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Ian Moore's 'El Sonido Nuevo' set for March release

El Sonido Nuevo, the seventh studio record from Austin-raised, Seattle-based singer-songwriter Ian Moore, bridges the gap between the stylistic offshoots of his past few records and the guitar-slinging bravado that characterized his earlier, often bluesier, output. “The album is a retrenching in the face of a diffuse pop culture landscape,” says Moore, now fronting power-pop trio the Lossy Coils for El Sonido Nuevo. “Every band has ten members, every movie is a sequel, there are 500 channels and nothing’s on.”

El Sonido Nuevo, due out March 8, 2011 on Seattle-based label Spark & Shine, distributed by Burnside Distribution, will be available in all formats including vinyl. Digital distribution on iTunes and the rest of the digital world will be through IODA. The iTunes release will have two bonus tracks not on the CD.  The trio will perform songs from the new collection at a handful of Texas and Oklahoma concert dates beginning on March 3, leading up to shows at South by Southwest (March 15–20, 2011) in Austin, Texas.

A certain sentiment rings out loud and clear, from the opening track, “Secondhand Store,” right on through the album: “We wrote it after South by Southwest when we were dealing with that onslaught of hipsters taking over the East Side of Austin — everybody has an angle and nobody seems to be actually doing anything,” says Moore, whose songwriting lets loose lyrics peppered with relevant and provocative topics. “It’s a mish-mash of jaded feelings in a dark moment.”

The Lossy Coils, formed in Seattle in the mid-2000s, features Moore, bassist Matt Harris (Oranger, Posies), and drummer Kyle Schneider (Johnny Goudie). The album was co-written with Harris, who has also played with Roky Erikson and Pavement’s Spiral Stairs. With Moore’s inspiring guitar work leading the way, El Sonido Nuevo alternates between rockers and ballads, pure songs and pure sounds, with a lush pop introduction that follows the same Beatles-by-the-way-of-Big Star thread that has informed the best work of contemporaries like Wilco.

Moore, a prodigy of self-invention, has built a career following his artistic instincts, which hasn’t always worked from a business perspective. Still, he’s been steadily accruing fans by staying on the road doing everything from solo acoustic shows to full band gigs in the U.S. and abroad. Moore’s skilled musicianship has been requested by many of his stylistic forefathers. Milestones include playing “Like a Rolling Stone” on the road with Bob Dylan, drinking goblets of wine and trading guitar riffs with Keith Richards on tour with the Rolling Stones, exchanging mix tapes with Paul Weller, performing “Whisky River” with Willie Nelson, singing a duet with Emmylou Harris, and backing artists as divergent as Roky Erikson and Jason Mraz.

Moore’s pared-back band on the record was a purposeful step into stripping away artifice and décor.  The songs on El Sonido Nuevo are simple and direct. Previously Moore might have been inclined to layer sonics and complex arrangements; here the record is straightforward, the songs clean and without ornamentation. Moore returns to the boundaries of what he can do with six strings and his largely unsung, soulful voice.

Born in Berkeley, Calif., Moore grew up in Austin, Texas, and made his mark there in the early ’90s as a blues-guitar virtuoso. Early sideman duty for Texas roots legend Joe Ely led to a 1993 self-titled solo record on Capricorn that propelled Moore to those critical opening gigs for the Stones and Dylan, as well as a notable appearance in Billy Bob Thornton’s indie hit film Slingblade. Moore’s broad palette of influences and interests was further explored in the video for “Harlem,” directed by rapper and actor Ice Cube.

Critics have long loved Moore’s studio output: Dave Hickey in Art in America magazine called his Modernday Folklore “one of the best moments in contemporary art in 1996,” while Harp magazine observed, “Since the early ’90s the native Texan has refused corporate molding in favor of freedom and the artistic rewards are staggering.” Moore’s 2004 release Luminaria received numerous accolades, including from Billboard’s Chris Morris, who noted, “The burden of the contemporary singer/ songwriter is in formulating a sound that is completely unique. With Luminaria, Ian Moore accomplishes just that.” And of his most recent release, 2007’s To Be Loved, All Music Guide wrote, “Moore has created a brand of challenging yet highly melodic new-millennium pop-rock that establishes him as an audacious songwriter and player. He has struck that rare balance between astute complexity and utter pop appeal.”

