wheel

Asleep At The Wheel @ Boulder Theater | 7/24

Can a wheel reinvent itself while it’s still rolling?

Sounds like an impossible task -- but you never want to say “impossible” to Asleep at the Wheel, the famed western-swing, boogie, and roots-music outfit that’s, amazingly, still on the upswing. That’s saying something, too, considering the group’s been around for nearly 40 years, turning out an incredible 25+ albums while playing an unrelenting schedule of one-nighters that would make a vaudevillian dizzy.

“In terms of how many people we played for, what we accomplished, and how much money we made – well, we didn’t make any money – this year was absolutely our best year ever,” says Wheel founder and front man Ray Benson with a chuckle.

And even as the Wheel rolled on, the reinvention had begun. You could see and hear it in their live shows, where new vocalist Elizabeth McQueen invited comparison with the classic female vocalists of the band’s earlier era, and fiddler-singer Jason Roberts gave the band a second male lead voice to complement Benson’s immediately identifiable baritone.

These days, the reinvented Wheel is also rolling down a couple of new avenues. One involves to the critically acclaimed musical play, A Ride With Bob, which stars Benson as himself -- encountering the ghost of Bob Wills on a tour bus – Roberts as the young Wills, and McQueen as Minnie Pearl and other famed entertainment figures, with the rest of the band members featured as well. Originally designed as a one-off celebration of Wills’ 100th birthday in ’05, A Ride With Bob quickly took on a life of its own and, notes Benson, “it’s absolutely a part of what we do now.” Another success has been the adaptation of the Wheel’s repertoire for pops symphony. Performances with Dallas, Austin, Fort Worth & Amarillo symphonies have drawn record crowds.

The Wheel’s new look is also spotlighted in several new discs – the first called, appropriately enough, Reinventing the Wheel. The 12-cut celebration of American – particularly Southwestern – music features guest appearances by gospel’s Blind Boys of Alabama (with a splendid reworking of the old Wills tune “The Devil Ain’t Lazy”) and banjoist Rolf Sieker, along with lead vocals by McQueen and Roberts as well as Benson, whose voice has been synonymous with Asleep at the Wheel for decades.

The second is 2009’s Willie and the Wheel; a collaboration with Willie Nelson that was originally envisioned by famed producer Jerry Wexler in the 1970s. Unfortunately before they had a chance to cut it, Nelson had left Atlantic Records. But over the ensuing decades Wexler kept the idea alive and even gave Ray his entire collection of western swing vinyl that included his notes on song choices and treatments. In late 2007 the idea was revived and Jerry and Ray reconnected by phone. Always the producer with a vision, Jerry was involved in every way. He insisted that some of the tracks should include horns as well as a return to traditional fiddles and lap steel guitar associated with western swing. As the sessions concluded and Willie finished his vocals the tracks were sent to Jerry. “To my delight and relief,” says Ray, “he loved them.” In fact, Wexler heard most of the finished tracks prior to his passing in August 2008. "Jerry wanted us to do this album and I'm glad we got to do it for him, “says Willie Nelson. “And that he heard it before he passed on."

The success of the Willie and the Wheel album release was quickly followed up by a tour and even a taping of the 35th anniversary of Austin City Limits for PBS (for broadcast in Fall of 2009), a fitting double-bill as Willie had taped the pilot and Asleep at the Wheel appeared in the very first regular episode of the legendary live music television program.

And now in contemplating the 40th anniversary of Asleep at the Wheel in 2010, Ray remains focused on the original concept. “I carried the load for many, many years, but I’ve always just wanted to have a band, as opposed to Ray Benson and Asleep at the Wheel,” Benson explains. “That’s what we had in the ‘70s – a band, a revue kind of deal, which was the whole concept. But trying to replace a Chris O’Connell was very difficult. And then Elizabeth walks up, and boom – here’s my girl singer. And then I kept pushing Jason, both through the play and through the band, saying, `Man, you’ve got talent. You can sing. You’ve got the golden ear – just apply it to your singing and songwriting.’”


Roberts, who’s been the Wheel’s full-time fiddler since early ’96, welcomed the opportunity to be a part of the revamped, revue-style Wheel. “I think everybody got a chance to put their two cents in, and bring to the table what they had, ” he adds. “God bless Ray Benson for allowing us to do that..”

Adds McQueen, “One of the things about Asleep at the Wheel is that they always have great musicians. That’s what they’re known for. So for them to ask me to join and then to keep me in the band, and to let me step out a little more and stand in the shoes of Chris O’Connell and Maryann Price, who were amazing singers – that’s an incredible honor. It’s above and beyond my greatest expectations.”

