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RE:CREATION - Two nights with Twisted Records!

Dongle and Mongle are the only two other words rhyming with Shpongle...a strange hybrid of electronic manipulation and shamanic midgets with frozen digits squeezing the envelope and crawling through the doors of perception, find a new pair of dice...extra numbers and colours an infinite expanding bubble, filled with a bizzare, strange world of dripping halucinatory wallpaper, a garden of earthly delights...........Shpongleland.....a place of well being, and reflective surfaces, morphing like an Anacondas skin and shimmering like a million colour changing squid, at fifty fathoms.. truly unfathomable like seperating water from it's wetness, the Ineffable Mysteries unweave.
THE FOX THEATRE, EUPHONIC CONCEPTIONS & THE BOULDER WEEKLY Present...RE:CREATION - Two nights with Twisted Records!  4/23/2010 & 4/24/2010
with SPECIAL GUEST (04/24)
Tickets Available Online.... 
  • Please select the ticket specific to your age group
  • 21+ tickets purchased by persons under 21 will not be accepted

White Rabbits Add More World Tour Dates

After spending the better part of two years on the road (including festival stops at Lollapallooza, Glastonbury (UK), Sasquatch, Monolith and tours with The Walkmen, Spoon, Richard Swift, The Cribs, White Denim and Tokyo Police Club) White Rabbits hunkered down in their Brooklyn practice space to set about re-envisioning the dark pop of their debut Fort Nightly, while adding new sounds and influences to achieve an original work.  The result is It’s Frightening, their second full-length album.

White Rabbits signed to TBD Records (US home to Radiohead/Other Lives/Hatcham Social) and erected a makeshift studio in their basement rehearsal space to demo new material.  Band members popped in and out over the course of several months lending ideas and personality to a new batch of songs that defy instant categorization. After enlisting tourmate, friend and songwriter Britt Daniel (Spoon) as producer, the pair began the process of exchanging demos between Brooklyn and Portland.  White Rabbits recorded It’s Frightening over the course of four weeks, only taking a break to play the Transmusicales Festival in Rennes, France.  The sessions were recorded by visionary engineer Nicholas Vernhes (Animal Collective, Deerhunter) at Rare Book Room in Brooklyn, NY.  Taking special care to recreate the unhinged nature of the original demos, the band utilized the wide range of tools in the analog-friendly studio to shape the personal spirit infused in the new tracks.  Upon the completion of tracking, White Rabbits traveled to Austin, TX to mix the record with studio wizard Mike McCarthy (Spoon, Trail Of Dead) using his exceptional ears to transform It’s Frightening into a uniquely rewarding headphone experience.


It’s Frightening plays like a classic reel of tape from start to finish. Opening with the visceral drums of “Percussion Gun,” it is clear that time-off from the road has served the band well.  The many highlights include the emotional centerpiece “Company I Keep,” the new sonic territory of “Lionesse” and the macabre lyrics of “Right Where They Left.”  Fans of Fort Nightly will find much to go weak in the knees over and new listeners are in for an awakening as White Rabbits flip the switch on an already impressive beginning. It’s Frightening is a journey into the playfully dark musings of Everyman.

The lineup: Stephen Patterson (vox/piano), Jamie Levinson (drums), Matthew Clark (drums, guitar), Alex Even (guitar), Gregory Roberts (guitar/vox). A U.S. tour will follow the May release of It’s Frightening.

White Rabbits Tour Dates
12/6 - The Clubhouse - Phoenix, AZ*
12/9 - Bimbo's - San Francisco, CA
12/10 - Crystal Ballroom - Portland, OR #
12/12 - RIMA Arena - La Jolla, CA #^
12/13 - KROQ Almost Acoustic Christmas - Los Angeles, CA
12/29 - Rhythm and Vines Festival - Gisborne, NZ
12/30 - Falls Festival - Lorne, AU
12/31 - Falls Festival - Marion Bay, TZ
1/5 - Oxford Arts - Sydney, AU
1/6 - Corner Hotel - Melborune, AU
1/10 - Southbound Festival - Busselton, AU
1/24 - Bowery Ballroom - New York, NY

* with Passion Pit
# with Vampire Weekend^ with Spoon

The Subjects Add US Tour Dates

Despite their clandestine and controversial beginnings (two band members were teachers and two were students at the same high school), The Subjects have managed to carve a name for themselves that sounds more like "Rushmore" than "School of Rock." Back in 2002, guitarist Joe Smith and bassist/vocalist Dave Sheinkopf were splitting their time between writing songs and syllabi, while drummer/vocalist Matt Iwanusa and guitarist Jimmy Carbonetti were about to bust out of the same Manhattan school. Since both parties were in desperate need of a full band, they held some rehearsals and once it became clear that the quartet's chemistry was pretty damn combustible, the Subjects were born.

Fast-forward a few years and things get a bit more complicated. The Subjects’ debut is dropped (2007’s With the Ease Grace Precision and Cleverness of Human Beings) and they hit the road, at first on their own and then with the Walkmen a few months later.

“We were always serious about playing music,” says Iwanusa, “but when we started meeting and playing with bands that were making music for a living we got to see how they did it.”

