paste

Rubblebucket 2011 Summer/Fall U.S. Tour!

Brooklyn-based art-pop band Rubblebucket is heading out on an expansive summer/fall tour. Hitting New York, Los Angeles, SF, Chicago, Philadelphia, Boston, Portland, Atlanta and a series of other cities, the eight-piece art pop group is happy to take their infectious, genre spanning music out on the road.

In honor of the new tour, Rubblebucket is happy to announce Paste Magazine’s premiere of the band’s latest single, “Came Out of a Lady.” Listen to the track HERE. Writing on the site, Paste noted that “As one of the LP’s standouts, “Came Out of a Lady’s” hilarious lyrics perfectly showcase Traver’s buttery vocals, while allowing for the group’s soulful instrumentation to highlight the song’s silly tone.” In conjunction, the band has also premiered their latest video for their “L’homme” with Consequence of Sound this morning. Watch the video HERE and read CoS’ premiere HERE.

2011 has been a breakout year for Rubblebucket. Releasing Omega La La this summer, Rubblebucket has earned praise from across the spectrum, with critics at Paste MagazineBlurt, Stereogum, and more hailing the band as one of most promising up-and-coming bands in the U.S. Some critics have even gone as far as labeling the band’s upbeat, multifaceted sound “Yes Wave,” in opposition to the nihilistic, late-70s New York genre. Recorded last year at Plantain/DFA Studios with Producer Eric Broucek (LCD Soundsystem, Cut Copy, Hercules and Love Affair) at the helm, Omega La la is the Brooklyn eight piece’s most adventurous record yet, with the band dipping into everything from the dancey indie-pop arrangements to Fela-Kuti inspired afro-beat stomps.

For Rubblebucket, it’s been a long journey to make Omega La La. Led by the musical couple of bandleader/trumpeter Alex Toth and frontwoman Kalmia Traver, Rubblebucket has spent the last four years building a reputation as a band that blurs the lines between psychedelic indie rock, upbeat dance, and radiant, left-field arrangements. In 2009, Rubblebucket released a self-titled album that turned heads. SPIN hailed the band as a "must-hear artist from the CMJ Festival” in 2009 and the band won that year’s Boston Music Award for Live Act of the Year.  The band then relocated to Brooklyn and released the Triangular Daises EP in 2010. A stylistic precursor to Omega La La, the Triangular Daises EP was hailed by The Wall Street Journal, NYLON, Paste, and a host of others.

--

Rubblebucket Summer/Fall Tour Dates:
08/13: Burlington, VT @ Grand Point North
08/18: Stephentown, NY @ Bella Terra
08/19: Brooklyn, NY  @ Brooklyn Bowl * 
08/20: Sheldon, VT @ Liberate Festival
09/03: Chicago, IL @ North Coast Festival
09/04: Mohawk, NY @ Moe.Down
09/10: Peru, NY @ Backwoods Pondfest
09/30: Boston, MA @ Paradise Rock Club
10/01: Syracuse, NY @ The Westcott Theater
10/05: Philadelphia, PA @ The Blockley
10/06: Baltimore, MD @ Sound Stage
10/08: Roseland, VA @ The Festy
10/10: Lexington, KY @ Cosmic Charlie's
10/13: Urbana, IL @ The Canopy Club
10/14: Chicago, IL @ Double Door
10/15: Grand Rapids, MI @ Founders
10/16: Milwaukee, WI @ Turner Hall Ballroom
10/17: Iowa City, IA @ Gabe's Oasis
10/18: St. Louis, MO @ The Old Rock House **
10/21: Denver, CO @ Cervantes' Other Side
10/23: Aspen, CO @ Belly Up
10/25: Salt Lake City - UT @ Kilby Court
10/27: Seattle, WA @ Crocodile, Cafe
10/29: Portland, OR @ Mississippi Studios
11/02: San Francisco, CA @ TBA
11/04: Los Angeles, CA @ TBA
11/05: San Diego, CA @ Soda Bar
11/06: Flagstaff, AZ @ Green Room
11/08: Austin TX @ Beauty Bar
11/10: Mobile, AL @ Alabama Music Box
11/11: Live Oak, FL @ Bear Creek Music & Arts Fest
11/12: Atlanta, GA @ Drunken Unicorn