Moore has been placed into the circle of guitarist-songwriters likes Mayfield, Hendrix, and Buckley, “where pop isn't a dirty word and where music comes straight from the soul.” He has made hundreds of television appearances, from regional TV shows to the Today show and the Late Show With David Letterman to a one-hour Direct TV special, while avid watchers of American Idol have seen contestants cover Moore’s songs “Blue Sky” and “Satisfied.” And the Austin Music Awards have repeatedly voted him Best Singer, Musician and Band.

The manner in which Moore has moved across styles and cultural boundaries has rallied critics but, sometimes, confused his longtime fans. On El Sonido Nuevo, the blues and rock guitar he’s best known for is back, bolstered by confident songwriting and the absorbed echoes of those influences and stylistic adventures.

With El Sonido Nuevo, Moore’s musical journey bands together all these disparate influences with a confidence, subtlety, depth and, some would argue, a return to form on the guitar.

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Tour dates:

Thurs., March 3  CORPUS CHRISTIE, TX House of Rock
Sat., March 5  AUSTIN, TX Continental Club
Sun., March 6  AUSTIN, TX Waterloo Records in-store
Sat., March 12  HOUSTON, TX Continental Club

Nightmares For A Week Announce Tour Dates

It all started out with a couple cases of beer, a back porch, and a few old friends. In the hot, muggy summer of 2008, longtime friends and former band mates Sean-Paul Pillsworth and Bill Manley decided it was time to pick up their dusty guitars and start writing music together again. It wasn't long until they recruited ex-Astronauts drummer Steve Markota, and the resulting chemistry was undeniable.

The trio played a packed hometown show, and in months they were traveling far from their native Kingston, NY, playing nearly every weekend. They kept getting called back, each time with bigger and more enthusiastic performances to match the crowds. A year went by so fast. They released their debut EP, A Flood Tomorrow, produced by studio pro John Naclerio (My Chemical Romance, Senses Fail, Polar Bear Club) at Nada Studios in New Windsor, NY. After releasing the CD on friend-run imprint Music for End Times, Naclerio signed the band to his own Broken English record label for digital distribution.

In June of 2010 the band reentered Nada Studios as free agents to record their full-length debut. In addition to a brand new album, the band also came out of the studio with a brand new label, Brooklyn-based Academy Fight Song. Their full-length entitled “Don’t Die” is out now. Nightmares for a Week will be touring the country in support of the new album, full US tour dates coming soon.

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Nightmares For A Week Live!

Jan 14 California Brew Haus Rochester, New York
Jan 15 The Tuscan Cafe Warwick, New York
Jan 21 Cravings Goshen, New York
Jan 22 Deer Park Community Center Deer Park, New York w/ Koji
Jan 28 King Killer Studios Brooklyn, New York
Feb 5 Bacchus New Paltz, New York
Feb 11 Valentine’s Albany, New York w/ Iron Chic
Feb 25 The Basement Kingston, New York w/ After the Fall
Feb 26 Valentine’s Albany, New York
Mar 1 The Saint Asbury Park, New Jersey
Mar 20 Trash Bar Brooklyn, New York

+ Full US Tour Dates Coming Soon!

Billy Taylor - July 24, 1921 - December 28, 2010

Dr. Billy Taylor, a Jazz pianist, composer, educator and broadcaster who encompassed that rare combination of creativity, intelligence, vision, commitment and leadership, qualities that made him one of our most cherished national treasures, died in New York on December 28, 2010.  He was 89 and lived in Riverdale, New York.

The cause was heart failure, according to his daughter, Kim Taylor-Thompson.

The distinguished ambassador of the jazz community to the world-at-large, Dr. Billy Taylor's recording career spanned over six decades. He also composed over three hundred and fifty songs, as well as works for theatre, dance and symphony orchestras.

Among his most notable works is "I Wish I Knew How It Would Feel to Be Free", achieving great popularity with Civil Rights Movement of the 1950s and 1960s. Nina Simone covered the song in her 1967 album Silk and Soul, and the song continues to be recorded by many artists worldwide, most recently by Levon Helm.

