record

The Grownup Noise Announce Summer Tour

Four years and five national tours since the release of their last album, The Grownup Noise’s latest record, This Time With Feeling, has definitely proven itself to be worth the wait. Carefully blending elements of pop, folk and rock, the band bridges the gap between indie and Americana. The record was mixed in North Carolina by studio master Scott Solter (Spoon, Okkervil River). Fusing tranquil lyrics and harmonies with an assortment of orchestrated flourishes including cellos, pianos and accordions, all five members of The Grownup Noise are multi-instrumentalists.

The album opens with “Strawmen,” a lush arrangement that evokes feelings of peace and clarity. The playful “Six Foot Solemn Oath” immediately launches into a duet lead by intertwining piano and strings. “Carnival” lifts the tempo with a powerful folk-rock hook and lyrics that tell the tale of a magical love. Sorrowful lead single “The Artist Type” boasts an irresistible melody, expertly uniting gentle string arrangements and booming piano.

Check out “The Artist Type” MP3 HERE.

The Grownup Noise will kick off a national summer tour in support of This Time With Feeling. Described by the Portland Press Herald as combining “smart lyrics with keen vocals” and adding that “its songs are doses of melodic sunshine,” the Boston-based quintet offer a kinetic, emotional warmth. Catch them live in your city!

-

The Grownup Noise Tour Dates

8/3: Philadelphia, PA @ Danger Danger Gallery
8/4: Washington, DC @ Velvet Lounge
8/5: Columbus, OH @ Kafe Kerouac
8/6: Louisville, KY @ Uncle Slayton's
8/7: Dayton, OH @ South Park Tavern
8/8: Chicago, IL @ Schubas
8/9: Nashville, TN @ Five Spot
8/11: Denver, CO @ Hi-Dive
8/16: Santa Cruz, CA - Daytime show
8/18: San Francisco, CA @ Hemlock Tavern
8/19: Sacramento, CA @ Distillery
8/23: Portland, OR @ Solar Panel Company - Daytime show
8/23: Portland, OR @ Knife Shop
8/24: Seattle, WA @ Hi-Dive

Dead Man Winter at Fox Theatre | 8/19/11

Z2 Entertainment is proud to present Dead Man Winter featuring members of Trampled By Turtles at the Fox Theatre on Friday, August 19th.  Tickets go on sale Friday, June 24th for $8.00 in advance and $10.00 day of show.

During a time when I was now fully unemployed and sleeping indoors only by the good graces of friends willing to share a couch, and the loss of my instruments was more than a little devastating.  Of the few possessions I still had, the one that now gained top billing was a cheap acoustic guitar collecting dust in a small room on Duluth’s central hillside.  A few other musicians in town had similar instruments collecting a similar dust and we started what was our first acoustic band, Trampled by Turtles.

We’ve been able to stay together ever since but lately, the drums and amps ringing in the back of my head have been getting louder and the desire to play, write, and record in a way removed from what I’ve been up to has been getting stronger.  Dead Man Winter was born out of these things.

I’d been renting a studio in Minneapolis, I set to the task of making a record.  My partner in the dirty and thankless work of recording was local engineer, songwriter, producer, guitarslinger, and master of the vibe Erik Koskinen.  We spent countless blissful hours exploring guitars, amps, mics, and players in the worn-in beauty and sanctity of Realphonic Studios.  Without a doubt, countless more hours could have been spent but you can’t begin work on the next record until you put out the current one, so here it is.

The musicians that play on this album are dear friends – there’s not a one of whom would I’d hesitate to trust a song that I hold dear.  In the end, the whole experience has reconnected me to that couch-surfing kid in Duluth trying to figure out what to do next in this big, terrifying, wonderful world and now, with a few more years behind me, it’s refreshing.

-

Dead Man Winter

featuring members of Trampled By Turtles

Fox Theatre

Friday, August 19th

Doors:  8:30 pm

Show Time:  9:00 pm

The Shivers "Love Is in the Air"

The Shivers will return with their latest record More, set for release on Silence Breaks. Recorded in Manchester, UK early last year, the album finds songwriters Keith Zarriello and Jo Schornikow exploring everything from shambly garage rock to melancholic barroom ballads. In honor of the band’s new album, the band has made “Used to Be” available for free download. Check out the track HERE.