* Janka Nabay & Diamond Doves support
** Trombone Shorty co-headline

LOTUS ANNOUNCES THEIR "COPY PASTE REPEAT" TOUR

photos by Phil Emma- for the Grateful Web

For those waiting for a concert experience with the dynamics of a rock band (read: no laptops), the dance inducing rhythms of club music, and the sophistication of modern electronica, an unlikely musical alternative has arrived in the form of the band Lotus.  Formed at a Mennonite college that had banned on-campus dancing as late as the 1980's, Lotus brings their club-worthy beats and rocking instrumental anthems to theaters throughout the country this fall.  No glow-stick bracelets, pretentious Can trivia, or expensive distressed fashion required.

In January 2008, Lotus embarks on their "Copy Paste Repeat" tour, which celebrates the release of Copy Paste Repeat: Lotus Remixed, and album the band released this past November. The recording offers 12 remixes by renowned producers including DFA Records artist Juan Maclean, DJ Harry, and Lotus's own Jesse Miller.  Lotus's post/electro/dancerock is deconstructed and reassembled into club ready dance, dub, glitch-hop, and IDM tracks.  The band's website is currently offering up the source files for the track 'Bubonic Tonic' for fans to create their own remix and submit for review.  The site will feature the band's favorite submissions.

Copy Paste Repeat: Lotus Remixed comes on the heels of the band's third studio album. Escaping Sargasso Sea, released May 2007, is a double-disc live album that draws from two previous studio albums, Nomad and The Strength of Weak Ties, along with never before released material.  From the post/math-rock of "When H Binds to O" to the slippery dance beats of "Wax," this collection shows Lotus's ability to deconstruct, stretch, and rebuild their compositions spontaneously on stage.  Restraining from flaunting their individual chops, Lotus builds compositions on catchy melodies and heavy grooves.

The five-piece band has creatively fused electronic dance music with instrumental post-rock for eight years. The result is an explosive live show that has made crowds get down across the US, Canada, and Japan. Armed with a massive light rig and one of the most energetic shows on the circuit, Lotus proves why they have become a go-to act for late night festival slots.  This tour takes the band into renowned theatres nationwide including Georgia Theatre in Athens, the Recher Theatre in Towson, and the Granada Theater in Dallas, among others.

Lotus' complete list of confirmed dates is as follows:

January 04 Jam Cruise 6 Ft. Lauderdale FL 
January 23 Cat's Cradle Carrboro NC
January 24 Orange Peel Asheville NC
January 25 Georgia Theatre Athens GA
January 26 Neighborhood Theatre Charlotte NC
January 27 The Pour House Charleston SC
January 29 Beta Bar Tallahassee FL
January 30 Blue Nile New Orleans LA
January 31 Granada Theater Dallas TX
February 01- 02 Club 115 Austin TX
February 05 George's Majestic Lounge Fayetteville AK
February 06 Newby's Memphis TN
February 07 The Dame Lexington KY
February 08 Satellite Ballroom Charlottesville VA
February 09 Recher Theatre Towson MD
March 16 Jam in the Dam Netherlands 

More dates to be announced.

What critics have been saying about Lotus:

"…intent on creating a new genre (few try that these days)...it is rock, and smart disco, funk and soul, piano pop, world music, and modern alienation stuff and jazz fusion you can dance to all wrapped up in cellophane."  -Big Takeover 

"In this new terrain in which lie endless creative possibilities, Lotus continue to expand upon its post-everything rock/electronic/jazz/free-form pastiche."  -Big Shot Magazine

"If you were listening to the music of Philadelphia five-piece Lotus right now, you would be dancing. There's no doubt about that. Their grooves are tight, and fast, and fun, and one would be hard-pressed not to shake it hard at a Lotus show." -Jambands.com