Playing the piano professionally since 1944, he got his start with Ben Webster's Quartet on New York's famed 52nd Street. He then served as the house pianist at Birdland, the legendary jazz club where he performed with such celebrated masters as Charlie Parker, Dizzy Gillespie and Miles Davis. Starting in the 1950s, Billy Taylor ked his own Trio, as well as performed with the most influential jazz musicians of the twentieth century.

After many years of recording for leading record labels, in 1989, Taylor started his own "Taylor Made" record label to document his own music, releasing four albums, and in the late 90s, "Soundpost Records," releasing his two final recordings.

Dr. Taylor was not only been an influential musician, but a highly regarded teacher as well, receiving his Masters and Doctorate in Music Education from the University of Massachusetts at Amherst and serving as a Duke Ellington Fellow at Yale University.

He also hosted and programmed such radio stations WLIB and WNEW in New York, and several  award winning series for National Public Radio. In the early 1980s, Taylor became the arts correspondent for CBS Sunday Morning.

Dr. Billy Taylor was one of only three jazz musicians appointed to the National Council of the Arts, and also served as the Artistic Advisor for Jazz to the Kennedy Center for the Performing Arts, where he developed one acclaimed concert series after another including the Louis Armstrong Legacy series, and the annual Mary Lou Williams Women in Jazz Festival.

With over twenty three honorary doctoral degrees, Dr. Billy Taylor was also the recipient of two Peabody Awards, an Emmy, a Grammy and a host of prestigious and highly coveted prizes, such as the National Medal of Arts, the Tiffany Award, a Lifetime achievement Award from Downbeat Magazine, and, election to the Hall of Fame for the International Association for Jazz Education.

Dr. Taylor's survivors include his wife, Theodora and his daughter, Kim Taylor-Thompson.  A son, Duane, passed away in 1988.

Eric Comstock & Randy Napoleon Release Bittersweet

The pianist & vocalist Eric Comstock, a star of the Off-Broadway hit OUR SINATRA known for his pop and jazz interpretations, and guitarist Randy Napoleon, currently of the Freddy Cole Quartet, have collaborated on a uniquely intimate voice/guitar CD, "Bitter/Sweet", on Harbinger Records.

Co-produced by Comstock and Katherine Miller, "Bitter/Sweet" features songs by Rodgers & Hart, Jobim (with a lyric by the late Susannah McCorkle), Lane and Lerner, Billy Strayhorn, Henry Mancini, Billy May, Paul Weston and others from the American, Brazilian and English songbooks, all arranged by Comstock and Napoleon. Standards such as "I Have Dreamed," "This Can't Be Love," "Gone With the Wind," "Wrap Your Troubles in Dreams," "A Nightingale Sang in Berkeley Square," and "If I Had You" are joined by such rarities as Roger Schore's lyric to Strayhorn's "Ballad for Very Tired and Very Sad Lotus-Eaters". The album also includes "Two for the Road," on which Comstock is joined by his wife, celebrated vocalist Barbara Fasano. Comstock’s other CDs include “No One Knows”, “Young Man of Manhattan” and “All Hart”, and he is profiled in Will Friedwald's new book "The Biographical Guide to the Great Jazz and Pop Singers" (Pantheon, 2010). Napoleon's arrangements are heard on Cole's Grammy-nominated salute to Billy Eckstine, "Freddy Cole Sings Mr. B."

Comstock and Napoleon first worked together at a concert for Lincoln Center's American Songbook in 2003, and felt it was time to record the duets they have performed in concert halls and festivals around the country in the years since. Napoleon says, "This is one of my favorite musical combinations. Whoever first carved a guitar out of a block of wood must have had a singer in mind -- guitar and voice are that natural together. Eric is also a first-rate pianist and accompanist, so I was particularly honored when he asked me to record with guitar and voice alone."

Comstock adds, "We live in a noisy world, and Randy and I are trying to show that whatever is worth saying musically can be said softly and slowly. This album is an antidote to stress, and Randy and I are extremely proud of it."

Comstock returns to the Algonquin Hotel's Oak Room with Barbara Fasano on January 4th in a new show entitled, "HELLUVA TOWN: A  New York Soundtrack", featuring an idiosyncratic  mix of songs from Broadway and Hollywood, the pop singer-songwriters, and the jazz songbook.  Performances of "HELLUVA TOWN", which continue through January 15th, 2011, are Tuesdays through Thursdays at 8:30pm and Fridays and Saturdays at 8:30 and 11pm.

G. Love To Release New Album Produced By The Avett Brothers

G. Love's new album, Fixin’ To Die, is set for release on February 22nd on Brushfire Records. Recorded at Echo Mountain Studios in Asheville, NC, and produced by Scott and Seth Avett (The Avett Brothers), this new body of work is arguably G. Love’s most sincere and candid work to date. After a chance meeting in Boston last fall, G. Love and The Avett Brothers forged a friendship and bonded over their love of back road blues.  After performing together onstage and discovering their shared musical heritage, G. Love invited Scott and Seth Avett to not only produce his new album, but perform on it as well.
The result is Fixin’ To Die, a collection of G. Love originals, rearranged traditionals, and a classic cover, many simmering for over a decade, all sharing a common goal: to strip away all pretense and capture the original spirit and sound G. Love has cultivated over his entire career but never fully embraced until now. From the ragged jangle of its opener “Milk & Sugar” and floorboard stomp of Bukka White’sFixin’ To Die,” over the loping lilt of “Home” and longing for “Katie Miss,” through the greasy fried “Get Goin’” and moonshine reverb of “Heaven,” to the hip shake hootenanny in Paul Simon’s infamous kiss off “50 Ways to Leave Your Lover,” G. Love and The Avetts deliver a life lesson in how to find a song’s sweet spot.
It was an emotional recording session and I was truly blown away by the level of focus, care and passion Scott & Seth brought to it.  It was a tremendously positive and encouraging experience. This is the most inspired I’ve ever felt making a record,” G. Love said.
As Scott Avett says, “There’s a little bit of this record on all the previous G. Love records, you just had to look for it. This is the record we all knew he should make and he could make, but again, he had to open himself to the core to make it. That’s the difference.”
G. Love will tour the U.S. extensively in support of Fixin’ To Die in 2011.

The Attack Cover The Kinks' "Father Christmas"

Hey Scrooges, Grinches and Heat Misers, you don't have to be so pissed off at Christmas anymore. Orlando street-punk heroes The Attack have just released their rendition of The Kinks' classic Christmas tune "Father Christmas." You won't get stockings hung with care or sugar plum faries, it's more like machine guns, unemployment, and youth mobs runamuck through this Dark Christmas Anthem.

"We've always wanted to record this song and finally had an opportunity to do it, and releasing it this year seems appropriate." recalls The Attack's guitarist Brad Palkevich. "The songs content relfects a recession stricken England years ago, not too different from economic crisis going on all over the world today."

The new single was recorded during a quick trip into the studio to record a collaboration track for MC Lars' upcoming album, with help from producer Jami Roebuck in Orlando, and mixed by Tom Petta (Bigwig) at Bivouac Studios in New Jersey.

After a busy year supporting the release of their first album Of Nostalgia and Rebellion, The Attack are playing a handful of Southeast dates to round out the year before completing their next 7" due out Spring 2011.

The Attack Live!
December 4th @ The Firestone Orlando, FL w/ The Misfits
December 21st @ The Back Booth Orlando, FL w/ Go Rydel and How Dare You
January 7th @ The Social Orlando, FL w/ H2O, Comeback Kid, Casey Jones

Upcoming Deerhoof Tour Dates + New CD

Remember what it was like to turn 16? No one could tell you what to do. You were a force to be reckoned with -- filled with the undeniable feeling that you could take on anything and win.

Deerhoof has now reached that fateful age and by rites it’s their turn to go out and challenge the world. And so, right before they began recording, Greg Saunier, Ed Rodriguez, John Dieterich, and Satomi Matsuzaki just up and split from San Francisco (the only home they’ve ever known as a band) and left behind all notions of what a “Deerhoof record sounds like.”

Self-recorded, mixed, and mastered in rehearsal spaces and band members' basements with no engineers or outside input, Deerhoof vs. Evil dresses up Deerhoof's well-known recklessness in a newfound elastic groove -- one flled with big-hit choruses and exuberantly unfamiliar colors.

The musical equivalent of hormones raging out of control, the record explodes out of the speakers with its gawky triumph and inflamed sentimentality.

This is Deerhoof's ode to their own adolescence. This is Deerhoof vs. Evil.

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Deerhoof vs. Evil

1. Qui Dorm, Només Somia

2. Behold a Marvel in the Darkness

3. The Merry Barracks

4. No One Asked to Dance

5. Let’s Dance the Jet

6. Super Duper Rescue Heads !

7. Must Fight Current

8. Secret Mobilization

9. Hey I Can

10. C’Moon

11. I Did Crimes for You

12. Almost Everyone, Almost Always

Deerhoof vs. Evil will be released January 25, 2011 on Polyvinyl Record Co. It will be available on cassette from Joyful Noise.  It will also be released by ATP (UK) on January 24, 2011, P-Vine (Japan) on January 6, 2011, and Polyvinyl Record Co. (Europe).

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ON TOUR

dec 05 - Minehead, UK - All Tomorrow's Parties (Curated by Godspeed You! Black Emperor)
jan 27 - Sacramento, CA - Harlow's (w/ Nervous Cop)
jan 28 - San Francisco, CA - Great AMerican Music Hall (w/ Nervous Cop, Ben Butler and Mousepad)
jan 29 - Los Angeles, CA - Echoplex (w/ Nervous Cop, Ben Butler and Mousepad)
feb 01 - Austin, TX - Mohawk (w/ Nervous Cop, Ben Butler and Mousepad)
feb 02 - Dallas, TX - South Side Music Hall (w/ Nervous Cop, Ben Butler and Mousepad)
feb 03 - Memphis, TN - The Hi Tone (w/ Nervous Cop, Ben Butler and Mousepad)
feb 04 - Nashville, TN - Mercy Lounge (w/ Nervous Cop, Ben Butler and Mousepad)
feb 05 - Athens, GA - 40 Watt (w/ Nervous Cop, Ben Butler and Mousepad)
feb 06 - Raleigh, NC - King's (w/ Nervous Cop, Ben Butler and Mousepad)
feb 07 - Washington, DC - 9:30 Club (w/ Nervous Cop, Ben Butler and Mousepad)
feb 08 - Brooklyn, NY - Ridgewood Masonic Temple (w/ Nervous Cop, Ben Butler and Mousepad)
feb 10 - Cambridge, MA - Middle East (w/ Nervous Cop, Ben Butler and Mousepad)
feb 11 - Philadelphia, PA - Theatre of Living Arts (w/ Nervous Cop, Ben Butler and Mousepad)
feb 12 - Pittsburgh, PA - Altar (w/ Nervous Cop, Ben Butler and Mousepad)
feb 14 - Pontiac, MI - The Crofoot Ballroom (w/ Nervous Cop, Ben Butler and Mousepad)
feb 15 - Chicago, IL - Bottom Lounge (w/ Nervous Cop, Ben Butler and Mousepad)
feb 16 - Madison, WI - High Noon Saloon (w/ Nervous Cop, Ben Butler and Mousepad)
feb 17 - Minneapolis, MN - Triple Rock Social Club (w/ Nervous Cop, Ben Butler and Mousepad)
feb 18 - Iowa City, IA - Blue Moose (w/ Nervous Cop, Ben Butler and Mousepad)
feb 19 - Omaha, NB - Waiting Room (w/ Nervous Cop, Ben Butler and Mousepad)
feb 21 - Denver, CO - The Marquis (w/ Nervous Cop, Ben Butler and Mousepad)
feb 25 - Seattle, WA - Neumo's (w/ Ben Butler and Mousepad)
feb 26 - Portland, OR - Holocene (w/ Ben Butler and Mousepad)
mar 14 - New York, NY - JapanNYC Festival at Le Poisson Rouge (w/ Ichi)
jul 11 - London, UK - Performing Milk Man at Alexandra Palace (w/ The Flaming Lips performing The Soft Bulletin and Dinosaur Jr performing Bug)

Alan Hampton Announces Solo NYC & International Dates

Making the leap from sideman to solo artist, Alan Hampton's debut LP The Moving Sidewalk effortlessly showcases his tender, ashy voice shimmering over lush string trios, Dr. Who synthesizers and finger-picked acoustic guitars all performed by many of Brooklyn's finest musicians.

After performing around the world with artists including Gretchen Parlato, Sufjan Stevens, Clare and the Reasons, Robert Glasper and Elizabeth & the Catapult, Hampton announces solo NYC shows and national dates with Parlato to celebrate the release of The Moving Sidewalk.

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Who is Alan Hampton:
Alan Hampton’s debut record, The Moving Sidewalk effortlessly showcases his range of musicality and resourcefulness. His tender, ashy voice shimmers over lush string trios, Dr. Who synthesizers, and finger-picked acoustic guitars, all performed by many of Brooklyn’s finest musicians. The ten, carefully constructed songs are intricate hybrids of various genres and influences, pooling from Brian Wilson, Wayne Shorter, and The Band.
Enhanced only by its homebrewed process, The Moving Sidewalk was recorded in Pete Rende’s Brooklyn apartment, and mixed in David Boucher’s Culver City garage. The album’s cover features Hampton’s whittled self-portrait standing on a winding sidewalk that ribbons from a cityscape made of papier mâché and wire form, which was designed and constructed with close friend Lindsey Anderson.
An extensive musical education; years of experience as a sideman and bassist in NYC; and practice in a variety of different genres have all contributed to the abundant reservoir of resources that make Hampton’s record at once eloquent and unassuming. Hampton studied composition and performance, and toured and performed with jazz luminaries Terrence Blanchard, Herbie Hancock, and Wayne Shorter at the Thelonious Monk Institute of Jazz in Southern California. After completing the program, he moved to Brooklyn where he made his mark as a bassist and sideman, performing around the world and recording with the likes of Gretchen Parlato, Sufjan Stevens, Clare and the Reasons, Robert Glasper, and Elizabeth and the Catapult.
Since the arrival of The Moving Sidewalk, and his leap from sideman to solo artist, Hampton has gained notoriety as a singer and a songwriter, and has appeared on records by singer Gretchen Parlato, and bassist Derrick Hodge, who is known for his work with Common, Mos Def, and Maxwell.
Where The Moving Sidewalk will take Hampton next, he can’t be sure. But the evidence rings loud and clear: In the world of music, Alan Hampton is quickly setting the pace.
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Alan Hampton Tour Dates:

Nov 23 - Rose Hall - NY, NY    
Dec 4 - Alverno College - Milwaukee, WI
Dec 10 - Rockwood Music Hall - NY, NY
Jan 3 - Joe's Pub - NY, NY (CD Release show)
Feb 10 - Olin Center - Lewiston, ME    Bates College
Feb 12 - Vermont Jazz Center - Brattleboro, VT    
Feb 18 - Riverside Fine Arts Association - Jacksonville, FL    
Apr 22 - Wichita Jazz Festival - Wichita, KS    
Apr 23 - Wichita Jazz Festival - Wichita, KS
More tour dates to be announced soon

Stanton Moore Trio at the Boulder Theater - 12.02

Z2 Entertainment is proud to present Stanton Moore Trio featuring Will Bernard and Wil Bladesat the Boulder Theater on Thursday December 2nd.

Born and raised in New Orleans, Stanton Moore is a dedicated drummer and performer especially connected to the city, its culture and collaborative spirit. Driven and inspired by the thriving music scene of his hometown which includes such greats as Professor LonghairDoctor John and The Meters, Moore’s name is now mentioned amongst these Big Easy mainstays.

In the early ‘90s, Moore helped found the New Orleans-based essential funk band Galactic. Their first album, 1996’s widely acclaimed Coolin’ Off, led to an intense tour schedule of nearly 200 gigs a year for the next ten years. Building on their fan base by adding an esteemed list of all-star collaborations to the six albums that followed, Galactic continues to amass a worldwide audience via recording and touring globally.

Moore launched his solo career in 1998 aided by eight-string guitar virtuoso Charlie Hunter and saxophonist Skerik (Les Claypool, John Scofield, Roger Waters). The group recorded All Kooked Out! featuring a handful of local New Orleans musicians as well.