Keeping that career path in mind, the Subjects dove right into the demo stages for New Soft Shoe, firing up minimalist recordings in the style of their first full-length. Once those songs were ready for a proper studio, the band headed over to Key Club Recording Co. a couple hours outside Chicago. By working closely with Key Club’s masterful engineers, William Skibbe and Jessica Ruffins (see also: rock-solid releases from Cass McCombs, The Kills and Fiery Furnaces), the Subjects were able to whip up their wildest ideas, expanding their arsenal with everything from old-fashioned organs to honky-tonk pianos to Matt’s mom on saxophone.

“A lot of the instrumentation on this record came from stuff I learned in school—stuff I never thought I’d use,” says Sheinkopf, citing his training in classical harmony.

The first thing you’ll notice about the final product is the vocals—the way the melody in “Winter Vacation” unfolds like a spare Animal Collective A-Side; the brilliant shuffleboard beats/honeyed harmonies of “Right2Know.” Beyond that, the ep spreads the Subjects’ various strengths across the divergent tastes of four distinct songwriters in just 10 minutes. Well, divergent in terms of pulling cues from several eras and subgenres. All and all, the current state of the Subjects is as cohesive as a dictator-less band gets.

“Most of the arrangements on the first record are within the constraints of a four-piece band,” explains Iwanusa. “Now everyone’s more comfortable trying to sing and play different instruments. We all stepped it up this time.”


Upcoming shows:

11/30 - Webster Hall Studio (Webster Hall Live Compilation Release Party) - New York, NY

12/3 - Rock And Roll Hotel w/ Land Of Talk - Washington, D.C

1/16 - Gramercy Theater w/ Elefant and Silent League

The Antlers Add US Tour Dates

Sometimes you have to put yourself first, no matter how difficult that notion seems; no matter how much time and effort you’ve already put into this one person—the person who’s reduced your very being to its absolute core. Just ask Peter Silberman, the string-pulling founder of The Antlers, a solo project that suddenly went widescreen on the self-released Hospice LP (now receiving a proper widespread pressing through Frenchkiss). The first Antlers effort to feature two key permanent players—powerhouse drummer Michael Lerner and the layer-lathering multi-instrumentalist Darby Cicci—it’s an album with a sound that’s actually as ambitious as its concept.

antlersHospice came from the idea of caring for a terminal patient who’s mentally abusive to you,” says Silberman. “You don’t have the right to argue with them, either, because they’re the one who’s dying here; they’re the one that’s been dealt a wrong hand. So you take it, but you can only take so much. Eventually, you realize that this person is just destroying you.”

Appropriately enough, Hospice’s 10 distinct chapters resonate on debilitating sonic and lyrical levels, from the hypnotic harp and tension-ratcheting build of “Two” to the sing-or-sink choruses of “Bear” and the speaker-rattling peaks of “Sylvia,” easily one of the year’s most immediate epics. It’s here, amidst contrasting shards of ambient noise, sweeping strings and smoky horns, where The Antlers truly transcend Silberman’s singer-songwriter beginnings—a striking escalation of expectations first hinted at on 2008’s New York Hospitals EP. The progression doesn’t end there, either. In a move that could be taken as the riff-raking extension of his thorough guitar training (from the age of 6 ‘til right before college), “Atrophy” and “Wake” delve into sheets of distortion, subtle shades of soul, cicada-like effects and enough movements to fill an entire EP.

“We were going for something that’d be dense but not too complicated,” explains Silberman. “I hate the word ‘lush,’ but I guess that’s the best way of describing it. The structures are like pop songs—verse/chorus, verse/chorus—but the sound is a little more shoegaze-y or post-rocky.”

It’s about to get even more complicated, too, as The Antlers’ Technicolor-tinged trio take all of Hospice’s songs—and three previous releases—in a completely different direction, jettisoning a note-for-note rendition of the record for “a massive sound” doused in delay, reverb and unrehearsed chaos. And to think Cicci was a stage actor with a desire to drop it all for music just a few years ago.

Hospice was the clear indication that this isn’t a singer-songwriter thing at all,” says Silberman. “Whatever we record next is going to define the three of us as a ‘band.’

He continues, “I always figured I’d be the ‘shredder’ in a group… But things somehow ended up this way.”

We wouldn’t have it any other way, either.

US Summer Tour Dates

July 15 - My Old Kentucky Blog Presents at The Vollrath - Indianapolis, IN
July 16 - The Mill - Iowa City, IA
July 17 - Madfork at The Terrace - Madison, WI
July 18 - Pitchfork Festival - Chicago, IL
July 21 - Magic Stick W/ Frightened Rabbit - Detroit, MI
July 22 - Horseshow Tavern W/ Frightened Rabbit - Toronto
July 23 - Petit Campus W/ Frightened Rabbit - Montreal
July 24 - Jerky's W/ Frightened Rabbit - Providence, RI
July 25 - Iron Horse W/ Frightened Rabbit - Northampton, MA
August 21 - Mercury Lounge - New York, NY (Record Release show)

New Mastersounds ADD Telluride to Upcoming CO TOUR!

The New Mastersounds- for the Grateful Web

The New Mastersounds will be in Colorado this month.  Recently they added a show in lovely Telluride, Colorado at the Sheridan Opera House on Sunday January 20th.  For more information or to view some more of their tour dates or to learn more about the New Mastersounds, click here: