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BAND OF SKULLS ANNOUNCE TOUR DATES

Southhampton, UK trio Band of Skulls are taking some time out from finishing up their second album to play select tour dates in North America. They will be performing new songs at these shows along with favorites from their debut album album 'Baby Darling Doll Face Honey.'

After spending two years touring in support of their debut album which was universally embraced by the U.S. press including SPIN (Best of Coachella), Rolling Stone (Best of SXSW) and Entertainment Weekly (Your Next Favorite Band) and culminated with a sold-out show at the Forum in London in late 2010, the band retreated to a studio in Norfolk UK to begin writing the follow-up. They returned to their home studio in Southampton to start the recording which they are now completing in Wales at Rockfield Studios. The album is produced by Ian Davenport (Supergrass, Badly Drawn Boy) and will be mixed by Nick Launay (Grinderman, Yeah Yeah Yeahs, Arcade Fire) and is scheduled for release in 2012. The album will be preceded by a single and EP released in late 2011.

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BAND OF SKULLS NORTH AMERICAN TOUR DATES:


September 24 @ Atlanta, GA Music Midtown Festival

September 26@ New York, NY Mercury Lounge

September 27 @ New York, NY Mercury Lounge

September 28 @ Toronto, ON The Garrison

Band of Skulls are Russell Marsden (guitar & vocals), Emma Richardson (bass & vocals) & Matt Hayward (drums).

Blues & Roots: Vieux Farka Toure w/ William Elliott Whitmore

It was a pretty quiet night on the hill in Boulder, CO at the Fox Theater, even though it was the beginning of the 1st annual Boulder Blues and Roots Summit Festival.  This festival featured early shows at the

Band Of Skulls Announce Select U.S. Dates

Southhampton, UK trio Band of Skulls are taking some time out from recording their second album to play select tour dates in the U.S. Currently recording at Rockfield Studios in Wales, the band will bring the driving guitar force and Wall of Sound harmonies of their live shows back to the states to play four shows in California before heading to Manchester, TN for their Thursday night slot at the Bonnaroo festival. They will be performing new songs at these shows along with favorites from their debut album 'Baby, Darling, Dollface, Honey.'

After spending two years touring in support of their debut album which was universally embraced by the U.S. press including SPIN (Best of Coachella), Rolling Stone (Best of SXSW) and Entertainment Weekly (Your Next Favorite Band) and culminated with a sold-out show at the Forum in London in late 2010, the band retreated to a studio in Norfolk UK to begin writing the follow-up. They returned to their home studio in Southampton to start the recording which they are now completing in Wales. The album will be mixed by Nick Launay (Grinderman, Yeah Yeah Yeahs, Arcade Fire) and is scheduled for release in 2012. The album will be preceded by a single and EP released in late 2011.

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BAND OF SKULLS U.S. TOUR DATES:

June 4, Santa Barbara, CA @ Velvet Jones

June 5, San Diego, CA @ Independence Jam w/ Cold War Kids, Lykke Li, Peter, Bjorn & John

June 6, Los Angeles, CA @ Bootleg Theater (SOLD OUT)

June 7, Los Angeles, CA @ Bootleg Theater (SOLD OUT)
June 9, Manchester, TN @ Bonnaroo in THAT TENT 8:30pm - 9:30pm

Fool's Gold Set To Release New Album, Leave No Trace

Fool’s Gold was originally formed in Los Angeles by Lewis Pesacov and Luke Top as a large open-ended collective, at times ranging between 12-15 members. After many tours following the release of their self-titled debut album (2009), they organically evolved into a tight-knit five-member "band," featuring vocalist/bassist Luke Top, guitarist Lewis Pesacov, drummer Garrett Ray, multi-instrumentalist Brad Caulkins, and percussionist Salvador Placencia. Confident, focused and much more personal, this new line-up allowed for the dynamic of the group to blossom, redefining and sculpting their sound for the sophomore LP: Leave No Trace.

Much of Leave No Trace was written the last week of 2010, during late night and early morning sessions in a rented house in Wonder Valley, CA, at the edge of the Mojave desert. Produced by Pesacov (who also produced the Best Coast LP), the majority of the album was recorded live in one room at Infrasonic Studios in Alhambra in East LA, on a slow speed on an old 2" tape machine, the perfect format to capture the sonic warmth of the hazy, late night musical space these songs engender. The music on Leave No Trace is built on soulful vocals, evocative lyrics, driving beats, tightly wound percussion, and warm synthesizers, all woven together with interlocking, nimble and slashing guitar lines, and influenced by a shared love of the music from the Caribbean and Africa, 60s soul and blues, and synth-based English new wave.

