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Bob Log III Announces US Summer Tour

Bob Log III is a One Man Band Slide Guitar Party.


A perverse product of the Arizona desert, Bob Log III has been diligently travelling the globe since 1996, showcasing his incomparable talents and developing a devoted following along the way. A whirlwind of dexterous limbs and digits, this super star sonic showman has to be seen to be believed.

Clad in his cannonball man, extra tight jumpsuit and signature motorcycle helmet with telephone/microphone attached, Bob Log III unfailingly sweats up a river while kicking on a kick drum, stomping his homemade foot cymbal and playing slide on an old archtop guitar.

His endless pursuit for musical mayhem and a downright party has seen his unique talents utilised for children’s birthday parties, obscure beer barns, mammoth music festivals and everything in between.

Yet beyond these mesmerizing visuals, lies the true reason for Bob Log’s international, cult status and superhero adoration. It is quite simply the guitar playing - finger picked lightning, sliding up and down, stopping when it wants to, then starting again when it feels like it, all in a way that makes people move uncontrollably, smile and reel.

The upcoming release of his long awaited new album, MY SH*T IS PERFECT, begins the onset of another slew of adventures. Geography be damned, Bob Log III intends to take these songs and his unique slide guitar party to the good people of the world. There is no town too remote, there never has been.

But don’t take his word for it, let the guitar speak for itself.

Bob Log III RUMORS

Yes, we have all heard the rumors...

He has a monkey paw instead of a hand, girls like to sit on his knees and bounce while he plays, occasionally various people from the crowd jump onstage and put their boob in his drink, he rides in an inflatable dinghy over an ocean of fans…

These whispers are all best explained in the following article, which has been translated from its original publication in French, using the Transitron Whizgig 4000-

“Msr. Bob Log appears, and so joy! It is of many nights and one thousand ladies, the guitar defeats us to dance. On the top, a crown. Never has this in time! Maybe not future. Only the now, her glowing hand, can be seen.  Thunder of foot escapes the stage, chasing wild tempo with sound animal.  We, the entourage, are not free.  Arrested! But not of shame.  Many times more we ask it. Encore, Captain , Encore!”

And so you see, it is all true.

All Bob Log asks is that you do the math. And if you do it (correctly) you will find that with the single exception of Hasil Adkins, Bob Log has out guitared, out drummed, out sweated, out driven, out boated, out bounced, out custom agented, out inspired all other one man bands. Numbers never lie. Bob Log III. MY SH*T IS PERFECT.

US Tour Dates:

5/13 - Los Angeles, CA - Echo Curio
5/14 - Anaheim, CA - The Juke Joint
5/15 - San Diego, CA - The Casbah
5/22 - Tucson, AZ - Plush
6/11 - Las Vegas, NV - Club Aruba
6/12 - Reno, NV - St James Infirmary
6/13 - San Francisco, CA - Bottom Of The Hill
6/16 - Seattle, WA - Tractor Tavern
6/17 - Portland, OR - Doug Fir Lounge
6/18 - Boise, ID - Nerolux
6/19 - Salt Lake City, UT - Urban Lounge
7/8 - Oklahoma City, OK - 66 Bowl
7/9 - Dallas, TX - The Loft
7/10 - Austin, TX - Emo’s Inside Room
7/11 - Houston, TX - Rudyard’s
7/12 - New Orleans, LA - One Eyed Jacks
7/13 - Birmingham, AL - BottleTree
7/14 - Atlanta, GA - E.A.R.L.
7/15 - Greensboro, NC - Artistika Cafe
7/16 - Washington, DC - The Red and Black  Bar
7/17 - Philadelphia, PA - Johnny Brenda’s
7/18 - New York, NY - Mercury Lounge
7/19 - Brooklyn, NY - Knitting Factory
7/20 - Cambridge, MA - Middle East Upstairs
7/21 - Burlington, VT - The Monkey House
7/22 - Québec, QC - L’Agitée
7/23 - Montreal, QC - Il Motore
7/24 - Toronto, ON - Horseshoe Tavern
7/25 - Hamilton, ON - Corktown Tavern\
7/26 - Waterloo, ON - Starlight Club
7/27 - Pittsburgh, PA - Thunderbird Cafe
7/28 - Cleveland, OH - Beachland Tavern
7/29 - Dayton, OH - South Park Tavern
7/30 - Cincinnati, OH - Fountain Square
7/31 - St Louis, MO - Off Broadway Night Club
8/1 - Fort Wayne, IN - The Brass Rail
8/2 - Lansing, MI - Mac’s
8/3 - Detroit - MI - Majestic Theatre Cafe
8/4 - Chicago, IL - Schubas Tavern
8/5 - Madison, WI - High Noon Saloon
8/6 - Iowa City, IA - The Mill
8/7 - Lincoln, NE - Bourbon Theatre
8/8 - Denver, CO - Larimer Lounge

The Henry Clay People To Release "Somewhere On The Golden Coast"

We know what you’re thinking: The Henry Clay People aren’t really from L.A., right? After all, their TBD debut, Somewhere on the Golden Coast, sounds like the riff-slinging byproduct of playing hard—and drinking even harder—in Midwestern bars that keep their jukeboxes stocked with old Pavement and Replacements records or whatever Robert Pollard released that week.

“While we don’t quite fit in with L.A.’s noise scene or the singer-songwriter crew that hangs out at the Hotel Cafe,” says vocalist/guitarist Joey Siara, “we've found a nice little niche for bands like us in L.A—just a bunch of friendly people who prefer to hang out, drink cheap beer, and listen to Big Star records on a Saturday night.”  Joey and his 23-year-old little brother Andy—also a singer/guitarist—formed The Henry Clay People in 2005.  Since then the band has developed a reputation for spreading their unpretentious slacker guitar rock though out greater Los Angeles and beyond.  "I think we played close to 200 shows in 2007-2008 and most of those were just local to southern California. 2009 was nice though because we really got to hit the road for most of the year and see if the tunes held up outside our little bubble."


Somewhere on the Golden Coast bottles that boundless live energy in 11 airtight tracks and 34 filler-free minutes. Listening closely, it’s easy to see how all of this started, how a revolving door of “crappy punk bands” led the Siara brothers to form The Henry Clay People in the first place.  Two buzz-building albums (2006’s Blacklist the Kid With the Red Moustache and 2008’s For Cheap or For Free) and several lineup shifts later, they’re still keeping things simple.  Recorded mostly at The Ship Studios in Eagle Rock, CA by Earlimart frontman Aaron Espinoza, he encouraged the band to ditch the headphones, take it easy on overdubs, drink more beer, and record live in the same room to tape.  The idea was to get as close as possible to the essence of the live show.

Golden Coast pushes and pulls between the two brother's influences.  Joey's zeal for jagged distorted guitars ("Nobody Taught us to Quit), gets smoothed out by Andy's laid back "drive into the sunset" love of The Byrds, Jackson Browne, and Grandaddy. The influence of the latter—along with their dad’s considerable classic rock collection—creeps into a couple Golden Coast cuts, lending a nostalgic from-dusk-’til-dawn feel to “A Temporary Fix” and the album’s melancholic curtain-closer, “Two Lives At the End of the Night.” Both of which provide a nice contrast to such certified piano-spiked jams as “Working Part Time,” “Your Famous Friends,” and “End of an Empire.” And since this particular long player barely eclipses the 30-minute mark, you better believe The Henry Clay People never wear out their welcome. In fact, they may just leave you wanting more.

“We want our music to be accessible, but still mean something,” says Joey. “That’s the spirit of this band—nothing we’re doing is rocket science, but we’re playing the music we love. And if some people recognize that, great. Rock ’n’ roll is rock ’n’ roll.”

May Tour With Drive By Truckers:

May 5th Rialto Theatre Tucson, AZ
May 6th House Of Blues San Diego, CA
May 7th Avalon Ballroom LA, CA
May 8th Fillmore Theater San Fran, CA
May 12th In The Venue Salt Lake City, Utah
May 13th Boulder Theater Boulder, CO
May 14th Aggie Theater Ft. Collins, CO
May 15th Belly Up Aspen, CO

THE CORE:

JOEY- Voice and Guitar
ANDY- Voice and Guitar
MIKE- Drummer Boy
JONATHAN- Voice and Bass JORDAN- Piano and Voice

Help Make Earth Day About Overpopulation

Overpopulation is at the root of all environmental problems, but you wouldn't know it from listening to most environmental groups. The topic is rarely discussed, even though unsustainable human population growth is eating up wildlife habitat, polluting water, overfishing the oceans, and driving species extinct.

Overpopulation is the most important -- and most ignored -- environmental problem on the planet. Help us change that by donating to our Earth Day Overpopulation Fund.

Building on the spectacular success of our Valentine's Day launch of the Endangered Species Condom project, we will distribute a quarter of a million funny, edgy, conversation-provoking Endangered Species Condoms in all 50 states this Earth Day, April 22. With your help, it will be one of the biggest overpopulation campaigns in U.S. history.

Our six condom packages have beautiful drawings of endangered species and funny sayings like "Wear with care, save the polar bear" on the outside. Inside, they explain how species are being crowded off the planet by an ever-growing human population, and what people can do about it.

The packages are designed to get people talking about overpopulation. And boy, do they work. We tested them on Valentine's Day, expecting 100 volunteer distributors to come forward. An astounding 5,000 people volunteered taking all 100,000 condoms in just a couple of days!

As planned, the media ate it up. We generated funny but deadly serious conversations about overpopulation and the extinction crisis in hundreds of newspapers including The New York Times, L.A. Times, Miami Herald, and Boston Globe. More than 300,000 blogs and Web sites covered the issue.

Please help us ramp up the campaign now with a generous gift to our Earth Day Overpopulation Fund. It's the perfect opportunity to reach hundreds of thousands of people at Earth Day events across the country. We need to raise $50,000 in the next week to make it happen. With $50,000, our staff can produce and distribute a quarter-million Endangered Species Condoms on Earth Day and double our overpopulation activist network.

It is imperative that we break the wall of silence around overpopulation. If we don't, all the environmental progress we make will be overwhelmed by the sheer mass of people pushing into the last wildlife habitats, eating the last fish, and damming the last wild rivers.

I hope you'll commit now to support this critical, creative project and help us distribute a quarter of a million condoms for Earth Day 2010.

Otis Taylor's new album, 'Clovis People,' set for May 11 release

Otis Taylor digs the past. Whether it’s the songs he wrote a decade ago, or ancient civilizations that lived more than 10,000 years ago, he’s drawn to stories from another time, and he’s compelled to retell them in a way that’s relevant in the modern day. On Clovis People, set for release May 11, 2010, on Telarc International, a division of Concord Music Group, Taylor writes his own history.

It’s the ideal project for the architect of a sparse and hypnotic style that has come to be known as “trance blues.” Taylor has spent his career crafting songs that are wide open to interpretation — thematically as well as structurally. “I give people a starting point, and then they can take it where they want to take it,” he explains. “That’s true for the people playing my music as well as the people listening to it. That’s how art should be. A person looking at a painting should be able to interpret it in whatever way he wants. The more words you put into a song, the less freedom the listener has to decide what it means.”

The album title is inspired by a recent scientific discovery very close to Taylor’s home in Boulder, Colorado. Barely 100 yards from the edge of his property, archeologists dug up a cache of tools and other implements belonging to a civilization known as the Clovis people, who walked the earth briefly about 13,000 years ago and then mysteriously disappeared.

“That’s amazing to me,” says Taylor. “There have only been four or five sites like this found all over the country. That means these people probably walked on my property. My music only goes back about ten years, but there’s something about reaching back to an earlier time and revisiting the stories of the past from a new perspective that I find compelling.”

Helping to shape that new perspective is a crew of players who lend a variety of shades and voices to the mix. Among them is guitarist Gary Moore, a guest musician on two of Taylor’s previous recordings (Definition of a Circle in 2007 and Pentatonic Wars and Love Songs in 2009), who moves in and out of the tracks with a hard riff here, a subtle accent there, and just the right atmospherics wherever he appears. Also on hand for nine of the twelve tracks is pedal steel guitarist Chuck Campbell — a member of the Campbell Brothers, the African-American gospel group that has developed a sound commonly known as “sacred steel.” In addition, Clovis People features cornetist Ron Miles and bassist Cassie Taylor (Otis’ 22-year-old daughter).

The set gets under way with the haunting “Rain So Hard,” a bluesy number that employs an intriguing mix of pedal steel, cornet and theremin as the backdrop to Taylor’s unsettling lyrics about a hard rain turning to snow and falling on a scene of betrayal and deceit.

“Little Willy” and “Lee and Arnez” are two previously unreleased songs. The former is a fictional tale of a school shooting — a song Taylor wrote in 1990s, but then shelved in the aftermath of the Columbine shooting of 1999. “Lee and Arnez” tells the story of a couple that Taylor remembers from the neighborhood where he grew up. “They were my parents’ best friends, and they had a boxer dog that I really loved,” says Taylor. “This would have been the 1950s, which were still a difficult time for black people, but I have great memories of this couple and their beautiful dog.”

“It’s Done Happened Again” is built on an urgent rhythm that plays like a frantic heartbeat. “The song is about that moment when someone who got his heart broken hears about someone else who got his heart broken,” says Taylor. “It’s that moment when pain and empathy converge, and you say, ‘Oh yeah, I know where he’s coming from.’”

“Harry Turn the Music Up” recalls Taylor’s memories of the Denver Folklore Center, a place he frequented when he was a boy in the early ’60s. “The song follows a groove that’s deep in the pocket, and it’s really powerful,” says Taylor. “The Denver Folklore Center was a place where nobody cared if you were black or white, skinny or fat. It was a place where everyone was accepted.”

“Babies Don’t Lie” rides on a single chord and speaks to the profound vulnerability of innocents. But somewhere underneath the simple and recurring lyrical line is the question of how and when dark forces take hold and turn some innocents into monsters.

“Think I Won’t” is a showdown-flavored track that captures the moment when a mother confronts a drug dealer in a schoolyard. “There are some badass moms out there,” says Taylor. “Sometimes people don’t realize how tough black women can be. It’s a matriarchal culture, and there are some moms who’ll kick your ass in a half-second if you threaten their children.”

Indeed, some instincts are eternal, whether the frame of reference is 2010, 1950 or some time before recorded history. Clovis People is in some respects a vehicle for Taylor  — an archeologist of a different kind — to re-examine some of the truths he’s uncovered in his own era and preserve them for listeners in some future time.

“I went back to my musical past with these songs — all the way back to my first album,” says Taylor. “I like finding different ways to retell the old stories. They continue to mean something — to me, to the people who hear them, to the musicians who play with me — many years after I first told them.”

Cymbals Eat Guitars and Freelance Whales in DENVER

To call them multi-instrumentalists might be a little overdone.  The kids in Freelance whales are really just collectors, at heart. They don't really fancy buffalo nickels or Victorian furniture, but over the past two years, they've been collecting instruments, ghost stories, and dream-logs.  Somehow, from this strange compost heap of little sounds and quiet thoughts, songs started to rise up like steam from the ground.

The first performance of these songs took place in January of 2009, in Staten Island's abandoned farm colony, a dilapidated geriatric ward, in one of New York's lesser visited boroughs. A seemingly never-ending jigsaw of small rooms, the farm colony ate them whole and threatened to never regurgitate them. And even though the onlookers were only spiritual presences, the group was still palpably nervous and visibly cold.  After a bit of singing, strumming and stomping asbestos, they realized that they'd found a good crowd.  They heard a bit of clapping from an adjacent room, also some laughing, but not a single soul asked about their record.

Weathervanes, the groups debut LP, finished tracking just a few nights earlier.  Swirling with organic and synthetic textures, interlocking rhythmic patterns, and light harmonic vocals, the record works to tell a simple, pre-adolescent love story: a young male falls in love with the spectral young femme who haunts his childhood home.   He chases her in his dreams but finds her to be mostly elusive.  He imagines her alive, and wonders if someday he'll take on her responsibilities of ghosting, or if maybe he'll join her, elsewhere.

Since their brief residency at the Farm Colony, Freelance Whales have taken to city streets, subway platforms, and stages with their swirling nostalgia.  Many people who found them playing in those public spaces, managed to forget what train they were supposed to take; some of them forgot what language they originally spoke.  And so, after playing in New York City, almost exclusively, for about a year, they embarked on their first tour of the United States, and Canada.  They saw buffaloes posted on hilltops, armies of windmills, and lots of lovely people who let the music run their blood in reverse.

US Tour Dates:

3/5 - Johnny Brenda’s – Philadelphia, PA
3/6 – Rock N Roll Hotel – Washington, D.C
3/7 – Local 506 – Chapel Hill, NC
3/9 – The End – Nashville, TN
3/10 – Pilot Light – Knoxville, TN
3/11 – The Earl – Atlanta, GA
3/12 – Harvest Of Hope Festival – St. Augustine, FL
3/13 – Will’s Pub – Orlando, FL
3/14 – The Engine Room – Tallahassee, FL
3/16 – Mango’s – Houston, TX
3/22 – The Rhythm Room – Phoenix, AZ
3/23 – The Casbah – San Diego, CA
3/24 – The Echo – Los Angeles, CA
3/25 – Bottom Of The Hill – San Francisco, CA
3/28 – Crocodile Café – Seattle, WA *
3/29 – The Biltmore Cabaret – Vancouver, BC
3/31 – Kilby Court – Salt Lake City, UT
4/1 – Hi Dive – Denver, CO
4/2 – Replay Lounge – Lawrence, KS
4/3 – Turf Club - St. Paul, MN
4/4 – Schuba’s – Chicago, IL
4/6 – El Mocambo Club – Toronto, ON
4/7 – Il Motore – Montreal, QB
4/8 – The Middle East – Boston, MA

