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Old 97's w/ Langhorne Slim @ Boulder Theater

Since the Old 97's roared out of Dallas more than fifteen years ago, they have blazed a trail through alt-country and power-pop, led by the piercingly observant lyrics of lead singer Rhett Miller. Each new Old 97's record is hotly anticipated, and rightfully so: "Blame It On Gravity," from 2008, contained some of the band's most deeply felt and passionately played songs. But in a career full of high-water marks, "The Grand Theatre Volume 1″ is perhaps the most ambitious and accomplished set of recordings yet.

The album, the band's eighth, began to come together last year, when Miller was on a solo tour of Europe with Steve Earle. "When I started in this band, I wrote on the road constantly," Miller says. "But I was 23 then, so everything was new to me. Over the years, those strange and wonderful things have begun to feel more commonplace. On the familiar highways, in familiar hotels, it's pretty easy to turn into a zombie. But on this tour, I was in England and Ireland and Scandinavia, places where I haven't spent very much time in, and because of that things seemed somehow fresh. I felt recharged."

The result was a set of songs rooted in specific locations. "The title track, which I wrote in Leeds, is like a series of postcards that try to capture the moment of falling in love; it begins in the Grand Theatre, which is a historic venue there, on the elevator. There's another song, "Every Night Is Friday Night (Without You)," that I wrote, or at least started to write, while I was walking around in Soho. And a song like "The Dance Class" wouldn't have happened if I wasn't in Birmingham, trapped in a hotel, looking out at streets that were bleak and gray except for a dance studio across the way. I imagined an agoraphobic who sees a beautiful girl in that studio and fantasizes about being freed by her." Miller's portraits of love and loneliness are paired with some of the sharpest music the band has ever produced, from the propulsive celebration of "Every Night Is Friday Night (Without You)" to the manic (and almost panicked) energy of "The Dance Class."

More Info / Buy Tickets

Vanity Theft Premieres New Video, Add Dates to Tour

Fresh off releasing their latest EP, Anatomy, on October 26th, Vanity Theft is already busy gearing up for 2011. On top of releasing their upcoming album Get What You Came For digitally on February 1st (with the physical release following on March 1st), the band is also set to hit the road on an extensive North American tour with Hunter Valentine in February/March 2011!

To cap off the year, Vanity Theft premiered their new video for the Houses’ Haunted Tape remix of “Anatomy” today via NickyDigital.com! The band recruited Houses, a Lefse Records artist, to remix the track, who gave it a dark, ambient spin. The video is visually stunning, providing the perfect complement to Houses’ rework of the studio track.

Reminiscent of some of the best old school post riot-grrl indie sounds such as The Runaways, L7, Sleater Kinney, Vanity Theft tears it up live, leaving audiences as sweat-drenched as the band when it’s all over. After attracting the attention of former Disney Channel star Lalaine, who joined the band permanently earlier this year, the band set to work on the Anatomy EP, which dropped in October as a precursor to the upcoming full-length.


Get What You Came For finds the band at their very best: catchy, edgy, and dancey as hell. The album kicks off with the charging track “Trainwreck,” and doesn’t let you go until the final notes of “Missing Teeth” slowly fade out.