Those familiar with Fool’s Gold will quickly realize an obvious distinction on Leave No Trace: the new record is sung predominately in English, an intuitive choice for Top, much in the way the debut album leaned towards Hebrew. Whereas singing in Hebrew on the debut allowed Top to find his voice and come out of his shell as a performer and songwriter, as the words and more personal themes for the new record started to take shape, he knew he had to express them as clearly as possible, both to himself and to the listener, in English.

Fool’s Gold’s Leave No Trace is out August 16th on IAMSOUND.

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Leave No Trace tracklisting:

01. The Dive

02. Wild Window

03. Street Clothes

04. Leave No Trace

05. Balmy

06. Narrow Sun

07. Tel Aviv

08. Mammal

09. Bark and Bite

10. Lantern

The Felice Brothers: Celebration, Florida In Stores Now

The Felice Brothers' fourth album Celebration, Florida arrived in stores yesterday via Fat Possum. The inventive and imaginative album expands upon the dark, woozy undercurrents and surreal storytelling of their previous albums, and has been catching the attention of the press. In addition to the A.V. Club, which recently declared "...The Felice Brothers have captured the decay and corruption of contemporary America in dazzling, sickening fashion", Celebration, Florida has also been covered by Billboard, Cowbell, Metromix, SPIN, Time Out New York ("arresting"), and The Wall Street Journal ("...very fine new Tom Waits-meets-the-Band album..."), among others.

Today, The Felice Brothers' new video for first single "Ponzi" premiered on the A.V. Club and the striking Ian Cinco-directed clip can now be seen here. A song stream on "Ponzi" debuted on SPIN.com in late March; code for an embeddable stream is below. A full album stream is also available via the band's website and AOL Music's Spinner.

The Felice Brothers have been on tour in support of Celebration, Florida since mid-March and play The Blind Pig in Ann Arbor, MI, tonight. The band recently added a handful of new shows to their US itinerary, including June 15th at the Ottobar in Baltimore, MD; June 16th at the Maymount (Groovin In The Garden concert series) in Richmond, VA; June 17th at the Mauch Chunk Opera House in Jim Thorpe, PA; and September 10th at the Daleville Town Center in Daleville, VA.

The Felice Brothers made their debut performance at Coachella last month and their Saturday evening set drew great live reviews from SPIN.com (Best & Worst Moments of Coachella Day 2 - 'Worst Band To Pigeonhole': "...let's just call them great") and The Orange County Register ("...something very raw and beautiful"), among others. The band will also perform at a number of other festivals this summer, including The Clearwater Festival, The Calgary Folk Festival, and the Newport Folk Festival.

The Felice Brothers will head to Europe in late November; fall touring plans for the US will be announced soon.

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The Felice Brothers tour dates:

MAY 11 ANN ARBOR, MI THE BLIND PIG*

MAY 12 TORONTO, ONT LEE'S PALACE*

MAY 13 ROCHESTER, NY WATER STREET MUSIC HALL*

MAY 14 LANCASTER, PA CHAMELEON CLUB*

MAY 18 BROOKLYN, NY THE BELL HOUSE%

MAY 19 BROOKLYN, NY THE BELL HOUSE**

MAY 26 NEWMARKET, NH THE STONE CHURCH#

MAY 27 BOSTON, MA BRIGHTON MUSIC HALL#

MAY 28 HARTFORD, CT BOMB FESTIVAL (Comcast Theatre)

JUNE 15 BALTIMORE, MD OTTOBAR

JUNE 16 RICHMOND, VA GROOVIN IN THE GARDEN (Maymount)^

JUNE 17 JIM THORPE, PA MAUCH CHUNK OPERA HOUSE

JUNE 18 CROTON-ON-HUDSON, NY CLEARWATER FESTIVAL

JULY 21-23 CALGARY, ALB CALGARY FOLK FESTIVAL

JULY 30 NEWPORT, RI NEWPORT FOLK FESTIVAL

SEPT. 10 DALEVILLE, VA DALEVILLE TOWN CENTER

NOV. 29 MUNICH, DE FREIHEIZ

NOV. 30 FRANKFURT, DE BATSCHKAPP

DEC. 1 KOLN, DE GLORIA

DEC. 2 HAMBURG, DE UBEL & GEFAHRLICH

DEC. 3 BERLIN, DE POSTBAHNHOF

DEC. 6 LONDON, UK KOKO

DEC. 7 MANCHESTER, UK MANCHESTER ACADEMY 2

DEC. 9 GLASGOW, UK ABC

DEC. 10 BELFAST, UK SPRING & AIRBRAKE

DEC. 11 DUBLIN, IR ACADEMY

DEC. 12 BIRMINGHAM, UK INSTITUTE

DEC. 14 BRUSSELS, BE AB BOX

DEC. 15 UTRECHT, NL TIVOLI

DEC. 16 GRONIGEN, NL OOSTERPOORT

DEC. 18 NIJMEGEN, NL DOORNROOSJE

* Shovels And Rope supporting

% Shovels And Rope, Rig 1 supporting

** Tom Brosseau supporting

# Willy Mason supporting

^ co-headline with North Mississippi Allstars

National Jazz Museum in Harlem May 16 - May 22, 2011

Upcoming events at the National Jazz Museum in Harlem for this week include:

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Tuesday, May 17, 2011

Jazz for Curious Listeners

Tito Puente Month: Presented by Joe Conzo and special guests

7:00 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

The Jazz Years

The 60’s saw Puente fully immersed in his passion to combine Jazz and Latin music. A passion thatwas fueled by his mentors Machito and “Hall of Famer” Mario Bauza. It had been his belief that this “marriage” could become a powerful force in music, thereby enhancing the musical experience of the listener and dancer.

He teamed up with bandleader and trombonist Buddy Morrow and began a series of recording sessions where both of them performed with two full and completely different orchestras. The project culminated in the LP recording “Revolving Bandstand” under the RCA label.

With this recording, Latin Jazz received a shot in the arm. It would have a direct affect on some of the younger musicians that would be making a name for themselves in the years to come, notably, Ray Barretto, who first played with Puente in “Dance Mania” and also recorded on the “Revolving Bandstand” sessions.

Thursday, May 19, 2011

Harlem Speaks

Bennie Wallace, Saxophonist

6:30 – 8:30pm
Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Tenor saxophonist Bennie Wallace made waves throughout the jazz world in the late 1970's with his debut recording, The Fourteen Bar Blues. Thereafter, with an unflagging respect and affection for classic jazz, he repeatedly represented his own progressive take on the music. His talent for composing and arranging music attracted the attention of Hollywood moviemakers in the late 1980's, which led him to spend nearly a decade in California composing and directing film soundtracks. Wallace's music has developed a more lyrical sense, yet his rhythms retained an authentic style that belonged uniquely to Wallace, according to critics. Winner of Germany's Deutscher Schallplattenpreis, the jazz Grammy equivalent, and a five-time winner of the Down Beat magazine award for Talent Deserving Wider Recognition, the full impact of Wallace's talent remained yet to unfold into the new century.

Born Bennie Lee Wallace Jr. on November 18, 1946, in Chattanooga, Tennessee, Wallace began playing clarinet in his youth from the age of 12 when a music teacher at his school started a jazz band and taught the group about great jazz musicians like Count Basie, Charlie Parker, and Miles Davis. Later, Wallace played in the high school band and added tenor saxophone to his teenage repertoire. Despite his youth, he learned his way around the after-hour jazz clubs even while he was still in high school in Chattanooga. During his late-night excursions, Wallace participated in jam sessions, playing bebop and blues most frequently. He went on to study music at the University of Tennessee and received a bachelor's degree in clarinet studies in 1968. After college during the mid 1970's, he did some composing for a German radio orchestra although his first love was jazz saxophone. Even during a stint in Hollywood during the late 1980s and into the 1990's, Wallace maintai ned to interviewer Zan Stewart of the Los Angeles Times that his horn remained the focal point of his music and of his life.

After his arrival in New York from Tennessee, Wallace spent 1973 studying the old jazz masters and their music to discover the essence of each, focusing heavily on Johnny Hodges and Coleman Hawkins. Yet despite his in-depth study of historical jazz, Wallace disliked repertory bands and eschewed revivalist groups equally. He remained committed to personal definition in everything that he performed. It became evident that Wallace moved in a direction different from the bandwagon that typified so many of his contemporaries, with his styles rooted more closely in the work of Coleman Hawkins than with John Coltrane. In 1985, Wallace signed with Blue Note Records. His debut album for that label, entitled Twilight Time, remained a favorite for many years

In 1991, in an unanticipated career shift, Wallace moved his residence to Pacific Palisades in Southern California to be near the Hollywood film industry as he became involved in composing for films. The opportunity came as a result of his 1985 Blue Note release, Twilight Time, which caught the ear of filmmaker Ron Shelton. Shelton requested that Wallace contribute to the soundtrack for the late-1980's film Bull Durham. Wallace obliged with "Love Ain't No Triple Play," written expressly for that movie. Also heard on the Bull Durham soundtrack was a reprise of Wallace's arrangement of "Try a Little Tenderness." Wallace went on to score the movie Blaze and served as musical director the film White Men Can't Jump.

During this time, Wallace worked extensively with pianist Tommy Flanagan in creating film music. Additionally, Wallace worked behind the scenes as a docent of pianist Jimmy Rowles after Wallace, having settled in California, contacted Rowles completely without introduction. Regardless, a comfortable relationship bloomed between the two, as Rowles mentored Wallace not only in the mechanics of playing the piano, but also in the fine points of harmony. In 1993, Wallace released The Old Songs, an album which represented a culmination of the wisdom and inspiration that he derived from Rowles. He’s now back on the East Coast, living with his wife in Connecticut.

Friday, May 20, 2011

Harlem in the Himalayas

Colin Vallon Trio

7:00pm
Location: Rubin Museum of Art
(150 West 17th Street)
$18 in advance | $20 at door | 
For tickets: RMA Box Office or call 212-620-5000 ext. 344

Colin Vallon, piano
Patrice Moret, double-bass
Samuel Rohrer, drums

Get an insight into the international sounds of cutting edge jazz with the music of this band, which belongs among the most remarkable and fascinating which the Swiss scene has to offer. The 29-year-old Colin Vallon has everything an extraordinary musician needs: brilliant technique, personal expression, a sense for perfect timing and a very individual, musical language which he creates through the unusual sounds from his prepared piano. Together with bassist Patrice Moret and drummer Samuel Rohrer, he has developed an exciting multiple stylistics based on modern jazz, but from which it steps out into all directions possible. The trio lives out its dramaturgically excellent compositions in sensitive interplay.

Saturday, May 21, 2011

Saturday Panels
A Tito Puente Celebration
12:00 – 4:00pm

Location: NJMH Visitors Center
(104 E. 126th Street, Suite 2C)
FREE | For more information: 212-348-8300

Join us for an afternoon with the music of the King of Timbales, Tito Puente.

El Rey de Timbales. Tito Puente more than earned first place among modern Latin jazz musicians, working continuously from 1937 to 2000, recording over 100 albums.

Puente started his professional career as a drummer in Noro Morales’ orchestra. He played briefly with Machito’s Afro-Cubans before being drafted into the U.S. Navy, where he played in a band led by famed swing band leader, Charlie Barnet. After his discharge, Puente took advantage of the G.I. Bill to study at the Juilliard School of Music, while working with a variety of Latin bands in New York.

Puente quickly became known as a sizzling arranger. Promoter Federico Pagani hired Puente after hearing him jamming with a group of players from Pupi Campo's band, and dubbed them the Picadilly Boys. Puente subsequently moved to Tico Records and changed the group's name to Tito Puente and his Orchestra. Through numerous changes in labels and musicians, Puente has been in front of his group ever since.

Puente's fame skyrocketed when promoter Max Hyman bought the Palladium dance hall and opened it as a nightclub just as the craze for dancing the mambo and cha-cha hit in the early 1950's. He recalled nearly 50 years later:

“It was the explosion of dance. Remember, the Palladium was a big dance hall. I've always maintained that without a dance the music cannot be popular. People became aware of a new dance--the Mambo--it was ‘in’ to learn to dance the Mambo no matter what part of society you came from. And so here was a place, the Palladium, where everybody could come to dance or learn the Mambo. Dance studios sent their students to the Palladium, where they could learn and see great dancers—ballet stars, Broadway stars, expert Mambo dancers—all in one place. And I geared my music to these dancers.”

Puente rode the wave on Tico, then switched to RCA for what some consider his best albums, including Top Percussion, Dance Mania, his top-seller, and Mucho Puente. In the early 1960's, he moved from cha-chas and mambos to the new pachanga style and rejoined Tico to record Pachanga Con Puente. His 1962 descarga (Latin jam) album, El Rey Bravo debuted Puente's composition, "Oye Como Va," which later became a huge pop hit for Carlos Santana. "Every time he plays 'Oye Como Va,' I get a nice royalty check," Puente said.

Puente suffered through the boogaloo craze ("Boogaloo meant nothing to me. It stunk.") and carried on into the rise of salsa in the early 1970's. He recorded several albums in collaboration with Celia Cruz, the "Queen of Salsa." In the early 1980's, he moved into more traditional Latin jazz for the Concord label, earning a Grammy award for Tito Puente and His Latin Ensemble on Broadway. Although he was criticized for leaning on a clichéd style in his performances and material, Puente rallied again in 1991 to capitalize on the popularity of Oscar Hijuelos' novel, The Mambo Kings Play Songs of Love with the album, The Mambo King: 100th Album. It was actually something like his 112th, but who was counting at that point? Ever a trend-rider, Puente made his prime-time television debut in 1995 on an episode of "The Simpsons."

In 1997 Puente recorded 50 Years of Swing, a compilation of hits that celebrate his fifty years in the Latin music industry, and in 1999, he won his fifth Grammy for Best Latin Performance for his CD, Mambo Birdland. In the late 1990's, he was designated as a "Legend" by the Hispanic Hall of Fame, inducted to the Jazz Hall of Fame, received a star on the Walk of Fame in Hollywood, and received a Smithsonian Lifetime Achievement award. He suffered a heart attack soon after his last public appearance, in April 2000, with the Puerto Rico Symphonic Orchestra at the "Centro de Bellas Artes" in Puerto Rico.

Marty Stuart Reveals Lineup For 10th Annual Late Night Jam

GRAMMY award winner Marty Stuart will host a special 10th Anniversary Late Night Jam on June 8 beginning at 10:00 PM at Nashville’s historic Ryman Auditorium.  Country music icons Dolly Parton, Mel Tillis and Connie Smith, along with The Quebe Sisters Band, Doug Kershaw and more surprise guests will be joining Stuart and his Fabulous Superlatives for this year’s event.  The Late Night Jam has become the unofficial kick-off of the CMA Music Festival and prior to any lineup information being released, tickets for this year’s event have sold faster than ever before. Proceeds will benefit MusiCares with a portion also going to Dolly Parton’s Imagination Library.

“It's hard to believe that the Late Night Jam is ten years old,” said Stuart.  “I can't help but think back on the first one.  I was nervous; pacing and hoping that we'd have enough people show up.  The show ended up being a sell-out and we’ve been going strong ever since.  That first show was over 25,000 people ago, and it was also many good deeds ago from MusiCares, and a lot of really magical performances ago from some of my dearest musical friends. Every year I say, ‘How can I top that show?’  Somehow it happens and good things result from it. This year will be no different.”

Over the past 10 years, Stuart has brought artists such as Keith Urban, Vince Gill, Dierks Bentley, Charlie Daniels, Porter Wagoner, Neko Case, Old Crow Medicine Show, Jerry Lee Lewis and more to the Ryman stage for a one of a kind marathon jam session all in the name of charity and country music.

Stuart, a stalwart of traditional country music, recently received his fifth career GRAMMY award for “Best Country Instrumental” for “Hummingbyrd,” from his critically acclaimed album GHOST TRAIN (THE STUDIO B SESSIONS).  His TV show, The Marty Stuart Show, continues to bring traditional country music into living rooms across the country every Saturday night on RFD-TV.   Upcoming episodes will feature Brad Paisley, Old Crow Medicine Show, Keith Urban, Paul Shaffer and Travis Tritt.

For more information and to purchase tickets, visit www.martystuart.net.

Phish’s WaterWheel Foundation Joins Forces With The MFF

The WaterWheel Foundation and the Mimi Fishman Foundation have teamed together once again with an on-line charity auction featuring ticket packages for the first portion of the Phish 2011 Summer tour.

Phish kicks off their 2011 Summer Tour on Memorial Day weekend, with three consecutive nights (May 27, 28 & 29) at Bethel Woods Center for the Arts in Bethel, NY. Stops along the way include Cleveland, Cincinnati, Mansfield, Darien Lake and more, as well as 2-night runs in Holmdel, Columbia and Alpharetta.   These shows as well as others are represented on the auction.

All proceeds raised will benefit Phish’s WaterWheel Foundation.  The WaterWheel Foundation was created by Phish in 1997 to oversee the band’s various charitable activities.  The Mimi Fishman Foundation was established in1999 by Miriam "Mimi" Fishman (the late mother of Phish drummer Jon Fishman) and David Shulman – and was created as a vehicle to raise funds for various charities important to Mimi.

The on-line auction is currently live with the bidding coming to close on Wednesday, April 27.

To view and/or bid on the auction, as well as read about the charities the auction supports, please visit the Mimi Fishman Foundation Auction Page.

2011 Backbeat Jazzfest Series

The Backbeat Jazzfest Series will present its sixth annual consecutive series of evening concerts from April 29 - May 8, 2011 coinciding with the weeks of the New Orleans Jazz & Heritage Festival. This series celebrates the music and spirit of New Orleans and showcases internationally renowned bands and the best in local New Orleans music in a manner that encourages collaboration to create those magical musical moments for the audience and performers alike. As in past years, the 2011 Backbeat Jazzfest Series is an evening destination for music lovers across the country craving late night entertainment after a day filled with musical celebration at Jazzfest.

This year the Backbeat Jazzfest Series will feature shows at its usual spots, Blue Nile and Tipitina's French Quarter, plus venues new to the series Le Petit Théâtre du Vieux Carré, 12 Bar, The Temple (also known as the Scottish Rite Temple.) and Tipitina's Uptown.

Slightly Stoopid Announces Spring Tour Dates

Slightly Stoopid is on tour this spring with dates on both coasts and more than a few stops in between. In addition to headlining gigs at clubs and amphitheaters across the country, Slightly Stoopid will also play a number of high-profile spring festivals including The Hangout Music Festival on May 20 in Gulf Shores, AL; and Hookahville in Thornville, OH on May 29.

First up though, the band will host their annual 4/20 show in their home state of California. Set to take place on Wednesday April 20, 2011 at Los Angeles’ legendary Greek Theatre, Slightly Stoopid’s “420 At The Greek” show will help kick-off the Greek’s 80th anniversary celebration season. Joining Slightly Stoopid for this historic event will be none other than the legendary original Bad Brains and Jamaican dancehall icon Barrington Levy.

When not on the road, Slightly Stoopid has been hunkered down at the band’s headquarters in San Diego, hard at work on their seventh studio album. Just minutes from the surf and fully equipped with a half-pipe skate ramp, video game room and recording studio, it’s the perfect environment to spark the band’s creativity. Collaborating in the studio of late: G. Love, Cypress Hill, Don Carlos, Del the Funky Homosapien, Barrington Levy, Ian Neville, Collie Buddz and more. The album is expected late summer 2011.

Formed in 1995 in San Diego, CA’s Ocean Beach by childhood friends Miles Doughty (guitar, bass, vocals) and Kyle McDonald (guitar, bass, vocals), Slightly Stoopid has become one of the most influential and progressive improvisational musical outfits on the tour circuit. The band has sold over 750,000 albums and now releases all material on Doughty and McDonald’s own record label, Stoopid Records.

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Slightly Stoopid Tour Dates:

Wednesday, April 20 Greek Theatre Los Angeles CA

Wednesday, April 27 Buster's Billiards & Backroom Lexington KY

Thursday, April 28 Valarium Knoxville TN

Friday, April 29 Beale Street Music Festival Memphis TN

Saturday, April 30 Cain's Ballroom Tulsa OK

Sunday, May 1 Liberty Hall Lawrence KS

Wednesday, May 4 Simon Estes Amphitheater Des Moines IA

Thursday, May 5 The Venue in Fargo Fargo ND

Friday, May 6 First Avenue Minneapolis MN

Saturday, May 7 The Pageant St. Louis MO

Friday, May 13 Palladium Ballroom Dallas TX

Saturday, May 14 Verizon Wireless Theater Houston TX

Sunday, May 15 Concrete Street Amphitheater Corpus Christi TX

Friday, May 20 The Hangout Music Festival Gulf Shores AL

Friday, May 27 Summercamp Chillicothe IL

Sunday, May 29 Hookahville Thornville OH

Thursday, September 29 - Monday, October 3 Rombello Cruise Tampa FL