support our program work, and take part in Rex benefits, we are able to carry out The World As It Could Be initiative, keep making our grants and generate positive community connections along the way.  Check out the list of outstanding 2011 beneficiaries so far, and see, as you explore our website, everything else that your support makes possible

Ott. at Fox Theatre | 10.13.11

Z2 Entertainment is proud to present Ott. at the Fox Theatre on Thursday, October 13th , 2011.  Tickets go on sale Friday, August 5th for $16.50 in advance & $20.00 day of show.

Ott, the veteran electronic producer known for his evolving sound of roots and dub, returns to the United States to tour in support of his latest album “Mir”. The new album finds this trusted producer taking his music to new heights. His prolific career with influential UK label Twisted Records, has seen two successful full-length releases including collaborative work with Simon Posford (Shpongle) and his world renowned “Hallucinogen In Dub”. The direct-to fan release, “Mir,” has been regarded by many as his best work to date. Ott will perform a reformatted live PA of the music spanning all of his releases as well as new unreleased material.

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Ott. (Twisted Records)

Fox Theatre

Thursday, October 13th

Doors:  8:30 pm

Show Time:  9:00 pm

Sam Llanas of the BoDeans readies solo album '4 a.m.'

Sam Llanas (pronounced yanas), lead singer-guitarist for the acclaimed Milwaukee band the BoDeans, takes listeners deep into the night on his new release, 4 A.M., arriving Oct. 25 on Inner Knot Records. The intimate, mostly acoustic collection, produced by longtime collaborator Gary Tanin, features 10 new Llanas originals and a dazzling cover of Cyndi Lauper’s hit “All Through the Night.”

Llanas says of his latest work, “I do a lot of work late at night. It’s a night record, a nocturnal record, thematically about things that happen in the night. That covers a lot of ground. It could be the simple things — being in love, being with somebody — or about the loneliness that the night can bring.”

The album, an understated complement to the BoDeans’ just-released 10th studio album Indigo Dreams, is markedly different from Llanas’ 1998 solo bow A Good Day to Die, which was a powerful eulogy for Llanas’s brother recorded under the group rubric Absinthe.

“The Absinthe record was kind of bombastic and very intense,” Llanas says. “I wanted to do something that was lighter, as light as I can get. I wanted it to be completely different. That’s why 4 A.M. is pretty much an acoustic record.”

Work on 4 A.M. began nearly four years ago, when Llanas’ band the BoDeans, which he has led since 1983, was between projects.

He recalls, “I had time on my hands, and I had some songs I wanted to record. I started working with Terry Vittone — I just said, ‘Hey, let’s make some recordings.’ There was no real thought that it was going to be an album or anything like that. It just sort of escalated from there.”

Sessions for the embryonic project commenced at guitarist Vittone’s house. “I would record the songs in the afternoon,” Llanas says, “and get them to a point where I liked them. Then the next day I’d go back, and Terry would say, ‘Sam, I want you to hear some ideas I threw down on the track.’ And Terry was willing to take really strong direction from me, because I didn’t want a guitar player who was playing all over the song. Terry was really good at putting in the nuances that were needed. He played very little, and that seemed to work very well.”

With the majority of the material in the can, a protracted layoff from recording ensued. After almost two years, Llanas began completing 4 A.M. at Daystorm Music in Milwaukee with producer-musician Tanin, who had also worked on A Good Day To Die and supplied the strings on the new recording.

Llanas decided to preserve the original recording’s spare quality, and added a couple of new tracks that were left untouched. “I wanted to keep it simple. ‘The Way Home’ and ‘Janey’ seemed to work really well just the way they were.”

However, he adds, “I thought the other songs needed a bit more dressing up. Some I thought would work better if we put a little bit more on them.” Thus, BoDeans keyboardist Bukka Allen was called in to play accordion, while Milwaukee musicians Matt Turner and Ryan Schiedermayer contributed bass and percussion, respectively.

