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Cut Copy Announce New Album, Zonoscope

Ladies and gentlemen please welcome back Cut Copy! Ever the gracious houseguests, they’re returning armed with their 3rd and most ambitious work yet, Zonoscope which will be released February 8, 2011 in North America.

Zonoscope is Cut Copy boiled down to their purest form, a suite of futuristic visions built upon primal rhythm tracks. It is at once their most immediate work to date but also their most sonically exquisite. “Take Me Over” perfectly encapsulates this, it’s chiming highlife guitars bouncing around tropical percussion reminiscent of an island holiday in a pop song.

Zonoscope was dreamt in the comedown of In Ghost Colours, the album which cemented Cut Copy as a global sensation. Their perpetual touring cycle found the band headline a stage at Lollapalooza, become the first Australian act to play Colombia since INXS, have fire marshals shut down an LA performance mid-set as crowds began to buckle the seams of the Henry Fonda Theatre and be raced to the Pitchfork Festival via police escort following a cancelled flight.

After over two years of exhilarating chaos, frontman Dan Whitford bunkered down at home to flesh out rough synth and vocal skeletons, before heading into the studio with the band to bring these textured grooves to life. Whitford describes the wonderland which he set out to create with Tim Hoey, Mitchell Scott and Ben Browning, “All the way along we had this weird vision of a tropical, jungle, tribal sound. A place or an idea that we wanted to reach with some of the songwriting; to explore a looping hypnotic trance and revise the whole palette of what Cut Copy was about.”

Recorded over a 6 month period in a warehouse space the band rented in Melbourne and mixed in Atlanta by Ben H. Allen (Animal Collective, Gnarls Barkley, Deerhunter), Zonoscope paints a mesmerizing picture, conjured by a band at the height of their powers.

You can watch the second installment of the Krozm documentary on the process of making the record, entitled "Skies of The Ape" where it premiered on SPIN or HERE. More music is revealed in this piece, which sees the band moving into their Christmas St recording warehouse, and all band members involved in the creative process.

Jason Bonham's Led Zeppelin Experience

JASON BONHAM’S LED ZEPPELIN EXPERIENCE celebrates the life and music of his father--the legendary Led Zeppelin drummer John Bonham.

Danielle Ate the Sandwich | Gothic Theater

Before attending Danielle Ate the Sandwich at the Gothic Theater on October 8th I was unsure as to what kind of sandwich exactly she may have eaten. However, after speaking to Danielle before her show and watching her exuberant performance I was certain said sandwich must be chock full of wit, talent and brilliance.

Slightly Stoopid Perform at Austin City Limits

After a long run on their hugely successful and critically acclaimed Cauzin' Vapors... Legalize It 2010 US amphitheater tour with Cypress Hill, Steel Pulse, and Collie Buddz (where the band performed to anywhere from 5,000 - 20,000 of their most loyal fans), San Diego-based dub/rock/psychedelic-jam phenoms Slightly Stoopid are gearing up to perform at this year's renowned Austin City Limits festival in Austin, TX. Sharing the stage with some of the biggest names around, the band will perform alongside the likes of The Eagles, Phish, Muse, The Strokes, Norah Jones and more. Joining Slightly Stoopid on stage at this year's festival will be funky sax man Karl Denson (from Karl Denson's Tiny Universe / The Greyboy Allstars).

The band has also just announced that they've spent the past few months collaborating in their band-built home studio (equipped with video game room and skate ramp) with the likes of Cypress Hill, G Love, Barrington Levy, The Neville Brothers and more, all in preparation for their upcoming and brand new full-length release due Summer 2011. The band is also planning the upcoming remix of hit song "No Cocaine" (from the band's celebrated 2008 album Slightly Not Stoned Enough to Eat Breakfast Yet Stoopid), featuring legendary reggae star Capleton, set for release November 2 on Hi Grade Ganja Anthems 3.

Slightly Stoopid have recently logged some serious road miles as part of their annual Summer Amphitheater Tours. Since 2007, they have recruited Snoop Dogg, Stephen Marley, G. Love, Sly & Robbie and more on their colossal summer packages, and the band spent the past few months performing at some of the biggest festivals in the country, including dates at Lollapalooza, Denver's Mile High Festival, Outside Lands, the Blackwater Music Festival, Harmony Festival, New Orleans Jazz Fest and more!

The Slightly Stoopid story can be traced to Ocean Beach, California, when childhood chums Miles and Kyle formed the group in 1995, mixing reggae and punk sounds into one smooth stylistic cocktail. Soon after, late/great Sublime frontman Brad Nowell caught wind of the group, and signed them to his Skunk Records label – while the band members were still in high school. A pair of releases soon followed for Skunk - 1996's punk-tinged SLIGHTLY STOOPID (featuring a guest appearance by Nowell on the song “Prophet” - later covered by Sublime and released on their box set, EVERYTHING UNDER THE SUN) and 1998's surf-inspired cult classic THE LONGEST BARREL RIDE. Most recently, the band has continued their mainstream successes, seeing their last two albums, 2007's CHRONCHITIS, (which featured guest appearances by Guru of Gang Starr, Angelo Moore of Fishbone, Money Mark of the Beastie Boys and G. Love) and 2008's SLIGHTLY NOT STONED ENOUGH TO EAT BREAKFAST YET STOOPID, charting in the Billboard Top 100, with both albums appearing on the band's own Stoopid Records.

To date, the band has sold over 750,000 records on their own label, has performed on Jimmy Kimmel Live, and has had their songs appear on hit television series' Scrubs, The O.C., Cribs, and more. Slightly Stoopid has also consistently been selling out venues and ampitheaters across the country for the past 3+ years and consistently appear on Pollstar's top grossing tours.

Keller Williams Announces NYE Run, SPCA Benefit show

Keller Williams has announced plans for a set of very special East Coast New Year’s Eve concerts. Starting on December 29 in Virginia and concluding on NYE in North Carolina (details below), each show on the “Celebrate the Holidays” run will feature three sets built around a different theme. Set I will be reggae, dub and funk versions of Keller favorites with Jay Starling on keys, Mark D on drums and Keller on bass. Set II will feature the bluegrass stylings of Larry Keel on guitar and his wife Jenny on bass with Keller playing his mini twelve-string (wanna-be mandolin) guitar. And Set III will be old school Keller on acoustic guitar with his trademark looped-out dance grooves. Big screen video visuals will be provided by Scott Sunn.

Before the NYE run kicks-off, Keller bring his three-set extravaganza to his hometown of Fredericksburg, VA for his annual holiday concert to benefit the SPCA. To celebrate the ten year anniversary of the event, which will take place on December 26 at the Fredericksburg Field House, Keller has invited local marching band Elby Brass to join the show for set break music. 100% of the concert’s profits will go to support The Fredericksburg Regional SPCA. Less than 3% of The Fredericksburg Regional SPCA’s budget is received from the City of Fredericksburg, forcing the branch to rely almost solely on individual and corporate donations and fundraising events like this. The Fredericksburg Regional SPCA is a “no-kill” shelter whose mission is to tackle the problem of pet overpopulation through education, adoption, rehabilitation and spay/neuter.

Keller’s SPCA benefit show and NYE run will cap a very busy year for one of the hardest working men in music. May saw the release of his acclaimed all covers album Thief featuring Larry and Jenny Keel. Praised by Blurt as "impressive.... a great effort that's bound to bring in a few more fans,” the album features completely retooled versions of songs by everyone from Amy Winehouse to Ryan Adams. Moving from covers to kiddos, Keller’s latest album finds him breaking into the world of children’s music with the appropriately titled Kids. A sure hit for parents and children alike, Kids is due October 26 via SCI Fidelity, this will be Keller Williams’ sixteenth album.

Keller will tour in support of Kids with select November dates in the Pacific Northwest as the “Super Music Friend” on the Yo Gabba Gabba tour. Keller will also be playing for older kids with evening shows in the same cities. Prior to the Kids tour Keller will be touring theaters all over the country, details below.


Keller Williams Tour Dates
:

Wednesday, September 22 Clyde Iron Works Duluth MN
Thursday, September 23 Fargo Theatre Fargo ND
Friday, September 24 Bourbon Theatre Lincoln NE
Saturday, September 25 Ames Community Auditorium Ames IA
Friday, October 1 Pisgah Brewing Company Black Mountain NC
Saturday, October 2 Starry Night Bowling Green KY
Sunday, October 3 Hardly Strictly Bluegrass Speedway Meadows San Francisco CA
Friday, October 8 The Jefferson Theater Charlottesville VA
Thursday, October 14 Bluebird Nightclub Bloomington IN
Saturday, October 16 Mulberry Mountain Harvest Music Festival Ozark AR
Thursday, October 21 Sellersville Theater Sellersville PA
Saturday, October 23 Magnolia Music Festival Live Oak Fl
Saturday, November 6 Rock For Hunger Orlando FL
Wednesday, November 10 WOW Hall Eugene OR
Thursday, November 11 Wild Buffalo Bellingham WA
Friday, November 12 INB Performing Arts Center Spokane WA Yo Gabba Gabba! Live
Friday, November 12 Knitting Factory Concert House Spokane WA Keller Solo
Saturday, November 13 Tacoma Dome Tacoma WA Yo Gabba Gabba! Live
Saturday, November 13 Neumo's Crystal Ball Reading Room Seattle WA Keller Solo
Sunday, November 14 Memorial Coliseum Portland OR Yo Gabba Gabba! Live
Sunday, November 14 Aladdin Theatre Portland OR Keller Solo
Monday, November 15 Hult Center for the Performing Arts Eugene OR Yo Gabba Gabba! Live
Wednesday, November 17 Humboldt Brews Arcata CA Keller Solo
Thursday, November 18 Memorial Sacramento CA Yo Gabba Gabba! Live
Thursday, November 18 Harlow's Sacramento CA Keller Solo
Friday, November 19 Montbleu Resort Showroom Lake Tahoe NV
Saturday, November 20 Great American Music Hall San Francisco CA
Sunday, November 21 Bill Graham Civic Auditorium San Francisco CA Yo Gabba Gabba! Live
Thursday, December 2 Avalon Theatre Easton MD
Sunday, December 26 Fredericksburg Field House Fredericksburg VA SPCA Benefit
Wednesday, December 29 The Norva Norfolk VA
Thursday, December 30 The National Richmond VA
Friday, December 31 Neighborhood Theatre Charlotte NC

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NEW YEAR’S EVE RUN & BENEFIT CONCERT DETAILS

Sunday, Dec. 26th, 2010
SPCA Benefit
Location: Fredericksburg Field House in Fredericksburg, VA
Time: Doors at 7pm, show at 8pm
Tickets: $25
Ages: All ages
Website: www.fredfieldhouse.com

Wednesday, Dec. 29th, 2010
Location: The NorVa in Norfolk, VA
Time: Doors at 7pm, show at 8pm
Tickets: ADV $18/DOS $21
Ages: All ages
Website: www.thenorva.com/

Thursday, Dec. 30th, 2010
Location: The National in Richmond, VA
Time: Doors at 7pm, show at 8pm
Tickets: ADV $18/DOS $21
Ages: All ages
Website: www.thenationalva.com/

Friday, Dec. 31st, 2010
Location: Neighborhood Theatre in Charlotte, NC
Time: Doors at 8pm
Tickets: ADV $35/DOS $45
Ages: All ages
Website: www.neighborhoodtheatre.com, including information on hotel deals and transportation packages

Grandchildren Play DENVER At Larimer Lounge On 10.18

In Grandchildren, every memory is a montage of sound. The beat-driven, orchestral-pop epics play like an audio scrapbook of memories from songwriter Aleks Martray's life.

Martray, the son of a high-ranking military officer, and Grandchildren's creator, was born on a US army base in Germany and raised on both sides of the Atlantic.  “I was restless from a really young age,” he explains, “Growing up in flux between different places I gravitated towards more intangible things like stories, melodies, movies, and dreams, and so early on music became a way of making a home for myself.”

Grandchildren’s debut album, Everlasting, feels like a culmination of all that restlessness. A sonic collage of the sentimental and the confrontational- the album is a safe haven for multiple realities- fusing tribal beats, frayed electronics, fireside folk melodies, richly-woven orchestral-pop flourishes and even field recordings from Martray’s journeys across Central America, the Caribbean and Africa.

“The project began during my nomadic mid-20’s. I was split between Baltimore, Philadelphia, NY, DC, and travels abroad. I think the music is a reflection of a young person processing their own coming of age through constant self inflicted culture shock. The textures of the final album span time and space,” he says. “And yet, it comes across as one seamless reality. You can feel the influences but you can’t put your finger on them.”

