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The Warner Brothers Studio Albums + Dead.net exclusive

What a long, strange trip it's been! In celebration of the 40th Anniversary of Workingman's Dead and American Beauty, we proudly present THE WARNER BROS. STUDIO ALBUMS, a five-LP boxed set commemorating those tremendous and transformative early years. Due September 21st, the collection contains The Grateful Dead (1967), Workingman's Dead, and American Beauty (1970), plus the original mixes for Anthem Of The Sun (1968) and Aoxomoxoa (1969), available on vinyl for the first time in nearly 40 years!

This stunning set also features detailed replicas of the original albums housed in a hard-shell case with an accompanying 12" x 12" book containing unpublished photos and new liner notes by our friend Blair Jackson. And as always, we've ensured the highest degree of quality - these albums were pressed on 180-gram vinyl at RTI using lacquers cut from the original analog masters. Now all you've got to do is gently place the needle on the record and slip into auditory bliss!

Order from Dead.net and receive an exclusive reproduction of a rare 1968 7" single (in a picture sleeve) that features the studio version of "Dark Star" (b/w "Born Cross-Eyed"), clocking in at a concise 2:38. You'll also receive a reproduction of a rare 1967 promotional poster from the Warner Bros. Records archive. The 7" and poster are yours only when you place your order at Dead.net.

Four Never-Before-Released Live Albums By Jefferson Airplane

The argument rages on, but for many music fans in the ’60s, the best live band from the Bay Area was Jefferson Airplane. Formed during the summer of 1965 in San Francisco, the group triumphed in 1967 with Surrealistic Pillow, one of the key recordings of the Summer of Love, containing the hits “Somebody to Love,” “White Rabbit” and “Today.” The Airplane featured three master instrumentalists (Jorma Kaukonen, Jack Casady and Spencer Dryden) and three vocalists: Grace Slick (replacing original singer Signe Anderson in 1966), Marty Balin and Paul Kantner. The Rock ’n’ Roll Hall of Fame inductees made a total of eight studio albums and released a smattering of live albums including 1969’s Bless Its Pointed Little Head.

But what most fans don’t know is that there are vast reserves of never-released live material by Jefferson Airplane capturing key moments in their history. On October 26, 2010, Collectors’ Choice Music Live will release four previously unreleased live albums: Live at the Fillmore Auditorium 10/15/66 Late Show — Signe’s Farewell, Live at the Fillmore Auditorium 10/16/66 Early & Late Shows — Grace’s Debut, Live at the Fillmore Auditorium 11/25/66 & 11/27/66 — We Have Ignition, and Return to the Matrix 2/1/68.

The first three releases document the astonishing growth of the band, and follow the near-seamless absorption of Grace Slick’s voice and material into the Airplane’s sound just as they were entering the studio to record Surrealistic Pillow. The fourth release captures the group triumphantly returning to their home turf at Marty Balin’s club The Matrix for a relaxed, exploratory set in an intimate setting, performing material from their first four albums, including Crown of Creation, seven months before its release. Taken together, the four releases confirm that at its best, when Jorma was soaring, Jack rumbling and the three voices joining in ecstatic melisma, no other band could ascend to the heights attained by the Airplane. Hand-picked by a team of devotees, annotated by frequent Airplane flyer Craig Fenton (author of the book Take Me To A Circus Tent: The Jefferson Airplane Flight Manual), and featuring rare photos inside handsome digi-packs, these concerts distill and express the dream and promise of the Haight-Ashbury scene.

• Live at the Fillmore Auditorium 10/15/66 Late Show — Signe’s Farewell: The Grace Slick era of the Airplane has understandably received most of the attention paid the band over the years. But they had released a good album (Jefferson Airplane Takes Off) and were already a powerful live outfit before Slick came aboard. The 10/15/66 release not only marks the first appearance on CD of a live recording featuring Signe Anderson with the band, but also her very last show. Both Marty Balin and the Fillmore’s Bill Graham give her shout-outs. Songs include “3/5ths of a Mile in Ten Seconds,” “Tobacco Road,” “Midnight Hour,” “High Flyin’ Bird” and “Chauffeur Blues” (which Grace never performed out of respect for Signe, who’d made the old blues tune her own). It was the end of an era. But a new one was about to begin the very next day, and is the subject of the 10/16/66 release.