Upcoming 2011 Tour Dates w/ Hunter Valentine

February 2 - New York, NY - The Knitting Factory

February 3 – Philadelphia, PA – The M Room

February 4 - Washington, DC - U Street Music Hall

February 5 - Charlotte, NC - The Milestone

February 7 - Atlanta, GA - Purgatory

February 9 - Webster, TX - Club Eden

February 10 - Austin, TX - Emo's

February 11 - San Antonio, TX - Korova

February 12 - Dallas, TX - Sue Ellen's

February 13 - Oklahoma City, OK - The Conservatory

February 15 – El Paso, TX – Lowbrow Palace

February 17 - Scottsdale, AZ - The Rogue Bar

February 18 - San Diego, CA - Soda Bar

February 19 – Hollywood, CA – The Roxy

February 20 - San Francisco, CA - Milk Bar

February 24 - Seattle, WA - Studio Seven

February 25 - Boise, ID - Neurolux

February 26 - Salt Lake City, UT - Burts Tiki

February 27 – Denver, CO – The Lion’s Lair

March 1 - Kansas City, MO - The Riot Room

March 2 - St. Louis, MO – Cicero’s

March 4 – Des Moines, IA – Vaudeville Mews

March 5 – Minneapolis, MN – 400 Bar

Mark Vann Foundation Benefit @ Boulder Theater

Great American Taxi is hosting the 8th Annual Mark Vann Foundation Holiday Benefit Show.  This is always a special night in Boulder, CO and we've got a bunch of great friends coming out to help.  The evening will start out with some singer-songwriters including John McKay, Kort McCumber and Bonnie Paine.  Up next Bonfire Dub will get the evening rocking with their brand of roots, rock and dub.  Shannon McNally will play a short set with her band Hot Sauce and then our good ol' buddy Todd Snider will grace the stage for a solo set before joining Great American Taxi for some more songs.  Great American Taxi will also be playing a short set as well before getting all of their friends to join in the team pick.  There's always some surprise all-star guests who show up too and join the fun.  There will be a silent auction, raffle and art sale.  This is a great chance to pick up some unique holiday gifts.  All proceeds go directly to the Mark Vann Foundation as well as two wonderful Boulder-area charities, There With Care and CareConnect. Tickets are only $20 (all charges included) and doors are at 7:30 pm with show starting at 8 pm.

If you can't make it to the show, you can always donate to any/all of these charities as well.  Go to www.MarkVannFoundation.org to help out or buy a ticket to the show and donate it.  Tickets to the show can be purchased here : www.bouldertheater.com.

Great American Taxi is also excited to announce their New Years Run at home in Colorado between December 29th-Jan 1st culminating at Quixtoe's True Blue for a 6 am bloody-mary set to start the new year on 1/1/11.  We will be in Vail on Dec. 29th, Steamboat Springs on the 30th and spending New Year's Eve with Railroad Earth at the Ogden Theater in Denver, CO.  We hope you all have a wonderful holiday season and the Taxi will be rolling back out across this great country of ours in 2011 to a town near you soon.  Take care everyone, we can't wait to rock it out with all of you soon.  See you in Boulder next Saturday!

As a way of saying thanks for a great year, Great American Taxi is offering a free download of an unreleased track that was recorded last winter to benefit a charity kitchen.  Go to this link and you will get the unreleased single "Peace Tonight" as well as "One Of These Days" from 'Reckless Habits'.  Go here.

Check out Grateful Web's coverage from the 6th Annual Mark Vann Benefit show.

Medeski, Martin & Wood @ the Boulder Theater

97.3 KBCO & Boulder Weekly are proud to present Medeski, Martin & Wood at the Boulder Theater on Friday, March 4th, 2011.

Somewhere, someplace, someone is debating the future of live and recorded music, speaking in somber tones of changes that have made it difficult to reach consumers, of technologies that have changed society, and of the lack of creativity found in the arts. But in a small but impressive microcosm of the universe known as Medeski Martin & Wood, creativity is alive, flourishing, and filled with outlets for growth and expansion. And somewhere, whatever gods of music there might be are smiling.

Medeski Martin and Wood's story is - like most great stories - one of humble beginnings, friendship, determination, a happy ending and a very bright future.

The trio of keyboard/organ/piano player John Medeski, drummer/percussionist Billy Martin, and bassist Chris Wood formed not in some vastly creative alternate universe, but rather in the neighborhood of Brooklyn, New York, known as D.U.M.B.O. (Down Under the Manhattan Bridge Overpass) in 1991. Medeski and Wood, students at Boston's prestigious New England Conservatory of Music, decided to move to New York City, with intent to explore the late-night underworld of the city's burgeoning jazz scene.