Using every dime they’d saved, Zarriello and Schornikow traveled to Manchester in Spring of 2010 to record their latest record in an entirely analog studio. Over five days, the two worked tirelessly, fleshing out the tracks they had worked on in the small church in Queens where the band practices. The end result was More, an album that runs the gamut of American rock ’n’ roll, delving into everything from gritty Lou-Reed-inspired rock to the swaggering soul of Nina Simone. Starting with the brief piano elegy “My Mouth is for Love,” More segues quickly into “Irrational Love,” a bouncy organ-driven rock track with a chorus that sounds like it was plucked from 1966. The album teeters between the upbeat pop of tracks like Used to Beand “I Want You Back” to the heartsick, Leonard-Cohen-inspired ballads like “Silent Weapons for Quiet Wars” and “Love Is In The Air.” The album closes with the record’s title track “More,” a slow-building confessional that serves the record’s triumphant last call. It’s an apt end for a record that sounds like an apologetic love note, written on barroom cocktail napkin.

Hailing from Queens, NY, Keith Zarriello began writing music as The Shivers started back in 2001 and has spent the last ten years mining the depths of American rock, developing a songwriting style that ranges from earnest, heartbroken ballads to ’60s garage rock revival. In 2004, Zarrellio released Charades, which featured the much lauded track “Beauty,which earned universal praise from the likes of Pitchfork and The Guardian, and would end up being named Gorilla Vs Bear’s thirteenth best song of the decade. The album also caught the ear of an Australian, classically-trained church organist named Jo Schornikow, who joined the band as a full-time member that year. Adding counterpoint of beauty with her piano and keyboard flutters, The Shivers spent the next six years touring aggressively in the U.S. and the U.K., and releasing a grand total of four albums, leading up to the ultimate release of More this year.

-

The Shivers

More (May 10, Silence Breaks)

Tracklist:

1. My Mouth Is For My Love

2. Irrational Love

3. Kisses

4. Used To Be

5. Love Is In The Air

6. Two Solitudes

7. Silent Weapons For Quiet Wars

8. I Want You Back

9. So Long Woman

10. More

Colin Stetson Named In NPR's Best Of 2011

Colin Stetson is a horn player of uncommon strength, skill and genre-defying creativity. He composes and performs otherworldly songs that combine a mastery of circular breathing technique with percussive valve-work and reed vocalisations, making a polyphonic solo music that combines influences as diverse as Bach, early metal, American pre-war Gospel, and the explorations of Jimi Hendrix, Peter Brotzman and Albert Ayler.
New History Warfare Vol. 2: Judges is Stetson's second solo record and his first for Constellation.  Colin has been making his mark as a staggering solo performer for several years now, in front of audiences small and large, from intimate jazz and experimental music venues to big stages, whether opening for Arcade Fire or The National, or playing at jazz and new music festivals like Moers and London Jazz. His talents have been widely recognised and employed by artists as diverse as Tom Waits, Laurie Anderson, TV On The Radio and Bon Iver.  Colin also plays in Belle Orchestre and Sway Machinery.
The music on New History Warfare Vol. 2: Judges was captured entirely live in single takes at Montréal's Hotel2Tango studio, with no overdubs or looping, using over 20 mics positioned close and far throughout the live room. Guest vocals by Laurie Anderson and Shara Worden (My Brightest Diamond) are the only exceptions to this rule, along with one brief french horn that was multi-tracked.
The Judges sessions were co-produced by Stetson and Shahzad Ismaily and engineered by Efrim Menuck at the Hotel2Tango, then taken to Greenhouse StudiosBen Frost.
The result is a highly original, experimental, euphoric record that fires on all levels: a document of an astoundingly strong and gifted player; a compositional tour-de-force; and a studio production bursting with intensity and inventiveness.
New History Warfare Vol. 2: Judges features cover art by Tracy Maurice and will be issued on CD in custom 100% recycled paperboard gatefold jacket and on 180gLP with a limited edition screenprinted poster contained in the first pressing. The album will also be available digitally.

Rubblebucket Premiere "Worker" with Spinner, NYC Bike Film Festival

Leading up the release of Omega La La on June 21 via Sin Duda Records, Rubblebucket is happy to premiere their latest track, “Worker” with Spinner this morning. The site had great things to say about the band, writing, “Like a love child of the Rapture and Dirty Projectors, Rubblebucket have been churning out highly polished pop since their inception, and their upcoming record, Omega La La, is sure to have you grooving in your skinny jorts this summer.” Listen to the track HERE, and read Spinner’s piece on the hand HERE. As a part of the band’s upcoming summer tour dates, Rubblebucket is also headlining Bikes Rock!, the opening night of the Bicycle Film Festival in New York City, on 6/22 at Santos Party House. Check out the band’s full summer tour below.

