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EOTO Releases 39 Track Live Album

The cyber-kinetic bass juggernaut EOTO will release their third annual tour compilation K-Turns and U-Turns for download today, May 17th.  Featuring 39 hand-selected live tracks, spanning four consecutive hours of music, the album captures the best performances of the year with crystal clear soundboard quality. The collection features songs from every genre, style, and tempo from their grueling non-stop 2010 tour highlighting the live evolution of a band that has put their unique stamp on the electronic music world. The album, which has been edited to flow from one song to the next, mirrors the feeling of a live EOTO show creating the perfect environment for on-the-fly living room dance parties and sci-fi soundtracks alike.

Since 2008, Michael Travis and Jason Hann of EOTO have taken on a brutal tour schedule packing in nearly 150 national shows a year. Armed with thousands of performance hours, it is no surprise the duo has become masters of a skill very few have yet to imagine. By incorporating real instruments alongside high-tech computer programming and the tools of a traditional DJ, the band has made major headway in a very short time.

Each twist and turn of their national 2010 tour saw the project adding new gadgets and techniques to their performance style, paving the way for the project to literally evolve before the eyes of the fans. And, with each turn of the tour, the record button was on, marking each and every move they made. In turn, the band has selected their favorite moments for their annual K-Turns and U-Turns release. This year, the band has chosen 39 tracks from over 125 recorded and released shows in 2010. The album highlights the absolute best diversity in their growing catalog of music.

Along with the release, fans who purchase the latest rendition will also receive a FREE download of the coveted Portage Theater performance from May 6th 2011.

To download a copy of K-Turns and U-Turns album check out ___________ or scan through their entire archive of recorded shows at HERE. For more information on the upcoming EOTO summer festival schedule, visit www.eotomusic.com

Amy Speace's new CD 'Land Like a Bird' announced

Amy Speace wrote her new album, Land Like a Bird, with her life in a state of transition. Having spent many years in Manhattan, Brooklyn and New Jersey, surrounded by concrete, taxi horns and rushing trains, Speace suddenly found herself in the South. She’d done quite well as a New Yorker: she was signed by Judy Collins — who called Speace “one of the best young songwriters” — to Wildflower Records; she was awarded an NPR “Song of the Day”; and she toured with Collins, Nanci Griffith and Shawn Colvin. The city’s WFUV-FM named her song “Weight of the World” the #4 Folk Song of the Decade in its 2010 year-end Top 10 list.

“But life takes its twists and turns and as much as I loved Manhattan, I felt the ending of one chapter and the beginning of another. Relief and anticipation went hand in hand with the grieving,” she says of the change.

Space began writing Land Like a Bird as she bade farewell her Jersey City apartment with the view of the Statute of Liberty and lower Manhattan (inspiration for the song “Manila Street”). Many of the songs were goodbyes to people and places (“Had to Lose,” “Ghost,” Ron Sexsmith’s beautiful “Galbraith Street”). She brought these songs and unpacked them in her new East Nashville home.

Land Like a Bird follows Speace’s 2006 Songs for Bright Street on Collins’ Wildflower Records and 2009’s The Killer in Me. The latter, her “breakup album” which featured guest vocals by Ian Hunter, earned much critical praise. “Amy Speace is a rising star,” opined USA Today. NPR said, “Her velvety, achy voice recalls an early Lucinda Williams. Sounding grounded but wounded, Speace exudes the vulnerability of someone who’s loved and lost.” The Washington Post advised, “If you bemoan the lack of solid singer-songwriters in the world who can bridge inner turmoil with universal experience, Speace is just what you need to hear.”

The new album was produced by Neilson Hubbard (Kim Richey, Matthew Ryan, Glen Phillips, Garrison Starr) at Mr. Lemons studio in Nashville. Hubbard played bass, keyboards and vibes. Speace and Hubbard first met seven years ago while performing on an Arizona TV show and discovered their simpatico musical directions. However, they did not remain in touch. When Speace moved to Nashville last year, they were reintroduced, immediately co-wrote a song, and decided to collaborate on what would become Land Like a Bird. Kim Richey sang background vocals on “Land Like A Bird,” “Half Asleep & Wide Awake” and “Real Love Song.”

“As the fall became winter and the winter became spring, Neilson Hubbard and I would meet and write or record and snippets became songs became demos became a sound we both were chasing,” Speace says of the making of the album. “And by early fall 2010 we were inside the record we both knew we wanted to make together, a full turn of the seasons from my arrival.”

In other news, Speace will be seen on the forthcoming Big Star documentary Nothing Can Hurt Me: The Big Star Story http://vimeo.com/11881695 which includes her performance of “Try Again” with the surviving Big Star members, the Posies and Evan Dando at the Alex Chilton tribute at SXSW in March 2010. Speace and charter Big Star member Jody Stephens had met at the Folk Alliance a few years back in the band’s home of Memphis. Speace was a huge fan of Big Star and was pleasantly surprised that Stephens, in turn, as a fan of hers.

Grateful Web’s Interview with Elephant Revival

I feel absolutely terrible and I never want to drink again.

Turn It Out with DJ Goodfoot

In a world awash with wannabe DJ's, it is good to know that some still have the desire to do what it takes and make their case for success.  One such artist is Colorado's own DJ Goodfoot (aka David Lochhead).