• Live at the Fillmore Auditorium 10/16/66 Early & Late Shows — Grace’s Debut: The 10/16/66 volume chronicles the first set of concerts featuring Grace Slick as a member of the Airplane, a mere day after Signe Anderson officially left the band. The band has yet to add the material Slick brought to the band (“Somebody To Love” and “White Rabbit) to the set list, but Grace’s harmony work with Marty and Paul is impressive, and you can literally hear her confidence growing from the first set to the second. The album contains “The Other Side of This Life,” “Let Me In,” “Don’t Let Me Down,” “Run Around” and “High Flying Bird,” plus versions of “3/5ths of a Mile in 10 Seconds” and “Tobacco Road” with the new line-up, and Leiber & Stoller’s “Kansas City,” which has never appeared on any Airplane studio or live album. Surrealistic Pillow photographer Herbie Greene contributes photos. Things would never be the same for the band or for ’60s rock.

• Live at the Fillmore Auditorium 11/25/66 & 11/27/66 — We Have Ignition:  CCM Live subtitled these shows We Have Ignition as they believe this is when the Airplane transformed from a high-flying bird into a psychedelic spaceship (but not yet a Starship.) It’s difficult to believe, when comparing these November shows with Grace’s live debut on 10/16/66,  that only six weeks have elapsed. Not only has the band (particularly guitarist Jorma Kaukonen) progressed as musicians, but the infusion of Surrealistic Pillow material some four months before the album hit the stores shifts the focus of this folk-rock band to rock. Included are “Plastic Fantastic Lover,” “High Flyin’ Bird,” “Bringing Me Down,” “ D.C.B.A-25,” “My Best Friend,” “Go to Her,” “She Has Funny Cars,” “3/5ths of a Mile in 10 Seconds,” “Skip Spence’s “J.P.P. McStep B Blues,” “White Rabbit,” “Today” and more.  Two rarities are a mind blowing, 9:45-minute version of “The Other Side of Life” (performed for a photo session) that neither its author, the folk singer-songwriter Fred Neil, nor the band could ever have anticipated, and the only known recording of an instrumental known in some quarters as “My Grandfather’s Clock.” This is the Airplane at its early apex.

• Return to the Matrix 2/1/68: The Airplane returned to the first club they ever played, the Matrix, in 1968 for a 103-minute show at the height of their commercial prowess. They band premiered two songs from the Crown of Creation album (which was months away from being released): “Share a Little Joke” and an instrumental version of “Ice Cream Phoenix.” They also performed “Blues From an Airplane,” a song from its first (pre-Slick) album. Also here: “Somebody to Love,” “Young Girl Sunday Blues,” “She Has Funny Cars,” “Two Heads,” “Martha,” “Kansas City,” “Other Side of this Life,” “Today,” “Won’t You Try/Saturday Afternoon,” “It’s No Secret,” “Watch Her Ride,” “Plastic Fantastic Lover,” “Ballad of You and Me and Pooneil,” “White Rabbit,” “Fat Angel” and  “3/5ths of a Mile in 10 Seconds.”

Soulive Pays Tribute to The Beatles on 'Rubber Soulive'

New York City's preeminent soul jazz trio, Soulive, bring the funk to The Beatles' iconic repertoire with the release of Rubber Soulive due September 14 on the band's own Royal Family Records. Featuring renditions of 11 classics by The Fab Four, including "Come Together," "I Want You (She's So Heavy)" and "Revolution," Rubber Soulive takes its place in a lineage of classic instrumental albums by the likes of Booker T. & The M.G.'s, George Benson and Count Basie that have paid tribute to The Beatles.  Soulive will announce an extended U.S. Fall tour to support the release in the coming weeks.

"We've always been big Beatles' fans. They're consistently in heavy rotation in all of our lives. And then for Halloween last year we had a great show in D.C. by trying out an all-Beatles set. The material was so much fun to play that we decided it had to be put to wax," explains Soulive guitarist Eric Krasno. "At first we thought about doing all of Rubber Soul, but with so many amazing songs to choose from we expanded the scope and picked the ones that lent themselves to our sound, and where we could  best add a Soulive flavor."

Recorded over four days at drummer Alan Evans' own Playonbrother Studios in upstate New York, Rubber Soulive presents the band back in its original trio format. After a handful of albums experimenting with different vocalists and horn sections, it's apparent from the album's opening track, a greasy rendition of "Drive My Car," that a return to form was in order. For the next 40 minutes, Soulive add their inimitable stamp to one classic after the next from The Beatles’ adored catalog. A stately bounce informs "In My Life" punctuated by a majestic organ break courtesy of Neal Evans. "Eleanor Rigby" finds Alan pushing insistent syncopation into the backbeat and Neal covering a full string section with his two hands. A gorgeous rendition of "Something" makes clear that while Krasno can get down with the best of them, he can also dig deep into the heart of a ballad as he rings every last drop of emotion from the classic George Harrison melody. The trio rounds out the set with a three-dimensional version of "While My Guitar Gently Weeps." The performance concisely encapsulates the definitive Soulive sound built upon the trio's shimmering, wah-drenched guitar licks, soaring Hammond organ lines and relentlessly propulsive swing.

Over a decade into their career, Soulive are having more fun than ever recording and performing together. This past March the band set up shop at Brooklyn Bowl in Williamsburg for a two-week residency dubbed Bowlive that featured special guests ranging from Talib Kweli to Susan Tedeschi to Raul Midon. The event will be documented on a forthcoming DVD release this winter. They operate their own state-of-the-art recording studio, as well as, their own record label Royal Family Records that alongside recent Soulive projects is preparing to offer up albums by Eric Krasno, Lettuce and Break Science. In early 2011, the fledgling indie will release the highly anticipated debut album from the acclaimed, young R&B vocalist Nigel Hall. In the coming months, however, the focus is clearly on the lineup that put them on the forefront of the soul jazz revival. With a fall tour on the horizon and a delectable new album filled with red hot renditions of classics by The Beatles, things are starting to "Come Together" for the original three, right now, all over again.

www.royalfamilyrecords.com/soulive
www.facebook.com/soulive

Rubber Soulive is available September 14 on vinyl, CD and mp3.

UK's Everything Everything On UK Tour Now / Look Out For US Fall Tour

Imagine a band who fuse three part harmonies with scalding post-punk guitars; floor-filling bass lines with syncopated rhythms and lyrics about everything from high-school massacres to R&B lotharios musing on their lot in a post-apocalyptic wilderness.

Not easy, is it? But then Everything Everything aren’t here to make life easy. They’re here to challenge every knee-jerk convention of indie rock and dance on the grave of pointless retrogression.

Chances are you’ve come across EE before. Chances are they perplexed, intrigued and if you’ve an ear for something special, they excited you. They first accosted our senses with ‘Suffragette Suffragette’ in Dec 08, followed by ‘Photoshop Handsome’ in May and third single ‘MY KZ, UR BF’ in Oct 09.

Having whipped up interest in all quarters via these low key releases (they’ve acquired fans ranging from Zane Lowe to 6Music’s Marc Riley, played two UK tours- including an advance sold out ICA show as an unsigned band, notched up a top spot on MTV2’s My Space Chart and been tipped by the likes of NME and Times Culture), they signed to Geffen Records in late 2009.

Schoolin is the first single to be taken from their recently completed, David Kosten co-produced debut album (title tbc) due for release in August. It seems set to be the breakthrough debut album of 2010.

After a hugely successful NME tour and supports slots with Delphic, the band are now poised for their biggest festival season yet, showcasing their amazing live set throughout Europe and Japan. EE are so far confirmed to play Reading & Leeds, Glastonbury, Latitude (headlining the Lake Stage) and Bestival.

Karl Denson's Tiny Universe at the Fox Theatre

Like a Super Nova burning bright in the night sky comes Karl Denson’s Tiny Universe.  Based out of San Diego, KDTU began its journey in 1998 after bandleader Karl Denson decided to change gears five years after he’d help create The Greyboy Allstars. GBA had proven themselves as the ultimate party band, spreading their “West Coast Boogaloo” style all over the world, making “Jazz” a dance term once again. Karl set out to take this formula to the next level by putting more emphasis on vocals and adding some funk, r&b and hip hop elements. It turned out to be a winning combination which set KDTU on the top of the heap in the touring world from 1999 through 2005. In 2005 Karl decided to get back to his roots and work in a smaller jazzier setting.  During 2006 and 2007 Karl led KD3, a trio configuration featuring Sax, Organ and Drums. This led to the 2007 release of KD3’s  “Lunar Orbit”, an album which was a great critical success. In 2008, Karl rejoined his former boss Lenny Kravitz and spent the year country hopping through Europe and North America. In 2009 Karl went back into the studio and conjured up what is being hailed as the most soulful KDTU adventure yet, “Brother’s Keeper” which was released Sept 15th, 2009.

Thursday June 24, 9:00pm
KARL DENSON'S TINY UNIVERSE
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All Ages / GA / $15 ADV weekend on-sale (June 4 - 6) / $20 ADV & DOS

Tickets on sale June 4 at the Fox Theatre box office | Internet 24-7 at www.foxtheater.com | Phone: During box office hours: 303.443.3399

Jack Grace Band & Luther Wright and the Wrongs

With a new CD titled Drinking Songs for Lovers, one might be forgiven for believing that Jack Grace should ease up a little. A singer, songwriter and guitarist who has made a career out of following no one’s rules but his own is probably going to keep doing his thing until his liver lays down the law.

He’s earned praise from press and peers, and even a couple of legends. Opening for Jerry Lee Lewis afforded him a quotable anecdote after Lewis, listening to the band’s set backstage at BB Kings in NYC, quipped, “he sounds like that Cash kid, only good.” After Lewis’ set, Jack shook his hand and told him it had been an honor to share the stage with him. Lewis leaned in and said, "I really enjoyed your set."

A consummate live performer, lyricist, singer and guitarist, Jack is at the helm of a powerhouse band that plays kick the can with any musical genre that it stumbles across. Intelligence, humor and unpredictable cross-pollinations of musical categories await. But don’t take our word for it. "If you don't laugh and cry at the same time as Grace and his gracefully loose band navigate their way through such gems as ‘If You're Gonna Raise a Drunk’ and ‘Morning Margaritas,’ you better check your pulse. You might be disgracefully dead." – James Reaney, London Free Press (London, ON)

Luther Wright has been writing, recording and performing music for over 16 years now. In 1994 he joined up with Sarah Harmer to play lead guitar in the Canadian, pop-rock band, "Weeping Tile" (WEA/Atlantic). During the next 5 years of full-on touring and recording Luther and his roots compadres formed the now-renowned, country/punkgrass road daemons, "Luther Wright & The Wrongs".

Known on one hand for their brilliantly executed, country/bluegrass reworking of Pink Floyd’s classic The Wall, Luther and the band have also recorded and released three all-original albums, Hurtin' For Certain (1997), Rogers Waltz (1999), the valentine gone awry, Guitar Pickin' Martyrs (2003), and the recently released, Instrumentality. Also to boot, they made two cds of original childrens music under the guise of Butterfingers.

Wednesday June 9, 8:30pm

JACK GRACE BAND & LUTHER WRIGHT + THE WRONGS
w/A Steak Show & Dave Houghton
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Tickets are on sale through the Boulder Theater box office | Internet 24-7 at www.bouldertheater.com | Phone: During box office hours 303-786-7030

Mayan Holidaze with The Disco Biscuits, Umphrey's McGee and STS9

Cloud 9 Adventures is proud to announce the lineup and details of Mayan Holidaze – the newest event in the Cloud 9 family, which includes the always sold-out Jam Cruise and Caribbean Holidaze. The past three years have seen Holidaze in Jamaica but this year, Mayan Holidaze will move the all-inclusive musical adventure to the beautiful shores of Mexico’s Mayan Riviera. Mayan Holidaze will feature host bands The Disco Biscuits, Umphrey's McGee and STS9 for four nights, from January 20-24, 2011.