Omega La La marks a milestone for Rubblebucket. Recorded last year at Plantain/DFA Studios with Producer Eric Broucek (LCD Soundsystem, Cut Copy, Hercules and Love Affair) at the helm, the record is the Brooklyn eight piece’s most adventurous record yet, with the band dipping into everything from the dancey indie-pop arrangements to Fela-Kuti inspired afro-beat stomps. The album opens with “Down in the Yards,” a track that builds off the ebb and flow of a droning, two-note guitar riff, only to explode into a triumphant chorus anchored by the band’s horn section. That track is followed up by the buoyant psych-pop gem, “L’homme.” “Silly Fathers” and a reworked version of “Came Out of a Lady” show off the band’s penchant for creating pop songs that stick in your head. “Raining” is an eccentric pop song built around intertwining vocal lines and a cascading synth. And so far the record has earned a wealth of praise, with Stereogum hailing the record’s “Tricky arrangements, whistle solos, and disco guitar leads” and PasteMagazine calling the album “instrumentally rich but catchy enough to ass-kick Katy Perry off the pop charts (in a just world)—mega-melodic without sacrificing an ounce of atmosphere or creativity.”

For Rubblebucket, it’s been a long journey to make Omega La La. Led by the musical couple of bandleader/trumpeter Alex Toth and frontwoman Kalmia Traver, Rubblebucket has spent the last four years building a reputation as a band that blurs the lines between psychedelic indie rock, upbeat dance, and radiant, left-field arrangements. In 2009, Rubblebucket released a self-titled album that turned heads. SPIN hailed the band as a "must-hear artist from the CMJ Festival” in 2009 and the band won that year’s Boston Music Award for Live Act of the Year.  The band then relocated to Brooklyn and released the Triangular Daises EP in 2010. A stylistic precursor to Omega La La, the Triangular Daises EP was hailed by The Wall Street Journal, NYLON, Paste, and a host of others.

Rubblebucket Premieres Latest Track “Worker” with Spinner Today  Download the Mp3 HERE

--

Rubblebucket Spring/Summer Tour Dates:

06/16: Cleveland, OH @ Beachland Ballroom
06/17: Spencer, IN @ Stable Studios Music Festival
06/18: Grand Rapids, MI @ Founders Fest
06/22: New York, NY @ Santos Party House – NYC Bicycle Film Fest
06/28: Pittsburgh, PA @ Rex Theatre
06/30: Madison, WI @ Majestic Live
07/02: Rothbury, MI @ Electric Forrest Festival
07/08: Rochester, NY @ East End Festival
07/09: Schuylkill, PA @ Midsummer Meltdown
07/15: Buffalo, NY @ North Fork Music Park
07/16: Greenfield, MA @ Green River Fest
07/24: Bridgeport, CT @ Gathering of the Vibes
07/29: Floyd, VA @ Floyd Fest
07/30: Floyd, VA @ Floyd Fest
08/13: Burlington, VT @ Grand Point North
08/18: Stephentown, NY @ Bella Terra
08/19: Brooklyn, NY @ Brooklyn Bowl
08/20: Sheldon, VT @ Liberate Festival
09/03: Chicago, IL @ North Coast Festival
09/04: Mohawk, NY @ Moe.Down
09/10: Peru, NY @ Backwoods Pondfest
10/08: Roseland, VA @ The Festy
11/11: Live Oak, FL @ Bear Creek Music & Arts Fest

Lady Antebellum Unveils Album Release Date!

Reigning CMA and ACM Vocal “Group of the Year” Lady Antebellum announced today that their third Capitol Nashville studio album OWN THE NIGHT will be released on Sept. 13, 2011. The album’s lead and record breaking track “Just A Kiss” has quickly become the fastest rising single of the trio’s career, climbing into the Top 15 on Billboard’s Country Singles chart in just five weeks.

“We took more time to write and record this record than we've ever done before,” says Charles Kelley. “I remember looking at Hillary and Dave at the GRAMMYs this year, on the wildest night of our lives, and saying 'this is amazing…we'll never get to experience a moment like this again, but now we have to go home and get to work.'"

"And that's exactly what we did," adds Dave Haywood.  "We packed up and flew home from LA, cleared our calendar of everything and went into rehearsal with the musicians.  I love that part of recording…taking the songs we've written and bringing them to life with these musicians who are so incredibly talented."