John Medeski, Billy Martin, and Chris Wood were looking to create music that reflected who they were, individually and collectively. The trio began experimenting with contemporary hip-hop beats that could swing as hard as jazz rhythms, yet remained essentially simple and propulsive, giving the musicians ample room to create hypnotic textures and sounds that were brimming with both improvisation and harmony. "In the beginning, as it is now, we went by gut instinct," says Wood. "We have a natural connection between us, as people and as musicians, and we just let things flow in whatever direction they went."

Gigs turned into multiple engagements, dates at small clubs led to performances at legendary New York City downtown hotspots like the Village Gate and the Knitting Factory, and soon the band was packed into Billy's van, traveling up and down the North Eastern United States. The next step was a natural one for any band - capture the music for posterity - and so MMW recorded their debut, "Notes From The Underground," which they released independently on hap-jones records in early 1991.

More gigs followed, and soon it was time for another release. This time, Medeski Martin & Wood inked a deal with Gramavision, a larger but still independent label that afforded them substantial freedom to create music the way they felt it should be played. In the summer of 1993 they released "It's A Jungle In Here," purchased an R/V, and hit the road for nearly half a year.

Communal, on-the-road living has broken up many bands, but true-to-form, MMW thrived in this potentially treacherous situation. Their secret was a unique combination of individual personalities, with each band member taking on additional roles that suited their own aptitudes and interests. As always, nothing was planned out; it just happened.

John, with his love for cooking, was the band's chef, preparing incredible meals that made life on the road more bearable. Billy, who worked well with his hands, could fix anything up to and including the band's RV. And Chris, with his head for business, took care of the group's accounting. As it was with the music, Medeski Martin & Wood balanced each other out perfectly.

"We have a certain chemistry between us, musically," says Martin, "and in addition to that we have a strong friendship that goes beyond the music. Even when we have ups and downs, the music and our friendship carries us through."

1994 saw the release of "Friday Afternoon in the Universe," and by 1995 it seemed like MMW was truly touring the universe, as their concert itinerary spread out and around the entire United States, and into Europe and Japan. In 1996, the band released their final Gramavision disc, "Shack-Man," which they celebrated with an 8-week Monday night residency at New York's Knitting Factory.

With much fanfare, the band then signed with another record label - the legendary jazz imprint Blue Note Records. At the turn of the new millennium, they released their all-acoustic album "Tonic," named for the Lower East Side club (and former kosher winery) where it was recorded. The band's affiliation with Blue Note resulted in three discs (plus a best-of set), and found them again pushing their sonic boundaries, incorporating percussionists, horn sections, and turntables into their already potent sound.

Which brings us to the here-and-now. Medeski Martin & Wood are no longer signed to anyone else's record label; they have come full circle by establishing their own label, Indirecto Records, as an outlet for their music. Which, quite happily, brings them neatly back to the way they did things in their formative years. Releasing their own music, their own way, in its own time.

The trio's first Indirecto release, "Out Louder," is a four-way collaboration with guitarist John Scofield, which true-to-form is heavy on group improvisation, irresistible grooves, rich harmonies, and strong melodies. While nothing definite is planned - as always, the band are taking each day and each opportunity as they come - it is possible that "Out Louder" could be the first in a series of independently-released projects that Medeski Martin & Wood will do in collaboration with other artists.

"By having our own label, we can make music however we want, and make as much as we want," explains Medeski. "In the history of man, recorded music is just a blink of the eye, just a small part of that vast history. The real thing is playing music live, and that is what we do. Beyond that, we'll be putting out recordings as often or as infrequently as we want."

The band also plan another first - a disc of children's music titled "Let's Go Everywhere" - set for release in early 2007 on the Little Monster/V2 label that promises to be as engaging for their established fan base as it is for the kids. "It's got everything, instrumentals, vocal songs, our kids are singing on it" says Wood.