In the midst of these recording sessions yet another concept was taking shape. Outtakes turned into the first Garage a Trois release, Mysteryfunk (1999). In 2000 the trio, led by Moore behind the drum kit, was joined by percussionist Mike Dillon (Les Claypool, Ani DiFranco) and has since released three more albums – Emphasizer in 2003, Outre Mer in 2005 and Power Patriot in 2009.

Moore extended his solo discography with the release of Flyin’ the Koop (Verve/Blue Thumb) in 2001, and III (Telarc) in 2006. Following the latter Modern Drummer called Moore’s trademark sound “infectious, jazz-meets-Bonham, nouveau second-line.” Recorded at the legendary Preservation Hall in New Orleans, III featured organist Robert Walter (Greyboy Allstars, The Head Hunters) and guitarist Will Bernard (T.J. Kirk, Doctor Lonnie Smith) as the Stanton Moore Trio, with special guests Skerik and trombonist Mark Mullins (Galactic, Bonerama, Harry Connick, Jr., Better Than Ezra).

In 2008, Moore looked to continue his scaled back session crew with Walter and Bernard to record Emphasis! (on parenthis). Says Moore, “When it came time to do another record, I had already known for a while that I wanted to build on the momentum of this band – three musicians who were becoming a unit unto themselves – and I wanted to get a little more adventurous with the music itself.”

In April 2010, Moore releases Groove Alchemy. The 12-track set is the culmination of Moore’s multimedia project that also includes an instructional book and DVD of the same name. All three facets of the project are designed to explore the roots of funk drumming by examining the work of pioneers like Jabo Starks, Clyde Stubblefield, and Zigaboo Modeliste – each of whom made their mark at different times throughout the 1960s as the engines driving James Brown’s and the Meters’ legendary rhythm sections – and in turn tracing their influences back to the rhythms coming out of New Orleans in the earlier part of the 20th century. Recorded at Levon Helm’s studio in Woodstock, NY, this project is the follow up to the widely acclaimed Take it to the Street DVD and book that focused specifically on New Orleans drumming styles.

Showing his outstanding versatility, Moore has appeared on Heavy Metal Grammy nominees Corrosion of Conformity’s In the Arms of GodIrma Thomas’ After the Rain (winning a grammy in the process), Robert Walter’s Super Heavy OrganTom Morello (Rage Against the Machine) and Boots Riley’s (the Coup) Street Sweeper Social ClubWill Bernar & Diane Birch’s Bible Belt, Alec Ounsworth’s (Clap Your Hands Say Yeah) Mo Beauty.  He continues to play dates globally with an ever-evolving cast of musicians including John Scofield; Karl Denson; George Porter, Jr., and Leo Nocentelli (of the Meters); Charlie Hunter; Warren Haynes; John Medeski and Chris Wood (of Medeski, Martin and Wood); Donald Harrison Jr.; Dr. Lonnie Smith, Dr. John, Tab Benoit, Robert Walter; the New Orleans Klezmer All-Stars and the Preservation Hall Jazz Band to name a few.

With a bachelor’s degree in music and business from Loyola University, Moore stays involved in education by constantly giving clinics and teaching master classes and  private lessons all over the world. He has been a contributing writer for Drum!, Modern Drummer, and DownBeat magazines here he was featured on the covers of more than six drum publications. In 2005, he launched a signature line of cymbals with Bosphorus Cymbals and a signature drumstick with the Vic Firth stick company.  In 2009, Moore developed his own drum company to introduce his signature titanium snare drum that he designed in conjunction with Ronn Dunnett.

Deeply affected by Katrina and its aftermath, New Orleans’ native son was quick to lend a hand by spearheaded the Tipitina’s Music Workshop, free Sunday seminars that cater to children and a rotating cast of well-known professionals to promote the preservation of New Orleans music.  He also set up the Staletta Fund, a scholarship started by he and his wife Aletta to help cover costs for aspiring students to attend jazz camps, auditions and further their education.

Moore stays active as a spokesperson for the Gulf Restoration Network and is a regular proponent of and player with the Voice of the Wetlands All-Stars. Additionally he serves on the board of directors for the Roots of Music, a free music education and academic mentoring program founded by Derrick Tabb, drummer for Rebirth Brass Band and recent nominee for CNN’s Heroes awards.



