record

Robert Randolph & the Family Band @ Boulder Theater | 10/21/11

97.3 KBCO & Z2 Entertainment are proud to present Robert Randolph and the Family Band at the Boulder Theater on Friday, October 21st, 2011. Tickets go on sale Friday, August 19th at 10:00 am for $28.50 in advance and $33.00 day of show.

This record is a celebration of African-American music over the past one hundred years and its social messages from the last thirty. Although we cover a whole timeline of different eras on We Walk This Road, what ties these songs together remain their message of hope, their ability to uplift.

After our last record, Colorblind, we began searching for a great producer to help guide the follow up. We wanted someone who understood me and the road I’ve walked this far, who understood our connections of my roots within rock and gospel and the church, who would help us put those things in their most compelling context.

T Bone Burnett shared the vision of how gospel, blues and rock could be put together in a way that could relate to my history and connect to my present. It was important to us that we make the record we wanted to make, even if the end result was unclassifiable. We just focused on making great songs and great music that spoke to me, and that reflected the way I try to speak to the world.

We recorded We Walk This Road over two years, after T Bone had finished his record with Alison Krauss and Robert Plant. We went into the studio with virtual libraries of songs, whole volumes worth of material to go through. T Bone brought in old archival songs from the twenties and thirties and many of them were in the public domain. I had songs that I had written with the band, or that other artists had sent me, and we sat down and starting sifting through history.


We Walk This Road was done in our belief in what we all need right now: young voices saying something positive without preaching in hopes of inspiring people. When you stick to what you believe in, and with the roots of where you come from, things will always work out.

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Robert Randolph and the Family Band

Boulder Theater

Friday, October 21st, 2011

Doors:  8:00 pm

Show Time:  9:00 pm

The Grateful Web Interview with FreekBass

“Concentrate”, the title of Freekbass’s newest album sums it well. With the influence of funk genre music that Freek experienced growing up in Cincinnati Ohio, along with his deep desire to play bass, Freekbass has without a question created an album that keeps bass and funk glued like never heard before.

Switchfoot & Anberlin at Boulder Theater | 11.19

Channel 93.3 and Z2 Entertainment are proud to present Switchfoot and Anberlin at the Boulder Theater on Friday, October 7th, 2011.  Tickets go on sale Saturday, August 13th for $26.50 in advance and $30.00 day of show.

On September 27th, Atlantic Records will release Vice Verses, the eighth studio record from multi-platinum rock band SWITCHFOOT. Working with producer Neal Avron (Weezer, Linkin Park), the band recorded most of the album in their San Diego, CA home studio. Mike Elizondo (Eminem, Regina Spektor) who produced SWITCHFOOT’s GRAMMY-winning album, Hello Hurricane, served as executive producer. Released in 2009, Hello Hurricane entered The Billboard 200 at No. 13 and contained the Modern Rock hits “The Sound (John M. Perkins’ Blues)” and “Mess of Me.”

“Vice Verses is a record of tension and release. It's an attempt to describe the polarity of the human experience. The sunlight and shadow. The highs and lows, laughter and pain, hope and fear, doubts and belief,” says lead singer/guitarist Jon Foreman.  In title track he writes; ‘Every blessing comes with a set of curses. I got my vices. I got my vice verses.’ So we live in the tension – pulled and stretched thin. Vice Verses is soul music – attempting to get to the heart of the human experience: Living in the tension and turning it into song.”

SWITCHFOOT comprising Jon Foreman (vocals/guitar), Tim Foreman (bass), Chad Butler (drums), Jerome Fontamillas (keys/guitar) and Drew Shirley (guitar) – will launch a world tour in conjunction with the release of Vice Verses.  They will be joined by long time friends ANBERLIN, on the latter part of the tour.

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Switchfoot & Anberlin

Boulder Theater

Friday October, 7th, 2011

Doors:  7:00 pm

Show Time:  8:00 pm

Wayne Mills Band Releases New Single

Alabama-based Wayne Mills Band will release their first single, "She Knows the Words to Every Song," to radio August 16. Mills co-wrote the track to be featured on his new album, Long Hard Road, which will mark the first project for new Nashville record label Diesel Records.  "She Knows the Words to Every Song" will also be available on Itunes and www.waynemillsband.com August 16. Seasoned producer, Denny Diante, produced the track for the label's flagship artist.

"This song is a reflection of the emotions anyone, who works out of a suitcase, may go through while they are away from the one they love," says Mills. "My wife has been my biggest support system through the years and I wanted to express to her what she means to me and how I can't wait for us to just getaway with 'She Knows the Words to Every Song.'"

