songs

The Puppini Sisters covering Wham!'s "Last Christmas"

The Puppini Sisters share their version of Wham!'s "Last Christmas" - transforming the modern synth holiday classic into a bittersweet nouveau/ancien WWII era Parisian stunner that Surviving the Golden Age praises as "truly a revelation. This might be the definitive rendition."
Holiday music finally puts on red lipstick, slips into a silky cleavage-celebrating ballgown, and goes gorgeous and glamorous with Christmas With The Puppini Sisters - the album Metromix describes as "imagine if 'Glee' did a big-band/swing episode and you’re pretty close."
A female vocal trio featuring ‘40s-style close harmony, backed by a fearless jazz threesome, the retro-futuristic Puppini Sisters put their signature sequined stamp on timeless songs of the season for the sensational group’s third album - listen to their swingin’ and rockin’, sexy and eccentric take on the sassy holiday classic "Santa Baby"!
Swingin’ and rockin’, sexy and eccentric have never before described a Christmas album--until now.  Then again, there has never before been an artist who claims both The Andrews Sisters and The Smiths as influences.  Holiday music finally puts on red lipstick, slips into a silky cleavage-celebrating ballgown, and goes gorgeous and glamorous with Christmas With The Puppini Sisters (Verve), released October 5, 2010.
A female vocal trio featuring ‘40s-style close harmony, backed by a fearless jazz threesome, the retro-futuristic Puppini Sisters put their signature sequined stamp on timeless songs of the season for the sensational group’s third album.  From a scorching cover of Mariah Carey’s “All I Want For Christmas,” hyperspeed “Step Into Christmas,” oh-so-sexy “Santa Baby,” cabaret “Here Comes Santa Claus” and lilting “Last Christmas” to a weirdly wonderful “White Christmas,” scat-filled “Let It Snow,” ukulele oozing “Mele Kalilimaka,” uber-trad “Winter Wonderland” and divine “O Holy Night,” the Puppini Sisters (no, they’re not really sisters, that would be so on-the-nose) deliver original twists rather than nostalgic flashbacks.
Whether imaginatively reworking standards such as “Boogie Woogie Bugle Boy” and recent pop such as Beyonce’s “Crazy In Love,” or introducing new songs, the classically-trained London-based trio first captured the hearts of fans around the world with their international gold 2007 debut Betcha Bottom Dollar (#2 on the U.S. Jazz chart) and 2008’s The Rise And Fall Of Ruby Woo (#5 on the U.S. Jazz chart).
Brunette Marcella Puppini, a former assistant to fashion icon Vivienne Westwood, had dreamed of becoming opera’s next star.  Redhead Stephanie O’Brien began in music as a maverick of the classical world but found her niche playing gypsy jazz violin, South American harp and singing.  Blonde Kate Mullins, well, she sings like an angel and swears like a sailor.  The vocalists/multi-instrumentalists met in 2004 at London’s Trinity College of Music while pursuing Jazz Performance and Composition degrees.  Offered a gig at an outrageous gay nightclub, they jumped at the chance to perform.  Marcella, who gave the band her name, worked out a hasty arrangement of Kate Bush’s “Wuthering Heights” inspired by ‘40s swing and jazz.  The crowd adored their stunning vocals and cocktail hour charisma.
Since then, along with releasing several singles and two albums, they have performed at the Glastonbury festival and on an American stadium tour supporting Cyndi Lauper; been heard on TV series in the U.K. and the U.S., including “Grey’s Anatomy”; and been in constant demand as guest performers at notable entertainment and fashion events across the globe.  Even Prince Charles personally told them he thought they were “splendid” (seriously, we could not make that up).  The Puppini Sisters may have started out retro but they have become true originals.  With Christmas With The Puppini Sisters, holiday music never sounded so fresh and new.

