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Nathan Moore To Release 'Dear Puppeteer' Feb. 1

Nathan Moore has announced the release of Dear Puppeteer, his latest collection of songs, due February 1 on Royal Potato Family. The Staunton, Virginia-based singer and songwriter recorded the album around his home in the Shenandoah Valley with co-producer and guitarist Bryan Elijah Smith, as well as, out West at his previous Santa Fe, New Mexico stomping grounds, Frogville Studios.

Dear Puppeteer could best be described as a letter in 13 songs from Nathan Moore to the puppet masters: fear, mortality, the righteous, the jailor, lost love and lost time. On the title track, Moore sings: “Gonna write a letter, dear puppeteer, I don’t want to play here, I don’t wanna stay here." From this simple plea it's apparent that a restless spirit is at work. Nathan's warm fingerpicked acoustic guitar, ghostly harmonica gales, ancient ukulele meditations and tobacco-stained vocals are inhabited by a poet seeking something better, while giving song to the human condition in all of its beauty and sadness.

A crowning achievement from one of this generation's most prolific songwriters, Dear Puppeteer is Nathan Moore's ninth studio album to date. It follows 2009's well-received EP, Folk Singer, which led Paste Magazine to write, "The sharp, introspective lyrics of Nathan Moore draw an instant connection to the great folk singers of the past." The UK's Maverick Magazine said, "Many have come and many have tried, but we may finally have a storytelling successor to Dylan, Van Zandt and Cash." Moore, who first came to national attention as a founding member of ThaMuseMeant, also currently fronts the revered American rock band Surprise Me Mr. Davis.

Check out some coverage of Nathan Moore on The Grateful Web. | Stream debut track "Hollow" here

Dear Puppeteer track listing:

1. Like A Cartoon

2. Safe To Say

3. Dear Puppeteer

4. In The Basement

5. A Little Crazy

6. I'm The Same

7. The Garden

8. Hollow

9. Can't Fly To Heaven

10. When My Time Comes

11. Train Of Thoughts

12. Choose Thy Love

13. I'm Good Company

The White Buffalo New CD + Tour Dates

The White Buffalo represents an authentic homage to the times of hard touring, hard drinking artists who truly lived what they sang about. Seamlessly moving from heartfelt ballads to raucous bar songs, The White Buffalo sings with honesty and thoughtful reflection as he wanders the road, sharing his music.  Everything about him is big, from his imposing physical size to his amazing vocal range.  From his whiskey-drenched, growling lows to heart-stopping highs, The White Buffalo paints a touching picture, whether he stands alone or performs with his energetic, charismatic band.

After vigorously road testing his new material, The White Buffalo is releasing his latest EP, Prepare for Black & Blue on Ruff Shod Records, State Radio's imprint label through Nettwerk, this fall. Produced by Jimmy Messer, this collection of songs showcases The White Buffalo's stripped down unmistakable sound.

To catch a glimpse of the live White Buffalo experience, watch this live video of EP track "Into the Sun."

The White Buffalo Tour Dates:

Dec 10 - House of Blues - Boston, MA **
Dec 14 - Detroit Bar - Costa Mesa, CA
Dec 15 - The Mint - LA, CA
Dec 16 - Casbah - San Diego, CA
Dec 17 - Crepe Place - Santa Cruz, CA
Dec 18 - Hotel Utah - San Francisco, CA
Dec 19 - Hop Monk Tavern - Sebastopol, CA
** Calling All Crows w/ Chad Stokes & Friends

More winter tour dates to be announced soon

John Hartford Stringband Nominated Best Folk Album

MEMORIES OF JOHN (Red Clay/Compass Records), the 15-song tribute to the late, great John Hartford — the banjo wizard, guitar picker, vocalist, musical innovator and multiple GRAMMY Award-winning recording artist who penned the megahit “Gentle on My Mind” — that was recorded by members of his former band and special guests, has been nominated for a 2011 GRAMMY Award for Best Traditional Folk Album.