So, whether your next encounter with Asleep at the Wheel is at a dance or concert, or backing up Willie Nelson via the new disc, or at a live production of A Ride with Bob, you’ll be witnessing something very special -- a band that’s not only been entertaining audiences with its own genre-busting music for four decades, but also a group that’s never been afraid to try something new -- including a reinvention, inspired by the past, that rolls joyously toward a long and shining future.

More Info / Buy Tickets

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Date/Time: July 24, 2011, 8:00 pm

Audience: All Ages

Seating: All Seated Reserved/GA

Ticket Availability: Yes

General Admission: $32.00

Reserved Tickets: $37.50

Gold Circle: $48.50

Rex Foundation releases The Wheel - A Musical Celebration of Jerry Garcia

On Tuesday March 29, 2011 the Rex Foundation will release 12 tracks from The Wheel – A Musical Celebration of Jerry Garcia. Recorded at The Fillmore in San Francisco, this special live album features some of Garcia’s oldest cohorts playing some of his most well-known songs.

Hosted by the Rex Foundation at the legendary Fillmore Auditorium on December 4, 2010, the benefit concert entitled “The Wheel – A Musical Celebration of Jerry Garcia” was a historic night. Among the evening’s unique music experiences was the bringing together of Jesse McReynolds, Peter Rowan and David Nelson.

McReynolds, Rowan, and Nelson each shared a deep connection with Garcia dating back to the early 1960s. In 1962, when Jerry Garcia began playing the banjo and exploring bluegrass music, he formed a band called the Hart Valley Drifters with David Nelson on guitar. In 1964, as part of his bluegrass pilgrimage through the American South, Jerry sought out the even-then legendary bluegrass musicians “Jim and Jesse” (McReynolds). Garcia held Jesse’s mandolin playing and music in high esteem for many more years to come. In 1969, as the Grateful Dead released Aoxomoxoa, Jerry was also collaborating with other musical friends. He reconnected with David Nelson and John “Marmaduke” Dawson to form New Riders of the Purple Sage. He formed another bluegrass band, Old and in the Way, with David Grisman, John Kahn, Peter Rowan and Vassar Clements. Coming full circle, in October 2010, McReynolds released Songs of the Grateful DeadA Tribute to Jerry Garcia and Robert Hunter, collaborating with none other than David Nelson.

At the December 4th benefit event, the featured artists, along with members of their respective bands, which included Garrett McReynolds, Steve Thomas, Jody Stecher, Keith Little, Paul Knight, Barry Sless, Robin Sylvester, John Molo, Mookie Siegel, and special guest Matt Butler of The Everyone Orchestra, had the exceptional opportunity to play Jerry Garcia/Robert Hunter and traditional American roots songs together.

Following the show many people noted that this remarkable music should be made available to those who could not attend, as well as to extend the reach of the benefit to provide additional charitable support to the Rex Foundation. On Tuesday March 29, 2011 this will be the case with downloads and CDs available from nugs.net for all to enjoy. As a special bonus, nugs.net is offering a free album listening party during the week of the release exclusively at nugs.net/wheel.

The Wheel – A Musical Celebration of Jerry Garcia Track List is as follows:

1. Black Muddy River
2. Ripple
3. Deep Elem Blues
4. Peggy-0
5. Friend of the Devil
6. Alabama Getaway
7. Standing on the Moon
8. Franklin’s Tower
9. Casey Jones
10. Dark Hollow
11. The Wheel
12. Cumberland Blues

The compilation will be available beginning March 29, 2011 in the following formats:
·MP3, FLAC, and Apple Lossless downloads at nugs.net/wheel
·iTunes download
·CD only available at nugs.net/wheel

About Rex Foundation:
Furthering what Jerry Garcia and the Grateful Dead started 27 years ago, the Rex Foundation endeavors to fund grassroots programs that are often under the radar of larger funding entities, yet work in bold, innovative ways to carry out essential work toward a healthy environment, promotion of the arts, protection of indigenous cultures, assisting others less fortunate, building strong communities, and educating children and adults. The Rex Foundation has distributed $8.6 million in grants to over 1,000 programs across the U.S. and internationally, while also carrying out fundraising initiatives that foster creativity and positive community connections. Visit www.rexfoundation.org for a complete list of grantees and information about current initiatives.

Local Flare | You Have To See It To Believe It: Gregory Alan Isakov & the Freight, Bela Karoli, Paper Bird & The Wheel

Thursday night was an exhibition of local talent at the Boulder Theater, and Yours Truly does what he can to get the word out about local talent.  Four Denver area bands heated up the stage, each bringing a unique and innovative flavor that I find to be too often lacking in the Big Name touring company bands.  True to the Indie Rock tradition, you'll probably never hear any of these guys or girls on mainstream radio, but their ever-growing fanbases reminds us that media att