Some of the compositions on 4 A.M. began life as prospective material for the BoDeans, Llanas says: “‘Nobody Luvs Me’ was actually recorded with the BoDeans, but it’s quite a different version — you wouldn’t really know it’s the same song. ‘Shyne’ was on our album Mr. Sad Clown. I thought that would work really well there, so I brought it into that project. The first song on 4 A.M., ‘Oh, Celia,’ was demoed with the BoDeans years and years ago. That’s quite an old song.”

Nestling seamlessly with Llanas’ own cycle of before-dawn melodies is his hushed cover of Lauper’s 1983 perennial “All Through the Night,” penned by Jules Shear. “It’s a beautiful song,” Llanas says, “but when they recorded it, in the early ’80s, the sound that they got on it was so harsh . The keyboards always ruined the song for me. I really wanted a version of that song that was just beautiful. That’s what I tried to do — honor that song, and give it what it deserved.”

Llanas’ new solo opus offers a new dimension to his music — one that actually dates back to the sunrise of his professional career.

“Before I ever had the BoDeans, I was a solo performer in Waukesha,” he remembers. “I would go and play at these open mic shows, and I learned my craft and honed my stage skills that way. I think this record really reflects that part of my career, that part of my personality. It goes back to before I ever performed with the BoDeans. It was just me — one man and one guitar.”

Esteemed rock critic and author Dave Marsh calls 4 A.M. “A great record. Really the best thing that has come out of their music in a long, long time — closer to classic BoDeans. Sammy’s voice is so much what I love about BoDeans and it has never been showcased any better.”

Dead Man Winter at Fox Theatre | 8/19/11

Z2 Entertainment is proud to present Dead Man Winter featuring members of Trampled By Turtles at the Fox Theatre on Friday, August 19th.  Tickets go on sale Friday, June 24th for $8.00 in advance and $10.00 day of show.

During a time when I was now fully unemployed and sleeping indoors only by the good graces of friends willing to share a couch, and the loss of my instruments was more than a little devastating.  Of the few possessions I still had, the one that now gained top billing was a cheap acoustic guitar collecting dust in a small room on Duluth’s central hillside.  A few other musicians in town had similar instruments collecting a similar dust and we started what was our first acoustic band, Trampled by Turtles.

We’ve been able to stay together ever since but lately, the drums and amps ringing in the back of my head have been getting louder and the desire to play, write, and record in a way removed from what I’ve been up to has been getting stronger.  Dead Man Winter was born out of these things.

I’d been renting a studio in Minneapolis, I set to the task of making a record.  My partner in the dirty and thankless work of recording was local engineer, songwriter, producer, guitarslinger, and master of the vibe Erik Koskinen.  We spent countless blissful hours exploring guitars, amps, mics, and players in the worn-in beauty and sanctity of Realphonic Studios.  Without a doubt, countless more hours could have been spent but you can’t begin work on the next record until you put out the current one, so here it is.

The musicians that play on this album are dear friends – there’s not a one of whom would I’d hesitate to trust a song that I hold dear.  In the end, the whole experience has reconnected me to that couch-surfing kid in Duluth trying to figure out what to do next in this big, terrifying, wonderful world and now, with a few more years behind me, it’s refreshing.

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Dead Man Winter

featuring members of Trampled By Turtles

Fox Theatre

Friday, August 19th

Doors:  8:30 pm

Show Time:  9:00 pm

Happy 70th Birthday, Robert Hunter!

What a long, strange trip it's been indeed... June 23 marks lyricist, singer-songwriter, and poet Robert Hunter's 70th birthday. A long-time "member" of the band, Hunter first joined up with his old friend Jerry and the gang after penning the fantastical "China Cat Sunflower." He would go on to write countless lyrics for the majority of the band's original songs including the much-beloved "Dark Star," the all-time classic "Friend of the Devil," and of course, "Truckin'."

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Robert Hunter joined the Grateful Dead in the fall of 1967, when he arrived at a rehearsal just in time to write the first verse of the band's classic "Dark Star." Though he'd never play onstage, he became not only a genuine band member but its secret Ace in the hole. Though Bob Weir's words for "The Other One" would endure, most of the band's early verbal efforts would not; it was Hunter's work that would elevate their songs from ditties to rich, complete stories set to song. Hunter had fallen into the Dead's general scene in 1961 when he'd met Garcia in Palo Alto, and he'd played in several of Garcia's early bluegrass bands. But he'd always thought of himself as a writer -- probably a novelist -- and it was only in 1967 that he fulfilled his personal destiny, and enriched the Dead's. He's gone on to write several books of poetry, and is currently at work on a novel.

Robert Hunter turned 70 years old today, June 23rd, 2011.  Happy Birthday, Robert Hunter!

Rex Foundation Announces Jerry Garcia Award and Grants


The Rex Foundation, a charitable organization dedicated to supporting distinctive arts, environmental and social services programs through grassroots giving, is pleased to announce the recipient of the Jerry Garcia Award, along with other new grantees.

Arts for Humanity! is the recipient of the Rex Foundation's Jerry Garcia Award in memory of Grateful Dead guitarist and founding Rex Board member Jerry Garcia.  This award honors and supports individuals and groups that work to encourage creativity in young people. We believe the work of Arts for Humanity! (AH!) is just what the Jerry Garcia Award is about.  AH! celebrates humanity through the arts with programs that cultivate creativity and empower people with developmental disabilities, at-risk youth, the elderly and others in partnership with local artists and the Santa Barbara community. AH!'s performing and visual arts programs benefit individuals and build community by giving a voice to the underserved through the power and beauty of the arts.

We made four additional grants to grassroots non-profit organizations doing outstanding work.  In connection with the generous support of the Sacramento Kings that resulted from the February and March, 2011 Grateful Dead Tribute games, the following two local area programs received Rex grants:

  • Sacramento Blues Society Blues In The Schools (BITS) program, which gives Sacramento-area youth an opportunity to participate in a dynamic interactive musical experience with professional musicians. The Blues In The Schools program brings students together with musicians, educators, storytellers, and other performers in a synergistic environment, creating a free flowing exchange of the Blues experience and facilitating a lifelong passion for learning.
  • The Yolo County Children's Alliance, which was established in 2002 as an essential services program at Alyce Norman Center in West Sacramento to address a number of concerns that impacted children and families.  The Rex grant helps support the Children and Families' Access to Food program that provides 150 low-income families with fresh fruits and vegetables and other food items each week. This program, threatened by recent state budget cuts, not only provides essential food and nutrition education, but also enables the Alliance to reach more families with additional support services.

The two other Rex grant recipients are:

  • The Tiburon Salmon Institute (TSI), an organization that teaches school-age youth about salmon, steelhead, and the stream, river and ocean habitats that we share with them, with the overall mission to "Empower Today's Youth To Save Tomorrow's Salmon."  The Rex grant of $5,000 both supports this vital work and helped make possible a matched grant from the Belevedere Community Foundation, thereby significantly boosting the ability of TSI to advance its program.
  • The Bolinas Stinson Summer Camp provides all local West Marin children with equal access to memorable summer camp experiences. Although camp fees are kept to a third the cost of similar camps, many area families are unable to pay even part.  The Rex grant provides funding for The Music Project for the Bolinas Stinson Summer Camp to provide additional activities in the form of music education for the campers, with emphasis on building community through music, especially through the rhythms of drumming.

Click here to learn more about each of these great Rex grantees.

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About the Rex Foundation:

Furthering what Jerry Garcia and the Grateful Dead started 27 years ago, the Rex Foundation endeavors to fund grassroots programs that are often under the radar of larger funding entities, yet work in bold, innovative ways to carry out essential work toward a healthy environment, promotion of the arts, protection of indigenous cultures, assisting others less fortunate, building strong communities, and educating children and adults.  The Rex Foundation has distributed $8.6 million in grants to over 1,000 programs across the U.S. and internationally, while also carrying out fundraising initiatives that foster creativity and positive community connections.  Visit www.rexfoundation.org for a complete list of grantees and information about current initiatives.

Luke Temple To Release New Solo Record

Before the success of his group Here We Go Magic, Luke Temple worked full-time as a plasterer.  At nights after work, he spent his hours crafting what would become Here We Go Magic's self-titled debut.  During the days he wrote a completely different set of songs in his head.  The resulting record Don't Act Like You Don't Care shines with clarity and daylight, in contrast to Here We Go Magic's hazy aquatic debut.

After recording two critically acclaimed solo records for Mill Pond (2005, 2007) Temple's work still hadn't garnered much attention from the record-buying public.  Frustrated, but not defeated, he focused his creative energy into the writing of two amazing, but completely different records.  Initially referred to as "The Country Record," Don't Act Like You Don't Care was shelved due to the success of Here We Go Magic's self-titled debut.  Now, three years later, we're finally able to offer this incredible collection of folk-pop songs.

Unlike the Here We Go Magic record, Don't Act Like You Don't Care focuses on Temple's songwriting and evocative tenor.  From heartbreaking ballads like "So Long, So Long" and "Ballad for Dick George" to jaunty pop gems like "Ophelia" and "In The Open" you'll become fast friends with these songs that continue to satisfy after hundreds of listens.

Inspired by Rudy Vangelder's early Blue Note recordings, Temple and friends recorded the songs in two 4-hour sessions using just three microphones and a 4-track recorder.  Temple is fortunate to have some amazingly talented friends with Eliot Krimsky ( shines with clarity and daylight, in contrast to Here We Go Magic's hazy aquatic debut. Glass Ghost) on synths, Tyler Wood on piano, Parker Kindred (Antony and the Johnsons, Jeff Buckley) on drums, Michael Bloch (Here We Go Magic) on guitar, and Adam Chilenski on bass.

Sugar Hill Records Releases Wood and Stone from Tara Nevins

American roots traditionalist Tara Nevins releases an exploration of her own heritage, musical and otherwise, in Wood and Stone, her first solo album since Mule to Ride in 1999.  Wood and Stone showcases her ever-evolving repertoire as she journeys both back to her own “roots” and head-long into new territory.

Fans of Nevins from her 21-year tenure with Donna the Buffalo are familiar with her versatile talents; she shares the vocal and songwriting responsibilities for the band and is a stellar musician on fiddle, guitar, and accordion.  (She plays a mean scrubboard too.) Prior to DTB, Nevins was a founding member of the all-female, old time/Cajun band The Heartbeats. (They join her on two tracks here as well.) Wood and Stone delivers the musical expertise fans have come to expect and surprises with new perspectives.

“This album is personal and sort of revelatory,” Nevins says.  “It’s an expression of recent emotional discovery within relationships lost and found, and how knowing the core of who we are is the real deal. There were so many elements I wanted to explore—to combine all the pieces of my personal musical puzzle--and then have it come together in a cohesive whole. I feel so fortunate to have had the opportunity to work with Larry Campbell.  I am honored to have had him both produce and play on my record.  He's an amazingly talented and soulful musician.  He has a very natural, down-to-earth approach and an instinctual insightfulness that I really appreciate; he really got what I was after. The whole experience was inspiring and challenging in a very positive way.”

Campbell is a much-sought-after musician/producer renowned for his work with Bob Dylan and still rolling from the success of Levon Helm’s two Grammy- winners, Dirt Farmer and Electric Dirt, which he produced.  He found Nevins’s project immediately compelling.  “I liked the feel of the project-- her combination of old-time mountain music and original songwriting—and I was taken with Tara’s unique talent; she’s got a distinctive voice—there’s a kind of honesty that shines through.”
Ten of the thirteen tracks are originals, and Nevins’s complexity gets a broad stage. She dispenses wit and wisdom with an atypical take on love and relationships through gritty songs such as “You’ve Got It All” and “You’re Still Driving That Truck,” then turns to wrenching hearts with songs like “Snowbird” (accompanied by Jim Lauderdale), a beautiful metaphorical ballad about the pain of loving someone unable to truly give back, and “Tennessee River,” a haunting, gripping song about the stranglehold love can have over a person’s whole existence.  “Stars Fell on Alabama” sounds like it fell from her heart and pen too, but Nevins has the capacity to take a well-known standard like this, change the melody, and perform it so ingenuously that it fits in seamlessly to the whole groove of the record.
The record kicks off with the title cut “Wood and Stone,” and that “honest” element is readily apparent in this touching tribute to home and family. Old-timey acoustics are quickly joined by drums and steel guitars as Nevins sings about “the better part of me” regarding her upbringing and early influences.  “It’s got that magical blend of music and lyrics,” Campbell says of it, “and it really paints a picture of where she comes from.”
The record is “framed” by another nostalgic piece, “The Beauty of the Days Gone By” (by Van Morrison), bringing the record full-circle and serving as a sort of catharsis for the dark tone of “Tennessee River”.  “I wanted to end the record with it,” Nevins explains, “because I love the sentiment of the song and it’s kind of like ‘the sun always comes back out’ kind of thing. We grow and learn and take our relationships with us for better and for worse and that’s life in all its beauty and glory.”

Nevins’s rare blend of enormous talent coupled with genuine down-home humbleness has won the hearts of fans and colleagues alike.  “Tara has this worldly awareness combined with a fragile innocence,” Larry Campbell notes, “which makes her songwriting and music very accessible…very appealing.”  Wood and Stone is sure to add to that appeal.

Poly Styrene 1957-2011

We can confirm that the beautiful Poly Styrene, who has been a true fighter,  won her battle on Monday evening (4/25/11)  to go to higher places. Poly Styrene was born Marianne Elliot Said on June 3, 1957. She passed away due to cancer.

Poly Styrene was a punk amongst punks. A groundbreaking presence that left an unrepeatable mark on the musical landscape, she made history the moment she uttered, “Some people think little girls should be seen and not heard but I think oh bondage up yours!” The influence of Poly and X-ray Spex has been felt far and wide ever since. The seminal album Germ Free Adolescents is a landmark work and a primary influence on Britpop and Riot Grrrl. At the center of it was Poly Styrene, a bi-racial feminist punk with the perfect voice to soundtrack rebellion. Poly never sacrificed the intelligence or the fun in her music and style. Her trademark braces and dayglo clothes were a playful rejection of the status quo and of conformity and complacency. She dissected gender politics, consumer culture, and the obsessions of modern life in a way that made us all want sing along with her.

At the core of Poly’s work from Germ Free Adolescents through Generation Indigo, is a revolutionary with a genuine love for this world and the people and things in it. Her indomitable heart is all over the new material from her championing of cruelty free products and as she put it, "being conscious of the slaughterhouse culture" (“I Luv Ur Sneakers”) to giving voice to marginalized poor people worldwide (“No Rockefeller”) to tackling racism (“Colour Blind”). Poly Styrene never stopped exciting us with her incisive world-view, amazing wit, and her adventurous sound. It is impossible to imagine what modern music would be like without her incalculable contributions but it’s probably not worth imagining a world that never had Poly Styrene in it.

A thrilling work from a true pioneer and rebel in every sense, Poly Styrene’s album Generation Indigo is out today through Future Noise Music and was produced by Youth (The Verve, Killing Joke, The Fireman, Edwyn Collins).The album’s fusion of punk spirit, and fresh sounds has already received rave reviews on both sides of the Atlantic from Spin, NPR, NME, MOJO and countless others. The forward looking Generation Indigo showcases Poly’s humorous musings on pop culture, the internet and fashion whilst also tackling heavier subject matter (war and racism) with her politically aware and intelligent lyrics all in the inimitable voice of a genuine icon. Listen to the full Generation Indigo record streaming on AOL Spinner.

Tea Leaf Green readies 'Radio Tragedy!'

It ain’t easy being gypsies, especially ones who sing for their supper. San Francisco Bay Area troubadours Tea Leaf Green are newfangled Lost Boys, a traveling gang dedicated to seeking wisdom and experience in places both glorious and seedy. The band’s seventh studio album, Radio Tragedy!, will be released through Thirty Tigers available worldwide on June 7. Fans who pre-order the album by May 1st are eligible to win handwritten lyrics from the songwriter.

In many ways, this quintet is the essence of rock’s adventurous, playfully outlaw spirit, all of which ultimately fuels songs that resonate with classic vibrations, open-ended possibilities and radio-ready charm. TLG are bruised romantics with heavy minds and a lighthearted way with experimentation, as likely to jam out a number as they are to nail a primo verse-verse-chorus pop gem.

All the steadily growing promise of Tea Leaf Green comes to fruition on their new album with the aid of producer Jeremy Black (Apollo Sunshine). The band has crafted a powerhouse work in Radio Tragedy!, with the oomph of their stellar live performances melded to a truly impressive array of vocal nuance, rib-sticking song craft and smart studio flourishes.

From the Bee Gees-esque bite of “Easy To Be Your Lover” to the bouncing modern rock of “You’re My Star,” Radio Tragedy! showcases a contemporary American rock monster fully emerging from the shadows, ready to take on any comers with a sound that stands shoulder-to-shoulder with skilled contemporaries like My Morning Jacket and The Strokes.

Together, Trevor Garrod (keys, vocals), Josh Clark (guitar, vocals), Scott Rager (drums), Reed Mathis (bass, vocals) and newest member Cochrane McMillan (drums) have made a record that’s both timely and timeless — a strange, beautiful space that Tea Leaf Green inhabits naturally and gracefully.

“Much of this record is a reflection on the ups and downs on the road to radio gold, chasing dreams and ghosts on America’s highways and finding triumph, sorrow and sacrifice in the pursuit,” says Josh Clark. “Tea Leaf Green has been a band for over a decade.  We’ve tried to simply focus on music, just music, honest music, operating in the shadow of braggart auto-tuned rappers and inane teeny bop prop puppets that has come to rule and choke the life out of what was once America’s greatest export — rock ’n’ roll.”

“I don't think any of us have ever felt completely satisfied with our past studio experiences, so we went into this one with the deliberate intent of making a complete album.  Each of us brought our own vision and we did our best to fuse those ideas in the studio, all of us committed to seeing each member’s vision take shape,” says Scott Rager. “TLG has been a band for 13 years and I think we’ve made the record we always thought we were capable of making.”

“I wanted a story — something loud, something bright, something to scare your kids goodnight. There is adventure to be had. There is an undiscovered country,” says Trevor Garrod.  “We have been there for each other through thick (rarely) and thin (mostly). There are five of us now and like a pack of pickpockets, we will steal your heart.”

“At the center, our commitment to this music and our passion for making it and performing it has remained rock steady,” continues Josh Clark. “Like countless bands creating phenomenal music today, we work on the edges of the mainstream where we can be heard, looking in on the tragedy that radio seems to have forgotten where to find the gold.  This album is a true story of our lives in pursuit of a dream from another time and how we survive despite it all.”

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RADIO TRAGEDY! track listing

1.    All Washed Up
2.    Easy To Be Your Lover
3.    You're My Star
4.    My Oklahoma Home
5.    Fallen Angel
6.    Sleep Paralysis
7.    Germinating Seed
8.    Honey Bee
9.    The Cottonwood Tree
10.   Arise
11.   Nothing Changes