“One of our favorite songs on the new record is called 'We Owned The Night,' which is about a special once-in-a-lifetime moment, and we thought that naming the album around that same sentiment was really appropriate," says Hillary Scott. "It's also about the experience we want to create every night in concert for our fans…together, we own the night!"

OWN THE NIGHT follows the band’s GRAMMY winning second disc NEED YOU NOW.  Since its release in Jan. 2010, the album has sold over five million copies across the globe, spawned three multi-week No. one hits (“Need You Now,” “American Honey,” “Our Kind of Love”), taken home five GRAMMY Awards and scored over a dozen other award show trophies.

For updates on OWN THE NIGHT and for a full list of upcoming tour dates, visit www.ladyantebellum.com.

William Topley at the Fox Theatre - 09.10.11

Z2 Entertainment is proud to present William Topley at the Fox Theatre on Saturday, September 10th.  Tickets go on sale Friday, June 10th for $32.50 in advance and $35 day of show.

Emerging from the swamps of The Blessing and ploughing through the rocky Blues of his solo albums, William Topley delivers an album of acoustic tunes dripping with imagery from across the globe.  Anchored by William’s unique vocal, once praised by legendary Muscle Shoals producer Barry Beckett as the “best he’d ever worked with,” and accompanied by the muscular acoustic guitar of long time musical associtate, Luke Brighty with additional vocals and sterling support from Dorie Jackson, Water Taxi lures you into a world of acoustic wonder.  The track listing features something old, lots of new and all wrapped up in lush vocals, tight harmonies and rich guitar plucking to give you a well rounded and substantial musical feast.  Once again William draws on his traveled past and veracious appetite for new places and adventures to take the listener on a journey that will transport you from the mundane and humdrum to exotic climes on a with dangerous women and liquor, without leaving the comfort of your home.

Water Taxi features acoustic versions of two of William’s back catalogue namely Delta Rain from The Blessing’s first record, Prince of Deep Water and Sweetheart from their second record, Locusts and Wild Honey, which will be familiar to current William fans.  The album starts with Hummingbird (co-write with leading Nashville writer Daryl Burgess), followed by Stony Ground with a lyric delivered from a window staring moment from the back of William’s house.  Water Taxi relates the tale of William’s journeys from the Bahamas to Denver and Trouble Comes At Night is a diary from the last band tour he undertook in the US.  Spanish Waters continues William’s exploration of John Masefiel’s poetry and Watch The Wall is another Hemmingway style adventure, co-written with Toby Tyler.  After Delta Rain, I’ll Be Gone feature Luke on Spanish guitar and the mood abruptly shifts for Luck Don’t Change, which is a minute of Acapella, which should be longer.  Don’t Do That No More is another co-write with Gary Nicholson and Delbert McLinton, which runs into Sweetheart and brings the album to a conclusion.

--

William Topley

Fox Theatre

Saturday, September 10th

Doors:  8:30 pm

Show Time:  9:00 pm

Into It. Over It. Announces North American Tour

Chicago-based, Philadelphia-raised indie-punk songwriter Evan Thomas Weiss, aka Into It. Over It., has announced plans to tour the US and Canada opening for UK-based Epitaph recording artist Frank Turner and American folk punk band Andrew Jackson Jihad. The tour, which stretches from late September to early November, follows Weiss' recent set of dates supporting Fake Problems, Pomegranates, Laura Stevenson and The Cans, Mansions and more.

In addition to the upcoming dates, Weiss and Into It. Over It. have announced plans to begin recording their debut full length album with producer Ed Rose (Get Up Kids, The Appleseed Cast, The Casket Lottery) at Blacklodge Studios in Eudora, KS. Tracking on the new record begins June 25th and lasts through July 9th, and will be released Fall 2011 on No Sleep Records.

--

* Purchase the recently released Into It. Over It. / Such Gold split 7" at iTunes now!