Plus, there are the usual side projects going on, creative outlets which all three band members say serve to strengthen and add to the sound of the trio when they converge. Chris Wood plays frequently with his brother Oliver in The Wood Brothers, a rootsy, folk-and-blues, guitar and bass duo that serves as an outlet for both brothers' songwriting and vocal skills.

Billy Martin runs his own record label, releasing new and vintage recordings with a focus on percussion-based music. Amongst his releases is a three volume set of his own drum beats, and a percussion instruction book, focusing on bell and clave patterns found in Afro-Caribbean music, and featuring musical notation that Martin designed himself.

John Medeski, well, he is involved in a multitude of musical projects, from solo piano recitals to sideman gigs to leading or co-leading large and small bands. John has also lent his production skills to recordings by musical associates and friends, and has become involved in scoring films, including the acclaimed film Day on Fire which he scored and has a cameo appearance in.

A happy ending and a bright future, indeed. Medeski Martin and Wood live in our world, playing music that reflects their surroundings and communities. At the same time, they are a small world unto themselves, where creativity and spontaneity are honored, revered, and encouraged. And the world-at-large is a much better place for it

Read Grateful Web's interview with the Wood Brothers.

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Tickets are on sale at Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.

Tickets are also available through our website @ www.bouldertheater.com.

Tickets are On Sale Friday December 3rd!

$32 adv / $34 dos / + $2.00 for under 21+ ticket buyers

EOTO - Southeast Winter Tour & New Years Eve!

EOTO will cap off 2010 in the southeast after logging over 170 national live performances this year. The dynamic duo will conclude their 30+ day winter tour with stops in Mississippi, Alabama, Georgia, South Carolina and Florida before landing in Colorado for their New Year's Performance at City Hall in Denver --- an event that also features some of the nation's top DJ's including Dieselboy, Liquidstranger, Heyoka, NastyNasty, Nit Grit, Freddy Todd, Rumblejunkie, Jantsen, S.P.E.C.T.R.E., and Ishe among others.

EOTO takes the free-wheeling party vibe of a DJ set to the next level by using organic instruments, innovative performance technology, and uncharted musical exploration, forging a new path in the way electronic music is produced and performed. Live drums, guitars, keys, and vocals are mixed, remixed, and sampled on the fly using cutting-edge programs. This is all done without a script, and without a net.

The project consistently brings a new level of improvisational skills to the table with a style and genre of music that is completely their own. Some may call it Dubstep or others may find their unique sound rooted in House/Breakbeat or even drum & bass --- but one thing is for sure, they experts at detonating the party thermometer.

The group features long time friends Michael Travis and Jason Hann; a duo that is known for holding down the rhythm section for a variety of internationally renowned touring bands including Youssou N'Dour, Isaac Hayes, Dr. Dre, Loreena McKinnett, SCI, and a slew of other established artists.

The soundwave of EOTO is building to epic proportions with an endless barrage of live dates around the country bringing a dance heavy party that is second to none. The project will finish off their 2010 tour with a few final dates in the southeast before their favorite show of the year, New Years - which is set to take place on their home-stomping grounds and also featuring: Dieselboy, Liquidstranger, Heyoka, NastyNasty, Nit Grit, Freddy Todd, Rumblejunkie, Jantsen, S.P.E.C.T.R.E., and Ishe to name a few.

To learn more about EOTO check out their website at www.eotomusic.com  |  Read Grateful Web's interview with Jason Hann.

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TOUR DATES INCLUDE:

11/30 Proud Larry's, Oxford, MS

12/1 Zydeco, Birmingham, AL

12/2 Masquerade - Heaven Room, Alanta, GA

12/3 Music Farm, Charleston, SC

12/4 Freebird Live, Jacksonville, FL

12/31 City Hall, Denver, CO

11th Annual Newport Beach Jazz Party

Presidents’ Day Weekend, February 17-20, 2011, will again be the time for mainstream jazz lovers from around the country (& world) to arrive in Newport Beach for “Right Down The Middle And Straight Ahead” Jazz at the Marriott Newport Beach Hotel & Spa.  The party will again center on a large stage nightly at 7:00pm (Thursday at 8:00pm) with reserved seating providing a near perfect mix of concert conditions and intimacy of a club setting, all in the Grand Pacific Ballroom.