During this time Martray’s closest thing to home was a small 3rd floor bedroom in a dilapidated Victorian house in west Philadelphia known as Danger Danger. At the height of its illegal phase, this notorious underground venue hosted everything from IDM-infused metal (Genghis Tron) to frantic free-jazz (Marshall Allen of the Sun Ra Arkestra). These eclectic sounds billowed up towards Martray’s make-shift bedroom recording studio, taking what began as a solo experimentation in dizzying new directions.

“The songs evolved through the recording process,” explains Martray, “they were so layered that when I went to play them live, so much had to be sampled. That’s when I realized this wasn’t a solo project. It’s music for a small orchestra.”

With that in mind, Martray brought his fellow housemates—a motley crew of instrument-swapping misfits—into the fold one by one. This included drummer Roman Salcic, a Croatian transplant reared on American rock music; jack of all trades Tristan Palazzolo; math-thrash guitarist Adam Katz; bassist/percussionist Russell Brodie; and classical-pianist-turned-synth-slinger John Vogel. Over the course of one daunting year, the group developed Grandchildren’s 10-song album into a live set that’s as seamless and widescreen as the recordings.

“It looks spontaneous to people,” explains Katz, “but everything’s carefully choreographed on our end.”

A lot of that stems from a two-month North American tour in 2008, one that was plagued by chicken pox, blizzards, border patrols, and van break-ins. This not only brought them closer together; it gave Grandchildren the chance to perfect the ebb and flow of their live set.

“And now that everything’s down to a science,” says Martray, “it becomes a form of art in and of itself. As full and layered as the album is, it rests on the backbone of those early bedroom recordings. Kind of like with a car, where you keep replacing parts until the whole thing is new. By the end you can’t even remember what came from where. The process hides within the sound.”  He pauses and adds, “We want people to feel the music first, and ask questions later.”

US Dates:

09/20 – First Unitarian Church – Philadelphia, PA (w/ No Age)

09/26 - The Roebling Inn - New York, NY

10/08 – Johnny Brenda’s – Philadelphia, PA (w/ Special Guests)

10/18 – Larimer Lounge – Denver, CO (w/ Seabear)

10/19 – Kilby Court – Salt Lake City, UT (w/ Seabear)

10/20 – Neurolux – Boise, ID – (w/ Seabear)

10/23 – Mississippi Studios – Portland, OR (w/ Seabear)

10/25 – Independent – San Franciso, CA (w/ Seabear)

10/26 – Troubadour – West Hollywood, CA (w/ Seabear)
10/27 – Casbah – San Diego, CA (w/ Seabear)

Kyle Hollingsworth Band hits the Midwest in November

After wrapping up a successful run of summer festival performances, Kyle Hollingsworth Band will hit the road in the Midwest this November. St. Louis’ Messy Jiverson will join KHB on all dates. Tickets will be on sale Monday, September 13, at Noon CDT at www.kylehollingsworth.com and on sale at venue outlets Wednesday, September 15, at Noon CDT.

30 years ago, Kyle Hollingsworth set out on a career in music. Since then, with a wealth of desire and incredible ability, Hollingsworth has established himself as a formidable and versatile music talent. Today, as a member of acclaimed jam masters The String Cheese Incident, Hollingsworth is revered by both peers and fans for his ability to write and perform in a mosaic of styles, from rock to classical, ragtime to bebop. Playing in SCI has allowed him unrestricted access to the world of music, and has bestowed on him the kind of fearlessness a composer needs to flirt with such disparate genres. Those who’ve seen SCI know the band can move from funk to bluegrass on a chord change. “In the jam world, where there are no set ways of doing things, we’re not afraid to move in and out of genres,” he says, “and because of that I’ve learned to be creative, not only on stage but in the studio. I can get on board with something pretty quickly. You have to.”

His recent release, Then There’s Now, finds the musician coming in to his own. With solid song material and a slamming new band, Kyle is making his mark in the new, always-evolving music scene. Then There’s Now delivers a blend of vocal and instrumental tunes and seamlessly displays his growth as a musician and as a songwriter.

Midwest Dates Include:

November 10 Miramar Theatre Milwaukee, WI
November 11 Martyrs’ Chicago, IL
November 12 Old Rock House St. Louis, MO
November 13 Iowa City Yacht Club Iowa City, IA

EOTO Announces Fall Tour Spanning Both Coasts

Consummate road dogs EOTO just announced a jam-packed fall tour with headlining dates spanning both coasts before topping off a wildly successful 2010. The 30+ day tour will kick off on September 21st featuring 11 dates with DJ's MiMOSA and MartyParty on the west coast and then beginning in October the duo will fly solo in the Mid-West before heading east for the remainder of the winter.

Throbbing bass and thudding beats are the signatures of this project from drummers Michael Travis and Jason Hann. Born out of their shared love of electronic dance music, EOTO's M.O. is to take the free-wheeling party vibe of a DJ set to the next level by using organic instruments, innovative performance technology, and uncharted musical exploration. Live drums, guitars, and keys, and vocals are mixed, remixed, and sampled on the fly using cutting-edge programs. This is all done without a script, and without a net.

Hann plays a hyper EQ'd drumkit, chock full of multi-touch screens and MIDI controllers, and throws a number of effects on his otherworldly vocal styles. Travis takes on subsonic frequencies, generating the band's crushing low end with analog, digital, and software synthesizers, occasionally picking up guitar or a bass guitar and showing off his proficiency with instruments of all shapes and sizes.

Hann, has been playing percussion professionally since the age of 12. Years of collaborating, touring, and recording with the likes of Youssou N'Dour, Isaac Hayes, Dr. Dre, Loreena McKinnett, SCI, and a slew of other established artists running the gamut from Latin jazz to R 'n' B and soul allows him to move fluidly between styles. Adding to this is his depth in African and Latin drumming traditions, allowing the futuristic EOTO sound to keep itself rooted in the past.

For the last 16 years, Travis has been the drumming octopus in SCI. He morphs roles to melodic multi-instrumentalist in EOTO, providing the raw basslines and harmonic tapestry that fill out the soundscape of the duo. Both Hann and Travis have the chops and stamina for physically demanding, EOTO improvised sets, which have been known to go upwards of 4 straight hours.

"When we're playing live for 3 hours a night, it's like playing tribal drums in a ceremony," Hann explains. "I'm looking at one person at a time out there, and thinking "what can I do to make you dance?"

Hann and Travis play almost 200 shows a year, together, EOTO has played more than seven hundred unique showcases in 48 different states in the five years since the project's inception. Each set is recorded and released (www.livedownloads.com) so fans can capture their unique EOTO dance throwdown, reliving the experience again and again.

TOUR DATES INCLUDE:

21-Sep-10 Moe's Alley Santa Cruz, CA
22-Sep-10 Belly Up Tavern Solana Beach, CA
23-Sep-10 Music Box Los Angeles, CA
24-Sep-10 103 Harriet San Francisco, CA
25-Sep-10 Wurk Reno, NV
26-Sep-10 Blu Nightclub South Lake Tahoe, NV
28-Sep-10 McNear's Mystic Theatre Petaluma, CA
29-Sep-10 Arcata Theatre Arcata, CA
30-Sep-10 Wow Hall Eugene, OR
1-Oct-10 Wonder Ballroom Portland, OR
2-Oct-10 Neumos Crystal Ball Reading Room Seattle, WA
8-Oct-10 Bourbon Theatre Lincoln, NE
9-Oct-10 The Ogden Theatre Denver, CO
15-Oct-10 Granada Theater Dallas, TX
16-Oct-10 La Zo Na Rosa Austin, TX
31-Oct-10 The Granada Lawrence, KS
2-Nov-10 2720 Cherokee St.Louis, MI
3-Nov-10 The Canopy Club Urbana, IL
4-Nov-10 Majestic Live Madison, WI
5-Nov-10 Epic Minneapolis, MN
7-Nov-10 The Intersection Grand Rapids, MI
8-Nov-10 Blind Pig Anne Arbor, MI
9-Nov-10 Rex Theater Pittsburgh, PA
10-Nov-10 Tralf Music Hall Buffalo, NY
11-Nov-10 The Westcott Theater Syracuse, NY
12-Nov-10 Higher Ground Burlington, VT
13-Nov-10 Port City Music Hall Portland, ME
17-Nov-10 World Cafe Live Philadelphia, PA
19-Nov-10 Brooklyn bowl Brooklyn, NY
20-Nov-10 Paradise Rock Club Boston, MA
23-Nov-10 Headliners Music Hall Louisville, KY
25-Nov-10 Southbound Knoxville, TN

Truth & Salvage Co. Singer/Songwriter Files Suit Against Marriott Hotel Corporation

According to a recent lawsuit filed in Tulare County California, Tim Jones--one of the four singers/songwriters of the musical group TRUTH & SALVAGE COMPANY--was shaken awake and ripped from his bed by hotel security and local police while sleeping at the Marriott Hotel in Visalia, CA.  Jones, a Marriott rewards member and a registered guest staying the night at the Visalia Marriott in February 2010,  was handcuffed, assaulted, taken to jail and cited for trespassing and resisting arrest in his own hotel room after performing at a concert earlier in the evening. In the wake of the assault and imprisonment, Jones filed suit against Marriott Hotel Corporation on four counts, including negligence, negligent supervision, assault and battery.