Sharon Van Etten Announces U.S. Tour

If your New Year’s Resolution is to finally see one of 2010’s most-loved singer/songwriters perform live, then you might be in luck! After touring Japan next month, Sharon Van Etten will embark on a six-city tour in January, followed by a string of highly-coveted international dates opening for The National.  She’ll bring along songs from her recently-released sophomore album epic (Ba Da Bing), as well as a few new gems that will steal your heart (though just to warn you, her songs might break your heart as well).  Don’t miss her this time around!

Just before Sharon launched her current tour opening for Junip, she visited the NPR offices to film a Tiny Desk Concert, which is now available online.  In this video, one witnesses a charming woman who grins humbly after each song before plunging into the next set of emotionally-charged lyrics.  And if she wasn’t busy enough, this week marks the release of I’m Giving Up On You (Polyvinyl), a 7” featuring two exclusive songs (which is sold out, but available on iTunes), plus you can find Sharon’s distinctive vocals on the forthcoming album from Brooklyn-based band Airwaves.

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Sharon Van Etten Tour Dates:

Dec. 3, 2010              Nara, Japan – Nara Café Sample

Dec. 4, 2010              Kyoto, Japan – Kyoto Urbanguild

Dec. 5, 2010               Fukui, Japan – Turuga Pinon-Pinon

Dec. 7, 2010               Aichi, Japan – Nagoya JD Japon

Dec. 8, 2010              Kanagowa, Japan – Kamakura Café Goatee

Dec. 9, 2010              Tokyo, Japan – Shibuya, 7th Floor

Dec. 11, 2010             Nagano, Japan – Matsumoto Cafe

Dec. 12, 2010             Tokyo, Japan - FoundLand

Jan. 8, 2011               New York, NY - Bowery Ballroom

Jan. 19, 2011              New Haven, CT - BAR

Jan. 20, 2011             Philadelphia, PA - Johnny Brenda's

Jan. 21, 2011              Columbus, OH - Wexner Performance Space at OSU

Jan. 22, 2011             Nashville, TN - The 5 Spot

Jan. 23, 2011             Asheville, NC – TBD

Feb. 15, 2011             Belgium, Brussels - Forest National w/The National

Feb. 22, 2011             Poland, Krakow – Studio w/The National

Feb. 24, 2011             Poland, Warsaw – Stodola w/The National

Feb. 25, 2011             Germany, Berlin - C-Halle w/The National

Feb. 26, 2011             Denmark, Aarhus – SCC w/The National

Feb. 28, 2011             Sweden, Lund - Färs & Frosta w/The National

Mar. 1, 2011               Sweden, Stockholm – Cirkus w/The National

Mar. 3, 2011              Finland, Helsinki - The House of Culture w/The National

Mar. 4, 2011              Finland, Helsinki - The House of Culture w/The National

Watch Sharon Van Etten’s Tiny Desk Concert here.

Download the audio from Sharon Van Etten’s Tiny Desk Concert here.

Download Sharon Van Etten’s 7” I’m Giving Up On You here.

Listen to/download “Don’t Do It” off of epic here.

Bobby Long To Release Debut Album "A Winter Tale"