Highlights of this 11h Annual jazz lover’s weekend:

Thursday’s Grand Opening Night will kick off the weekend with the Ken Peplowski Quartet followed by the Larry Fuller Trio and concluding with John Pizzarelli’s Tribute to Duke Ellington- Rockin’ In Rhythm with Swing Seven featuring Jeff Hamilton.

Friday evening will begin with an All-Star set lead by trombonist Dan Barrett and feature Claudio Roditi-trumpet, Houston Person-tenor sax, Anat Cohen-clarinet, Eric Reed-piano, Christoph Luty-bass and Paul Kreibich-drums. The second of 4 sessions will feature tenor man Scott Hamilton along with Benny Green on piano, Chuck Berghofer on bass and Lewis Nash on drums. For the first time at the party - San Francisco vocalist Kim Nalley will take the stage together with party veteran Houston Person.  Rounding out the night will be a return of the popular Jeff Hamilton Trio!

Claudio Roditi will open Saturday night’s sessions with an All-Star group featuring Scott Hamilton, Eric Reed, Christophy Luty and Jeff Hamilton.  The second session will bring together Yellowjackets’ famed tenor player Bob Mintzer along with party favorite flutist Holly Hofmann and the rhythm section of Benny Green, Chuck Berghofer and Lewis Nash.  Set #3 will for the first time at the party feature famed lyricist Alan Bergman and bringing the evening to a close will be an All-Star set featuring Anat Cohen, Downbeat Magazine’s Annual Critics Poll Jazz Artist Rising Star together with Ken Peplowski!

Sunday night will open with one of the most recorded drummers in jazz- Lewis Nash followed by a solo set by pianist Benny Green.  Joining Benny for the next session will be bassist John Clayton and drummer Jeff Hamilton! The third set will feature the Ken Peplowski Quartet with Tom Ranier on piano, bassist Chuck Berghofer and Jeff Hamilton on drums.  Bringing the weekend to a swingin’close will be Frank Sinatra, Jr. and his 20 piece orchestra under the direction of Terry Woodson!

Featured at this year’s Pool Sessions (Friday, Saturday and Sunday from 12 noon until 3:30pm), among 9 great sessions, will be the latin and Brazilian sounds of the Scott Martin Band;  big band standards of the Blue Note Swing Orchestra with guest Dan Barrett; USC Thornton Jazz Orchestra directed by Bob Mintzer; B3 organist Atsuko Hashimoto with Jeff Hamilton and guitarist Graham Dechter and the Dave Tull Trio. Other highlights include All-Star sets lead by Bill Cunliffe, Holly Hofmann/Anat Cohen and Claudio Roditi/Gilbert Castellanos.

Additionally, two Champagne Brunches will be offered starring legendary trumpeter Jack Sheldon on Saturday and a return performance by the popular Barbara Morrison and Houston Person on Sunday. Also appearing at the Saturday Brunch will be the Eric Reed Trio plus Scott Hamilton and on Sunday the Adam Schroeder Quartet!

Tickets are now available for the complete four night, three-day package including one Champagne Brunch.  Prices are $350/375. Individual reserved seats are priced at $60/$75 for evening performances and $40/50 for the Grand Opening Sessions,  $30 each  for “Friday, Saturday & Sunday By the Pool” and $50 for each Jazz Brunch. For tickets to the 11th Annual Newport Beach Jazz Party, call the Jazzline at 949.759.5003 or for complete artist appearance times and an order form visit our website.