The John Hartford Stringband, the same group of musicians who appeared on Hartford’s last five Rounder Records projects and were his final touring band — Chris Sharp on guitar, Bob Carlin on banjo, Matt Combs on fiddle, Mike Compton on mandolin and Mark Schatz on bass — were joined by special guests Tim O’Brien, Bela Fleck, Alison Brown, Alan O’Bryant, George Buckner and Eileen Carson Schatz to make the album that commemorates Hartford.
The album features Hartford himself on several previously unreleased tracks recorded before his death in 2001 as well as voiced instructions to the band from previous rehearsal tapes. Renditions of hit original Hartford songs, traditional fiddle tunes (“Three Forks of Sandy,” the album’s opening track), country and bluegrass songs refashioned by Hartford (“The Girl I Left Behind Me,” “Love Grown Cold”), rarely heard Hartford originals (“You Don't Notice Me Ignoring You”) unreleased compositions (“Madison, Tennessee”), the story-poem “For John” and more fill the loving tribute to one of the most influential artists in American music. The album ends with Hartford’s own whistling song “Fade Out.”
“John Hartford is now in the clouds, but his spirit can rest easy,” says CountryChart.com. “His friends have honored his memory in the best possible way. They have created a remarkable album that breaks new ground while exploring the music of a legend.”
This fall, Hartford was inducted into the Bluegrass Hall of Fame, and in 2005, was awarded the Americana Music Association’s President’s Award. He received multiple GRAMMY awards and nominations throughout his career, including Album of the Year for the “O Brother, Where Art Thou” soundtrack and Best Folk Performance for his song “Gentle on My Mind,” one of the most recorded songs of all time. He also appeared on TV in the 1960s and ’70s, on “The Glen Campbell Goodtime Hour,” “The Johnny Cash Show” and “The Smothers Brothers Comedy Hour.”
The John Hartford Stringband will tour in 2011; scheduled concerts include the International Folk Alliance Conference in Memphis in February, Merle Fest in North Carolina in April, and CBA Music Camp and the 36th Annual Father’s Day Bluegrass Festival in California in June.
The 53rd Annual GRAMMY Awards will be presented Feb. 13, 2011. The full list of GRAMMY nominees is available here.

Blix Street Records To Release "Simply Eva" by Eva Cassidy

She left us way too soon, in November of 1996, but Eva Cassidy's voice has continued to resonate with fans around the world since the music she left behind began to be released two years after her passing from melanoma at the age of 33.On January 25, 2011, independent Blix Street Records will release SIMPLY EVA, a collection of 12 acoustic versions of songs with which she has been associated, all previously-unheard guitar and vocal only performances.

This "Eva only" collection showcases Cassidy's extraordinary voice and superb guitar work as well as her unusual arrangements of sometimes familiar material to create a new and different listening experience for even the most devoted fans of her music. Whether it's her spare interpretation of Christine McVie's "Songbird," (which was the title cut of the initial breakthrough 1998 compilation from the Cassidy canon), the bluesy stylings of "People Get Ready" or the folk versions of "Wayfaring Stranger" and "Wade In The Water," it's Cassidy's voice that is front and center, unadorned. The new version of Paul Simon's "Kathy's Song" is extended to include three additional verses that did not appear on the previously released version.

In addition to including Eva's previously unreleased, re-defining version of "San Francisco Bay Blues," SIMPLY EVA is the first album to include the Blues Alley guitar/vocal performance of "Over The Rainbow" from the Rainbow video that triggered Eva Cassidy's rise to the top of the British Pop Charts in March, 2001. Recorded five years after the 1991 version heard on SONGBIRD (which country superstar Martina McBride recently cited among her favorite recordings on the ABC News Nightline "Playlist" feature, saying "I never get tired of it"), the included fully evolved version literally redefined this all-time number one popular song (according to a BBC radio poll). Other songs include "True Colors," "Who Knows Where the Time Goes," "Time After Time," "Autumn Leaves" and Eva's a cappella performance of "I Know You By Heart."

Blix Street President Bill Straw compiled the selections for SIMPLY EVA after initially searching the archives for a possible holiday track. "In doing so," he writes in the liner notes, "I literally heard Eva for the first time, again. That I was hearing the same songs in a different way actually added to my sense of re-discovery."