Not only will The Disco Biscuits, Umphrey’s McGee and STS9 each perform 2 full shows, each band will also treat fans to a more rare and intimate performance: Axe the Cables, an acoustic set by STS9; Tractorbeam, an all instrumental performance by The Disco Biscuits; and Elige la Musica by Umphrey's McGee, an all-request set. Special guests will also be announced in the coming months.

The beautiful locale and luxurious accommodations at the Now Sapphire Resort & Spa complete the Mayan Holidaze vacation. Located in the small fishing town of Puerto Morelos, 15 minutes south of Cancun in the Mayan Riviera, the Now Sapphire is a first-class, all-inclusive resort that boasts spacious suites, an incredible on-site spa, gourmet restaurants, beachfront palapas, poolfront Bali beds, and of course, stunning ocean views. Mayan Holidaze offers music fans a genuine luxury vacation featuring days relaxing on the beach with friends and nights listening to their favorite bands perform in paradise.

Event details are as follows:
As a courtesy, Holidaze guests from past events will be eligible for an exclusive presale to be held on May 12; all remaining rooms will go on sale to the general public on May 13th at 12pm Eastern at www.mayanholidaze.com.

Only 400 rooms total will be available for sale to the general public, and a limited number of rooms will be sold at early bird pricing. Early bird pricing starts at $899 per person for triple occupancy rooms, and at $999 for double occupancy rooms, with Oceanfront rooms starting at $1399 per person. A limited number of rooms are available for families who wish to bring their children, with a complete Kid’s program offered by the resort.

Look for announcements to come including special guests, poolside sets, artist hosted activities and more!

RE:CREATION - Two nights with Twisted Records!

Dongle and Mongle are the only two other words rhyming with Shpongle...a strange hybrid of electronic manipulation and shamanic midgets with frozen digits squeezing the envelope and crawling through the doors of perception, find a new pair of dice...extra numbers and colours an infinite expanding bubble, filled with a bizzare, strange world of dripping halucinatory wallpaper, a garden of earthly delights...........Shpongleland.....a place of well being, and reflective surfaces, morphing like an Anacondas skin and shimmering like a million colour changing squid, at fifty fathoms.. truly unfathomable like seperating water from it's wetness, the Ineffable Mysteries unweave.
THE FOX THEATRE, EUPHONIC CONCEPTIONS & THE BOULDER WEEKLY Present...RE:CREATION - Two nights with Twisted Records!  4/23/2010 & 4/24/2010
with SPECIAL GUEST (04/24)
Tickets Available Online.... 
  • Please select the ticket specific to your age group
  • 21+ tickets purchased by persons under 21 will not be accepted

Africa in the Americas Through a Southern Band

"Boulder, CO, Fox Theatre. Giant Panda at 9. JBB at 10. TK at 11:30. Bring your dancing attire, dr." Not the most clear posting on Twitter, perhaps, but for fans of Toubab Krewe--the "TK" in the tweet--the message was rather plain. Thursday's show was going to be one with jams so moving, you had better come ready to dance. And they were right.

Here We Go Magic On Tour Now | LP Pigeons Out June 8th

Here We Go Magic is a five-piece band made up of members Luke Temple, Kristina Lieberson, Michael Bloch, Jennifer Turner, and Peter Hale. They originally came together in New York in early 2009 through a series of chance encounters, overheard conversations and supernatural occurrences.

From disparate musical backgrounds, the five found immediate common inspiration in a collection of unique 4-track recordings created by lead singer Luke Temple. These recordings were released in February, 2009 as the self-titled Here We Go Magic (Western Vinyl).

Since this initial spark the band's creative momentum has been unwavering. Together they have developed a broad array of musical material and honed an explosive live sound all their own. They spent much of 2009 on successive North American and European tours with bands such Department of Eagles, Grizzly Bear, and the Walkmen, before retreating to a house near East Branch, NY to record their second full length LP.

Pigeons, set for release on Secretly Canadian on June 8th, is an entirely self-produced album, recorded by Here We Go Magic over four months living together in late Summer and Fall of 2009.

Tracklisitng:

1. Hibernation
2. Collector
3. Casual
4. Surprise
5. Bottom Feeder
6. Moon
7. Old World United
8. F.F.A.P.
9. Land of Feeling
10. Vegetable or Native 11. Herbie I Love You, Now I Know