Those wishing to have a weekend getaway may also enjoy the Marriott Newport Beach Hotel & Spa special rate of $154 per night for a standard room, $164 for Pool/Music View, $174 for Ocean Music View and $179 for Concierge. For hotel reservations call Marriott at 949.640.4000 and ask for the Newport Beach Jazz Party rate.  The Marriott  is located at 900 Newport Center Dr., Newport Beach-  10 minutes from the John Wayne/Orange County.

YELLOWBIRDS Release Second Track "The Honest Ocean"

Yellowbirds, the new band formed by Sam Cohen of Apollo Sunshine, have released a second single entitled "The Honest Ocean." It follows the "The Rest Of My Life," their first song made available in October, which was later selected as a Spinner "Mp3 Of The Day" and described as "sunny, psychedelic folk. Warm and inviting," by the blog Unholy Rhythms.

Yellowbirds will offer one more single before their debut album The Color is released February 15, 2011 as an LP and download by The Royal Potato Family.

Stream "The Honest Ocean"
Mp3 Download "The Honest Ocean"
Available at iTunes | Amazon

More on Sam Cohen and Yellowbirds...

Sam Cohen grew up in Houston, Texas, and while the Texas of his teens may have been home to Big Oil, Enron, the Bush family, and the drab gray Astros jerseys of the 90's, he prefers to think of it as the Texas of yore, home to Roy Orbison, Buddy Holly, the Space Program, and rainbow orange Astros jerseys.  It stands to reason, then, that his current home of New York City must be the mythical Empire City: Rocky Mountains of architecture, epicenter of modern art, home to Charles Mingus and The Velvet Underground.

It was with these timeless inspirations in mind that Cohen created Yellowbirds, and set to work on his forthcoming "solo" outing The Color.  Double-speed auto-harp glissandos, glowing backwards pedal-steel, bubbling echo and fuzz guitars coalesce into a warm wall of sound.  As existential lyrical themes emerge, delivered nonchalantly over psyched-out aural landscapes, the picture emerges of a dust-blown, 4th dimensional Future West.  This is Cohen's quixotic world where "only the purist tones can be heard."

Upcoming Yellowbirds shows:
December 8 | Goodbye Blue Monday | Brooklyn, NY (acoustic set)
December 11 | The Rock Shop | Brooklyn, NY

Keller Williams Announces Winter 2010 Tour

Today one-man-band Keller Williams announces his tour plans for early 2011. In addition to evening theatre shows in Austin, Chicago, and Philadelphia, Keller has confirmed some special matinee performances/book signings in select markets. That’s right, book signings. Hand-in-hand with the release of Keller Williams’ sixteenth album — and first-ever album for kids and families — appropriately titled Kids, Keller once again breaks new ground with the November 30 release of his very first children’s book, Because I Said So (Fun Read Publishing, $20, for ages 2-8, 33 pages).

Before the year’s end, Keller tours as the “Super Music Friend” along select Yo Gabba Gabba! Live! stops. For the holidays, Keller performs some very special shows in and around his hometown of Fredericksburg, Virginia, including his 10th annual SPCA Holiday Benefit. A complete list of currently confirmed shows – both evening and matinee performances - is included below.

Based on Keller’s song by the same name (included on Kids), Because I Said So is told through the eyes of “L’il Keller,” who begins by asking, “Mommy, can I have some pink flamingos?” The little fellow soon learns the important life lesson that you can’t always have what you want, and there isn’t always a good reason why. “You can't have an alligator, tractor, giraffe or hippopotamus, cause I said so!" Enhanced by the cleverly drawn illustrations of Virginia artist Bill Harris, Because I Said So is humorous, colorful, heartfelt, and wise. Included with the book is a CD containing the song "Because I Said So.” Because I Said So is available at www.kellerwilliamskids.net.

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KIDS – Keller’s first album release for children and families - has already been warmly embraced by kids’ and music tastemakers:

"[Keller's] big-hearted wit is perfectly suited to the songs on Kids, a record that will entertain children of all ages without talking down to them." - All Music Guide

“Kids sparkles with invention.” - Technorati.com

“This is hands-down my favorite kids album of all time.” - Perfect Porridge

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A number of gift packages that include both Kids and Because I Said So, as well as kid-sized T-shirts with the cute-as-can-be goat babies from the album cover, are available at www.kellerwilliamskids.net.