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Wayne Mills Band

Wayne Mills will soon release his 7th studio album, Long Hard Road, where he worked with powerhouse producer Denny Diante under new Nashville record label, Diesel Records. Mills, a native of Arab, AL, showcases his versatility as a singer/songwriter with tracks including “I Need the Country, Whiskey Bent and Jail Bound” and the title track “Long Hard Road” which tells the lonesome tale of a man making bad decisions and working through the consequences. With more than fifteen years of touring experience under his belt, Wayne has proved himself the consummate performer with a huge following in the Southeast while gaining influence in other markets.  This outlaw's traditional country style blended with an edgy rock sound will please new and old country music fans alike with Long Hard Road. His music is the soundtrack to his life: leaving no stone unturned when it comes to lyrics and his life.

Amon Tobin: Isam Live at Boulder Theater | 10.18

Radio 1190 & Z2 Entertainment are proud to present Amon Tobin: Isam Live at the Boulder Theater on Tuesday, October 18th, 2011. Tickets go on sale Friday, July 29th at 10:00 am for $26.75 General Admission.

Brazilian-born Amon Tobin first emerged between 1994-1995 with a string of 12” singles on a small London-based record label called 9Bar Records. The album that followed, Adventures In Foam, paved the way for a whole generation of electronic productions and prompted his signing to the prodigious Ninja Tune in 1996. He has since gone on to record seven critically acclaimed albums under his own name on Ninja that have helped define the label as a force in musical innovation and diversity. In addition, Amon has produced radically diverse original scores ranging from George Palfi’s cult cinema oddity Taxidermia to Tom Clancy’s video game blockbuster Splinter Cell: Chaos Theory.

The depth of Amon Tobin’s work has had a far-reaching influence, garnering respect amongst producers and artists of all genres. Whether with the classical avant-garde Kronos Quartet or D’n’B legends Noisia, Amon has established a reputation for musical ingenuity that is unconfined by genre.  The 2007 album Foley Room explored the role of found sound in modern day music. Documented on film, the process of recording minute insects to lions, wolves, engines and foley performances culminated in a much- lauded performance at the birthplace of musique concrete, the GRM Theatre in Paris. More recently, the famed London Metropolitan Orchestra performed selected works from a cross-section of his musical repertoire at the Royal Albert Hall. The performance included a piece from his forthcoming studio album due for release in early 2011.

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Amon Tobin:  Isam Live

Boulder Theater

Tuesday, October 18th, 2011

Doors:  7:00 pm

Show Time:  7:30 pm

Sam Llanas of the BoDeans readies solo album '4 a.m.'

Sam Llanas (pronounced yanas), lead singer-guitarist for the acclaimed Milwaukee band the BoDeans, takes listeners deep into the night on his new release, 4 A.M., arriving Oct. 25 on Inner Knot Records. The intimate, mostly acoustic collection, produced by longtime collaborator Gary Tanin, features 10 new Llanas originals and a dazzling cover of Cyndi Lauper’s hit “All Through the Night.”

Llanas says of his latest work, “I do a lot of work late at night. It’s a night record, a nocturnal record, thematically about things that happen in the night. That covers a lot of ground. It could be the simple things — being in love, being with somebody — or about the loneliness that the night can bring.”

The album, an understated complement to the BoDeans’ just-released 10th studio album Indigo Dreams, is markedly different from Llanas’ 1998 solo bow A Good Day to Die, which was a powerful eulogy for Llanas’s brother recorded under the group rubric Absinthe.

“The Absinthe record was kind of bombastic and very intense,” Llanas says. “I wanted to do something that was lighter, as light as I can get. I wanted it to be completely different. That’s why 4 A.M. is pretty much an acoustic record.”

Work on 4 A.M. began nearly four years ago, when Llanas’ band the BoDeans, which he has led since 1983, was between projects.

He recalls, “I had time on my hands, and I had some songs I wanted to record. I started working with Terry Vittone — I just said, ‘Hey, let’s make some recordings.’ There was no real thought that it was going to be an album or anything like that. It just sort of escalated from there.”

Sessions for the embryonic project commenced at guitarist Vittone’s house. “I would record the songs in the afternoon,” Llanas says, “and get them to a point where I liked them. Then the next day I’d go back, and Terry would say, ‘Sam, I want you to hear some ideas I threw down on the track.’ And Terry was willing to take really strong direction from me, because I didn’t want a guitar player who was playing all over the song. Terry was really good at putting in the nuances that were needed. He played very little, and that seemed to work very well.”

With the majority of the material in the can, a protracted layoff from recording ensued. After almost two years, Llanas began completing 4 A.M. at Daystorm Music in Milwaukee with producer-musician Tanin, who had also worked on A Good Day To Die and supplied the strings on the new recording.