A special by-product of his quest was the discovery of a Cassidy rendition of "Silent Night," which has just been made available via iTunes and other digital outlets in time for the holiday season. Recorded in 1988, Eva's performance of the traditional Christmas classic is destined to become a holiday staple for years to come. It will be included on the iTunes digital download version of SIMPLY EVA as a bonus track when the album becomes available.

Born in Washington, DC, Eva Cassidy recorded and performed in the area for several years until her untimely death. She left behind a small, but impeccable body of recordings that have been meticulously curated and compiled by Blix Street Records with the support of her parents, Barbara and Hugh Cassidy.

In April, 1998, Blix Street posthumously released SONGBIRD, a collection chosen primarily from two other Cassidy albums, LIVE AT BLUES ALLEY and EVA BY HEART. It featured Eva's unqualified signature performance of "Over the Rainbow" as well as Sting's "Fields of Gold." Later that same year, Blix Street also released LIVE AT BLUES ALLEY and EVA BY HEART, the first national exposure for both albums, followed in May, 2000 by TIME AFTER TIME, a new compilation selected from her unreleased material.

But it was in 2001 that Eva Cassidy became an "overnight sensation" when the SONGBIRD compilation reached No.1 on the British charts. By the end of that year, the album had been certified triple-platinum in England (for sales of more than 900,000 sold) and gold in the U.S. (more than 500,000 units); the album, now six times platinum in England and platinum in the U.S., eventually hit No. 1 on Billboard's Internet Albums chart and topped the publication's Pop Catalog survey for 32 weeks. IMAGINE also hit No. 1 on the British charts in 2002 and commandeered the top slot on Billboard's Independent Albums chart. AMERICAN TUNE, another No. 1 in England in 2003, ultimately made it to No. 4 on Billboard's Independent Albums chart. WONDERFUL WORLD, a compilation of tracks from all the previous albums other than SONGBIRD, came out in 2004. SOMEWHERE, a collection that included two songs co-written by Cassidy as well as impressive covers, was released in 2008.

SIMPLY EVA now joins this classic catalogue that has already sold more than eight million CDs around the world.

Crystal Castles, Chain Gang of 1974 & Pictureplane on New Years!

Fusing low-res electronic noise and pop hooks so effortlessly that it can seem accidental, Crystal Castles began as producer/multi-instrumentalist Ethan Kath's solo project in late 2003. Kath got the moniker from the name of She-Ra's dwelling in the -He-Man and -Masters of the Universe cartoon series; it's also the name of a 1983 Atari video game, which is oddly appropriate, considering that one component of the band's distinctive sound comes from a keyboard modified with an Atari 5200 sound chip.

When Kath collaborated with singer Alice Glass on some songs in spring 2005, Crystal Castles' lineup was complete. One of the songs the pair recorded, "Alice Practice," was something of an accident: it was intended to be a demo of Glass testing out a microphone, but its presence on MySpace piqued record labels' interest. "Alice Practice" was released as a limited-edition 7" in summer 2006 on Merok Records, also home to Klaxons; its 500-copy run sold out in three days. Kath and Glass worked on their own songs and also honed their remixing skills, tweaking songs for Klaxons as well as GoodBooks, Uffie, Health, and Bloc Party.

Tours with the Presets and Metric in 2007 set the stage for the release of Crystal Castles' self-titled debut album, which Last Gang released early in 2008. The duo returned in 2010 with another self-titled album; when it leaked onto the Internet in late April of that year, the band released it digitally soon after, with a physical release following that May.

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Hot Club of Cowtown's new CD salutes Bob Wills

Bob Wills has always been a core inspiration for the Hot Club of Cowtown’s sound, but it has taken the Texas-based trio a dozen years to fully honor the King of Western swing. A fortuitous tour in England last spring led the band to London’s Specific Sound studio, where they spent two days recording a 14-song marathon of only Bob Wills tunes. The result, What Makes Bob Holler, is a lively tribute to the American music icon, respecting Wills’ legendary music while putting Hot Club’s own signature on these songs. “We have been meaning to make this album for a long time,” says Elana James, who co-founded Hot Club with Whit Smith (they’re joined by bassist Jake Erwin).