The complete list of Keller’s currently confirmed tour dates is as follows:

Wednesday, November 17 Humboldt Brews Arcata CA Keller Solo

Thursday, November 18 Memorial Sacramento CA Yo Gabba Gabba! Live!

Thursday, November 18 Harlow's Sacramento CA Keller Solo

Friday, November 19 Blu Nightclub - Montbleu Resort Lake Tahoe NV

Saturday, November 20 Great American Music Hall San Francisco CA

Sunday, November 21 Bill Graham Civic Auditorium San Francisco CA Yo Gabba Gabba! Live!

Saturday, November 27 State Theater Falls Church VA

Thursday, December 2 Avalon Theatre Easton MD Keller Williams Kids Show

Friday, December 3 Sherman Theater Stroudsburg PA

Saturday, December 4 Stage One Fairfield CT

Sunday, December 26 Fredericksburg Field House Fredericksburg VA SPCA Benefit

Wednesday, December 29 The Norva Norfolk VA

Thursday, December 30 The National Richmond VA

Friday, December 31 Neighborhood Theatre Charlotte NC

Thursday, January 13 Vilar Performing Arts Center Beaver Creek CO 1st set with the Keels, 2nd set KW solo

Saturday, January 15 Aggie Theatre Fort Collins CO 1st set with the Keels, 2nd set KW solo

Thursday, January 20 Granada Theater Dallas TX

Friday, January 21 Fitzgerald's Houston TX

Saturday, January 22 Antone's Austin TX

Saturday, February 5 Park West Chicago IL KIDS show

Saturday, February 5 Park West Chicago IL

Thursday, February 10 Carnegie Hall New York NY Music of Neil Young at Carnegie Hall

Saturday, February 12 Theatre of the Living Arts Philadelphia PA KIDS show

Saturday, February 12 Theatre of the Living Arts Philadelphia PA

Thursday, February 17 New Daisy Theatre Memphis TN

Friday, February 18 War Memorial Auditorium Nashville TN with Umphrey's McGee

Phish: Alpine Valley 2-DVD Preview

On August 14th and 15th, 2010 Phish played their 12th and 13th shows at Alpine Valley Music Theater - all 2-night stands since 2003. "Alpine" as it is affectionately known, is a steeply-sloping amphitheater with a big lawn and raucous crowd perpetually bursting with energy right in the band's faces due to the angles of the place. The angles all aligned on Saturday August 14th - the focus of the Alpine Valley DVD, which will be released in stores and for audio only download nationwide on December 14th.

This box set features the complete August 14th, 2010 performance on 2-DVDs, as well as 2-CDs, and bonus video featuring highlights from the following night, August 15th, 2010, including AC/DC Bag, Divided Sky and Stealing Time From The Faulty Plan. The three-song combination that opened set two of the 15th rounds out the bonus material with Ghost > Theme From The Bottom > Big Black Furry Creature From Mars. Alpine Valley 2010 combines into a four-hour DVD-CD collection of must-see and must-hear release from Phish at their current top form.

The nearly three hours of music was recorded that night using 57 channels of digital multitrack and carefully mixed and mastered in 5.1 Dolby surround and PCM stereo. The video was a 7-camera shoot (16:9 widescreen), recorded and post-edited in High Definition.

The box set is available for pre-order today at order from Phish Dry Goods.

If you order from Phish Dry Goods you'll receive "Phish: Wisconsin Edition" a free bonus CD compilation from Phish Archives, of past Alpine Valley highlights spanning fourteen years of Phish performances at this venue. In addition, Dry Goods is offering FREE SHIPPING on all orders over $70, which can be applied to the new Alpine DVD.

Click here to watch Reba and/or Bug from Alpine Valley.