Ironically, Marriott Hotel's slogan is, "Your home away from home." Tim Jones learned the hard way that Marriott's slogan is nothing more than that, simply a slogan. Instead of spending the night in his hotel room, the singer/songwriter was forced to spend the night in a Visalia jail cell. Jones was finally released at noon the following day.

Following the incident Jones said, "I was shocked by the break-in and arrest.  I kept telling them that I was a registered guest but they acted as if they couldn't hear a word I was saying."

One month after the incident, Jones was set to be arraigned in the Tulare County Superior Court. Legal representatives of the band arrived at the courthouse to answer for Jones, only to find that the District Attorney's office had not filed any charges against Jones.  To date, charges have not been filed and Visalia Police have refused to release the police incident report to the Los Angeles based Jordan Law Group, PLC; the Truth and Salvage legal team.  Attorney Vahe Jordan was quoted as saying "We’re hopeful that Marriott will accept responsibility for the way they treated Jones, who has been a loyal customer for many years."

Marriott experienced a public relations nightmare last year that spread in blogs, stemming from the legal position their Stamford, Connecticut franchisee attorneys took when a woman brought suit citing security shortcomings after being raped in the presence of her two children while in a parking structure located at the Stamford Marriott Hotel and Spa.  Court documents filed by the Marriott franchisee attorneys last year state the victim "failed to exercise due care for her own safety and the safety of her children and proper use of her senses and facilities."  The defense was viewed by many as blaming the victim.  Marriott later dropped that defense.

As for Jones, he did not have any outstanding warrants; he wasn't suspected of, nor accused of, any crime prior to being violated by Marriott Security staff and the Visalia Police. He later received medical treatment for injuries sustained during the arrest.

Currently, Tim Jones and his band Truth & Salvage Co. are touring the United States in support of their self-titled debut album (Megaforce Records/Silver Arrow Records) which was released in May of this year and was produced by Chris Robinson of The Black Crowes.  Truth & Salvage Co.--set to make their national television debut on ABC’s “Jimmy Kimmel Live” this Thursday, August 19--was cited as a “Top 10 Band To Watch This Summer” by USA Today and Rolling Stone said the band “has what it takes for the long haul.”  Their album was given 4½ stars by Glide.com, which noted, “Truth and Salvage is an explosion of Americana and sweaty Rock-n-Roll that comes off more like a greatest hits album than a debut...set to become an instant classic."

Ana Sia at the Mishawaka Ampitheatre

Cervantes Masterpiece presents Ana Sia at the Mishawaka Amphitheatre on Friday, August 20th, 2010.  She has toured through clubs and forests all festival season long with serious stacks in the middle of nowhere.  The Electric Canyon show will feature Ana Sia leading crew including Octopus Nebula, Eskmo, and The Passage Project.

I was lucky enough to see her set at Summer camp that made arms sway, heads bob, and the same forced rush of an indoor thump to an outdoor amphitheatre.  Watching the crowd come alive is almost as enlightening as the musical experience itself.  I’ve said it before and I’ll say it again; if you aren’t dancing half as hard as she is on stage then step back.  There will be plenty rushing forward to dance with her.

The Mishawaka Amphitheatre is like a swing set of sound, the electric canyon crew will no doubt light it up.  Ana Sia has been warming up after parties enough.  Her worldly excursions are put to sturdy declarations of bass with treble dancing over the top.  It’s as if she embodies the Virgo through her music.  It’s time for the first lady of euphoric rhythm to lead the pack.  Her response to the crowd is always posed, graceful, and delicate with prayer hands in peaceful association.

Ana Sia co-creates her show with the audience.  The word puppeteer has a negative connotation, yet such a familiar feel at an Ana Sia show.  It’s not negative when you see how she handles the power of the beat.  Its fun like a puppet show, her music is beckoning you, “let me pull your strings.”  As hard as your feet will push you, the beat controls the strings that makes souls sing.