British singer-songwriter-guitarist Bobby Long's anticipated debut studio album A WINTER TALE, produced by Grammy-winner Liam Watson (White Stripes) will be released February 1st, 2011 on ATO Records.
Currently residing in New York City, the 24-year old Long has been writing finely-crafted songs since taking up the guitar at age 17; from then on he’s been creating memorable songs inhabited by hauntingly poetic lyrics.  After relocating to London from Wiltshire in the countryside of South West England, he became a fixture at London’s open-mic nights while attending London Metropolitan University where he studied Music in Film and wrote his thesis on The Social Impact of American Folk Music.
Bobby quickly established himself on the local open mic circuit, finding his voice and beginning to develop songs characterized by catchy melodies paired with elusive, imaginative lyrics. As Long became more entrenched in London's burgeoning open mic circuit, he met actor and fellow musician Robert Pattinson, who would go on to sing “Let Me Sign” (co-written by Long and friend Marcus Foster) over a crucial dramatic scene in the blockbuster film Twilight. The inclusion of the song in the film’s soundtrack gave Long a head start on a legion of fans. It is Bobby Long's intensely personal songs, vocal prowess, and heart-wrenching soulfulness that resonate with audiences on both sides of the Atlantic, creating a loyal following through constant touring over the past two years. In 2009, Long played 160 shows in seven months in seven countries.
A WINTER TALE merges band power with acoustic rawness, featuring Nona Hendryx (LaBelle) on backing vocals on "Penance Fire Blues," B. J. Cole (Elton John, Sting) on pedal steel, Icelandic singer Lay Low on several tracks, and other top-drawer musicians. And by way of continued extensive touring, Bobby Long will be bringing A WINTER TALE and what has been called his "tapestry of tales" to the ever-growing audiences seduced by his compelling voice, musicianship and charm. Bobby will be headlining a US club tour January - April 2011, dates are TBA. Be sure to check out the exclusive Burberry Acoustic performance of "Dead & Done." The studio version will appear on the forthcoming album.
Check out Grateful Web's interview with Bobby Long.

Ladysmith Black Mambazo Keep the Music of their Childhood Alive

The centuries-old story of their country and culture has been the foundation of the a cappella singing group Ladysmith Black Mambazo since its beginnings, almost fifty years ago. On 'Songs From A Zulu Farm,' out January 25, 2011 (Listen 2 Entertainment Group), the nine-man group returns to their origins in the open fields of Zulu country to recreate the idyllic world in which they once lived by singing traditional folk tunes sung by mothers and fathers to children throughout the generations.

"These are songs from the earliest time in our lives," says Ladysmith Black Mambazo founder and frontman Joseph Shabalala. "When we sing these songs, we're singing from our personal history. It is such a joy for us to put these stories and songs together for our fans to enjoy too."

'Songs From A Zulu Farm' speaks to the universal joys of childhood. "Whether you are in Ladysmith, Virginia, or Ladysmith, South Africa, children are hearing songs they will carry with them for the rest of their lives and share with their own children," Shabalala says. "We hope that these songs sung to South African children can be enjoyed by families in many other places in the world."

Among the 16 tracks on 'Songs From A Zulu Farm' is "Old McDonald… Zulu Style," the classic children's song reworked in ways never before imagined as it's piped through the language and culture of the Zulu people.

Listen to "Old MacDonald" here.

Shabalala professes his love and longing for the times and places of his youth in “Thalaza,” a song he composed to encourage Zulus – and people of every nation and culture – to reconnect to the innocence of their younger years. “Your roots are who you are,” says Shabalala, who revisits the farmland of his youth every month. “I go home to see the sights I’ve known since I was a baby. When I see a field there, I see my father and mother standing with me as a little boy. I love going home because it is just that…home.”

Check out some Grateful Web coverage of Ladysmith Black Mambazo.

Badly Drawn Boy Touring North America Next Month

BADLY DRAWN BOY, aka Damon Gough, is giving away album track "This Electric" along with the remixes by Beats For Beginners and El Diablo's Social Club for the price of an email. Badly Drawn Boy is touring North America next month.
The two-week run will kick off in Boston on December 1st and wraps up with a two-night stand at Los Angeles’ Troubadour. Full tour dates are listed below. Penning the soundtrack to last year’s Caroline Aherne film The Fattest Man in Britain sparked a period of unprecedented creativity for Gough, resulting in a wealth of great new songs. Gough decided the best way to capture this surge, and give the songs the exposure they deserved was to release a trilogy of albums. The trilogy is called ‘It’s What I’m Thinking’ and ‘Part 1 – Photographing Snowflakes’ is in stores now. Watch the video for "Too Many Miracles."
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TOUR DATES:
12/01 -Boston, MA - Paradise Rock Club
12/03 - New York, NY - Le Poisson Rouge
12/04 - New York, NY - Le Poisson Rouge
12/05 - Alexandria, VA - The Birchmere
12/07 - Philadelphia, PA - First Unitarian Church
12/08 - Toronto, ONT - The Great Hall
12/10 - Chicago, IL - Lincoln Hall
12/12 - Portland, OR - Doug Fir Lounge
12/13 - Seattle, WA - Triple Door
12/14 - San Francisco, CA - Swedish American Hall
12/15 - Los Angeles, CA  - The Troubadour