Launched in 1994, the Hot Club of Cowtown has grown to be the most globe-trotting, hardest-swinging Western swing trio on the planet, continuing to develop a unique sound inspired by the band’s namesakes: the hot jazz guitarist Django Reinhardt and violinist Stephane Grappelli of the Hot Club of France, and Bob Willis & the Texas Playboys.

And with the imminent release of What Makes Bob Holler on Proper American on February 1, the Austin-based band looks to a busy 2011. They start the year opening seven U.K. arena dates with Roxy Music, followed by a taping of NPR’s Mountain Stage in Charleston, W.V. in late January and an appearance at South by Southwest (SXSW) in March — before touring coast to coast in support of the album.

Bob Wills’ music — in this case the recordings of radio shows from 1946-47 called the Tiffany Transcriptions that are the fundamental inspiration for HCCT’s repertoire and style —offers a terrific platform for some ace musicianship in the form of Smith’s guitar, James’ fiddle and Erwin’s nimble bass. By spotlighting Wills’ early, pre-World War II catalogue, the disc happily matches obscure B-sides with some of Wills’ most popular work. Tunes like “Big Balls in Cowtown” and “Stay All Night” are numbers that “people always love when we play them live,” says James, “so it was a no-brainer to gather them into a record.” Other songs, like “Osage Stomp” and “The Devil Ain’t Lazy,” might not be as well known, but they are the type of tunes that originally attracted Smith and James to Wills’ music. “We’re playing what knocked us out about Western swing in the first place — the early fiery energy and jazzy improvisations,” says James.

By 1998 Smith and James had relocated to Austin, Texas, and released their debut, Swingin’ Stampede, on HighTone Records. Seven more albums over the next decade generated much critical acclaim and a devoted following. The New York Times’ Neil Strauss proclaimed the Hot Club “conscious always that above all else, the music is for dancing and an old-fashioned good time.” Craig Havighurst, in Nashville’s Tennessean, calls them “one of the most original groups on the Americana circuit, deserving of attention both live and on record” while the Sunday Times of London lauded HCCT as “the world’s most engaging Western Swing band — their shows are all about energy and joie de vivre . . . the devil-may-care style that combined the rigor of Jazz with the down-home sentiment of country and earthiness of the blues — it is as a live act that they have made their greatest impact.”

What Makes Bob Holler arrives on the heels of 2009’s Wishful Thinking, an Americana radio Top 100 album on which HCCT blended their love of hot jazz and Western swing with original songs, a Tom Waits cover and forays into more eclectic territory. The Austin Chronicle’s Jim Caliguiri called it “the Cowtowners at their peak” and David Eldridge, in the Washington Times, describes the disc as “one of the year’s most unexpected listening pleasures.”

What Makes Bob Holler is something of an 180-degree swing from Wishful Thinking’s more eccentric set list. It is the first time HCCT has focused on only one style for an entire album and they are proud enough of the results to express interest in doing more. “There are so many great songs that we didn’t get to,” says James. “We’re going to have to make a box set, eventually, but we’re just going to make it piecemeal,” adds Smith with a laugh.

While the new disc focuses on Bob Wills music, HCCT’s live show will remain a engaging mix of what the band does best — whatever moves them at the moment. James reveals that the band often plays without a set list. “We have faith in the system that is the band. This energy that we plug into and it takes us away.” Smith describes their shows as “like a rock ’n’ roll show” and “people pick up on the energy and the sincerity.”

Joe Deninzon's Exuberance

Progressive jazz violinist Joe Deninzon, is honored to announce the release of EXUBERANCE. Recorded with bassist Robert Bowen, and guitarist Stephen Benson, EXUBERANCE is the essence of three musicians in a room, playing live with no overdubs or production; a completely raw experience.

The group draws influences from jazz stylists including the gypsy explorations of Django Reinhardt and the hot swing of violinist Stephane Grappelli along with rock and pop standards of the past 40 years including songs by Steely Dan, Alice in Chains, Jimmy Webb and Radiohead.  A few choice covers by Radiohead (“The Tourist”), Alice in Chains (“Heaven Beside You”), Steely Dan (“Bodhissatva”) and Fat's Waller's “Jitterbug Waltz” show just how wide the group's range goes.