Galactic’s next record Ya-ka-may will be released February, 2010, and Moore steps into the role of producer on Anders Osborne’s next record due out next Spring.

Tickets are on sale at Boulder Theater Box Office. Call (303) 786-7030 for tickets by phone.

Tickets are also available through our website @ www.bouldertheater.com.

Tickets are On Sale Now!

$15.50 adv / $19.25 dos

+ $2.00 for under 21 tickets

Tapes N' Tapes at the Fox Theater

Tapes ‘n Tapes is a rock band from Minneapolis, MN, made up of Josh Grier on guitar and lead vocals, Matt Kretzmann on keys and horns, Erik Appelwick on bass guitar and backing vocals, and Jeremy Hanson on percussion.

Grier said he formed the band in 2003, to “have fun with my friends.  I always wanted to see if I could play music with others and for others.”   Grier and his buddies amassed “tapes ‘n tapes” of noodling, experimental jams and declared themselves officially a band.

In the winter of 2004, the band now known as Tapes ‘n Tapes bought some recording equipment and headed out to a rustic cabin in the woods of Wisconsin.  They recorded their self-titled, now long out of print, seven song EP in three days.  Songs like “Beach Girls” and “50’s Parking” from the EP are still in their live set today.

Next up for the band was recording their critically acclaimed follow up, The Loon.  Appelwick recorded, mixed and produced the eleven song record with the band in one week at a friend’s home studio.  The Loon came out in November of 2005 on ibid records, and no one was ready for what came next.   People started to notice the foursome’s jangly, melodic brand of rock and the band started touring – gaining more and more attention from music critics and fans all over the world.  Even the Thin White Duke took notice.  “’Insistor’ is the first single, and it's cracking. It was a slow grower, but once that chorus digs in there's really no escape,” said Mr. David Bowie.  The prestigious XL Recordings re-released The Loon in July of 2006, the same month Tapes ‘n Tapes made their national television debut on the Late Show with David Letterman.

The band then toured around the world for the next few years- playing shows with the likes of Franz Ferdinand, Spoon, Cold War Kids, The Black Keys, Echo & the Bunnymen, and The Wrens.  In 2006 they were honored to play Reading/Leeds, and 2007 saw them rock out at Lollapalooza and Coachella.

When starting to work out songs for their follow up, Walk It Off, the band was asked who their dream producer was.  The obvious answer to them was Mr. Dave Fridmann (Flaming Lips, MGMT).  With twelve songs in hand, the band made the jaunt to upstate New York to live and work with Fridmann for two amazing weeks- one week in September 2007 to record and one week in October 2007 to mix.  However, years of touring, the political climate, and distance from friends and family had changed the band, and given them a different point of view- one that seemed to pervade their sound.  Spin praised the record saying, “the tunes are tighter and performances far more dynamic and aggressive…..they can now pull off jittery punk and understated, graceful melancholy.”  XL released Walk It Off in April of 2008, on the same day the band made their debut on Conan O’Brien.

After touring and supporting Walk It Off for the following year, it was time for a little R & R- rest and relaxation.  They purposefully took their time and tried to get back to a place where the band was fun, and not work.  They also decided to go back to their roots and do everything on their own, with no label involvement.  They cut ties with XL, and re-launched ibid records, their own label which initially released The Loon.  The brothers tapes had saved their pennies over the years and set out to make the record they’ve always wanted to make – Outside.  They wanted to record at home and self-produce, which they did over two weeks at The Terrarium in Minneapolis, MN in March of 2010.   The next step was getting the talented Mr. Peter Katis (Interpol, The National) to lend his ears to the mix.  Grier spent two more weeks in Bridgeport, CT, while Katis mixed the record to perfection.  The result is twelve songs that are playful and melodic, while also capturing the essence and energy of their live show.   Grier said, “We had a great time making Outside and we wanted our enjoyment of the process to be audible in the recording, and I think we succeeded.”  One thing is for sure, Tapes ‘n Tapes feel like they are making music for the right reasons – fun and pure love for music.  And as Grier always says, “Everything else is gravy.”  Outside will be released on January 11, 2011.

Tapes N’ Tapes

Fox Theatre

Saturday, March 5th

Doors:  8:30 pm

Show Time:  9:00 pm

All Ages