12/16 - Los Angeles, CA - The Troubadour

Infantree Instigate Cockfight in “Mourning Glory”

Three-fourths of California quartet Infantree may still be under 21, but with their startlingly sophisticated songwriting chops and lush vocal harmonies the young musicians are already composing timeless music.  Signed to Vapor Records (Jonathan Richman, Everest, Tegan & Sara), the prolific band has released both an EP and a full-length this year.  The latter of which, titled Would Work, will be re-released in early March with extra tracks and a bonus disc of video content.  Neil Young also invited the guys to perform at this year’s Bridge School Benefit alongside artists like Elvis Costello, Emmylou Harris, Modest Mouse, and Grizzly Bear.

With three songwriting members that take turns on lead vocals, Infantree have no true frontman.  As a result, their highly collaborative approach creates a unique chemistry and the details of each of their songs are masterfully tailored.  It also allows for a diverse set of influences to find their way into the band’s music.  The band weaves in sun-soaked Americana, intricate baroque pop, dreamy psychedelia, and infectious Spanish melodies, to name a few.

The group has made a video for Would Work track “Mourning Glory.”  The song slyly and seamlessly shifts between a forlorn, banjo-driven section and a wistful Latin-flavored groove.  If you haven’t seen the video yet, click HERE to watch the boys don chicken suits and duke it out in a human cockfight.

Infantree’s attention to detail covers all aspects of the band, from consistently churning out charming videos for their songs to the band name itself.  The guys explain the metaphor behind the name “Infantree” in their own words here:

"Trees are carbon dioxide reducing, erosion preventing, oxygen producing, majestic, and sturdy life-forms that grow with their environment - not in spite of it (like industrial-age humans). Infantree is a symbol for growth. Whether it be intellectual, spiritual, physical, or emotional; growth is growth. If left unchecked, exponential growth could devour prosperity as we know it. Only when it's applied within a means does growth reach it's true potential of ceaseless sustanability. Infantree applies this method by way of harmony, like-mindedness, and an articulation of each indvidual's role/capacity as a musician/human-being. At the same time the use of childlike reckless abandon seems key to wading through the water-mark left by the mainstream mindset. This dynamic has helped the members of Infantree to spread their roots as friends while simultaneously growing as a band."

Cas Haley at the Fox Theater on 12/1/2010

Cas Haley is breaking out on his own terms.

Connection, his Easy Star Records debut, is aptly named. It’s all about those deep-running connections that make him what he is—those unbreakable links between artist and audience, between styles of music, between art and life, and most of all, between all people. As Cas points out, reggae’s core message is, after all, "one love."

His crystalline voice and funky, easygoing beats earned Cas a second-place finish on America’s Got Talent, which in turn netted him a measure of fame and a following. But the contest also locked the Texan singer/songwriter/guitarist into a major label deal that didn’t feel right. So, not wanting to be turned into a manufactured product, he struck out on his own. The superb result: Connection, a collection of songs basking in the philosophical and musical maturity that comes from staying true to his artistic vision.

Raised by musician parents, Cas grew up surrounded by the sounds of blues and 60s-70s rock. He got serious about the guitar at age 12 and was "taught by the tribe" of musicians passing through the house. "The kitchen would be turned into the practice room or for jam sessions, so I was pretty much born into that lifestyle," he says. And from the very beginning he was more inclined to create his own music than to slavishly learn covers.

Also prominent at home were the Bob Marley records his mother would play, which made a profound impression. After a period of heavy immersion in the sounds of the ska/punk/skateboard culture, Cas was blown away by the classic reggae-pop of bands like UB40 and Sublime, and his mature style began to take shape.