One of the group's original songs, “Sun Goes Down” (featuring Luba on lead vocals), has been featured in the independent film, “What's Up Scarlet?” and a recent winner in the Jazz category of the Billboard and John Lennon International Songwriting Contests.

The album is also a tribute to Robert Bowen, who was killed when a car struck him as he rode his bike in Manhattan late August.  Live, the band performs with bassists who were friends with Robert, plus drummer Luciana Padmore (from Joe's band Stratospheerius).  The group has donated some of its earnings and CD sales to Robert's children.

Best known for his work on the 7-string electric violin and lead singing with the rock group Stratospheerius, Joe Deninzon plays acoustic violin in this Trio.  Joe has performed as a solo violinist with the New York City Ballet, and on album or in concert with Bruce Springsteen, Sheryl Crow, Jane Monheit, Everclear, Ritchie Blackmore of Deep Purple, Smokey Robinson, and Les Paul.  A 10-time BMI Jazz Composer's grant recipient and a winner of the John Lennon Songwriting Contest, his original music has been used on CMT, MTV VH1, Comedy Central, National Geographic, the Travel Channel and the History Channel.

The Builders and the Butchers: Dead Reckoning

Portland, OR's The Builders and the Butchers have signed with Badman Recording Co. and will release their third album, Dead Reckoning, on February 22nd, 2011.

Dead Reckoning is a bold, kinetic collection of songs that mine from folk, back porch bluegrass, and raucous unplugged blues, lead by Ryan Sollee's fervent vocals and the big drum sound of the deconstructed kit split between Brandon Hafer and Ray Rude. Dynamic epic opener "I Broke The Vein" sets the album's tone, in many ways encompassing all elements of The Builders' sound: tempos both delicate and charging, an abundance of wisely parsed instrumentation, and heavy percussion, all cut with an ominous undercurrent and grounded in Sollee's stellar storytelling. Songs like the pounding anti-anthem "Rotten To The Core" and the urgent, ominous "Lullaby" sit seamlessly alongside the swaying gentle stomp of "Moon On The March" and the beautifully subdued haunt of "All Away." Traces of traditional gospel music emerge throughout; strikingly so on the stark and stirring "Blood For You" and the call-and-response lament "Family Tree." Writing against the backdrop of the recent downturn, Sollee found himself relating to and drawing inspiration from American music of the 1930s. The timeless songs on Dead Reckoning follow suit, weaving gothic stories with common threads like absolute good and evil, addiction, religion, and the father and the son.


The Builders recorded Dead Reckoning predominantly live in effort to finally capture the unbridled energy of their renowned live show, one that often breaks down the wall between band and audience, and turns performances into animated, cathartic sing-alongs. Over eight days, the band tracked and mixed the entire album with the help of Adam Selzer (The Decemberists, M. Ward, She & Him), who worked on their sophomore album Salvation is a Deep Dark Well (GTC, 2009), and engineer Dylan Magierek (Mark Kozelek, Starfucker, Thao Nguyen). Minimal overdubs were added and The Builders played every instrument on Dead Reckoning - which includes banjo, mandolin, organ, piano, melodica, and acoustic bass and guitar - save for two guest violin parts laid down by friends Amanda Lawrence and Zy Orange Lynn.

Dead Reckoning track listing:

  1. I Broke The Vein
  2. Rotten To The Core
  3. It Came From The Sea
  4. Lullaby
  5. Moon On The March
  6. All Away
  7. Cradle On Fire
  8. We All Know The Way
  9. Out Of The Mountain
  10. Blood For You
  11. Black Elevator
  12. Family Tree



The Builders formed in Portland in 2005, the five original members all hailing from Alaska. Getting their start playing street corners and eventually local venues, the band released their debut album self-titled album in 2007 on Bladen County Records. The album earned accolades including Willamette Week's 'Best New Band of 2008' and Seattle Sound's 'Best Live Performers 2008,' and was soon followed by 2009's Salvation Is A Deep Dark Well. Recorded by The Decemberists' Chris Funk, this sophomore album lead to even more press, including NPR, Filter, PasteMagazine.com, KEXP, Consequence of Sound, and HearYa, among others. The Builders have toured near-constantly in support of their albums over the past two years, with artists like Heartless Bastards, Portugal. The Man, Amanda Palmer, Brand New, and Murder By Death. The band's 2011 touring plans will be announced soon.