Also, be sure to read some previous Phish at Alpine Valley coverage.

Kyle Hollingsworth Unveils 2010 Fall Plans

Following The String Cheese Incident’s Hulaween shows at the famed Hampton Coliseum in Hampton, VA, keyboardist Kyle Hollingsworth is right back at it one week later. Sunday, November 7th, Kyle joins television’s hit children’s show Yo Gabba Gabba, live at 1st Bank Center in Broomfield, CO, bringing his own brand new children’s tunes with him. The following week, Kyle Hollingsworth Band travels to the Midwest with St. Louis’ Messy Jiverson supporting all dates before heading to the East Coast to perform with Bonerama, Steve Kimock and Terrence Higgins (Dirty Dozen Brass Band) for three nights as a special guest.

To wrap up 2010, Kyle will host Hoppy Holidays, a unique brew tour experience and blowout run with Kyle Hollingsworth Band. DJ Logic and Liza Oxnard lend a hand to the party, jumping on board with KHB at both Cervantes’ Masterpiece Ballroom in Denver, CO, and Hodi’s Half Note in Fort Collins, CO. Once again, Kyle has teamed up with renowned local breweries to craft two signature beers – this time with Boulder Beer and Avery Brewing – that will be available at each show. Hoppy Holidays will culminate in an intimate finale charity evening at Avery Brewing in Boulder, CO to benefit Conscious Alliance - feeding people in need and providing toys to underprivileged children. Avery Brewing tickets are extremely limited and all-inclusive, featuring a Kyle Hollingsworth Band set, several Avery pints of beer, a collector’s custom pint glass, food provided by Cheba Hut, access to an exclusive silent auction, and a toy drive for Conscious Alliance Hoppy Holidays posters.

Tickets for all shows are currently on sale at www.kylehollingsworth.com and all venue outlets.

Kyle Hollingsworth with Yo Gabba Gabba! Live!
November 7 1st Bank Center Broomfield, CO

Kyle Hollingsworth Band
November 10 Miramar Theatre Milwaukee, WI
November 11 Martyrs’ Chicago, IL
November 12 Old Rock House St. Louis, MO
November 13 Iowa City Yacht Club Iowa City, IA

Kyle Hollingsworth with Bonerama

November 19 Sullivan Hall New York, NY – w/ Steve Kimock & Terrence Higgins
November 20 North Star Bar Philadelphia, PA – w/ Steve Kimock & Terrence Higgins
November 21 The 8x10 Baltimore, MD – w/ Terrence Higgins

Kyle Hollingsworth Band: Hoppy Holidays

December 10 Cervantes’ Masterpiece Ballroom Denver, CO – w/ DJ Logic & Liza Oxnard
December 11 Hodi’s Half Note Fort Collins, CO – w/ DJ Logic & Liza Oxnard
December 12 Avery Brewing Boulder, CO

30 years ago, Kyle Hollingsworth set out on a career in music. Since then, with a wealth of desire and incredible ability, Hollingsworth has established himself as a formidable and versatile music talent. Today, as a member of acclaimed jam masters The String Cheese Incident, Hollingsworth is revered by both peers and fans for his ability to write and perform in a mosaic of styles, from rock to classical, ragtime to bebop. Playing in SCI has allowed him unrestricted access to the world of music, and has bestowed on him the kind of fearlessness a composer needs to flirt with such disparate genres. Those who’ve seen SCI know the band can move from funk to bluegrass on a chord change. “In the jam world, where there are no set ways of doing things, we’re not afraid to move in and out of genres,” he says, “and because of that I’ve learned to be creative, not only on stage but in the studio. I can get on board with something pretty quickly. You have to.”

His recent release, titled Then There’s Now, finds the musician coming in to his own. With solid song material and a slamming new band, Kyle is making his mark in the new, always-evolving music scene. Then There’s Now delivers a blend of vocal and instrumental tunes and seamlessly displays his growth as a musician and as a songwriter.