Into It. Over It. Live!

w/ I Can Make A Mess Like Nobody's Business, Mansions
5/31 Off Broadway St Louis, MO
6/1 Mad Hatter Covington, KY
6/2 Smiling Moose Pittsburgh, PA
6/3 Jammin Java Vienna, VA
6/4 North Star Bar Philadelphia, PA

w/ Frank Turner and Andrew Jackson Jihad
09/20/2011 Danbury CT Heirloom Arts Theater
09/21/2011 New York NY Bowery Ballroom
09/222011 Millvale PA Mr Smalls
09/23/2011 Baltimore MD Ottobar
09/24/2011 Richmond VA Canal Club
09/25/2011 West Colombia SC New Brookland Tavern
09/27/2011 Orlando FL The Social
09/29/2011 Fort Lauderdale FL Culture Room
09/30/2011 Tampa FL Crowbar
10/01/2011 Atlanta GA Masquerade
10/03/2011 Austin TX Emo's
10/04/2011 Dallas TX The Loft
10/05/2011 Oklahoma City OK Conservatory
10/06/2011 Kansas City MO The Record Bar
10/07/2011 Denver CO Marquis Theater
10/08/2011 Albuquerque NM Launchpad
10/10/2011 Phoenix AZ Rhythm Room
10/11/2011 Pomona CA Glass House
10/12/2011 San Diego CA Soma
10/13/2011 Los Angeles CA El Rey Theater
10/14/2011 San Francisco CA Slim's
10/15/2011 Portland OR Hawthorne Theater
10/16/2011 Seattle WA Neumos
10/17/2011 Vancouver BC Biltmore Cabaret
10/19/2011 Edmonton AB Starlite Room
10/20/2011 Calgary AB Republik
10/21/2011 Regina SK The Exchange
10/22/2011 Winnipeg MB West End Cultural Center
10/23/2011 Minneapolis MN Triple Rock
10/25/2011 Milwaukee WI Turner Hall
10/26/2011 Chicago IL Bottom Lounge
10/27/2011 Detroit MI Magic Stick
10/28/2011 Toronto ON The Phoenix
10/29/2011 Montreal QC Corona
10/30/2011 Ottawa ON Maverick's
10/31/2011 Quebec City QC Cercle
11/02/2011 Cambridge MA Middle East
11/04/2011 Philadelphia PA Theater Of Living Arts

Sarabeth Tucek Streams New Album On AOL

Sarabeth Tucek is set to release her sophomore LP, Get Well Soon, on May 24th on Ungawa Records. It’s a stunning record that, although not a concept album as such, forms a narrative based around the death of Sarabeth’s father, or as she beautifully describes it “an impressionistic rendering of a time ruled by grief”. The 12 tracks were “sequenced and resequenced for weeks” in order for the story to emerge and the end result sees not one wasted word or unnecessary note; all we’re left with is “just pure feeling”.
Sarabeth was born to a psychiatrist and a psychologist in Miami, but grew up in New York. She was a latecomer to music, her first calling being acting. However, after a few years in Hollywood, her singing and songwriting was encouraged by people on the music scene she fell in with. She first made an impression singing backing vocals on Smog’s 2003 album Supper and then in the film ‘Dig!’, where she sings a song she had just written called "Something For You". The Brian Jonestown Massacre went on to cover the song (retitled "Seer"), but Sarabeth’s own version became her debut single, on Sonic Cathedral, back in February 2007.
This stark and simple song won her legions of fans and her self-titled debut album followed a few months later (on the Echo label) to rapturous reviews. Produced by Ethan Johns and Luther Russell, its understated style was an inspiration to a number of singer-songwriters who followed in Sarabeth’s wake, including Laura Marling, who approached Johns to produce I Speak Because I Can after hearing it.
However, despite everything seemingly going so right, at home everything was going wrong. “Some very bad things happened during the first record and after,” recalls Sarabeth. “It was as if all that had ever troubled me, hurt me, came back just as I was embarking on what should’ve been the happiest time of my life. It all came back and said, ‘Not so fast...’
“I don’t think my mind could handle all the good coming its way. It was unfamiliar terrain and I didn’t know how to traverse It. Predictably, my drinking got out of control and that led to a couple car accidents, jail and legal troubles.I wanted to leave LA anyway, but now I felt I sort of had to. I hoped that by coming back home to New York I would be able to forge some kind of redemptive break from the past. To forgive myself.”
The move has informed much of the music on Get Well Soon. The warmth of the West Coast has gone, replaced by a much rawer sound, all recorded over an intensive 15-day period in a basement in Southampton, Pennsylvania. “We recorded this record in a house where we also lived,” Sarabeth explains. “My friends Robert and Peter from Black Rebel Motorcycle Club recorded ‘Howl’ there. It’s owned by the Nicgorski family who are all very musical: Billy, who offered me the basement, and his brother have played in lots of bands, their sister Maria sings on ‘State I Am In’ and their father Wally spent his mornings on the front porch singing in his rocking chair. Making a record where I am singing to and about my father and seeing and hearing their dad out there every morning served up a pretty strong and bittersweet feeling for me.”
“I think we managed to capture a unique mood down in that basement,” adds producer Luther Russell. “As guests in someone’s home we got a feeling that might not have happened in a regular studio. Sarabeth wanted to be somewhere totally unfamiliar; the material was incredibly personal to her, so she had to feel right about where she did it. My job was to capture that feeling, and fast. The plan was to mix it in LA, but it turned out that all the magic was there in the rough mixes I did as we went along – so that is what you hear. I think that’s why it’s such an immediate record, because it really was completed in those two weeks... but with a lifetime of preparation, of course.”
The rawness of the recording reflects the subject matter and provides the perfect accompaniment to Sarabeth’s voice, which seems stronger, more confident and more crystalline than ever, like Karen Dalton or a less histrionic Cat Power, as she deftly conveys her grief with an eloquent, understated majesty. The musical reference points of the first album – Neil Young, Dylan, The Velvet Underground, Big Star – are still there, but somehow amplified, and Sarabeth is definitely not looking towards the current music scene for inspiration. “It’s odd how placid a lot of music seems now; so washed out in sound and feeling,” she says. “It’s like antidepressant music to take antidepressants to. I don’t really give a shit. I am more likely to buy a new book now than a new record.”
This would explain the number of literary references on Get Well Soon. The opening track "The Wound And The Bow" is named after a book of essays by Edmund Wilson, in which Sarabeth discovered and subsequently became obsessed with the myth of Philoctetes, a play by Sophocles in which the protagonist suffers a wound so grotesque that he is left alone on an island to live in a cave and tend to his injuries. The title of "Exit Ghost" was taken from the Philip Roth novel, but he appropriated it from ‘Hamlet’, where it is written as a stage direction. “The scene when Hamlet sees his father’s ghost became lodged in my head,” explains Sarabeth. “And his subsequent madness I understood in a more personal way.”
The narrative ends with the title track and a resolution of sorts. “I feel like I’m either the patient or the doctor, somebody always has an ache,” she says. “When I wrote the title track I had a friend of mine on my mind. She was so sad... just inconsolable and it was painful to see her like that. The title is a reminder to keep myself well. It’s hard to explain the ferocity of the grief I experienced when my father died. I really felt like it was going to kill me, so to be here... well, I just wanted to remind myself of what I survived.”