Those pop-inflected island grooves and his joyful, versatile voice helped bring Cas to the brink of stardom on America’s Got Talent and sell 30,000 copies of a debut album with virtually no promotion. And they’re fundamental to the soul of his music—what he calls the "relaxing, effortless playing where everything fits together." Elements of soul, blues, and pop swirl through Cas’s strong reggae beats. Just like disparate musical styles, "we’re way more connected than we think," Cas says. "We separate ourselves in so many different ways, but the whole theme of the album is that we’re all connected."

"Every color," he sings in the title track, "is created from the same light."

Easy Star, the leading U.S.-based independent reggae label, is the ideal home for Connection. The label has been stretching beyond its strictly roots-reggae format, signing progressive bands and artists like John Brown’s Body, Tommy T, and The Black Seeds. “Cas’s sound is unique, accessible, and a great way to keep expanding the Easy Star audience," says CEO Eric Smith. "And it’s not often we come across a singer-songwriter this talented, regardless of genre, so we had to work with Cas.”

Mixed by Danny Kalb (Ben Harper, Beck), Connection bristles with chill grooves, rocking guitars, and funky horns, all fueling Cas’s irresistible melodies. Meanwhile his lyrics effortlessly balance simple, spiritual truths with thoughtful reflection. Cas’s songs recognize the complexities of life—love, family, worldly troubles and uncertainties—but always come back to the central message of connection.

It’s the journey that matters; Cas is aiming for success on his own terms. "If I’m not doing it authentically then I don’t want it," he says. His only goal: "To authentically express myself and help others do the same. Because it’s a sweet life to be able to do that."

Catch Cas Haley at the Fox Theater in Boulder on December 1st, 2010.

Juan-Carlos Formell @ Zinc Bar | NYC

Grammy-nominated Cuban guitarist/composer/vocalist Juan-Carlos Formell re-ignites the connections between Cuban music and jazz with his explosive new project "Johnny's Dream Club". Named for a legendary Havana jazz cabaret, "Johnny's Dream Club" represents a place outside time - the vortex between New Orleans and Havana, where the parallel lines of Cuban music and American jazz converge. It's a new dimension of latin jazz --intense, lyrical, dangerously dream-like. Formell and his all-star quartet map this territory in a delirious sequence of juxtapositions: "Ciudad" ("City"), evoking the nightmare of an urban apocalypse, flows into a  jazz ballad about an elusive love ("Siempre que te vas"); songs about being lost at sea ("Las islas son malvadas", "Cuando hable de la noche") and the bloody history of the Caribbean ("Yanbando") are set against haunting, mystical love songs ("Sotavento", "Fuego de Amor") inspired by Havana's "Feeling" movement.

A precursor to - and influence upon - bossa nova, Feeling emerged from the Bohemian enclaves of Centro Habana in the late 1940s. Feeling's free-style guitar, with progressive harmonies, diminished chords and bittersweet texts of disillusioned love reflected the sophisticated after-hours atmosphere of Havana's bohemian AfroCuban musicians: composer/guitarists Jose Antonio Mendez and Cesar Portillo de la Luz; singers Elena Burke and Omara Portuondo; pianists Bebo Valdes and Peruchin.

Feeling was also the starting point of Juan-Carlos Formell's biography. Born in Havana in 1964, a fourth generation Cuban musician, he learned the technique of the Feeling guitar from the creators of the genre: Mendez, Froilan, Guyun.  He began composing in his teens, and studied bass with Andres Escalona, the first bassist of the Havana Symphony Orchestra. After completing his studies Juan-Carlos became the bassist for the jazz pianist Emiliano Salvador.

As a classically trained bassist, virtuoso guitarist, and composer gifted with a groundbreaking and powerful writing style, Juan-Carlos had all the elements to become a voice of his generation - but instead, was prevented from performing or recording his own work by Cuba's government-controlled music industry because his music didn't fit into any official category. In 1993, after touring Mexico as a replacement for bassist Cachaito Lopez, Juan-Carlos fled to the United State to realize his mission of creating a new wave of Cuban music. He settled in New York City and soon started his own band. His years of struggle were vindicated when he was signed to a major record label in 1999 and his debut album, "Songs from a Little Blue House" was nominated for a Grammy. Part prophet, part poet, in exile Juan-Carlos has forged a post-modern identity for AfroCuban music that has been hailed as "musical magic realism". His five albums constitute an epic poem of Antillean mytho-history, with songs ranging from a paen to the flora and fauna of his native country, a personal invocation to an AfroCuban deity, an ode to a sacred river or a hymn to the "divine light" that brings us to a union with our higher selves. Juan-Carlos describes his new project as "a reflection of our culture today -- in the post-modern landscape, we are all refugees from the broken city, haunted, adrift at sea, in danger of losing our true reference points and losing our way forever. I keep returning to New Orleans for inspiration because I believe that there, at the crossroads of the Caribbean, it's possible to create music that embraces the past while gazing at the future -- a new music without genres and categories."

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Juan-Carlos Formell @ Zinc Bar | NYC  -- November 10th, 2010

ZINC BAR 82 West 3rd St (btw Sullivan & Thompson)
sets: 9:30 PM, 11:30 PM & 1:00 AM

The Wheel | A Musical Celebration of Jerry Garcia

On December 4th, the musicians bring us full circle in a tribute to Jerry Garcia's musical legacy. Join us as we come together to celebrate the music and where it will take us next.  Join the Rex Foundation for a one-of-a-kind evening to celebrate the music and the musicians, and to help us cover just a little more ground.

Set up in festive cabaret style with reserved seating on the floor, The Fillmore, with its beauty and iconic connection to Jerry Garcia and the Grateful Dead, sets the stage for this special occasion.  At the pre-concert reception, enjoy hearty finger foods and beverages as you reconnect with friends and family. Your generous reception/concert ticket purchase of $150 or $500, of which all but $70 is a charitable contribution, will fund Rex Foundation grant making, and you'll receive a print of the event poster designed by Cory and Catska Ench.

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In 1962, Jerry Garcia began playing the banjo and exploring bluegrass music, forming a band called the Hart Valley Drifters that included David Nelson on guitar. In 1964, Jerry and his pal Sandy Rothman packed up a tape recorder and took off for the American South on a bluegrass pilgrimage, especially wanting to see "Jim and Jesse" (McReynolds), of Dothan, Alabama. Jerry was delighted to see them perform and get Jesse's autograph, and he held Jesse's mandolin playing and music in high esteem for many years. Jim and Jesse went on to legendary status in the bluegrass world, with more than 45 years at the Grand Ole Opry, Grammy nominations and awards, and membership in any Hall of Fame that means anything to this music.

Meanwhile, in 1969, as the Grateful Dead released Aoxomoxoa, they also turned to their own musical roots. Jerry, wanting to play his new pedal steel guitar, reconnected with old friend John "Marmaduke" Dawson and with Nelson, forming New Riders of the Purple Sage. As the Grateful Dead continued to evolve, in 1973 he formed another bluegrass band, Old and in the Way, with David Grisman, John Kahn, Peter Rowan and Vassar Clements.

Fast forward to today: David Nelson and Friends fire up fans with their electric sounds, and the New Riders play their past favorites along with new songs written by David and Robert Hunter. Grammy Award winner and five-time Grammy nominee Peter Rowan is a bluegrass singer/songwriter whose career spans over five decades; his continuous stream of original recordings, collaborative projects and tours has garnered a devoted, international fan base.

Now Jesse has just released Songs of the Grateful Dead - A Tribute to Jerry Garcia and Robert Hunter. Collaborating on this special album of 12 classic Dead songs, from Black Muddy River and Ripple to Franklin's Tower and Standing on the Moon, is none other than David Nelson. And, to top it off, there's a brand-new McReynolds-Hunter tune called Day by Day. Check out the music and get a sampling of Jesse McReynolds' talents here.

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Reception, Food and Premium Seating Concert Tickets

(All but $70 is tax deductible)

Includes Drinks, Hearty Finger Food and Event Poster

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Lightning: $500.00 - Reserved Front Floor Seating

Thunder: $150.00 - Reserved Floor Seats

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6:00 - 7:30 p.m. Reception

7:30 p.m. Doors Open for Concert

8:00 p.m. Music Begins

Reception/Concert Tickets available through the Rex Foundation website or call (415)-561-3135 and through GDTS,TOO

Clutch Announce New Year's Show at The Orange Peel in Asheville, NC

Neil Fallon, Tim Sult, Dan Maines, and Jean-Paul Gaster will say goodbye to 2010 the same way they began it 365 days prior, kickin' out the jams on the big stage. Asheville, North Carolina's "The Orange Peel" will be the site of veteran rock band Clutch's traditional American New Year's Eve performance. In recent years the four piece Maryland hard rock act has LOUDLY rang in the New Year with epic performances in such great American cities as Detroit, Washington DC, Baltimore, Atlantic City (Sayerville, NJ), Flint, and Grand Rapids, MI. Tickets are available exclusively to fanclub members beginning today, and will be open to the public this Friday. Next week, Clutch will announce a short December tour which will lead up to this special NYE date, as well as the support package which will accompany the band on the road.

2010 has seen Clutch release a plethora of well received international audio, video and digital product via their new label Weathermaker Music, including notable double disc re-issues of "From Beale Street to Oblivion" and "Robot Hive/Exodus." The expanded double disc edition of "Blast Tyrant" will be released in January 2011, with further details to be announced next week at www.Weathermakermusic.com. Weathermaker will also be issuing forth special vinyl editions of all three re-issues, to be ready for turntables in the Spring.

2010 has also seen Clutch experience an increased amount of exposure (due not only to the formation of Weathermaker Music and the band's massive touring schedule) but also due to higher billing on visible events such as Austin City Limits (Austin, TX), The High Voltage Classic Rock Festival (London, UK) and The Bonnaroo Music & Arts Festival (Nashville, Manchester, TN). In addition, television appearances such as Comcast Cable's "In Concert - On Demand" and most recently Fox News TV (see below) have given music fans the long awaited visual to match the bands classic sound.

In other Weathermaker Music news, Thanksgiving day (November 25th) will be the live stream debut of the one of a kind (4) hour podcast counting down the Top 20 Clutch songs of all-time! These songs are 100% voted on by the fans during a special Weathermakermusic.com fan-poll which began on October 1st and will close on November 9th. There are currently over 4000 votes to date! If you have not done so already, get your Pure Rock Fury out at www.Weathermakermusic.com!

Clutch Live!

w/ Black Label Society, Children of Bodom, and 2 Cents

11/2 Austin, TX @ Stubbs Waller Creek Amphitheater
11/3 Tulsa, OK @ Brady Center
11/4 Sauget, IL @ Pop’s *
11/5 Grand Rapids, MI @ DeltaPlex
11/6 Chicago, IL @ Congress Theatre
11/7 Detroit, MI @ The Fillmore
11/9 Rochester, NY @ Main Street Armory
11/10 Columbus, OH @ The LC Pavilion
11/11 Jonesboro, AR @ Brickhouse Grill *
11/12 Wichita, KS @ Cotilion
11/13 Kansas City, KS @ Uptown Theater
11/14 Denver, CO @ The Fillmore Auditorium
11/15 Grand Junction, CO @ Mesa Theater *
11/16 Magna, UT @ The Great Salt Air
11/18 Phoenix, AZ @ Dodge Theatre
11/19 Hollywood, CA @ Hollywood Palladium
11/20 San Francisco, CA @ Warfield

New Year's Eve Performance
12/31 Asheville, NC @ The Orange Peel w/ The Bakerton Group *