Llanas decided to preserve the original recording’s spare quality, and added a couple of new tracks that were left untouched. “I wanted to keep it simple. ‘The Way Home’ and ‘Janey’ seemed to work really well just the way they were.”

However, he adds, “I thought the other songs needed a bit more dressing up. Some I thought would work better if we put a little bit more on them.” Thus, BoDeans keyboardist Bukka Allen was called in to play accordion, while Milwaukee musicians Matt Turner and Ryan Schiedermayer contributed bass and percussion, respectively.

Some of the compositions on 4 A.M. began life as prospective material for the BoDeans, Llanas says: “‘Nobody Luvs Me’ was actually recorded with the BoDeans, but it’s quite a different version — you wouldn’t really know it’s the same song. ‘Shyne’ was on our album Mr. Sad Clown. I thought that would work really well there, so I brought it into that project. The first song on 4 A.M., ‘Oh, Celia,’ was demoed with the BoDeans years and years ago. That’s quite an old song.”

Nestling seamlessly with Llanas’ own cycle of before-dawn melodies is his hushed cover of Lauper’s 1983 perennial “All Through the Night,” penned by Jules Shear. “It’s a beautiful song,” Llanas says, “but when they recorded it, in the early ’80s, the sound that they got on it was so harsh . The keyboards always ruined the song for me. I really wanted a version of that song that was just beautiful. That’s what I tried to do — honor that song, and give it what it deserved.”

Llanas’ new solo opus offers a new dimension to his music — one that actually dates back to the sunrise of his professional career.

“Before I ever had the BoDeans, I was a solo performer in Waukesha,” he remembers. “I would go and play at these open mic shows, and I learned my craft and honed my stage skills that way. I think this record really reflects that part of my career, that part of my personality. It goes back to before I ever performed with the BoDeans. It was just me — one man and one guitar.”

Esteemed rock critic and author Dave Marsh calls 4 A.M. “A great record. Really the best thing that has come out of their music in a long, long time — closer to classic BoDeans. Sammy’s voice is so much what I love about BoDeans and it has never been showcased any better.”

The Deep Dark Woods to Release The Place I Left Behind

The Deep Dark Woods wake the ghosts of Appalachia with their prairie gothic pyre-side tales. On their new record, The Place I Left Behind, the band finds continuity in themes of temporal and geographic alienation, neglected inward trails, and the scars of abandoned intimacies.

Buoyed by the success of working with mastermind recording engineer Darren Van Niekerk, on their self produced CBC Songquest single “Charlie's (is Coming Down)” the band decided to approach their new album the same way. Recorded in Halifax with Van Niekerk behind the board once again, The Deep Dark Woods’ first self produced album allowed them to experiment in the studio as never before. Toying with numerous reverbs, vintage amps, instruments and mellotron, they also tried some never before played versions and arrangements of some of the album's songs. While more physically and mentally exhausting than previous albums, it turned out exactly the way the band wanted it to and the reward is their most realized album to date.

The record opens with a song about Saskatoon’s rougher edges. “West Side Street” is a study in contrasts – finespun vocals and a gently rolling melody cushion the gloomy story. “The Place I Left Behind” is loosely based on an old folk standard. Gorgeously morose, the title track confirms that The Deep Dark Woods capture lonesome yearning at its loveliest. “Sugar Mama” is a sweet and lively invitation to tap toes and shake off the blues; a seeming coming-of-age story is treated with playful banjo and an airy gait.

A rainstorm over the desert of modern music, The Place I Left Behind offers murder ballads alongside scrappy rockers, lovesick hymnals and slow-dance waltzes. The album illuminates folk traditions without stripping the shadows of roots music history. The Place I Left Behind echoes with traces of time and space that are never fully abandoned or forgotten.

The Place I Left Behind will be released on Six Shooter Records in Canada on August 2nd and Sugar Hill Records in the US and worldwide on October 18th.

Spirits Of The Dead's "The Great God Pan!" Single Of The Day On AOL Spinner

Spirits of the Dead is a psychedelic-stoner-folk-rock band with one foot in the electric magic of the sixties/seventies and the other in the modern electric rock sound of 2012.  Guitarist Ole Øvstedal and vocalist Ragnar Vikse formed this genre blurring four-piece in 2007, and within a year they were already touring Scandinavia and Europe to critical acclaim.
Following success on the road, they recorded their first album live using analogue equipment.  It was mastered by George Marino (Led Zeppelin and Jimi Hendrix) giving it a vintage feel. Laden with spider riffs, soaring vocals, progressive interludes and dream-like melancholy.
Spirits of The Dead are unashamedly retro in sound. From the propulsive rhythms of White Lady / Black Rave to the Sabbath-esque doom of the glorious title track, the record basks in authenticity. But they are adding a portion of freshness that bring them out of the retro bag that holds so many striving bands trying to re-capturing the magic.
Influenced by the epic, heavy sounds of Dead Meadow and Black Mountain as much as they are their personal masters of the past – Black Sabbath, Led Zeppelin and King Crimson – the band have put together something wholly convincing and water tight.
Spirits of The Dead self titled album was a well executed and well crafted debut from a band with one eye set on the past and the other fixed firmly forward. Their debut album received great reviews all over the world giving them a growing attention as one to watch.
Voted in as 2010's 50 finest album of Classic Rock Magazine, and also adding a track on their 15 best songs of 2010 CD.
Their second album The Great God Pan is a much more folk, psychedelic and jazzy record. It takes you immediately on a journey through deep forests, over high mountains, builds you beautiful landscapes and tricks you into the darkest corners of Pan's Kingdom.We will reveal no more, the music will tell you the tale.
Spirits of the Dead consists of Ole Øvstedal (guitars), Ragnar Vikse (vocals), Geir Thorstensen (drums) and Kristian Hultgren (Bass).

TG Sheppard and Wayne Mills Collaborate to Remake Sheppard's Hit "I Loved 'Em Everyone"

Wayne Mills and country legend, TG Sheppard head into Ocean Way Studios along with famed producer Denny Diante to remake Sheppard’s 1981 hit “I Loved ‘Em Everyone” which will be featured on Mills highly anticipated new album Long Hard Road under Diesel Records. Other musicians rounding out this all-star cast include Johnny Neel on the keyboard, formerly with the Allman Brothers, Chris Powell on drums, “Cowboy” Eddie Long, Jason "Rowdy" Cope, all with Jamey Johnson’s band, Mickey Raphael on harmonica, from Willie Nelson’s band, Gary Craig on bass and Luke Davis on guitar, both from Mill's band, and seasoned studio musicians Brent Mason and Steve Rutledge on lead and rhythm guitars.

“I came into the studio to record with Wayne because I believe in him. I hope our collaboration on this song is as good to Wayne as it was for me when I began my career,” says Sheppard when asked about remaking his hit “I Loved ‘Em Everyone.”

“Working with a country music legend like TG Sheppard is an incredible honor on both a personal and professional level,” says Mills. “I am humbled and grateful to have him on my record.  I am sure that all of our fans will enjoy the remake of ‘I Loved ‘Em Everyone,’” adds Mills.

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Wayne Mills Band

Wayne Mills will soon release his 7th studio album Long Hard Road where he worked with powerhouse producer Denny Diante under new Nashville record label, Diesel Records. Wayne, a native of Arab, AL, pushes the boundaries of contemporary country with tracks including “I Need the Country, Whiskey Bent and Jail Bound” and the title track “Long Hard Road” which chronicles the lonesome tale of a man making bad decisions and working through the consequences. With more than fifteen years of touring experience, Wayne has proved himself the consummate performer with a huge following in the Southeast while gaining influence in other markets. This singer/songwriter’s traditional country style blended with an edgy rock sound will please new and old country music fans alike with Long Hard Road. His music is the soundtrack to his life: leaving no stone unturned when it comes to lyrics and his life.

Will Hoge Set To Release NUMBER SEVEN On 9/27!

Critically acclaimed Nashville singer/songwriter Will Hoge’s seventh studio album, aptly titled NUMBER SEVEN, is set to be released on Sept. 27 on Ryko.  Its eleven songs survey the struggles of the heart that are Hoge’s songwriting stock in trade while revealing enticing range and freshness on the sonic front. Acting as his own producer for the first time, Will says this album feels truer to his personal vision than any he’s made.

“We took a lot of time in making this album,” explains Hoge.  “We started laying down tracks in my living room, then stepped away from it for about six months.  We were able to come back, re-record and scrap some other stuff and I believe we came out with a much better record because of it.  It afforded us the ability to take a long hard look at ourselves and what we were doing musically.”

The lead single, “When I Get My Wings,” is set to impact radio on Mon., Aug. 1 and highlights Hoge’s full-throated Otis Redding-style vocal with a heavenly host of Memphis-inspired horns.

NUMBER SEVEN follows up on Hoge’s 2009 release THE WRECKAGE, which was hailed as “welcome and worth the wait” by USA Today,  “triumphant” by the BBC and American Songwriter noted that the “eleven tightly crafted songs retain the artist’s self-assured, Southern swagger.” The long time road warrior is planning a rigorous touring schedule with upcoming headlining dates this fall. Details and ticket information will be announced in the coming weeks.

For updates and more information, visit www.willhoge.com.