Nashville teenage psych wonders The Paperhead announce Nationwide tour dates

Three 18 year olds from Nashville turning out tracks that play like lost nuggets from 1968, The Paperhead announce national tour dates accompanied by "spiritual advisor" Jeffrey Novak on farfisa bringing the vintage sounds of their Trouble In Mind-released self-titled LP to life.
Kicking off these dates, Trouble In Mind will be hosting a truly unique pressing/listening party at United Record Pressing in Nashville on June 16 for the limited vinyl only reissue of The Paperhead's debut cassette, Focus In On...The Looking Glass on TIM Records.
Pressed before your very eyes and immediately spun for the first time, this event celebrates both the earliest psychedlic experiments of the band and the vinyl process so integral to the label.
-
The Paperhead Tour Dates:
June 15 - Nashville, TN  w/ The Strange Boys
June 16 - United Record Pressing Listening Party - Nashville, TN
June 17 - Poplar Lounge - Memphis, TN    
June 18 - Siberia - New Orleans, LA    
June 19 - The Mink - Houston, TX
June 20 - The Mohawk - Austin, TX w/ Rayon Beach
June 21 - Trainyard - Las Cruces, NM w/ Far Corners
June 23 - Til Two - San Diego, CA    
June 24 - Permanent Records Instore @ 5pm - LA, CA
June 24 - HM157 - Los Angeles, CA    
June 25 - Fuzzplex - Oakland, CA    
June 26 - Thee Parkside - San Francisco, CA w/ Wax Idols, Wrong Words
June 28 - Slabtown - Portland, OR w/ Night Beats 
July 14 - Black Sparrow - Lafayette, LA    
July 15 - Bitchpork - Chicago, IL    
July 16 - Cactus Club - Milwaukee, WI    
July 18 - Now That's Class - Cleveland, OH    
July 19 - Columbus, OH w/ Andrew Graham & Lpps
July 20 - The Shop - Pittsburgh, PA
July 22 - WFMU Live Session @ 1pm - NY, NY
July 22 - Bruar Falls - NY, NY    
July 23 - Cafe Nine - New Haven, CT w/ Estrogen Highs
July 25 - Golden West - Baltimore, MD
July 26 - Comet Ping Pong - Washington, DC