The Builders and the Butchers are: Ryan Sollee (vocals, guitar), Brandon Hafer (drums, vocals, melodica), Willy Kunkle (bass, vocals), Ray Rude (organ, drums, vocals), and Harvey Tumbleson (banjo, mandolin, vocals). Former bassist Alex Ellis performed on the record as well.

Bobby Long Announces 2011 Tour Dates

British singer-songwriter Bobby Long will begin 2011 by embarking on the first leg of a North American concert tour in support of his long-awaited recording debut, A WINTER TALE, from New York-based independent label ATO Records. The collection of 11 original songs, produced by Grammy®-winner Liam Watson, will be released on February 1, 2011.


Long, who now makes his home in New York City and perhaps is best-known as the songwriter behind "Let Me Sign" featured in the blockbuster film Twilight, has cultivated a devoted fan base through non-stop touring in the United States, Canada and Europe.  Known for a repertoire deeply rooted in American folk, blues and country music, he will return to the road with a band of crack musicians to fully bring his gritty, powerful material to life on stage. As the San Diego Entertainer described it: "All his songs are like a well-orchestrated ballet of chord progressions and vocals that pluck at the deepest confined thoughts of your soul."

The special edition 5-song vinyl EP called STRANGER SONGS that was released in November as a preview of the forthcoming CD has already sold out of its initial pressing. Comprising three tracks from A WINTER TALE plus two bonus tracks, it reached #1 on both the CIMS Vinyl debut chart and AIMS debut chart compiled by independent record stores nationally. A second pressing will be available for the holiday season.

Confirmed BOBBY LONG tour dates are as follows:

January 28-Media Club, Vancouver, BC; 29-Tractor Tavern, Seattle; 31-Doug Fir, Portland; February 2-Café DuNord, San Francisco; 3-Troubadour, Los Angeles; 4-Anthology, San Diego; 5-Club Congress, Tucson; 8-Kilby Court, Salt Lake City; 10-Bluebird, Denver; 11-Bottleneck, Lawrence, KS; 12-Old Rock House, St. Louis; 14-High Noon Saloon, Madison, WI; 15-Triple Rock, Minneapolis; 16-Turner Ballroom, Milwaukee; 17-Radio Radio, Indianapolis; 18-Schuba's, Chicago; 19-The Basement, Columbus; 21-The Ark, Ann Arbor; 22-Revival Bar, Toronto; 23-Divan, Montreal; 24-Higher Ground, Burlington, VT; 25-Portland City Music Hall, Portland, ME; 26-Brighton Music Hall, Boston; 28-Iron Horse, Northampton, MA; March 1-Otto Bar, Baltimore; 3-Bowery Ballroom, New York City; 4-World Café, Philadelphia; and 5-Jammin' Java, Vienna, VA.  Long will also return to the SxSW Music Conference in Austin, March 16-20.

The second leg of the tour will follow with planned dates in the Southeast and mid-Atlantic to include cities such as Charlottesville, Pittsburgh, Louisville, Nashville, Cincinnati and Atlanta.  Additional dates will be announced shortly.

PANTyRAID @ The Boulder Theater | 12/3

PANTyRAiD is the product of two music producers that met on the West Coast of the United States and share the same appreciation for well produced electronic dance music. Martin Folb (aka MartyParty) and Josh Mayer (aka Ooah) have always loved the art of songwriting instead of the typical club track production.

They set off to write melodic, musical journeys within the electronic genre. Each song has its own character, its own intention, and often crosses over many genres of electronic and traditional music. One thing is consistent in all PANTyRAiD production, attention to detail, not found in typical electronic production. Constant variation in the beat, and an almost overwhelming palette of instrumentation and audio tricks and techniques.

The combination of MartyParty and Ooah has started a movement back towards the power of the melody and instrumental composition. Together they have invented a formula for producing intense club songs that pull together gorgeous and modern electronic sounds with hard hitting beats, bringing the best of hip-hop, dubstep and other forms of experimental electronic music.

The music is a new flavor of urban beat, a fresh new sexy sound that draws those that love to dance.

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