*CEG Not Playing

Magnolia Row | West End Tavern | 2.16.10

Magnolia Row played to a sardine can crowd for Fat Tuesday at the West End Tavern in Boulder on 2/16/2010.  I have heard a Yonder Mountain String Band bootleg where in the middle of “My Darling One” he proclaims to the crowd how kewl they all are.

AM Taxi Announces Debut Album & Spring Tour Dates

AM Taxi— so-called because they’re all about moving across the U.S. towards their destination—gets ready to hit the road…hard. The guys will be touring in support of Spill Canvas late Spring with
additional dates for this Summer’s Warped Tour, starting June 24 through August 15. AM Taxi are one of the few groups booked for the entire prestigious concert series prior to releasing an album. They’ve already been out on the road with the likes of Sum 41 and The Ataris, while opening for The Offspring at Summerfest in Milwaukee, so they’re more than up for the task.
“Our goal is to take that 45 or 60 minutes and let people get away for a little bit,” says lead singer and guitarist Adam Krier, “maybe even convert some of ‘em to AM Taxi fans. And, if they dig what we’re doing, maybe they’ll check out some of the stuff that influenced us.”
Take one listen to AM Taxi’s Virgin records debut, We Don’t Stand A Chance to be released June 8, 2010 and you can hear reverence for the past and hope for the future, a band that can cut across any age or genre demographics. The band just wrapped their video for the single ‘The Mistake.' With a blend of old-school punk, world beat and modern pop influences, the Chicago-based band combines experience with exuberance.
“I try to write songs about things people can relate to,” nods Adam. “For me, the best music, at the end of the day, is therapeutic. That’s always in the back of my mind a little when I’m sitting down to write.”
Recorded in Austin, TX, with renowned producer Mike McCarthy (Spoon, Patty Griffin,...And You Will Know Us by the Trail of Dead), AM Taxi’s major label bow, offers a variety of different styles, from old-school punk to world beat and modern pop. “The Mistake” is a heart-on-the-sleeve confessional that recalls the Replacements, while “Fed Up” is a Springsteen-by-way-of-The Hold Steady classic rock raver, “Dead Street” sports a Police-styled world beat and “Charissa” a Clash-esque reggae rhythm.

TOUR DATES
April 21 - The Hub Cedar - Falls, IA
April 23 - Bluebird Theater - Denver, CO
April 24 - Murray Theater - Salt Lake City, UT
April 25 - The Venue - Boise, ID
April 26 - El Corazon - Seattle, WA
April 27 - Hawthorne Theatre - Portland, OR
April 29 - Slim’s - San Francisco, CA
April 30 - The Roxy Theatre - West Hollywood, CA
May 1 - The Boardwalk - Orangevale, CA
May 3 - The Rock - Tucson, AZ
May 5 - The Loft - Dallas, TX
May 6 - Meridian - Houston, TX
May 7 - The White Rabbit - San Antonio, TX
May 8 - Emo’s - Austin, TX
May 10 - The State Theatre - St. Petersburg, FL
May 11 - The Social - Orlando, FL
May 12 - Masquerade - Atlanta, GA
May 14 - The Recher Theatre - Towson, MD
May 15 - Stone Pony - Asbury, NJ
May 17 - First Unitarian Church - Philadelphia, PA
May 18  - The Middle East- Downstairs - Cambridge, MA
May 20 - The Basement - Columbus, OH
May 21 - St. Andrews Hall - Detroit, MI
May 22 - Metro - Chicago, IL

Groundation's 10th Annual Bob Marley Tribute Tour

Groundation began their annual Bob Marley Tribute Tour in 2000 as a means of celebrating the life and material of a true musical prophet. Marley's impact is hard to overstate. No other musician of the 20th Century is more well known across all parts of the globe than Marley.

His music united people of all classes and creeds through its easily relatable parables of overcoming social injustices by ways of unity and love. And though his music is often associated with the downtrodden and dispossessed, for surely those were who his music was made, mainstream media outlets served notice too; Time magazine famously listed Marley's Legend as the best album of the last 100 years.

But Groundation does not simply rest on the well known hits from Marley's hugely successful 'best-of' albums. Their tribute tour differs than other bands' similar outings by exposing those people familiar with Marley's music and message to the lesser known material of his catalog. While true that the inescapable sing-alongs do occur at these tribute shows, more often than not even the most seasoned Marley aficionado will hear songs they have yet to see performed live.



Groundation has drawn international recognition through their musicianship, which is unrivaled in the genre. A nine-piece band featuring swirling horns and keyboards, multiple percussionists, thundering b3 organ and bass, and a trio of lead and harmony vocalists, Groundation covers all bases with their wide ranging sound. Their live shows are renowned for over the top improvisational energy and positivity and their progressive sound is catching on, having played in 35+ countries on four continents in just the last few years, including headlining slots at major multi-genre festivals the world over.

These are not lame imitators attempting to replicate Bob's music. Groundation uses the template of Marley's music and liberally adds their own colors of the sonic palate creating altogether new and unique versions of timeless tracks. Groundation is the biggest, most respected American Reggae band in the world today and their tribute to the King of Reggae music is unlike any others. Come join us and find out why...

More Info / Buy Tickets

Is Jazz Dead? No!

Writer/Filmmaker Bret Primack's latest video offers his thoughts on a question, which like indigestion, seems to surface occasionally, Is Jazz Dead?  Not surprisingly, with his four hundred and forty posted videos garnering nearly ten million views on his Jazz Video Guy YouTube Channel, Mr. Primack is optimistic about the future of America’s home grown art form.

“This is the first video I’ve done where I offer commentary, not unlike what I did as the Pariah,” Primack reports.  “I know people have to write about something, but all this chit-chat about the demise of Jazz is preposterous. So I made this video in response to the tabloid mentality of some arts correspondents.”

The first Jazz blogger with his site Bird Lives, in 1997, Bret, aka the Pariah, was a crusader for truth and justice in the music industry.  He made a lot of friends and broke new ground on the web, but also alienated powerful people who resisted any change to the status quo.

“I’ve paid some dues because I spoke the truth, but it wasn’t as bad as Dalton Trumbo and the Hollywood 10,” Primack believes, referring to the screenwriters who were jailed during the 50s Blacklisting scare.  “In fact, I’d do it again in a heartbeat.  Given the response to my first video commentary, I suspect I’ll be doing more on my YouTube channel, which now has 10,000 subscribers.  But the Jazz business has changed dramatically in the past ten years.  Most of the old guard is largely gone, unable to make the transition to the new media landscape.”

Primack continues his work with Sonny Rollins, Billy Taylor and Joe Lovano, posting ten new videos a month that he produces himself, in addition to gems from Billy Taylor’s video archives.

His latest production, “Joe Lovano’s Surprise,” features an interview with the saxman discussing how he broke both arms in 2009, the recovery process, and his exciting new group, Us Five which includes Lovano on saxophones, James Weidman on piano, Esperanza Spalding on bass, Otis Brown III and Francisco Mela, on drums.  “Joe Lovano is one of the people keeping Jazz alive and healthy,” Primack explains, "so I’m happy to report that Joe himself is back on the road.  Nothing short of a nuclear attack is going to stop that Jazz Warrior.”

Bret is currently editing video he shot at a December trio session led by saxman Bob Mintzer, featuring organist Larry Goldings, and drummer Peter Erskine for the Japanese label, Pony Canyon.  “Some really amazing music from those cats,” Bret believes. 

View “Is Jazz Dead?  No!”

http://www.youtube.com/jazzvideoguy

View “Joe Lovano’s Surprise”

http://www.jazzvideoguy.tv

Visit Planet Bret

http://www.planetbret.com

Pledge to Vote & get FREE 'People Lead (live in Seattle 2007)' download

photos by Tim Hurley- for the Grateful Web

To encourage you to vote on election day, Ben Harper and the Innocent Criminals is offering up a free download of "People Lead (live in Seattle 2007)" to anyone who completes an online "Pledge to Vote" at www.HeadCount.org. To get the download, all you have to do is go here and make the pledge. History will be made on election day this year. Be a part of it and vote. 

Make The Pledge Here